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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Miro, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music in category: by-nc-sa

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Naoto Yamagishi – The Fishes are Wafting in The Forest

Naoto Yamagishi – The Fishes are Wafting in The Forest
[WAC25]

Naoto Yamagishi

“The Fishes are Wafting in The Forest”

The fishes who lost their homes by the big wave from the outside turned into shadow and are wafting in the forest and over the mountains. Dreaming about the day they can swim that ocean.

live recording @ Newtown Social Club, Sydney, Australia

2nd May 2016

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posted 01 December 2018

Noisybeat Extended – Noisybeat 10 years Vol. 1

Noisybeat Extended – Noisybeat 10 years Vol. 1

Noisybeat Extended

“Noisybeat 10 years Vol. 1”

Noisybeat 10 years vol. 1
Dedicated to 10 years of Noisybeat Netlabel.Osinski – Serendipity in Bar Mokambo
Plastic Penguin – Tomato Mutante
Dubbemo – Until my sun
RGL – My Reasons
Fingerflood – Secrets
Seiss&Delayer – Malex
Shango – Monte Secchiata
D_Smoker – The power of heaven should not be underestimated
Domino – Bring the lights down
Kappasaur – RebirthCover art: Cristina Cammarata
www.behance.net/CristinaCammarata

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posted 27 November 2018

Failure Circle – Frozen Clinamen #2

Failure Circle – Frozen Clinamen #2
[Eg0_193]

Failure Circle

“Frozen Clinamen #2”

Frozen Clinamen is serie of works by Failure Circle (a solo project of Kecap Tuyul) started on autumn 2017. It follows a simple method inspired by the the possibilities of his no-input mixer set-up and the will to use a limited sound material in a posteriori compositions : all the sounds included in these works are recordings of moments that feature no human intervention. Frozen Clinamen #2 was recorded and mixed between april and august 2018.

Methodology
step (1) Tweaking the set-up until it produces some seemingly autonomously self-sustained sound sequences.
step (2) Stopping tweaking and recording for at least 20 minutes without any intervention on the set-up.
step (3) Repeating steps (1) & (2) several times.
step (4) Using the generated sounds as only source in a posteriori compositions. The only variations used while mixing are equalization, panoramics and volume levels.
step (5) play it at low/high volume with open/closed window while complety asleep / fully conscious.

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posted 25 November 2018

Stephen Briggs – Earthbound

Stephen Briggs – Earthbound
[SCM-1804]

Stephen Briggs

“Earthbound”

In Stephen Briggs’s own words, the seven tracks included in his latest effort for Sucumusic, “Earthbound”, show “the true New Zealand”.

The scenery, the emotions, the feeling, the atmosphere, the relief, the flow, the space, the sun, the sky, the glow.

His live looping and guitar playing create soundscapes which bring the term ‘psychedelic’ right into its truest meaning, that of inner revelation and expansion of conscience and mind.

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posted 24 November 2018

dSCi / Parpar Split – dUASsEMIcOLCHEIASiNVERTIDAS / Parpar

dSCi / Parpar Split – dUASsEMIcOLCHEIASiNVERTIDAS / Parpar
[enrmp420]

dSCi / Parpar Split

“dUASsEMIcOLCHEIASiNVERTIDAS / Parpar”

Split vinyl album between long time Enough Records collaborators dSCi and the duo Parpar, two Portuguese projects sharing tours and a sensibility for the punk-rock free jazz type of sounds. This album was recorded, mixed and mastered by Milo Gomberoff at Hukot studio in Barcelona. Cover artwork by Katafu. A co-release effort by ATR, A Besta, Lepers, Epicericords, Et Mon Cul C’est Du Tofu?, Experimentáculo Records, Gaffer Records, Panda Records and Enough Records.
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posted 19 November 2018

Pot SIX ONNA 7 (Part 1)

Pot SIX ONNA 7 (Part 1)
[BS450041]

Pot-C

“SIX ONNA 7 (Part 1)”

Back in 2012, Tha Silent Partner took our fortyFive format and shattered its then inherent limitations by single-handedly inventing a sub-format called SIX ONNA 7 that, instead of the normal two 3 minutes tracks, contained six tracks with a running time of around 6 minutes. Thanks to TSP blessing it, since then, other artists have rolled with format and found it a unique way to share music with fans.

Today we’re happy to present to you the continuation of the SIX ONNA 7 legacy with the first installment by Pot-C! As with each artist who has explored the unique format, he has given it his own unique spin. Up until now, all SO7s have contained instrumentals. Pot-C decided to do something quite interesting with the format limitations… revisit past lyrics with new beats. An inventive take on such an already inventive format! Enjoy.

Thanks to Pot-C for taking the SO7 format to lyrical territory! Dope. Great way to revisit past lyrics with dope new beats! Of course, thanks to Tha Silent Partner for inventing the format!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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posted 18 November 2018

Natalia Panzer – Subway Street and Other Public Music Vol. 3

Natalia Panzer – Subway Street and Other Public Music Vol. 3
[WAC24]

Natalia Panzer

“Subway Street and Other Public Music Vol. 3”

Natalia Panzer lives in Sunset Park, Brooklyn. She helps run Lynn, Looking at your mint, and Refresh Gallery. “Subway Street and Other Public Music Vol. 3” is the third installment of a series of the series “Street, Subway, and Other Public Music”, where she record street musicians and other public music and sound around New York City. This is the first time she is performing as a “street musician”. Her performance was held at a park by my house called Bush Terminal Park. The last recording of the flute player she made in Chinatown in Manhattan.
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posted 12 November 2018

Anastasia Vronski – Estrangements (volume1)

Anastasia Vronski – Estrangements (volume1)
[Eg0_192]

Anastasia Vronski

“Estrangements (volume1)”

Anastatsia Vronski is a versatile experimental musician from Perm, Russia. Since years she has been creating an impressive and quite diverse body of work. Many of her tracks can be classified as “drone “or “noise”, but they always have a specific, often intriguing qualities. Above all, she’s not an artist who will do the same twice, and maybe that’s why some of her pieces are sometimes self-published isolately. Since we thought many of them deserved more exposure, we decided to make a selection of such works in a compilation album : Estrangements, that will be published in two volumes. The first volume gathers tracks composed in 2013 & 2014 (selected with the artist’s approval) that seem to share some kind of minimalist mood, although they are very diverse. For each of them, Vronski has written a few words about the specific methodologies and ideas (see below) involved in the composition. But this doesn’t make her music less mysterious. Each track seems inhabited by a mysterious and poetic spirit whose intrinsic qualities will appear to attentive listeners even without reading anything. The 2nd volume will be published in 2019
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posted 12 November 2018

Со мною вот что – Когда нет пса

Со мною вот что – Когда нет пса
[SCL-SNG010]

Со мною вот что

“Когда нет пса”

Новая песня. Перемещаемся на машине времени в позднюю осень-87.
Гулять уже холодно, мама на работе, а поиграть не с кем.
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posted 11 November 2018

aitänna77 – Memory Lane

aitänna77 – Memory Lane
[BSOG0081]

aitänna77

“Memory Lane”

Spanish musician Mikel Martínez began his journey as aitänna77 in 2007. From that year on to 2012 the journey took him from folktronica to bedroom pop to cloud-rap. In 2015, after three years of focus and study, he returned with Patterns For Smartness, a collection of dreamy and ethereal songs (much in the same vein as Boards of Canada and Broadcast). Then in 2017, that sound collided with the raw and organic beat-making technique of producers like Madlib or RZA on Any Place But Here. Today he returns with the hazy and moody Memory Lane… an album that continues exploring both sonic worlds.

bloc heads get ready for some of that smokey, laid back, ill stuff… this one will likely be on repeat for a while.

Thanks for a terrific blocSonic debut release, Mikel! Welcome to the blocSonic fam!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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posted 30 October 2018

InO – Magali Albespy – 2017/2018

InO – Magali Albespy – 2017/2018
[Eg0_191]

InO – Magali Albespy

“2017/2018”

InO is the acronym for “Interpenetration and non-Obstruction”, one of the principles that John Cage used to create music that was anarchic (against the structures of most of musical traditions) and in the same time encouraging new possibilities of coexistence. Magali Albespy, a french artist rooted in dance and performance, took inspiration from this for a methodology of real time composition dance practice focused on sound. “2017/2018” is made of excerpts of the sessions recorded during the first year of these weekly events.

These recordings can be considered as documents of this practice. Indeed they are such documents, especially for people who were involved in the sessions. But we think that they also have a fragile and surprising beauty of their own that deserve an independent life for your listening. This unexpected musicality has been discreetly stressed by the editing choices, which we can consider like a delicate work of “a posteriori composition”, a work made with respect for the uniqueness of each sound event and their kind of abstract narrative power. That’s why we hope that you will enjoy these atypical works.

Credits :

Recorded and edited by Magali Albespy.
Pictures by Anne-Catherine Nicoladzé (front cover) and Emmanuelle Huchet (back cover)

Featured performers :
Magali Albespy, Jean Bloch-Laroque, Suzanne Cotto, Antoine Freychet, Chloé Garat, Flora Gaudin, Camilla Gliozzi, Virgine Gouband, Emmanuelle Huchet, Paul Kauffmann, Guillaume Lecamus, Laurence Luminet, Blandine Minot, Stéphanie Moitrel, Martine Muffat-Joly, Anne-Catherine Nicoladzé, Olivier Pelletier, Stéphanie Puechavy, Regina Ramsl, Anne Savelli, Kecap Tuyul, Donata d’Urso, Sig Valax, Mandoline Whittlesey

Magali Albespy is a dancer and performer. She likes to question the borders between formats and artistic disciplines. She explores real-time composition with body, video and sound. As a musician, she also plays in M.A.K.T. Sono and Mesce Basse.



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posted 21 October 2018

Gerardo Figueroa Rodriguez – #soloshow

Gerardo Figueroa Rodriguez – #soloshow
[pn136]

Gerardo Figueroa Rodriguez

“#soloshow”

“Pueblo Nuevo Netlabel is always honored to present. This time it’s my honor -and I really mean it- to present #soloshow, recorded by the very talented Gerardo Figueroa.

The story begins when Lorena López Araya, Chilean artist based in Villa Alemana, gave Gerardo a series of audio files containing readings of poems of her own to “do as he pleased”. This was 2016. A couple of years later, he selected fragments of one of those files and decided experimenting with them at a very special occasion: an improvised live-act in the context of a poetry festival in Padre Hurtado, where he shared his choices using a DJ software (Mixxx).

#soloshow is mainly and strictly organized around the poem, so each and every sound/noise in it is nothing but a mixed-up/looped/reversed/accelerated/paused single female voice. Volume goes up and down sometimes, speed and pitch also swing. Sometimes, words mingle in unison, becoming strange and detached, with no clear message behind.

Inside Inside Inside Inside is repeated several times, while words like hurting, crack, pouring pouring and oscillating are heard louder. Deconstructed and reconstructed verses, ordering/disordering patterns, altering the way we are used to listen to poetry. Words tend to disappear, resurfacing reversed, in seductive, odd-to-listen, hard-to-write utterances.

Sewing machines, a Ford factory with a row of ladies working, alienated; a rusty, slow truck down the countryside, an electric hammer breaking up some hard cement, a plane moving propeller before taking off, a minimal music electronic party or an Atari machine stuck in the middle of a game are some of the sounds this record seems to evoke, in seamless fashion.

It is not an easy record, this one: #soloshow is a poem turning into a sound piece, mixed and remixed using a limited amount of effects, turning prose into a journey through noise, in a deep sea, full of different textures, where voice becomes something so disparate you can’t even trace the source, a poem crowned with an powerful, alluring image:

D I R T Y B L O O D.”

Camila Sierra Madrid
(Santiago, Chile. Octubre / October 2018)

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posted 20 October 2018

Federico Dal Pozzo – Untitled_PaHaD

Federico Dal Pozzo – Untitled_PaHaD
[Eg0_190]

Federico Dal Pozzo

“Untitled_PaHaD”

Federico Dal Pozzo is an Italian sound artist , electroacoustic composer and musician. His works are based upon concrete objects and the transfiguration and perception of the sound and audio- spatialization . He works with Max/Msp. He does compositions for dance and theatre companies , audio-Installations and concerts.
Today we are proud to publish his latest piece Untitled_PaHaD , a mysterious and subtly progressive composition, where where liquid textures swirl like a delicate swarm of otherwordly voices. In this new work, once again Dal Pozzo’s use of digital tools is very fluid and organic, completely at the service of a higly personal musical vision.Credits:
Music my Federico Dal Pozzo
Photo by Marco Cianci
Thanx to Lorenzo Abbatoir, Giada Piraccini, Marco Cianci

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posted 10 October 2018