“Como corresponde a dos veteranos de la escena musical, Lars Graugaard y Claudio Pérez tienen entre ellos una amplia experiencia en estilos como jazz, electrónica, pop, clásica y contemporánea, cubriendo enfoques creativos que incluyen improvisación, notación, programación y producción musical. Ahora unen fuerzas en tres pistas extendidas que de muchas maneras son similares a sus presentaciones en directo, en las que la música en constante transformación de Lars crea un campo de juego para los exquisitos y fluidos inventos en teclado y sintetizadores de Claudio.
Si bien todas las pistas tienen una fuerte base rítmica, las hazañas sonoras continuas produce una música atrevida en refundación ininterrumpida y con giros sorprendentes e vueltas inesperadas.
Los paisajes sonoros de indole psicodélico recuerda al trabajo de Radian, Jan St. Werner y Blir, e incluso a las creaciones subacuáticas de Porter Ricks, particularmente cuando las pistas alcanzan
alta densidad tecno-febril y el conjunto se hace acídico-delirante. En ocasiones, el cuerpo sonoro entero está siendo agusanado por procesos perforantes que transforma la música en algo fantasmagórico, como si pasase a través de un insondable agujero de tiempo y espacio, donde el instante se deforma en visiones deliciosamente irracionales de un sinrazón obstinado.”
“As befits two veterans of the music scene, Lars Graugaard and Claudio Perez hold extensive experience between them in jazz, electronica, pop, classical and contemporary music styles, and cover creative approaches that include improvisation, scoring, computer coding and music production. Now they join forces in three extended tracks that in many ways are similar to their live performances where Lars’ constantly morphing live laptop provides a rich playing field for Claudio’s exquisite and free-flowing inventions on keyboard and synthesizers.
While all tracks have a strong rhythmic grounding, the sonic exploits are daring and continuous and the result is an unbroken musical recasting that provides some unexpected twists and turn along the way. The psychedelic electronic sounds form extended electronic soundscape that are reminiscent of the work of Radian, Jan St. Werner and Blir – even reaching back to Porter Ricks’ subaquatic
creations, particularly when the tracks reach techno-feverish density and the electronics go acidotic rave. At times the entire sound is perforated by vermian processes that ghost casts the music, as if passing through an unfathomable time-space hole that warp and malforms the ongoings into deliciously irrational moments of stubborn unreasoning.”
(Atenas, Grecia / Athens, Greece / Abril / April 2017).
insectorama presents the 80. Release and we say hello to a new artist on insectorama. his name is Antias and he bring us 2 perfect dubtechno tracks for the cold days. pure rhythm with chords , delays and echoes.i found no more words for this fantastic sound. listen and understand dubtechno!!!!!!!!
We are so happy to release ‘Noise Band in My Garden‘ by Dako Loop Orchestra and Lezet.
Lezet introduces a true music hero, the inimitable Darko Jovanovic, to the Etched Traumas community, by means of a split/collab “why the dance rhythm? l definitely live in the loop, and I do things the way I should.”
Art Electronix comes back releasing with our netlabel offering you a straight remix EP of one of their tracks. Just like the style of the genre, this release is the stirring in various forms of the primal matter of the first track, and stil it renders a powerful shot of all the Artist’s feature.
But let Egene and Katerina themselves tell about the concept of “Inside The Box EP:
«At the end of this summer our colleague from Poland (who works under the pseudonym Ixirell) wrote to us to send him samples from the title track.
After that, we invited another DJ and musician from Ukraine (Breaksage) to write down his version as well.
The cover was developed by the VJ Lena Dzhurina.
The concept of this work is primarily in the minimalism and psychological mental hooks, which often have to be worked out by creative people working with a limited set of tools. Thus, the idea of this collection is an example of how a musician using a small set of instruments, depending on personal perceptions, skills and psychological qualities, is able to come up, develop and transform a certain musical idea, inviting an outside observer to immerse himself in the inner world of the creator and his approach.
And it is this minimal approach that suggested the title of the track, since the music was made using only two box devices (a bass synth and a drum machine).
We recently learned about the experiment of Ludwig Wittgenstein, who showed that people are not able to understand each other to the end. This experiment was called “The Beetle in a Box” and we were interested in the concept that there are many interpretations of how the creative idea should develop and only when compared with already known paradigms a person can make some sort of conclusion, such as: it’s original, and it is primitive, or it pleases, and it saddens, but these conclusions can still be wrong or misunderstood. Therefore, we decided to tie together the idea of imperfection of human relations, the frequent inability to correctly understand one’s inner world and the chance to minimalism, as a way to return to the source. To that state without piling up with all sorts of concepts, where you can try to realize what kind of “Beetle or bug” is inside your box, and also whether you can be considered a beetle what lies in your neighbor’s box».
Edition number 7 of the popular Digital Family compilation series. 11 unreleased tunes, carefully orchestrated by label conductors Alic.
On the decks you can find new talents like Whoknowswhocares, Stoertebeker, Medular, Nicorus or Adamson (aka 50% of Alic), MNGRM, One Dub Connection and well-known label-veterans such as Trilingo, Daäna, Bratenschneider and Point! Expect deep groovers, progressive hypnotics, chunky breaks and melodic minimalism.
Energy is harnessed from natural elements by the use of power plants and this industrial EP shines a light on the inner workings of such places. Each power plant has a different feel and process but heavy basslines and tight rhythms will ensure a continuous operation.
Only two personel of this band, Jose a.k.a Pepenk dan his wife. the materials ideas are based on his life journey, start from dating until married. even now, they have kids!. Enjoy three disco track from them
The Spacebirds project was born in 2008 in Moscow. The composition of the group is an ironic understanding of synth dance music 1980-1990-ies and, in the first place, from genres such as New Wave, Synthpop, Spacesynth, Disco, Synthdance. Most of the songs Spacebirds recorded using children’s musical instruments (synthesizers Casio SA-21, SA-46, etc.), mobile analog gadgets (Volca Series from Korg) and even software based on Android (Caustic-3, SunVox, etc.). Spacebirds music is upbeat, ironic “toy synthwave / post new-wave” with a strong sci-Fi and space themes and, of course, with nostalgia for 80 years. The project exists as in the format of One-Man-Band and a full lineup of three or four musicians.
is a project born from the spontaneous encounter between two Italian djs and producers: Alan Backdrop and Enrico Rlt. Their productions are the outcome of studio jam sessions, recorded live so as to capture the alchemy of the moment. The sound reflects their fascination with 90s electronic music, nature, and travelling.
Maximal techno and beyond. Filled with polyrhythmic melodies and offscale sounds, precisely controlled bass-lines, massive kicks and sharp percussions.
Scratchy analog electronic ruminations from a quiet veteran Ministik, that ebb and flow like natural processes of evolution, growth or/and decay.
Perception and alienation, with (re)use of techniques, sources, and designs are the main features in his work expressing the world as the artist sees it.
Strange shifting rhythms, finely shaped clouds of noise, and distant techno patterns. Ministik is not a normal DJ. This craftsman will invite you to lose yourself in the depths of the abstract sounds and surreal melodies on concrete based drum patterns.
“‘Fin del Tiempo’ (‘End of Time’) is not a religious work, although in the creative process, passages from the Bible were the source of inspiration for the concept; for this reason, included along with the download of the album is a PDF document with the verses used.
The ‘Non Human‘ robot has been reduced to the minimum expression, a microchip with software. This allows his artificial brain to survive practically intact to the holocaust of the ‘Fin del Tiempo’.
‘Fin del Tiempo’ is the conclusion of a series of works under one concept with the aliases of Gozne and Zacarías Malden.
‘Fin del Tiempo’ initiates the definitive fusion of styles, where the rhythmic essence of Gozne merges with the purely experimental style of Zacarías Malden.
‘Nation will rise against nation; there will be earthquakes in many places, hunger and turmoil, terror and signs in the heavens; it is necessary for this to happen, but it is not yet the end. ‘ (Jesus of Nazareth). This is also the ‘Fin del Tiempo’, believe it or not, it is already happening.
For this described above, it was appropriate to write the review and / or presentation of the work myself (Gozne), to take the opportunity to thank my family, while ending a stage of my musical career and at the same time initiating another that is more abstract and primitive, minimalist and practically binary, both in audio and video.”
(Quilpué, Chile. Diciembre / December 2017)
Nuova apparizione e nuovo artista alle manopole
nelle pagine di EPHEDRINANETLABEL,
da un bellissimo posto che nessuno mai saprà, del pianeta terra,
arriva Mr CRPTC ed il suo mondo
fatto di suoni Techno filtrati tra maglie sonore IDM e richiami oscuri
che sicuramente vi piacerà ascoltare in cuffia mentre nella notte
vi affacciate dalle vostre finestre di casa,
per vedere se qualcuno vi ha seguito!!!!
M.Clike aka CRPTC – Italy.
The first approach to the music is when he starts around 1998 as hip hop dj/producer playing and sampling his personal collection of old and rare records.
Changed radically in 2002 pointing toward the electronic music, starting to mix breakbeat, house and techno.
Today he produces sperimental, ambient and electronic music in general.
CRPTC – Peaks
01_CRPTC – Jumping haze
02_CRPTC – Landscapes textures
03_CRPTC – Don’t Hate Me
04_CRIPTURE (crptc + structure) – Lullaby
M.Clike aka CRPTC – Italia.
Il primo approccio alla musica è quando inizia nel 1998 come dj / producer hip hop, suonando e remixando la sua collezione personale di record vecchi e rari.
È cambiato radicalmente nel 2002, puntando verso la musica elettronica, cominciando a mescolare breakbeat, house e techno.
Oggi produce tracce che spaziano dall’IDM, all’ambient sino ad arrivare nelle galassie più lontane.
Special guest da MILANO Mr STRUCTURE che appare nella quarta traccia con un Lullaby per le vostre notte insonni….
Mysterious and almost mythical substance that lives deep under water of earth’s electronic oceans. It designs synthetic sound sculptures on regular basis. It’s compositions are dynamic rhythmic patterns combined with emotional melodies and various digital effects. Few it’s creatures are captured in our nets and presented in this release.
Released: November 2017
Debut EP by Immortal Sun on Digital Diamonds! After releasing on Techgnosis Records, Immortal Sun delivers 4 fresh, exciting and groovy tracks, with that pinch of psychedelic. An innovative fusion between Progressive Minimal & Microhouse, cutting edge Melodic Techno!
“We are musicians who live and create at the edge of the world, who over two decades have worked to represent through sound and image various aspects of our habitat. ‘Ciencia Sur‘ (Southern Science) continues this trajectory, addressing the subject of field research. This work was conceived as a musical and audiovisual journey through the imposing landscapes of Patagonia and Antarctica, where science is developed in extreme conditions, as it seeks to answer transcendental questions about the past, present and future of the planet we inhabit.
The composition and recording of these works developed between July and September, combining the use of synthesizers with the use of unusual resources, such as the recording of sounds and electromagnetic emissions emitted by laboratory instruments and the conversion into sound of fossil images and diagrams concerning Climate Change through special software. We launched it in the framework of the opening of the IX Latin American Congress of Antarctic Science, an event that in early October 2017 brought together more than 300 researchers in the city of Punta Arenas (Chile).
The presentation of these works is accompanied by images provided by the Department of Communications and Education of the Chilean Antarctic Institute, which shows excavations in Cerro Guido (Torres del Paine commune), marine studies in the Magallanes channels, and images of the last two versions of the Antarctic Scientific Expedition (ECA), the latter including recordings made with drones on Chilean scientific bases in the Antarctic Peninsula and South Shetlands.
For us, it is very important to link art with the science that is being realized in the territory that we inhabit, because we believe that being of the Magallanes concerns not only knowing about our regional past, but also in imagining a future based on the search for knowledge. This work is dedicated to the women and men who study both the remote past and the uncertain future, entering the southern bastions. There, between the wind and the ice, they are discovering the keys to our destiny.”
(Punta Arenas, Magallanes, Chile. Octubre / October 2017)
Fingerflood is an electronic music project born as a part of the many musical extensions of Gaetano Fontanazza.
What we have in this debut release, named “Beats and Stabs and Kick in Four,” is the strong intent to basically dive into the fat obscure electronic moods of dub techno, somehow near to the Berlin scene if you like. The release has an ideal split in the middle of its playlist, switching from dub techno to more dub idm-oriented tracks.
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