Tracya – The Abyss

[51bts048]

Tracya

“The Abyss”

With Tracya’s debut album “The Abyss”, 51beats keeps cruising in IDM depth to discover new talents to be brought to light. “The Abyss” guides us into electronic resonances with trance-dream-like melodies and techno rhythmic patterns, through listening and dancefloor tunes to recall a Maceo Plex’ djset. “The Abyss” makes you diving in apnea while body and soul reconnect. Mind to jump headfirst for a deeper trip.
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NenTE – BRidGe

[SCM-1504]

NenTE

“BRidGe”

‘BRidGe,’ Nen.T.E.’s latest offering and the first one on Sucu Music out on July 14th, 2015, for the Netlabel Day 2015 special event, is based on two live performances recorded between October 2014 (tracks one to five, as part of a live installation at ‘Scritture Mobili’ – Mobile Writings – an exhibition by Sicilian artist Michele Lambo) and February 2015 (tracks SF one to five). Both performances were held as a single stream-of-consciousness-like improvisation for electronics, guitar, rhythms and effects, in a way not so dissimilar to what the likes of Tangerine Dream used to do way back in the early seventies, but with a psych-droney-ambient feel that is third millennium to the quick. For this release, however, Nen.T.E. chose to dissect their jams into proper tracks, which on the one side makes the production more accessible to a lot of people, on the other side leaves out nothing of the essence and the beauty of their music.
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Faex Optim – Mercury

[357]

Faex Optim

“Mercury”

A special release this month. To coincide with Netlabel Day 2015, we welcome back our very own Faex Optim.

Known otherwise as the missing third member of Boards of Canada, Optim’s works build on the same sentimental, atmospheric and detailed style and methodology yet he goes just that little bit further with this eight track EP entitled ‘Mercury’.

Building up from Cyclemagic, which is a fantastic introduction to the whole EP and taking us on a dreamy journey from one textured masterpiece to another, with epic tracks such as Thanet Well and Atlas 9, mixed in with smaller teasers to keep you waiting for more.

Extra credits for this release: Mastering by Mnemonic Studios, and superb cover artwork by our very own Anto whose artwork has appeared on many Kahvi releases over the years.

Favorite tracks: Cyclemagic, Atlas 9, Middle moon. Well, all of them really. If you’re a Boards of Canada fan, you’re going to love this amazing EP!

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Artem Bemba – Basscoast

[SCL167]

Artem Bemba

“Basscoast”

Endless journey across the planet with an infinite shape-shifting and color of plants, located somewhere on the edge of the infinite worlds. Musical soundscapes created by echoes of civilizations, radio waves passed through billions of light-years through the stellar dust.
Sound dream in the space of lost univers
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Wings of an Angel – Don’t Trust The Sun

[Self Release ]

Wings of an Angel

“Don’t Trust The Sun”

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North Hive – Gaia

[enrmp375]

North Hive

“Gaia”

Ambient album by North Hive, mixing drone sounds and field recordings in their characteristic laidback style. Co-released with GV sound, with a couple bonus tracks for the Enough Records release.
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Ascetic – The Citizen Made of Glass

[PLANET046]

Ascetic

“The Citizen Made of Glass”

It seems like an age since we released Ascetic’s A Network of Lines That Intersect,
a brooding mixture of dark techno and ambient industrial noise.
Originally cutting his teeth on breakcore under his Machinochrist
moniker, the UK-born, Berlin-based artist has more recently been
refining this brand of intense and atmospheric pseudo-techno.

There is plenty to get your teeth into with The Citizen Made of Glass,
from solid stompers to beatless wonders, all of them carrying a
dexterity and depth that mark Ascetic out as a producer of genuine
talent.

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Koen Daigaku – Three Works

[EPV_174]

Koen Daigaku

“Three Works”


EPV_174

■ bonus item
wallpaper (iPhone6, iMac, Macbook pro)

all tracks by Koen Daigaku
artwork by ono & Koen Daigaku

[artist info]
http://epv-artists.tumblr.com/post/119253397287/koen-daigaku
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Mauro Martinuz – Suez Ep

[EKR010]

Mauro Martinuz

“Suez Ep”

Tracklist:
1…..Suez Stadium
2…..Moon Beach
3/4..Jul Street (the Ferry Rd)

Written,produced,recorded and enginered by Mauro Martinuz at Transfert studio in Berlin.
Additional musician: Luca Sella.
Artwork by: Michele Servadio .

Suez Ep by Mauro Martinuz is licensed under a Creative Commons Attribution-
NonCommercial-NoDerivatives 4.0 International License.
Permissions beyond the scope of this license may be available at
http://ekar-records.tumblr.com/contact.
Attribution-Non-Commercial-No Derivative Works 4.0
You are free:
to copy, distribute, display, and perform the work
Under the following conditions:
Attribution. You must give the original author credit.
Non-Commercial. You may not use this work for commercial purposes.
No Derivative Works. You may not alter, transform, or build upon this work.
For any reuse or distribution, you must make clear to others the license terms of this work.
Any of these conditions can be waived if you get permission from the copyright holder.
Nothing in this license impairs or restricts the author’s moral rights.
EKAR RECORDS

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Wings of an Angel – Who Is Incomprehensible?

[Self Release ]

Wings of an Angel

“Who Is Incomprehensible?”

Life swirls and twirls without an end to infinity, and so do we… There’s nothing stable and coherent, as much as we’d like to believe that divine lie. The best, perhaps most creative, example of this perception is the stupendous cinematic experience – Holy Motors (2012) which demonstrates exactly that – the infinitude of roles, masks and scripts we follow daily – who to a radical degree and who moderately and consciously. This album speaks of this and more so; it is a transitional passage for me, an omen of an old-new beginning – the transformation of my long-awaiting master-plan from abstract theory into practice. Meaning, creating my own brute universe of otherworldly classical music, which is loosely based on pseudo-coherent ideas of sound, rhythm, motion etc’. But at the same breath is second to none in its far-out bold vision of what an alternative universe of music could be.
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