We welcome the first release of french artist (writer and musician) Aloyse. His refined electronic music evolves between ambiguous shifts and clear lines, using fuzzy textures, subdued melodies and sparse, fragmented beats. This diversity of approaches is also reflected in the reinterpretations by 8 other artists who remixed the 4 original tracks :
Stoé OrkéoPresentation of the project by Aloyse : ” Sound of the selves is a sound project between field recording and the art of sampling designed to be listened to during a stage performance. Shown in various places in Paris the performance “Parachute”, presented by the theatre company Machine, consists in a mobile dome under which one comedian faces one spectator. A couple of minutes to save the world from its delusions, a moment of intense intimacy before the world and its chaotic noise repeat themselves.
Sound of the selves is also an invitation to think and recreate the bound between the voices of the world and the voice of the machine: 8 musicians with variegated backgrounds offered an edit of one of the tracks in order to push one step ahead the endless communication between the creative forms of life.”
“Landscape of the village with the smell of forest, milk and freshly baked bread (2018)”
Альбом проекта под названием Gradatsiya. Представляет собой 30-минутную атмосферную, успокаивающую, обволакивающую и умиротворяющую эмбиент-сессию. Атмсоферности данной записи придают некоторые звуки природы, звучащие на фоне. Почитателям данного жанра крайне рекомендуется.
36. Futurologischer Congress recorded by der schlachter at studio glasklinge zeitenlicht from 2016 – 2018
70’s – 2018
This album shows points of my life that were important, which have influenced me, or which have happened to me.
track 10 with Vava Vol (vavavol.bandcamp.com)
track 013: text by Eisenlager glasklinge zeitenlicht, Voice by Miriam Christina
Maybe because it’s the first musical instrument us humans knew in our entire life.
This is an attempt to make compositions (and also to make peace) with my voice as building blocks; still, it is hard to tame.
Except for the last track. I had fun playing with free piano app on my phone, and it complements and compliments the end result quite a bit.
Also shout out to my old friend from years back, Ms. Bamby C. who now resides in Jakarta; utmost gratitude for the permission to use some of her excellent writings for lyrics/general ideas throughout this release.
1. Calling All Gods On Deck (0:58)
2. Commute/Commune (3:00)
3. Zalongo/To Whom It May Concern (5:00)
4. She Was There/She Was Listening (7:00)
Guitar maestro Sebastian Buccheri, with his Jazzdefector project, presents us a sublime series of short improvisations swinging between ambient and jazz.
Released for the Netlabel Day 2018, Improvisations 2014 is an EP that will leave you starving for more as soon as you reach the end of the playlist. It is a journey to the rich artist’s sound palette made of slow harmonic progressions, arpeggios and cosmic reverbered guitar pads.
Lucas Alvarado is composer/producer/sound artist & viola da gamba player. He’s currently working on superconscious sound researchers, experimentation, free impro & eclectic DJ sets under the Huemul project.
Specialized in ancient bowed instruments, playing viola da gamba, vihuela de arco & violone in early music ensembles.
“Indr0 is the artistic moniker of Carlos Píscopo and it is an experimental music project, with influences from dark ambient, industrial, noise, drone and electronics based in sonic deconstruction and with cultural studies serving as a political and theoretical foundation.
His music is extremely cold, dark, at times suffocating, with care taken in its purely desolate, instrumental aesthetic, populated with climates of rusty, scratchy plains, and full of images.“
Curador del sello Sonido Atmosférico
(Córdoba, Argentina. Julio / July 2018).
On July 9, Gilman Mom released an atmospheric nature music video for “Coast of Daylight”, the opening track on album Revisionist History. The video immerses the viewer in the arboreal world that the song lives in. Monkeys, flowers, and lamination abound, have fun delving into this video.
Newest in the series of Toni Dimitrov’s collaborations is the album with the German artist Dominic Razlaff AKA DR. “Braunschweig Sessions” is the result from this collaboration, showing in front of the listener the infamous soundscapes of long form drone explorations of which DR is known for, merged with the subtle affection for field recordings infused ambience characteristic for Toni Dimitrov. Field recordings were provided by Toni Dimitrov, which are afterwards processed by DR, or layered with processed (granular synthesis) Ukulele and Synthesizer, arranged by both artists. Recorded on various destinations around Macedonian nature, this material is a reflection of a nice, subtle, calm and peaceful journey. With its ranges and spectrum from more subtle soundscapes to rawer and at times even unnerving sound experiments, this work is a direct presentation of the works of both artists, now connected in joint work. This is the first in the forthcoming series of collaborative works by these two prolific soundscape designers.
Following on from his slow burning self-released cassette “Unweather”, “lutra” is the first CD release by smallhaus (AKA South London based guitarist, electronicist, percussionist David Little). It expands his singular sound environment into a full-screen, full-colour and hugely enjoyable collection.
At times this almost feels like a tribute to the classic sounds of 70’s ambient – the choral textures, the infinite guitars, the synthesizers, but it’s done with a knowing wink and a contemporary layer of grit and dust. But mostly it’s an enveloping, immersive wash of precision moulded sound.
Slovak producer MacroNoise presents his seemingly chaotic EP balancing on the edge of downtempo, ambient and IDM that will take you far away from the Earth and back. What you are about to experience is the Continuum.
1. In A Small Apartment, Somewhere Near You, Among Farce And Negligence, A Lonely Artist Dreams Of The Death Of God, As The Turbulent Waves Hit His Eyes, Do Acknowledge That There’s Always An Unknown Genius Who Lives Nearby In Implausible Depth, Indifferent To Your Petty Suffering And Petty Joys 01:24:59
2. From My Abysmal Escape Room, Non-Existent In The Physical Reality, I Dream Of Untangling The Frayed Light Fabrics Of The Universe And Filling The Dense Space With Psychedelic Matter, Diving Into Frenzying Black Holes And From Within This Nameless Oblivion, Becoming The National Poet Of My Own Soul 01:20:12
These tracks were originally released through Naviar label on their Haiku collections. www.naviarrecords.comDiscordian Zen centres on the Rite of Not Knowing as its basic manifestation.
Performing the Rite of Not Knowing we enter into the realms of don’t know mind. Letting go of our time and opinions, doing what appears, we become more flexible, less attached. Discordian Zen represents a new Zen manifestation. While the Rite of Not Knowing represents Discordian Zen’s primary practice (open to anyone), there exist additional practices/manifestations. These include.
Discordian Zen has no temples, no location, no tax exempt status. It only seeks to manifest, transmit and expand the life-giving Chaos that constitutes our original nature, our original enlightenment.
“O detector de terramotos (earthquake detector) não é uma ideia minha. Alguém disse a frase e eu, por via de apropriação, dei-lhe novos significados. A audiência talvez encontre algo escutado, dito, visto anteriormente. Por fim, acrescentarei, que utilizei, no processo, uma técnica de colagem de livre combinação (de textos, filmes, música, conversas com pessoas conhecidas e desconhecidas, na rua, no café, pelo Skype e email, bem como conferências sobre ufologia, tecnologia e consciência e ainda numa visita ao veterinário).”
– Ana Carvalho
Zeekat does this, because it’s a fairly cheap hobby that doesn’t require going out often. Project was started when enough musical equipment was collected allowing to engage in an activity that won’t ruin the eyesight. Influences include Ozric Tentacles, Porcupine Tree, Boards of Canada, The Orb and some low key existential dread.
Guitars, bass, synths, sequencing, (electro-magnetic) field recordings, knob twirlings, production – Zeekat (Lukasz Padzik)
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