Collaboration EP between our staff member ps and the German project OKAM. Four tracks of a journey through time and space. Dark ambient cinematic sounds riddled with field recordings and influences from shoegaze and breakcore.
“Rasgos Particulares” is Javier Moraga’s debut release in Modismos catalogue. Its electronic influence can be traced back many years, through diverse publications inside specialized netlabels like EPA Sonidos and Pueblo Nuevo. He is part of the group Mr & Oso, while also working at Radio Valentin Letelier, the University of Valparaiso’s radio station. He produces the program “Sala de Maquinas,” as well as producing direct presentations and selects synthetic sounds for the station through it’s network, among other things. “Rasgos Particulares,” present delivery could be a sample about Moraga’s interests with contemporary electronic, where certain tone quality is acidic and minimal, as small condiments, they go extending upon alternating atmospheric layers, sustained on defragmented pulses, but traces of the music continue. These particular traits are expressed in the track “Tierno Salvaje” dedicated to the memory of Kurt, a figure that insufflated the spirit of the underground scene of Viña Del Mar and Valparaíso in the nineties, which opens the 52 minutes of music. The other tracks of the album spin perfectly, traveling through titles such as “Miaucheck,” “Arena Lunar (a lo salvaje)”, “Dame Cinco”, at certain moments there is something dark, with minor scales in the tones, a cinematic fiction of the digital reality that we consume daily, but allows us to unwind, yet expresses a world where the organic, virgin and primitive can coexist, as expressed in “Cayehuque (localidad)”. But the continuous progression in “Simulación Colectiva,” runs as a transit towards the final melody of “Rasgos Particulares,” from which a flash of faint light seems to emanate; it comes to a definitive closing with “Resolana.” Which offers a halo of light, in where the final harmony, reiterative and kaleidoscopic, solve all anguish, torment and conflict preceding, balancing the darkness.
“Walt Thisney selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects.”
DISSONANT adalah unit electronic / eksperimental antara Andryan Ade dan Yoga Usmad. Project ini bereksperimen dengan suara ambient, soundscape, noise, serta dipadukan dengan instrument piano dan synthesizer.
“Journey.” berisi arsip audio dari pertunjukan musik yang telah dilakukan Dissonant. Materi komposisi berasal dari element dan suara-suara yang ada dalam album pertama (dirilis oleh netlabel Mindblasting). Kami mengembangkan materi-materi dalam album tersebut dan melakukan kolaborasi dengan beberapa seniman (instalasi, video maker, dan musisi). Kolaborasi lintas disiplin ini merupakan upaya eksplorasi untuk menemukan bentuk komposisi baru disetiap presentasinya. Hasil rekaman diambil dari pementasan di beberapa kota (Jogjakarta, Semarang, dan Salatiga).
The music of Walt Thisney is a solitary soundtrack to nowhere, a non-tourist map into the unknown; music and images to create new, fully immersive environments, an intriguing aural pilgrimage with no destination in time and space, nuances and labyrinths.
Field recordings processed using granular synthesis, time scaling and various other methods.
Jared Sagar is a British experimental composer. He generally uses field recordings which are then modified using various methods and techniques. The genres he works in range from Algorithmic Composition, Microsound, Granular Synthesis, Ambient, Noise, Field Recordings, Drone.
Stakhabahd is experimental/noise by Rangga Purnama Aji. He using his phone application to make a noise. As a composer, he also concern about the composition of noise that he made; how the structure of sounds should be.
Collection of calm electronica. Synthetic sounds are mixed with natural piano, self-made flute and field-recordings to keep harmony and add futuristic flavour. Final track is dedicated to Gennadiy Podvoiskiy.
We welcome the first release of french artist (writer and musician) Aloyse. His refined electronic music evolves between ambiguous shifts and clear lines, using fuzzy textures, subdued melodies and sparse, fragmented beats. This diversity of approaches is also reflected in the reinterpretations by 8 other artists who remixed the 4 original tracks :
Stoé OrkéoPresentation of the project by Aloyse : ” Sound of the selves is a sound project between field recording and the art of sampling designed to be listened to during a stage performance. Shown in various places in Paris the performance “Parachute”, presented by the theatre company Machine, consists in a mobile dome under which one comedian faces one spectator. A couple of minutes to save the world from its delusions, a moment of intense intimacy before the world and its chaotic noise repeat themselves.
Sound of the selves is also an invitation to think and recreate the bound between the voices of the world and the voice of the machine: 8 musicians with variegated backgrounds offered an edit of one of the tracks in order to push one step ahead the endless communication between the creative forms of life.”
“Landscape of the village with the smell of forest, milk and freshly baked bread (2018)”
Альбом проекта под названием Gradatsiya. Представляет собой 30-минутную атмосферную, успокаивающую, обволакивающую и умиротворяющую эмбиент-сессию. Атмсоферности данной записи придают некоторые звуки природы, звучащие на фоне. Почитателям данного жанра крайне рекомендуется.
36. Futurologischer Congress recorded by der schlachter at studio glasklinge zeitenlicht from 2016 – 2018
70’s – 2018
This album shows points of my life that were important, which have influenced me, or which have happened to me.
track 10 with Vava Vol (vavavol.bandcamp.com)
track 013: text by Eisenlager glasklinge zeitenlicht, Voice by Miriam Christina
Maybe because it’s the first musical instrument us humans knew in our entire life.
This is an attempt to make compositions (and also to make peace) with my voice as building blocks; still, it is hard to tame.
Except for the last track. I had fun playing with free piano app on my phone, and it complements and compliments the end result quite a bit.
Also shout out to my old friend from years back, Ms. Bamby C. who now resides in Jakarta; utmost gratitude for the permission to use some of her excellent writings for lyrics/general ideas throughout this release.
1. Calling All Gods On Deck (0:58)
2. Commute/Commune (3:00)
3. Zalongo/To Whom It May Concern (5:00)
4. She Was There/She Was Listening (7:00)
Guitar maestro Sebastian Buccheri, with his Jazzdefector project, presents us a sublime series of short improvisations swinging between ambient and jazz.
Released for the Netlabel Day 2018, Improvisations 2014 is an EP that will leave you starving for more as soon as you reach the end of the playlist. It is a journey to the rich artist’s sound palette made of slow harmonic progressions, arpeggios and cosmic reverbered guitar pads.
Lucas Alvarado is composer/producer/sound artist & viola da gamba player. He’s currently working on superconscious sound researchers, experimentation, free impro & eclectic DJ sets under the Huemul project.
Specialized in ancient bowed instruments, playing viola da gamba, vihuela de arco & violone in early music ensembles.
“Indr0 is the artistic moniker of Carlos Píscopo and it is an experimental music project, with influences from dark ambient, industrial, noise, drone and electronics based in sonic deconstruction and with cultural studies serving as a political and theoretical foundation.
His music is extremely cold, dark, at times suffocating, with care taken in its purely desolate, instrumental aesthetic, populated with climates of rusty, scratchy plains, and full of images.“
Curador del sello Sonido Atmosférico
(Córdoba, Argentina. Julio / July 2018).
On July 9, Gilman Mom released an atmospheric nature music video for “Coast of Daylight”, the opening track on album Revisionist History. The video immerses the viewer in the arboreal world that the song lives in. Monkeys, flowers, and lamination abound, have fun delving into this video.
Newest in the series of Toni Dimitrov’s collaborations is the album with the German artist Dominic Razlaff AKA DR. “Braunschweig Sessions” is the result from this collaboration, showing in front of the listener the infamous soundscapes of long form drone explorations of which DR is known for, merged with the subtle affection for field recordings infused ambience characteristic for Toni Dimitrov. Field recordings were provided by Toni Dimitrov, which are afterwards processed by DR, or layered with processed (granular synthesis) Ukulele and Synthesizer, arranged by both artists. Recorded on various destinations around Macedonian nature, this material is a reflection of a nice, subtle, calm and peaceful journey. With its ranges and spectrum from more subtle soundscapes to rawer and at times even unnerving sound experiments, this work is a direct presentation of the works of both artists, now connected in joint work. This is the first in the forthcoming series of collaborative works by these two prolific soundscape designers.
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