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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Miro, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music in category: by-nc-nd

This license is the most restrictive of our six main licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Grafofonía y Ex Teresa Arte Actual – Ecos cotidianos: escuchar en pausa

Grafofonía y Ex Teresa Arte Actual – Ecos cotidianos: escuchar en pausa

Grafofonía y Ex Teresa Arte Actual

“Ecos cotidianos: escuchar en pausa”

Flujo sonoro de reflexiones en torno al cambio aural que percibimos en este momento desde y en nuestras casas. Agradecemos la participación de quienes nos compartieron su sentir a través de sus grabaciones.
Button: by-nc-nd
posted 04 June 2020

Corrado Saija – Marghera

Corrado Saija – Marghera
[Lav84]

Corrado Saija

“Marghera”

Marghera
Presentazione dell’album

Marghera è un’esperienza sonora. Marghera è un itinerario musicale ed emotivo che porta a interpretare i suoni, a interiorizzare un messaggio soggettivo, personale, privato. Marghera è un’elaborazione di idee. Marghera è un riappropriarsi di un luogo-non luogo non antropizzato. Marghera è un gioco velato di sfondi.
Tinte malinconiche si alternano a spazi meditativi, tra densità e rarefazione. Suoni scolpiti, dialoghi, rumori, ritmi discreti; luoghi virtuali che diventano intimi, familiari; atmosfere eteree, vibranti, gassose, prodighe di suggestioni a tratti quasi rituali; ambienti sonori in cui abbandonarsi a sequenze di elettronica sofisticata, con tessiture ambient-glitch, o che indagano con pennellate tenui i diversi territori del suono. Un mondo ambient, lievemente pianistico. Un album che gioca sulle immagini, che presenta visioni di spazi esterni e di luoghi interni, da indagare con un punto di vista nuovo. Tutto questo è Marghera. Il resto va scoperto…

Button: by-nc-nd
posted 03 June 2020

The Dubwegians – King Of Dub

The Dubwegians – King Of Dub
[DPH041]

The Dubwegians

“King Of Dub”

Two years after their first release “South Of the River Clyde” in 2018, the Scottish duo Gary Lamont and Richy Clark return with a second EP with more reworks of some of their favourite dub tracks. These reworks were written back in 2013 but never received the respect they deserved, suffering from lack of attention, as this is the usual case with most of the artists and producers who are not into the mainstream reggae.

In this second EP entitled King Of Dub, they concentrate on the works of King Tubby, using the same approach recording wise as in South Of The River Clyde, trying to emulate some great King Tubby masterpieces. Richy played guitar, Garry played bass and covered all other sounds and the production, but this time the duo was enriched with the addition of Ian Borthwick on the drums, trying to get the feeling of a live dub band.

That was the second and apparently the last try of The Dubwegians to establish themselves as a dub band. Unfortunately the project that Richy dreamed off in 2013, never really managed to pull off. It kind of fizzled out after a while as people came and went. Up for a jam and some good time but not up for putting in the hours of practice needed.

We thought it would be nice to share these tunes, done a long time ago, and give them another lease of life! We hope you enjoy them!

Button: by-nc-nd
posted 29 May 2020

MOHER – Antropoceno Auto​-​Infligido

MOHER – Antropoceno Auto​-​Infligido
[mi266]

MOHER

“Antropoceno Auto​-​Infligido”

Joana Moher only grants us a one-way ticket on a trip that will be ours alone, everything we find, whether abstract or objective, is something that only we keep inside. On the launching pad, the viewer has to disconnect from what he sees to start feeling what is going on inside him.

Microseconds of life memorized and stored in the depths of our daily lives. Some of which we can unveil in the projections that our thinking makes throughout this experience.

A psychedelic work in abstraction, geometric in error, sublime in mantra. Outdoor and everyday recordings that are stitched and manipulated for the purpose of flashback, retention or repression of our attention as an active receiver of our daily lives.

MAI 2020

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posted 27 May 2020

Yaka-anima & Revolution Peak – Ghost of Himalaya

Yaka-anima & Revolution Peak – Ghost of Himalaya
[WTS115]

Yaka-anima & Revolution Peak

“Ghost of Himalaya”

Mixed, cover artwork design by Sábila Orbe.
stems, sound designer: Revolution Peak.

Yaka-anima aka Sábila Orbe aka Filmy Ghost is an experimental electronic project from Rancagua, Chile.

websites for more music:
https://archive.org/details/@yaka-anima_noise
https://hearthis.at/yaka-anima/
https://humanfobia.jimdofree.com/yaka-anima
https://www.facebook.com/yaka.anima.noise/

Revolution Peak is an electronic project from Fort Mcmurray, Alberta, Canada.

Button: by-nc-nd
posted 26 May 2020

Lokom – Sunday Break Storming

Lokom – Sunday Break Storming
[AR_098]

Lokom

“Sunday Break Storming”

Binaural symphony in clouds. Planets are to be swallowed, Jesus your lactated tar. The universe is a gigantic ball pool filled with kneeling cosmic giants. Chiseled cor-pustules and rubber sides. Watch out for humans, shrillness for the tendons, the robots shall prevail. Narrow but flexible galaxies, a good omen.
credits
released May 26, 2020

Original tracks by Lokom
Mastering by Stazma The Junglechrist
Artwork by Haedre

Button: by-nc-nd
posted 26 May 2020

Brioskj – When new feelings come

Brioskj – When new feelings come

Brioskj

“When new feelings come”

Brioskj has been appearing on Kahvi for many years, usually a track here or there on the annual VA, but this time, due to having plenty of time on his hands due to the current situation, an entire EP arrived in the Kahvi mailbox. Cheerful, bouncy, and perhaps the beginning of summer, ‘When new feelings come’ is a delightful, easy to listen to six track, that sparkles in the sun.
credits
released May 21, 2020
Button: by-nc-nd
posted 21 May 2020

One Million Toys – The Box EP

One Million Toys – The Box EP
[DigitalDiamonds074]

One Million Toys

“The Box EP”

Israeli physicist/engineer, One Million Toys, propels us into the unfamiliar with The Box EP. From start to finish of this journey we’re confronted with cleverly constructed contrasts. Compositionally, we’re sent into orbit with euphoric builds-ups then hurtled back to earth with knife-edge drops. Texturally, it’s torn between the overtly digital and the soothingly organic. Overall, it’s a compelling mix of synth-techno, house and electronica that will coax you into a timeless abyss, matched perfectly with Unknown Concept’s (AUS) profoundly elevated remix of the title track.
Button: by-nc-nd
posted 21 May 2020

Substak – The World Will Not Be The Same Again

Substak – The World Will Not Be The Same Again
[Mixotic 299]

Substak

“The World Will Not Be The Same Again”

Substak – The World Will Not Be The Same Again

Mixotic 299 – Substak – The World Will Not Be The Same Again

This DJ set is mixed by Substak and downloaded from the netlabel www.mixotic.net.

Playlist:

01 – Outward Roots – Drifting Towards The Forgotten Planet (2020 Revision)
Cold Fiction 111 (cfmlabel.com)
02 – MVar – When The Lights Fade
Cold Fiction 110 (cfmlabel.com)
03 – Faserklang – Restless
Cyan Netlabel (cyannetlabel.bandcamp.com/album/easy-mind)
04 – Deeperwalk – Smo
Deep Electronics 045 (deepelectronicspodcast.bandcamp.com/album/de45-deeperwalk-nvdb-ep)
05 – Synthese – Streichkonzert 8
Verform Records (verformrecords.bandcamp.com/album/synthese-streichkonzert)
06 – Archaic Revival – Plan V
Monofonicos 034 (monofonicos.net/mnf034-archaic-revival-trayectoria-sin-final)
07 – Planet 9 – Prism
Deep Electronics 047 (deepelectronicspodcast.bandcamp.com/album/de47-deep-diversity-vol-6-deep-electronics-compilation)
08 – X343 – Page One
Motorlab (motorlab.su/artists/x343/atlas-ep)

This mix is free to download and use under the terms of a Creative Commons License. (creativecommons.org/licenses/by-nc-nd/3.0)

Button: by-nc-nd
posted 19 May 2020

WHΛLTHISИEY RECOMPOSED – Thisorder

WHΛLTHISИEY RECOMPOSED – Thisorder

WHΛLTHISИEY RECOMPOSED

“Thisorder”

The music of Whalthisney is a solitary soundtrack to nowhere, a non-tourist map into the unknown; music and images to create new, fully immersive environments, an intriguing aural pilgrimage with no destination in time and space, nuances and labyrinths. Whalthisney selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects.
Button: by-nc-nd
posted 17 May 2020

MZ N-710 – Chemin de Fer du Haut-Forez / Haut-Forez Railway

MZ N-710 – Chemin de Fer du Haut-Forez / Haut-Forez Railway

MZ N-710

“Chemin de Fer du Haut-Forez / Haut-Forez Railway”

Track 1 : En cabine de Craponne-sur-Arzon à Sembadel / Inside cabin from Craponne-sur-Arzon to Sembadel

Track 2 : Retour de Pontempeyrat à Usson-en-Forez / Return from Pontempeyrat to Usson-en-Forez

Comments :

Ces enregistrements ont été faits lors de mon voyage à bord de l’autorail X 2807 du Chemin de Fer du Haut-Forez le 30 juillet 2019. L’association du CFHF, basée à Estivareilles (42), fait circuler des trains touristiques sur la partie réhabilitée de la ligne Bonson – Sembadel, reliant autrefois Saint-Etienne à la Haute-Loire en direction de la Chaise-Dieu et d’Ambert, ligne de montagne au profil difficile, au long de laquelle on découvre des paysages enchanteurs. Le premier enregistrement a été réalisé dans la cabine de l’autorail entre Craponne-sur-Arzon et Sembadel (Haute-Loire), aux côtés du conducteur. On perçoit le tintamarre caractéristique du moteur MGO de 825 cv et le klaxon, souvent actionné à l’approche des nombreux passages à niveau. Je remercie les bénévoles de l’association qui m’ont autorisé à enregistrer dans ces conditions exceptionnelles. Le second enregistrement a été capté pendant le voyage du retour entre Pontempeyrat où la ligne franchit l’Ance sur un impressionnant viaduc et Usson-en-Forez (42). Dans la remorque de l’autorail, les voix et les rires des passagers se détachent sur la “musique” du train, souvenir inoubliable des voyages de mon enfance.

Matériel d’enregistrement : Olympus LS-10

These recordings have been done when I travelled on the X 2807 “autorail” of the Haut-Forez Railway on July 30th, 2019. The CFHF association runs trains on the remaining part of the Bonson to Sembadel line, that used to connect Saint-Etienne to Haute-Loire department, on the way to la Chaise-Dieu and Ambert, in Auvergne-Rhône-Alpes, France. This difficult moutain line runs through stunning landscapes. I recorded the first track in the conductor’s cabin between Craponne-sur-Arzon and Sembadel (Haute-Loire). The typical hubbub of the 825 hp MGO engine can be heard, as the hooter often rings, warning from many level-crossings. I thank the volunteers of the association who allowed me to record in these exceptional conditions. The second track was taken during return between Pontempeyrat, where the line crosses Ance river on an impressive viaduct, and Usson-en-Forez (Loire). In the trailer, voices and laughs of the passengers blend with the train’s “music”, unforgettable memory of my childhood journeys.

Recording device : Olympus LS-10

http://www.cheminferhautforez.com/

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posted 16 May 2020

Humanfobia – Letargo Sumergido

Humanfobia – Letargo Sumergido
[CIOR-H89]

Humanfobia

“Letargo Sumergido”

Humanfobia is a dark experimental music duo from Rancagua, Chile.

All tracks composed by Sábila Orbe.
vocals, lyrics, model in the cover: Mist Spectra.
vocals in track 5, secondary vocals in track 1: Sábila Orbe.
In track 6: some synthesizer samples provided by Alpha Ori.

Humanfobia websites:
https://humanfobia-official.bandcamp.com/
https://archive.org/details/fav-mist_spectra
https://hearthis.at/humanfobia/
Updates:
https://www.facebook.com/humanfobia
https://youpic.com/photographer/humanfobia/

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posted 13 May 2020

Filmy Ghost – Crystal Twins

Filmy Ghost – Crystal Twins
[CIOR-392]

Filmy Ghost

“Crystal Twins”

Filmy Ghost is a dark experimental electronic project created by
Sábila Orbe from Rancagua, Chile.
For more music of this artist visit:
– Internet Archive collection: https://archive.org/details/fav-sabila_orbe02
– Hearthis: https://hearthis.at/filmy-ghost/
– Main website: https://humanfobia.jimdofree.com/filmy-ghost/
Button: by-nc-nd
posted 06 May 2020

bristophe – music for the masses

bristophe – music for the masses
[pyr292]

bristophe

“music for the masses”

Release date: May 1, 2020.

Huddersfield: Mass for Aphrodite Nikêphoros

1 – Bristophe’s Passion (B)
2 – Κύρια ἐλέησον (B + AA)
3 – Agni Deae (B + AA + PAT)
4 – The Judgment of Paris (B + AA + PAT + DB)

B = Bristophe = Brice Catherin + Christophe Schweizer
AA = Alessia Anastassopulos
PAT = Pierre Alexandre Tremblay
DB = David Birchall

B + AA + PAT + DB played the following instruments: cello, trombone, euphonium, flugelhorn, tuba, clavichord, two harpsichords, electric guitar, violin, bass drum, timpani, electric bass, glockenspiel, xylophone, tubular bells, tam tam, celesta, three pianos, two pipe organs, bawu, recorders, bird calls, walls and radiators, etc.

They were kindly recorded by Simon Reynell in St Paul’s Hall in Huddersfield.

They were brutally mixed by Brice Catherin.

Hull: Mass for Baubo

1 – Overture: Demeter’s tears (B)
2 – Iakchos’s Passion, part 1 (B + BN)
3 – Demeter watches (B + BN + MF)
4 – Baubo’s dance, part 1 (B + BN + MF + MS)
5 – Baubo’s dance, part 2 (B + BN + MF + MS)
6 – Iakchos’s Passion, part 2 (B + MS)
7 – Demeter’s laughters (B + MF)
8 – Coda: Persephone’s Passion (B)

B = Bristophe = Brice Catherin + Christophe Schweizer
BN = Bethany Nicholson
MF = Moss Freed
MS = Mark Slater

B + BN + MF + MS played the following instruments: two cellos, two trombones, double bass, harpsichord, electric guitar, Fender Rhodes, tam tam, gong, piano, pipe organ, recorders, bird calls, mandolin, bawu, etc.

They were kindly recorded by Daniel Spooner, Leo Withers, Daniel Johns and Liam Harrison in the chapel of the University of Hull.

They were brutally mixed by Brice Catherin.

Button: by-nc-nd
posted 06 May 2020

Brevyn – Faint Image

Brevyn – Faint Image
[VULP-0165]

Brevyn

“Faint Image”

Late-night mystery abounds in this enchanting new single from Brevyn.

Words from the artist:

My current projects are under various delays, so here’s something from my backlog (January 2018). I was inspired by the look of city windows late at night and early Mount Kimbie.

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posted 02 May 2020

Christoph Gallio / Omar Grandoso / Sam Nacht / Marcelo von Schultz – Ecce homo. Wie man wird, was man ist

Christoph Gallio / Omar Grandoso / Sam Nacht / Marcelo von Schultz – Ecce homo. Wie man wird, was man ist
[PT102]

Christoph Gallio / Omar Grandoso / Sam Nacht / Marcelo von Schultz

“Ecce homo. Wie man wird, was man ist”

Christoph Gallio: alto & soprano saxes
Omar Grandoso: trombone & fx pedals
Sam Nacht: trombone & fx pedals
Marcelo von Schultz: drums & percussion

Recorded by Sam Nacht in Estudios Libres, 16/11/2018. Buenos Aires, Argentina.
Mixed by Sam, Marcelo, Christoph & Omar.
Mastered by Gerardo Morel.

Button: by-nc-nd
posted 01 May 2020