Nobody’s Nail Machine – Нет равномерности (Re-Mastered)


Nobody’s Nail Machine

“Нет равномерности (Re-Mastered)”

01-Nobody’s Nail Machine – Вакуумная АБ(11:12)
02-Nobody’s Nail Machine – Пролёт(5:40)
03-Nobody’s Nail Machine – Неравномерная Деформация(6:04)
04-Nobody’s Nail Machine – Нет Равномерности(11:11)
05-Nobody’s Nail Machine – Подземная Атомная Электростанция(17:57)
06-Nobody’s Nail Machine – Heat Absorber(15:50)
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Space Monkey Death Sequence – Scarsdale


Space Monkey Death Sequence


Denny Wicker is an accountant who just moved to Scarsdale, New York. He thought he found a way to shut up his noisy neighbors but, with the help of eager Phil Laurie, he stumbled upon much more than that.

Recorded in Berkeley, California and Portland, Oregon.

Written by Dominic and Madeline Francisco.

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The Cherry Blues Project – Ana Paula Santana & The Cherry Blues Project: Remixes


The Cherry Blues Project

“Ana Paula Santana & The Cherry Blues Project: Remixes”

The Cherry Blues Project reinterpreta piezas sonoras de Ana Paula Santana.

Ana Paula Santana González
(Guadalajara, Jalisco, México b.1985)

Sobre Ana Paula, en sus palabras:

Me interesan los sonidos constantes, maquinales, abrumadores. Me interesa la relación del sonido y el cuerpo humano, el cual entiendo como un material absorbente que incesantemente admite y reacciona a frecuencias del exterior. Me interesa la voz, la experimentación con los límites de nuestra voz y el fenómeno simpático entre la voz propia y las voces que nos apropiamos. Mi creación artística se sitúa en medio del campo del performance y la instalación y con frecuencia es motivada por ideas y fundamentos de índole antropológico.

My interest is based in constant sounds, machinelike , overwhelming. I’m interested in the relationship between sound and the human body , which I understand as an absorbent material that constantly receives and reacts to frequencies from outside. I’m interested in the voice , in experimenting with the limits of our voice and the sympathetic phenomenon between the own voice and the voices that we appropriate . My artistic creation is in the middle of the performance and installation and is often motivated by ideas and foundations of anthropological nature .


The Cherry Blues Project
Arte sonoro – música experimental – Dark ambient
Argentina, desde el año 2001

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Jorge Grela – Expande


Jorge Grela


“Jorge Grela invites us to explore three landscapes in these compositions. The triad ‘Expande‘ (Expand), selected for dance, contains atmospheres from the cavernous to the aqueous, giving use to – among other resources – field recordings, bass pulses, abrasive textures and melodies realized with samples and synthesizers. The use of panning marks dissimilar spaces that converge and establish themselves in the perception of the audience, giving to this disc a characteristic that is of utmost importance in works composed for the stage: that of stimulating the subjectivity and imagination of the spectators, in order to promote a state of immersion in the presentation”.

Miguel Jauregui (aka Basstk)
(Valparaíso, Chile. Agosto / August 2016)

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Øystein Jørgensen & Chris Silver T. – DOORS

Øystein Jørgensen & Chris Silver T.


This collaboration album, arose from the inspiration and endless talent of the artists Øystein Jørgensen & Chris Silver T., exhales and ultimately catapults the listener into a fascinating melange of multitudinous space particles and technocratic galaxies of aural ether. The obscure flow of sound constantly flashes into a physiognomy of percussion, rhythm patterns and beat spectrum that only make the aulic darker parts much more isolating and hence threatening. The sonic paradox is: Look into brightness to make the surroundings turn dark. Each one of these “DOORS” opens towards boundless universes to discover, explore and solemnly embrace.
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Wings of an Angel – I No Longer Love Blue Skies

[Self Release ]

Wings of an Angel

“I No Longer Love Blue Skies”

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Wings of an Angel – Indiligent Timeframes Of Yesterday

[Self Release ]

Wings of an Angel

“Indiligent Timeframes Of Yesterday”

“Like a flight over our marvelous world”
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Wings of an Angel – Philistine Troubadour Forgot To Discover The World

[Self Release ]

Wings of an Angel

“Philistine Troubadour Forgot To Discover The World”

Musing over the threshold of time,
I was an endless azure horizon
Crying out in ecstasy on the wretched earth;
Endless inspiration had forsaken our thorns

Desolate mountains with a philistine angel on top
The heavens’ pale lights terminally wielding;
White scapular with odorous jasmine wings,
Must undress of
Lush glimmering fire.

Innumerable blazing hallucinations;
The grey earth with its fathomless midnights
Forsaken and drunken of the blues
With a white philistine angel expiring above lesser fields – – –

Reality is the biggest enemy we’ve ever had.

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Wings of an Angel – Pause Play (Memoirs Of Russian Spiritual Landscapes, Aug 2016)


Wings of an Angel

“Pause Play (Memoirs Of Russian Spiritual Landscapes, Aug 2016)”

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John Novak – Laments of a Chess Automaton


John Novak

“Laments of a Chess Automaton”

Laments of a Chess Automaton is the newest work of John Novak, whose turned into a Kahvi regular it seems.

A ten track album with a large array of different styles, deep basses and airy beats in Brightly lit shores to the muted and subtle Sixty Dragons. Listening carefully you could understand a few influences such as Tangerine Dream and Air but also some of the classic electronic work from the 90s.

Heck, there may even be a touch of some older Chemical Brothers in here somewhere, so listen for some pretty serious beats and tight basslines!

Tracks of choice for me are: Brightly Lit Shores, Sixty Dragons and Ganymedean Factory Visit with its cool lounge feel. #

Cover artwork by India-Lee
Mastering by Mnemonic

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Gärtner – snk




Monofonicos regresa con su linea de experimentación musical, con la participacion del talento local Gartner con un album increíble llamado SNK donde la musica alcanza la atmosfera de nuestro interior.

Un album genialmente experimental que suena a ciencia ficcion, creadas a partir de instrumentos analogos, grabaciones de campo en diferentes lugares de la ciudad, sintetizadores que proyectan sonidos de lo mas escalofriante, mil millones de capas sonoras que se van interconectando entre todo ese universo del sonido de Gartner.

Producido por Juan Esteban Ceballos Gartner
Colaboraciones de:
snk.1 con Juan C. Gutiérrez y el Metro de Medellín
snk.2 con Juan Sebastián Gartner en el bajo eléctrico
snk.11 con Lucero Pineda en el moog y teclados
Masterizado por PHEEK –

Producido para Monofónicos Netlabel 2016
Este material está bajo licencia de Creative Commons 2.5
Medellín, Colombia – 2016

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chloe orin – 調律と調和


chloe orin


all songs & cover photo by chloe orin
design by ono

■ artist info
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Illusory Scapes – Figments Of My Wishes


Illusory Scapes

“Figments Of My Wishes”

From Jhansi, India, this fresh and gorgeous chillout-ambient-downtempo release is incredibly enjoyable and almost palpable. It brings to mind a perfect combination of the worlds of Ulrich Schnauss and The Album Leaf.
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Thuuooom – Monoliths




Monoliths, the fourth full-length Thuuooom release (released on the same day as Aste EP), was conceived during the Kaiut sessions in 2014. With these four tracks, Tuomo experimented with even longer form than on the Kaiut tracks. As result, each of these tracks – dubbed ‘monoliths’ by Tuomo – clocks between 22 and 28 minutes.

Instruments used on this record: acoustic guitar, human voice, music box, piano.

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Thuuooom – Aste EP



“Aste EP”

Aste EP, released on the same day as Monoliths full-length, includes three tracks that were conceived during the Kaiut sessions but did not fit on the said album. As their sounds complement each other, they are presented here as a separate, shorter release.

Instruments used on this record: acoustic guitar, Elka Consolette organ.

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ring – Dead Tuunel



“Dead Tuunel”

Music illogical kit artist ring
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Phobos 3 – La Casa Del Drago


Phobos 3

“La Casa Del Drago”

Dragon has its place, where the music becomes material and breathes playing. The new work of Phobos 3 is a journey from old coordinates to regain what we have lost. La Casa Del Drago is the second work of a triptych that will unfold as the culmination of a great power. A very delicate music and totally out of our dimension.
At the top as at the bottom, in a timber as in one quantum.

La casa del Drago è dove il potere ha la sua dimora, dove la musica diventa materia e respira suonando. Il nuovo lavoro dei Phobos 3 è un viaggio secondo antiche coordinate per ritrovare ciò che abbiamo perso. La Casa Del Drago è il secondo lavoro di un trittico che avrà come culmine il dispiegarsi di una grande energia. Una musica delicatissima e totalmente fuori dalla nostra dimensione.

In alto come in basso, in un legno come in un quanto.

Home is where the power of the Dragon has its place, where the music becomes material and breathes playing. The new work of Phobos 3 is a journey from old coordinates to regain what we have lost. La Casa Del Drago is the second work of a triptych that will unfold as the culmination of a great power. A very delicate music and totally out of our dimension.

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Heavenchord – Time in Space



“Time in Space”

matteo gomez – ecce


matteo gomez


italy’s matteo gomez returns to unfoundsound, yet again. and again. and again. this time around, he delivers a beautiful 13-track album entitled ecce — ranging from dubby minimal techno to leftfield ambient to deep tech to acid to….whatever. you work it out. but work it out with an open heart, and an open mind.
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Svann Langguth – Drei- und Vierstimmige Interventionen & Polymorphe Vivisektion

[wuerfel 19]

Svann Langguth

“Drei- und Vierstimmige Interventionen & Polymorphe Vivisektion”

Over a couple of months, Svann Langguth soldered numerous electronic tone and noise generators and finally packed them in lunch boxes (Tupperware, anyone?). Therein, boards with the following chips are used:

40106 Schmitttrigger / 4093 Quad NAND / 4006 18-stage Shift Register / 555 Timer IC

The recordings are experiments with DIY tone and noise generators, with Svann working systematically, exploring the unique features of the specific circuits of his lunchboxes on a track-by-track basis.

Track titles should be understood according to this classification, and consequently also the separation into part A and B. A number of rhythmical and enriched Bass’n’Noise tracks are mixed in between pure complementary metal–oxide–semiconductor tracks.

The release is conceived as a classic double album, with two covers, two titles and two chronologies regarding the tracks on the respective album. Please consider these chronologies.

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