Sindrome Amok – Sons Of Disruptum

Sindrome Amok

“Sons Of Disruptum”

World art, improvisation, noise, oral rock.

[wp_bandcamp_player type=”track” id=”2569258754″ size=”short” bg_color=”#FFFFFF” link_color=”#FF00FF”]

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Momolot – Momolot 2

[UPL 039]

Momolot

“Momolot 2”

The material, recorded not long after the first album, represents a different face of Momo and Jan Strach: This time the band presents more song-orientedforms, awkwardly yet charmingly juggling styles and feelings. More or less rocking songs struggle between folk, disco, southern rythms and even punk. Momo on vocals in songs 1 and 6.

 

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Substak – Organic Acoustic & 001 Netlabel Mix

[01]

Substak

“Organic Acoustic & 001 Netlabel Mix”

this is reupload to archive.orgOrganic Acoustic , Netlabel Chileno Ambient |experimental | drone |noise | space

1.Atrio Serenade – Vientos Eternos(Version Extendida) Organic Devocion Indomita
2.Atrio Seranade – Nueva Vida Organic V.A – Tierra Desnuda
3.Reflejo – Fiebre Polar 001 Records 02 – Reflejo
4.Usted No! – VinculO 2 001 Records 01 – Canguro Cosmico

 

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June Lauren Prescott – Hitting 30 For The First Time

[20k336]

June Lauren Prescott

“Hitting 30 For The First Time”

June Lauren Prescott is hitting hard. This album, an assemblage of 7 chefs-d’oeuvre, is a celebration of her birthday. After her interpretations of baroque classics last year, Prescott now presents us her own compositions – And they sure don’t need to shy away from anything!

 

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Subterrestrial – Waveform

[SUB014]

Subterrestrial

“Waveform”

“Waveform” features seven experimental ambient and progressive electronic concept pieces from Subterrestrial. Spring is on it’s way, why not take this one last opportunity to immerse yourself in a chilly, unearthly soundscape?
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Medo’s Little Trap – Medicine Sound

[LBN014]

Medo’s Little Trap

“Medicine Sound”

A medicine sound against humanity that screams and shouts.
A small work which is like a whisper, re-discovering the basic things to say.
A delicate work, between electro-pop, acoustic ballads and symphonic bewilderment.
Released March 17, 2012 by La bèl netlabel.
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CHEFKIRK – HARSCH digital works VOL. I

[…….. ]

CHEFKIRK

“HARSCH digital works VOL. I “

CHEFKIRK’s no-input mixer generated sounds are self-cannibalized and intricately recomposed into simmer & slice, rumble & fry, bit-soaked rhythmic elements with moments of active title-suggested harshness & meditative purges. Free download from the most microscopic of electronic labels, .x.
credits
released 12 March 2012
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Garde VIII

[BS064]

Black Square Cloudcast

“back to Avant-Garde VIII”

“There is no place for the past in the realm of the future…” – from Sun Ra’s apocalyptic poem “The Damned Air”

00:00 Delia Derbyshire – Running (1964)
08:04 Jean-Claude Risset – Mutations (1969)
12:57 Janet Cardiff – A Large Slow River (2001)
30:52 Jack Goldstein – THE QUIVERING EARTH (1977)
39:43 Masonna – Part XVII (1997)
41:03 Nam June Paik – Etude for Pianoforte (1960)
56:27 Sun Ra – The Damned Air (1962)

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Wapstan & Hal McGee – Cruststain

[ctrlvlv#035]

Wapstan & Hal McGee

“Cruststain”

CrustStain consists of paired 62-minute microcassette recordings by Wapstan (Martin Sasseville, Montreal, Quebec) and Hal McGee (Gasinesville, Florida). In early 2012 Wapstan recorded random and varied sounds from his daily life in Montreal (including radio and TV and sporting events, machine sounds, minimal electronics, etc.) in collage fashion on a microcassette and mailed it to McGee. McGee listened to Wapstan’s tape once through to get the general feeling of the flow of the sounds, and then he set about recording sounds from his daily life, from work, home, streets, restaurants, stores, conversations, etc. After McGee completed his tape he mixed his and Wapstan’s tapes together strictly on a one-to-one basis, arbitrarily, creating a happy-accident lo-fi crusty bruitistic dual-track juxtaposition celebration of the mundane drenched in tape hiss audio collage.

Knolios – toile


Fires Were Shot – Maritime

[NS047]

Fires Were Shot

“Maritime”

Fires Were Shot are an amazing instrumental duo from Texas, United States. Their sound can be categorized as textural, guitar driven ambient music. No-Source Netlabel is excited to debut Fires Were Shot’s long-form single, “Maritime” to the world. Fans of Cheer, talkingmakesnosense, or Brian McBride (of Stars of the Lid) will instantly fall in love with the sound of Fires Were Shot. Maritime, at over twenty eight minutes, takes you on a journey out to sea and back. Field recordings of the ocean are quickly engulfed by layer upon layer of guitar drones, delay and plucking. While out in the waters surrounded by the deep, you find yourself at last. This is melodic acoustic drone that should be held up right next to the very best.
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various artists – Sayonara Nuclear Power

[ele013]

various artists

“Sayonara Nuclear Power”

Sayonara Nuclear Power is a memorial masterpieces for antinuclear.
Its music consists of 14 musicians from Japan and from overseas.
These abstract sounds are made from their own thoughts and feelings to the Nuclear power. We will be pleased if listeners find some kind of an inspiration from the music.This compilation had been released on March 12, a year after the Fukushima Daiichi nuclear disaster.

# tracks
1.noine – nuke reset set
2.Yuki Matatsumura – __i_
3.In Vitro – Free Energy Safe Energy
4.guillotine hairshaver – Little Boy
5.thaneco – Oceanic birds above nuclear factories
6.Paskal. – Rubber theme
7.ememe – Invasion Of Justice
8.whizz kid – summer bubbles
9.twomilliondays – Fukushima
10.sanmi – あの日、それから、そして
11.steradd – Radioactive Dancers
12.Le Passage du Nord-Ouest – Fukushima
13.gnyonpix – reikyakusui
14.Nagumo – 手引き月

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Aufruf zu nichts / Open call for nothing

 

Ein Aufruf von geh8 Kunstraum und Ateliers e.V. in Dresden (english version):

Aufruf zu nichts

Im fünften Jahr der Aktivitäten von geh8 Kunstraum und Ateliers e.V. in Dresden und dem 100.Geburtstag von John Cage legen wir eine kleine Serie von Veranstaltungen auf, die wir dem nichts im Allgemeinen und im Besonderen widmen.
Darunter ist die internationale Ausstellung NIEMANDSLAND: All Dies und Nichts vom 15.6.-8.7.2012 und die zweiteilige Serie nichts – in Pieschen. Der erste Teil wird am 19. Mai mit einer performativen Lesung der Cageschen’ lecture on nothing starten – darauf folgend als Hauptteil ein Screening von Video-Beiträgen zu nichts. Der zweite Teil findet in Form eines wandernden Symposiums während der NIEMANDSLAND-Ausstellung vom 22.-24. Juni im Stadtgebiet Pieschen statt. Weitere Infos folgen.

Für den nichts-Filmabend am 19. Mai starten wir ab sofort den offenen Aufruf kontextbezogene Beiträge bis 6. Mai einzusenden. Es gibt keine Beschränkung, außer, dass sie in einem gängigen DVD-Player mit P.A. abspielbar sein müssen und sinnvollerweise eher kürzer sein sollten, da wir auf eine spannende Auswahl hoffen und möglichst viele Filme zeigen möchten – natürlich ist aber die Auseinandersetzung mit nichts DAS Auswahlkriterium.

Jedes intelligente, interessante, innovative nichts ist gern gesehen oder gehört – in jeder Verortung, mit offenem Bezug. Wir möchten uns mit nichts weiter beschäftigen, vernetzen, Botschafter gewinnen – um aus unserer Situation und unsrem Potential zukünftig nichts machen zu können. Wir hoffen auf rege Beteiligung und könnten uns gut vorstellen, die entstandenen Ergebnisse später auf die Reise zu schicken und damit auch an andere interessierte Initiativen nichts zu vermitteln. Wir sind sehr gespannt, was wir zu sehen bekommen werden und hoffen damit sowohl frühere, gegenwärtige – möglicherweise auch zukünftige Kooperationspartner zu erreichen und zu gewinnen – ganz gleich, wer uns bereits kennt oder auch nicht – jede/r ist willkommen einen Beitrag zu schicken!

Vorschläge, Videos, Konzepte bitte
bis 6.5.2012 (Einsendeschluss) an unsere Postadresse:

geh8 kunstraum und ateliers e.V.
Gehestr. 8
01127 Dresden-Pieschen

Vimeo-links sind auch möglich, ebenso der Download von externen Servern – bitte KEINE Videos per Mail senden!

Fragen und sachdienliche Hinweise gern an mail @ geh8.de richten
Betreff: “nichts.”


 

Open call from geh8 Kunstraum und Ateliers e.V. in Dresden:

Open call for nothing

In the fifth year of the activities of geh8 art space and studio e.V. in Dresden and the 100th anniversary of John Cage, we put on a small series of events that we devote to nothing in general and in particular.

Among them is the international exhibition NIEMANDSLAND: All Dies und Nichts (NO MAN’S LAND: All This and Nothing) from June 15th – July 8th, 2012 and the two-part series nothing – in Pieschen. The first part is on May 19th with a performative reading of Cage’s lecture on nothing – afterwards a screening of a video reagrding nothing content. The second part takes the form of a traveling symposium during the NIEMANDSLAND exhibition from June 22nd – 24th taking place in the city of Pieschen. More information will follow.

For nothing – Movie Night on May 19th we now open the call for contextual contributions to be sent until May 6th. There is no limit, except that videos must be formatted to play on a standard consumer DVD player with a P.A. and should be relatively short in length, as we look forward to an exciting variety and want to show as many films as possible – but the selection criteria is of course dealing with the concept of nothing.

Every intelligent, interesting and innovative work like nothing seen or heard – in any localization, is open for reference. We would deal with nothing more to receive a networking ambassador – to get out of a stuation and potential furture of doing nothing. We hope you will consider participating and could also convey this call to others interested in nothing initiatives. We are very excited to receive your entries – no matter who knows us already or not – anyone is welcome to contribute to send!

Suggestions, videos, please send until
May 6th, 2012 (deadline) to our postal address:

geh8 art space and studios e.V.
Gehestr. 8
01127 Dresden Pieschen
Germany

Vimeo- links are also possible, as the download from external servers – please DO NOT send videos by email!

Questions and other pertinent information addressed to mail @ geh8.de at the attention
subject heading: “Nothing.”

 


d’incise – The fields remain while the recorder has long vanishe

[IHab041]

d’incise

“The fields remain while the recorder has long vanishe”

07-2010[…………………………………………………
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bloody preamps, no windshields, fuck, hours feet in the water,
for almost nothing, time passed, I’m long gone, the fields
remain.
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Pilesar – Pilesar’s Ugly Children

[zero132]

Pilesar

“Pilesar’s Ugly Children”

Pilesar’s second zeromoon release is a dense and heady concoction of psychedelic drones, frenetic rhythms, otherworldly tribal chanting and turn-on-a-dime composition.

For fans of Aphex Twin, Black Dice, cEvin Key, Kraftwerk, Takako Minekawa, Mobeius & Plank and Otomo Yoshihide.

Released 17 October 2011

Pilesar- keyboards, samples, devices, electronic and acoustic percussion, loops, effects, composition, lamb chops, muscadine wine

w/ additional material provided by the DC Sonic Circuits Community via the District of Noise Vol 3 100 locked grooves LP (track 1); Zach Mason (track 3); Daniel Euphrat (track 8); Seth Schowalter (tracks 9 and 11); Gary Rouzer (track 10); Sean K Preston, Sammy Ponzar and Keith Sinzinger (track 11).

Cover painting by Joel B Floyd

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Hanetration – Tenth Oar EP

Hanetration

“Tenth Oar EP”

“the best glitchy drone music we’ve heard this year” – homelessminds

“field recordings, manipulated glitches and subterranean ambience” – igloomag

“compellingly different, sonically inventive throughout and one of the most promising debuts out there in the ambient/experimental field at the moment” – savaranmusic


The Plastic Jazz Orchestra – 39°

[hpcd096]

The Plastic Jazz Orchestra

“39°”

“When talking about music with people, for saying things like “this beat is taken from …” i often get replys like: “yeah maybe, but i like it anyways.” If there wouldn’t be these “but, anyways” i’d be fine with it. We’re all stuck in the 18th century mentally. In the Middle Ages “componere” still had the original meaning of “to enclose”. It was taken for granted to derive new chorales from older ones. Usually parts of such compounds were composed but not completely new works. Whole works were crafted (=facere) which is a facile idea of mechanic humility, something we should care about.”
(Bernd Burnson)

The Plastic Jazz Orchestra was formed by Bernd Burnson in late 2006 as an ensemble electronique for modern music. Tragically Bernd Burnson passed away in summer 2007 and left behind a bunch of young people determined to create something completely different, something new in terms of musical expression. So the tracks from ’39°’ by The Plastic Jazz Orchestra had never been compositions in their origins but handcrafted pieces of what we call music.

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R+P – Landscape

[RUZZI22]

R+P

“Landscape”

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La Eskimo EP

[deepx169]

Milki – Way

“La Eskimo EP”

Label: Deep-X Recordings
Catalog#: deepx169
Format: 5 x File, MP3, EP, 320 kbps
Country: Russia
Released: 12 Mar 2012
Genre: Electronic
Style: Minimal, Tech House

Tracklist:
01 – My Buthroom (7:01)
02 – La Eskimo (4:32)
03 – Violet (4:07)
04 – Apologize (5:01)
05 – Magic Square (6:34)

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Fature – Bad Form

[FNet034]

Fature

“Bad Form”

A lot of Fature’s fifth album pays tribute to the pioneers of the West London and Broken Beat music scene and is heavily influenced by artists like Domu, 4Hero and Mr Scruff. “Bad Form” takes on a more stylistic and jazzy approach to his previous albums but also has sprinkles of Ambient and Drum ‘n Bass to exhibit his many talents.
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Marow – Inter


Inference – Reference

[Kreislauf 118]

Inference

“Reference”

Inference – Reference
(Kreislauf 118)

01 Reference (8:31)
02 For My Nerves (9:07)
03 Article Remover (13:31)
04 My Life In An Oilcan (6:39)

11. März 2012
Kreislauf.Organization

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Zreen ToyZ – Grimoire of Eternity

[NN_LP012_03_12]

Zreen ToyZ

“Grimoire of Eternity”

French artist Zreen ToyZ (born in 1954) often presents himself as Sound Sculptor or Sound Poet. After few years in classical training on piano and percussions, he does not appreciate the stifling conformity of the academy and turns to the improvised musics. The continuation of its training is essentially self-taught. Since his first pieces created in 1970, he works the sound material following inspiration of the moment, a raw and instinctive approach by stratification where any imperfection or sound incident become a harshness on which to hang on atmospheres or reflections. In this way, he creates impalpable and timeless landscapes where vibrations, noises, and collages erase the structure of the piece. “Grimoire Of Eternity” is the 12th album as Zreen ToyZ and it seems to be the last one…it’s reincarnated in the “Arcane Waves” project. 
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sarah j ritch – string theory

[pyr048]

sarah j ritch

“string theory”

sarah j ritch is a composer and improviser from chicago whose interest in classical composition arose from both her studies in piano and cello as well as explorations of the guitar and bass in punk and metal bands in las vegas between 1996 and 2003. she eventually landed in chicago and earned a bachelor of music from roosevelt university and a post-baccalaureate certificate in sound from the school of the art institute of chicago. she has been the composer-in-residence for chicago classical ensembles the millennium chamber players and anaphora, and regularly performs solo and with her free improv group sound collision alliance.

on her debut album, string theory, sarah displays her interest in both improvised noise and notated tonal music as she explores the acoustic structures of strings and sines. over the course of the album electronically treated cello gives way to droning and pizzicato violin; a pure drone at the center resolves itself with a rising and falling violin sonata; and a cello converses with itself in woodtones.

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Netlabellist update!

8 new entries at the clongclongmoo-netlabellist:

artico
infinite lute
SATURNOCULTO
sirona records
strato dischi
dissonant recordings
rawmatroid
foundamental


VA – 4 Years, 101 Songs and 1 Story

[rwclub015]

VA

“4 Years, 101 Songs and 1 Story”

We, the people who make Rawmatroid team, are happy to write these lines after 4 years, feeling the same love, the same pride and equal respect for what we do that we felt the very first day, and keeping the same desire to share all our work with others.

After all this time we thought about doing a small review of the musical history of the netlabel. For this reason, in our now 4 th anniversary of Rawmatroid Netlabel, we have had the selection criteria and musical reinterpretation of Kebiin along with the subjective view of the lens of Javier Alvedro, to be the two of them who write this chapter and tell as a little story about the history of Rawmatroid as mix.

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Mr.Dee – D4


about netaudionews:

English:

At this site many netlabels are posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.

The old message board: 2004-2011.

Deutsch:

Auf dieser Seite weisen verschiedene Netzlabels auf ihre neuen freien Veröffentlichungen hin. Bei Interesse kannst du dir die Musik auf den Seiten des jeweiligen Labels herunterladen. Die meisten Labels veröffentlichen ihre Musik unter einer creative commons Lizens.

Das alte Messageboard: 2004-2011


Dear free music lovers! Please submit new free releases here:


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