Turvia – Entropia

[ET120]

Turvia

“Entropia”

Born in Sgo del Estero, Argentina, Daniel Abdala is an electronic musician, composer, producer, guitar/bass player, and singer.
Turvia is his main project. It began in 2005, as an industrial-rock oriented band but it evolved forward to become an electronic solo project, with influences of noise, ambient music, synth-pop, experimental and a touch of gothic/esoteric art. His music is trippy, with elements such as mid-tempos, raw landscapes, and twisted voices, but all warped in ethereal melodies.
Some lyrics are in English and other in Spanish. Some tracks have no lyrics and contain only “intentions” or “crucial” words, looking forward to a cryptic although to a concept easy that it is easy to understand.
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10Konekt – 100Chaises

[none]

10Konekt

“100Chaises”

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Substak – Unknown Destinations

Substak

“Unknown Destinations”


Number Eleven – Flying Bricks

[EEM029]

Number Eleven

“Flying Bricks”

A stupidly named EP, with unthinkable cover, and idiotic track names.

This EP includes the very first track of Number Eleven. A sandbox where random ideas and experiments merged into incomplete forms while searching for sounds and compositions, which sometimes became source material for new tracks. From this sandbox emerged the first few ideas of the way the first album Indefinable should reach its end, how the Blur should start, and how Protrusion should sound.

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Lynlee – 1314

[PT069]

Lynlee

“1314”

Chris Lynn and Una Lee
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Jan Strach – Balearen Kanaren E.P.

[UPL 076]

Jan Strach

“Balearen Kanaren E.P.”

As per tradition, six tunes that missed becoming part of past full-length records – collected into an ep, mega-ecclectic as always. Beauty, dirt, melody, chaos, casio beats, screaming, a ballad, grunge riffs, casio-disco, tribal pounding.
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THE HYBRIDS / Brusci – Lieb – MIGRATION metamorphosis – 1st Movement: Migration

[ACP 1107-1]

THE HYBRIDS / Brusci – Lieb

“MIGRATION metamorphosis – 1st Movement: Migration”

MIGRATION, a METAMORPHOSIS (2015)
[THE HYBRIDS – Brusci Lieb Duo]

.recorded
at Heinz Lieb’ studios (Rorschach, CH),
at Climnoizer’s studio (Berlin, DE),
at Lorenzo Brusci’s Timet-studio (Montevarchi, ITA),
March-June 2015

.re-composed, post-produced and mastered between June and October 2015 in
Montevarchi by Lorenzo Brusci at his Timet-studio
(Montevarchi, ITA).

———————————
Lorenzo Brusci – Electronics, Live Electronics, Compositions
Heinz Lieb – Acoustical Percussions, Cosmic Drums, free improvisations
guest artist:
Luca Canciello (alias Climnoizer),
Guitars on Mov. I / MIGRATION and on Mov. 3 / METAMORPHOSIS;
Monophonic Synthetizer on Mov. II / ADAPTATION

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Sacah Rush & Csum – Twisted Pair

[NRM079]

Sacah Rush & Csum

“Twisted Pair”

New electronic experiments.
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Awkward Geisha – Shadows of the Shepherds: A Brief Retrospective of 2017 Works

[ACP 1108]

Awkward Geisha

“Shadows of the Shepherds: A Brief Retrospective of 2017 Works”

This album is a collection of works from the Awkward Geisha 2017 repetoire. Call it a sampler if you wish. Call it a ‘best of’. Call it art.

Awkward Geisha is a free improvisation ensemble with legs firmly lodged in the avant garde and dada movements.
Members of the ensemble vary from song to song.
The ensemble was put together by Harsh Noise Movement in 2016 as a reaction to the mundane and tedious sounds that insult the eardrums on a daily basis.

On this collection, Awkward Geisha is:
HNM. Eric Jovet. Ludwig Dementgenstein. Gaitoh. Ghostskull. Akano Shibahito. Gimp Gash. Tim Kai. Kryptek.

All songs written by Awkward Geisha except Hellhound on my Trail, written by Robert Johnson.
All songs produced, mixed & arranged by HNM.

Front and back cover art by Cierra Rowe.

New Wave of Worldwide Free Jazz.

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Walt Thisney – Vaudou stellaire

Walt Thisney

“Vaudou stellaire”

The Necrophile Hummingbird presents Vaudou Stellaire by Walt Thisney & Chromatic.
A collaboration done like a new year gift to every listeners who keep their ears open as their mind.
Also one more attempt to break all the borders…
.
Tracks are recreations from Galactic Voodoo by Walt Thisney
http://freemusicarchive.org/music/Walt_Thisney/Galactic_Voodoo/
Created in the space between 2017 and 2018.
Chromatic was mostly a plunderphonic project but this time no sample were harmed during the process…
It was such a joy to walk the bridges between our both musical universe,
I hope you will enjoy the vibration.
Thanks a lot to the three Foucherans fairies for their voices on tracks 2/7/11.
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MODELBAU – augsburg, germany, 02​.​12​.​2017

[ACP 1130]

MODELBAU

“augsburg, germany, 02​.​12​.​2017”

live @ re:flexions – silent series ° Ganze Bäckerei, Augsburg, 02.12.17

This is not a live recording and yet it also is. Part of this concert was ‘semi-acoustic’, not going over the sound system, but using separate smaller speakers and radio speakers. The audience was asked to do a recording on whatever means they had with them, which turned out to be harddisc recorders, camera and mobile phone. All of the ones I received afterwards were used to create the music you are hearing, a collage of various recordings from various points in this space. So its live and not really. I mixed it but did not really edit, as in taking out the ‘bad parts’, it.

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BroodingSideOfMadness and Melophobia – Serpent Noir ΚΑΔΜΟΣ / Serpent Rouge ΑΡΜΟΝΙΑ

[ET119]

BroodingSideOfMadness and Melophobia

“Serpent Noir ΚΑΔΜΟΣ / Serpent Rouge ΑΡΜΟΝΙΑ”

melophobia comes from Greece. He likes to experiment with long noise and drone sounds intermingled with field recordings and acoustic sounds. melophobia is heavily influenced by contemporary artists such as Merzbow and early ’90s shoegaze scene. He is active with his ultra-limited releases of his 3″/5″ CDr label ‘illicit-tapes’. He cherishes the piles of his priceless jap noise C-xx tapes and obscure vinyls.

BroodingSideOfMadness is interested in phonemes, graph theory, realism and any dystopian ambiance. He seeks for the generative element in his tracks. He is the founder of Etched Traumas netlabel.

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Ultramerda – Il silenzio non esiste

[BM03R18]

Ultramerda

“Il silenzio non esiste”

Ultramerda – Naif Fluxus Noise project from Casazza / Italy.

Ultramerda is a one-animal-band.
Ultramerda does not have a biography because Ultramerda does not exist.
Ultramerda is not a man and not a woman.
Ultramerda is all that the human is afraid of.

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Noise Ladder – Miszka

[EEM028]

Noise Ladder

“Miszka”

Noise Ladder is art project created by Nicolas Lafay in 2015. It explores the field of noise music through performances which confront body with technology and cassette records.

The name was inspired by Jacob’s ladder, the famous moog filter technology as well the chimney sweeps.

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Pirata – En el aire estoy

[M26]

Pirata

“En el aire estoy”

Review
Pirata – En el aire estoy

Antonio Díaz better known as Pirate, is an electronic music producer who lives in Los Lagos, Chile, and who has always been bound to sounds more ambient, IDM, minimal and dub, is now presenting a surprising EP called ‘En el aire estoy’. The journey starts with the track ‘El Pantano Invisible’ with ambient and minimal surrounding noises, a marked bass drum and several reminiscences of the English electronic sounds of the 90’s such as those of F.S.O.L. or The Orb but at the same time maintaining the originality of the sound that distinguishes us. The second track, that gives name to the EP, includes more atmospheric sounds and a beat closer to IDM. With this track, Pirata shows his exponential growth through complete command of softwares and machines he uses to compose. Moving forward to the next song “Espacio On”, we find a galloping beat with atmospheres and a profound sample similar to a mantra. Later we run into ‘Galeno’ in which Pirata shows clear influences of the German electronic sound of the 80’s. The following song is ‘Imperio Lúdico’. In this one, Pirata, who won the French prize ‘Qwartz Electronic Music’ in 2009 under the category ‘Discovery’, comes back to calmer and more ambient sounds with voices that weave together and glitch sounds that always characterize his music. Finishing this trip with ‘Imperio Lúdico’, Pirata invites us to explore in his EP ‘En el aire estoy’ diverse sounds, influences and an extremely high-level production that has allowed him to position himself as one of the most remarkable exponents of the national electronic music.

Hans Carstens
Engineer, musician and DJ.
2018.

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V.A. – fabrication 4​​.​​​​0

[ACPR 1004]

V.A.

“fabrication 4​​.​​​​0”

01. BUG – Radio Session at Radio On Berlin Seismografie des sons et des fréquences
02. MODELBAU – fade
03. KSHATRIY – Time Is The Enemy (live version)
04. STAR TURBINE – new river III
05. ELMA – snake woman
06. DOC WÖR MIRRAN – The Erdogan Insult
07. SMALL THINGS ON SUNDAYS – second language
08. CIRCUITNOISE – SEP 161003
09. FLAUB – Alien code from Urlot Episode one
10. RRR – Xpert
11. KINGA TOTH – salivaspeech

all tracks exclusive to this compilation

photography and design by EMERGE

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V.A. – LEGS IS DEAD

[LEGS​-​NET 150]

V.A.

“LEGS IS DEAD “

released December 31, 2017

(Mostly) Mastered By Threshold Driven Mastering

(Mostly) Sequenced At Random By Bee Pritchard


CITY DRAGON – WHALE

[ACP 1129]

CITY DRAGON

“WHALE”

photography by Max Kaario
design by EMERGE
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Tsataan, Coffee Faith, Giga Destroyer – Independence Three Way Split (2017)

[WAC05]

Tsataan, Coffee Faith, Giga Destroyer

“Independence Three Way Split (2017)”

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Suspektema – “to be done, to have done.”

[SSSDlp14]

Suspektema

“to be done, to have done.”

“And if I failed to mention this detail in its proper place, it is because you cannot mention everything in its proper place, you must choose, between the things not worth mentioning and those even less so. For if you set out to mention everything you would never be done, and that’s what counts, to be done, to have done.” SB

“I have nothing to say and I am saying it.” JC

Composed by Suspektema
Produced by rr.gross
November 2016

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Sean Derrick Cooper Marquardt – The Berlin Wall Monologue

[mn009]

Sean Derrick Cooper Marquardt

“The Berlin Wall Monologue”

Drone / noise with guitar and spoken words.
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Zigo & Camila Dos Santos (KURUNDU) – Yvykua Ipuva

[PT068]

Zigo & Camila Dos Santos (KURUNDU)

“Yvykua Ipuva”

Camila Dos Santos : cello
Zigo Rayopineal : fieldscapes, electronics, cello loops in real time

duo from Paraguay & Argentina.

kurundu is an amulet for rituals in south america.
un amuleto de luz flotando radioactivo por un rio de sud america.

cello,field recordings,electronics,loops direct rec in buenos aires.
improvised performance and looping to two channels.
no other post rec process.
field rec from Paraguay and Argentina.

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AD~E – Nahrungsknappheit

[1014]

AD~E

“Nahrungsknappheit”

AD~E:
ACID DISCHARGE & EMERGE

attenuation effect ° 1014 ° 2017
live @ re:flexions – silent series ° Ganze Bäckerei, Augsburg, 07.10.17
photography by Dan Penschuck
recording, mastering and design by EMERGE

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10Konekt – Boeuf

10Konekt

“Boeuf”

JC : Scie,Mic,Fx
JM : Synth
CY : Diy Noise stuff
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DJ Illiad Mendel – Curse of Dragon

[WAC08]

DJ Illiad Mendel

“Curse of Dragon”

DJ Illiad Mendel merupakan proyek bermusik bergenre
DJ-elektronik yang terbentuk sejak tahun 2016. Tahun 2016, DJ Illiad merilis
single berjudul “Underground Dance
Clubs” di bandcamp. Setelah itu di awal tahun 2017 ikut dalam CD kompilasi “Bhinneka Tungal Ika” besutan dari PROGANIZER
x ERMUSIC RCRDS.
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Fabio Keiner – Autumn Elegies

[IYE24]

Fabio Keiner

“Autumn Elegies “

A warm cold amniotic and cathartic liquid, find yourself on the edge of a wood, feel the leaves play for us. Ambient, neo classical, are just two of the adjectives we could give for this music by the composer Fabio Keiner, a master in creating atmospheres carved in Carrara marble or in the water of a lake at the passage of a swan. Fabio is Austrian and visiting his bandcamp https://fabiokeiner.bandcamp.com, you will discover a fantastic world of a true sonorous and visionary magician that will take you very far. We are honored to be able to publish a record of a musician of such stature, able to capture the heart as few, but above all to make the mind fly for a high-level ambient.

Un caldo freddo liquido solido amniotico e catartico, ritrovarsi sul limitare di un bosco, sentire le foglie suonare per noi. Ambient, neo classica, sono solo due degli aggettivi che potremmo dare per questa musica del compositore Fabio Keiner, un maestro nel creare atmosfere scolpite nel marmo di Carrara o nell’acqua di un lago al passaggio di un cigno. Fabio è austriaco e visitando il suo bandcamp https://fabiokeiner.bandcamp.com , scoprirete un mondo fantastico di un vero mago sonoro e visionario che vi porterà lontanissimo. Siamo onorati di poter pubblicare un disco di un musicista di tale levatura, capace di catturare il cuore come pochi, ma soprattutto di far volare le mente per un ambient di altissimo livello.

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Eigenidyll – Bambi, das Schweinchen, das Kind und sein Vater (und wie es nach Hause ging)

[1013]

Eigenidyll

Bambi, das Schweinchen, das Kind und sein Vater (und wie es nach Hause ging)

Tobias Schmitt: objects, digital-processing
Sascha Stadlmeier : guitar, effects, sampler-processing

attenuation effect ° 1013 ° 2017
live @ xerox exotique – INM, Frankfurt, 26.11.17
thanks to Tilmann Jakob ° dedicated to animal life
recording, mastering, photography and design by EMERGE

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Juan Antonio Nieto – Airports & Hotels

[IHab131]

Juan Antonio Nieto

“Airports & Hotels”

Airports & Hotels is a compilation of the sounds I have found in the trips I have made in recent years.

The sources of these sounds are field recordings made at different airports, on airplanes and in hotels. In these last ones the recordings are improvisations with the elements that I found in them and their different stays. These recordings were made with the windows open to capture the sounds of the outside, rain, traffic, people talking, etc.

These sounds were mixed, trying to maintain, as much as possible, the spirit they had at their origin, and rather than identifying the sounds, I wanted them to be intuited.

The different titles of the tracks refer to the places where they were recorded. The majority were mastered and completed in Madrid.
– Juan Antonio Nieto

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Filmy Ghost – The Echo of Invisible Trees

[mn008]

Filmy Ghost

“The Echo of Invisible Trees”

“The Echo of Invisible Trees” is an extended noise composition
with slightly varying tones, the concept of the work is to create
an enveloping and dark atmosphere, which provokes a
certain tension and absorption in the receiver.
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LE SYNDICAT MMX – Chaos Superior

[ACC 1012]

LE SYNDICAT MMX

“Chaos Superior”

Unreleased Pieces Extracted from Live Sessions Performed in 2010 & 2011.

Le Syndicat MMX are:

Popsonne:
Portable Noise Generators, Effectors, Home Made Instruments, Microphone

Ruelgo: Laptop, Scratch, Effectors, Microphone

Scramble System:
Laptop, Effectors, Didgeridoo, Toy Instruments, Microphone

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Фиорд – Невзялазь


Gozne – Fin del Tiempo

[pn127]

Gozne

“Fin del Tiempo”

“‘Fin del Tiempo’ (‘End of Time’) is not a religious work, although in the creative process, passages from the Bible were the source of inspiration for the concept; for this reason, included along with the download of the album is a PDF document with the verses used.

The ‘Non Human‘ robot has been reduced to the minimum expression, a microchip with software. This allows his artificial brain to survive practically intact to the holocaust of the ‘Fin del Tiempo’.

‘Fin del Tiempo’ is the conclusion of a series of works under one concept with the aliases of Gozne and Zacarías Malden.

‘Fin del Tiempo’ initiates the definitive fusion of styles, where the rhythmic essence of Gozne merges with the purely experimental style of Zacarías Malden.

‘Nation will rise against nation; there will be earthquakes in many places, hunger and turmoil, terror and signs in the heavens; it is necessary for this to happen, but it is not yet the end. ‘ (Jesus of Nazareth). This is also the ‘Fin del Tiempo’, believe it or not, it is already happening.

For this described above, it was appropriate to write the review and / or presentation of the work myself (Gozne), to take the opportunity to thank my family, while ending a stage of my musical career and at the same time initiating another that is more abstract and primitive, minimalist and practically binary, both in audio and video.”

Eduardo Gozne
(Quilpué, Chile. Diciembre / December 2017)

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MARIO GUIDA – TiLT {serie2}

[ACP 1128]

MARIO GUIDA

“TiLT {serie2}”

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Thuoom – 10 years in noise

[thump321]

Thuoom

“10 years in noise”

As Thuoom closes his second grand cycle in order to begin a studio hiatus, there are two compilation albums released simultaneously.

During the last ten years or so, while working on the Thuoom sound, Tuomo has also experimented with several (harsh) noise/avant-garde themes. As these pieces never quite fitted any other place, they are presented here for the first time, together and in a chronological order. Spellonia features Mala playing synth with Thuoom.

Instruments used on this record: algorithms, breathing, broken cord, Casio CTK-601 synth, coin, computer keyboard, cord, diarrhoea, electric guitar, electroacoustic guitar, faucet, glitches, human voice, kettle, midi, note book, sofa, speaker feedback, staple, table

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KiB – 9

[EEM026]

KiB

“9”

Album created in 2011 and talking about nine lives, about worlds and planets, the mysticism of number nine, the completeness of the single-digit numbers. This is the second official album made by KiB and an attempt to step from dreams into reality.
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Sound_00 + Lefterna – Collab 30

[ACP 1127]

Sound_00 + Lefterna

“Collab 30”

Sound_00 is Toni Dimitrov
Lefterna is Boban Ristevski

photography and design by EMERGE

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xqm – Session #36 || 2017​​​​​​​-​​​​​​​11​​-​​17 || LIVE

[ACP 1126]

xqm

“Session #36 || 2017​​​​​​​-​​​​​​​11​​-​​17 || LIVE”

Manuel Schaub:
Sequencer & FX

Matthias Weigand:
Analog Synth & FX, Recording, Mastering, Foto & Layout

live @ re:flexions ° villa, Augsburg, 17.11.17

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David Ramos & Arín Dodó – Críptico

[PT067]

David Ramos & Arín Dodó

“Críptico”

Track 1, 2 ,3: David Ramos korg Volca Beats, Korg Monotribe, Monotrón Delay, Microkorg, Noise machine; J.G. Entonado (a.k.a. Arín Dodó) voice, piano, trombone, french horn

Track 4: Sam Hall & Tamaya Honda drums; Gori Valarez electric guitar; David Ramos electronics; J.G. Entonado (a.k.a. Arín Dodó) voice

Track 5: Tamaya Honda & Sam Hall drums; Ricardo Rodero sax; David Ramos electronics; J.G. Entonado (a.k.a. Arín Dodó) electric guitar

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DAVID M. PAGANIN – Sonic Sand Mandala

[earS088]

DAVID M. PAGANIN

“Sonic Sand Mandala”

This album of unusual music has ephemerality as its core theme.

Publication date 2017-12-04
Usage Attribution-Noncommercial-Share Alike 3.0
Topics Electronic, Industrial, Noise, Dark Ambient, Avant Garde, Electroacoustic, Experimental Music, Experimental, Sound Collage, Sound Art, Musique Concrete

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SATORI – humanimaladjusted

[ACP 1125]

SATORI

“humanimaladjusted”

humanimaladjusted
homo animalis
by dave phillips
remixed by satori
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Robin Rochdale – Candygram

[PE12]

Robin Rochdale

“Candygram”

4 track EP released on Pilot Eleven Netlabel.
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Jørgen Brønlund Quartet – From A Logical Point Of View

[SCM-1704]

Jørgen Brønlund Quartet

“From A Logical Point Of View”

The sound of melting floe, captured by a hydrophone, crackling under a female enchanting voice that repeats the same words continuously, like a gentle mermaid calling towards fatal cliffs, and whirring sounds rotating like ghost ships passing.
The landscape is white and grey and cold but open to a myriad possibilities of northern lights and very distant fires in the sky.
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HUH – live in Augsburg

[ACP 1119]

HUH

“live in Augsburg”

HUH (recorded drum ver.):
Kyosuke Terada (guitar/voice)
Takuma Mori (drums from sampler/voice)

live @ re:flexions ° Die Ganze Bäckerei, Augsburg, 27.01.17
photography by Dan Penschuck (feindesign.de)
recording, mastering and design by EMERGE

HUH is formed in July 2007 in Tokyo Japan by Kyosuke Terada (guitar/voice) & Takuma Mori (drums/voice).
They are presenting a new jazz with free improvisation.
They keep looking for the melting point of the groove and the noise, junk jazz, no wave punk by free form improvisation.
They have many various releases, that not limiter to the domestic,and regardless to the form.
And planing many many independence events in Tokyo.
They began independence label “OOOSOUND” with GEVABOW and VAU! in Tokyo since 2012.

Their collaboration guest name…
T.Mikawa (Incapacitants), ASTRO, Tadashi Kumihara (Gunjogacrayon), GOVRENMENT ALPHA, Jin Harada, Atsuhiro Ito, Punkuboi, Hahanosikyu, Cal Lyall, Python vs Cobra, Les Conferences Bunker, Coco, Naoki Nomoto, PUNSUCA, DJ MEMAI, etc…

Released labels…
OOOSOUND(JPN/Self label), attenuation circuit(Germany), WORD iS OUT!(JPN), Productora Mutante(Chilli), Grindocore Karaoke(US), bumtapes(UK), etc…

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Haase+Santis – Dos Trazos

[pn126]

Haase+Santis

“Dos Trazos”

The second album by the improvisatory duo Johannes Haase (Germany) and Óscar Santis (Chile), in this work we find two strokes, each one with a particular character and energy, music born from an ambient minimalism of high contrast based on the energy and sonority of each of them, together they create these sonorous images of highly oneiric and aquatic depth, that revoke the dunes, the sea, and the factories near Ritoque.

Trazo uno (Stroke one); of an aggressive character, contained and defragmented, the sonorities created by the electric violin of Haase are hidden between textures blurred by processes and loops, these at moments, contrasted by the electronics of Santis, overwhelming, from aleatoric rhythms and great sonic density, almost pixelated, together they create landscapes that are deconstructed and assembled in an organic way, creating textures of high spatiality.

Trazo dos (Stroke two); a deep and spacious texture, of aquatic time that is constructed of subtle gestures that coexist in a state of contemplation, the temporal absence that they generate immerses us in a very deep listening almost like daydreaming, a continuous variation that little by little comes and goes transforming and giving rise to this fragmented minimalism that brings us back to that which is human.

A disc where temporality and form are given through the organic needs of the moment, which takes us into subtle states of listening, where we can manage to enter the fine interwoven fabric and the decisions through which the music was tacken on, at the personal level, a work of brief landscaping with an occultist essence, two strokes that propose contrasting states from the same nature, listening and freedom.

Cesar Bernal
(Valparaíso, Chile. Noviembre / November 2017)

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Slit In Slot – Birthmarks

[mhrk190]

Slit In Slot

“Birthmarks”

“Birthmarks” by Slit In Slot is an emotional, harsh and considered work. A precise, even meticulous amalgam of field recordings, ambient and noise music, the release combines as much as it dissects all of its core components. The resulting music is sometimes drifting, sometimes scorching but always remaining humane. Beneath “Birthmarks” lies a strong and personal concept, a complex understanding of sound and an obsessive desire to transform the sonic ruins of our shared reality into new worlds.

released November 28, 2017
via Amek and Mahorka
digital release + limited edition (50 pcs) cassette

Music by Yavor Grancharov
Artwork photography by Dilyana Dimova

mhrk190 // amek017

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Achnn – words blink


Number Eleven – Strict

[EEM025]

Number Eleven

“Strict”

Damaged with disorders, constant reconstructions, and wrong decisions, while losing the ability to dictate your own rules, Strict falls into a state of attacking everything that could lead to a failure, introducing a crude self-defense mechanism of attacking everything that is interfering with principles of existence. All this has the potential of destroying all bonds and connections, dismissing the opportunities, just to find the cause of disorders, ripping every reason of existence just to have an answer.

Regained, recuperated anger and blasts combined with illogical analytic attacks, resulting in a powerful complex forge of rhythmic structures which are hard to stand and fathom, coupled with the angry synthesis of orchestral and electronic surges of extreme insanity and sadness put at the precision of a scalpel.

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Mauro Sambo & Matilde Sambo – “​.​.​.​sibilava tra i denti​.​.​.​”

[PT066]

Mauro Sambo & Matilde Sambo

“”​.​.​.​sibilava tra i denti​.​.​.​””

Matilde Sambo – electric guitar, field recordings, electronics
Mauro Sambo – electronics, double bass, gong, kalimba, percussion

Artwork : Matilde Sambo
“from ice to you” (2017)

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Martin Hoogeboom – A Sacred Place (Live)

[ET118]

Martin Hoogeboom

“A Sacred Place (Live)”

Performed live by Martin Hoogeboom at A Sacred Place, September 15 2016.

Recorded and mastered by Theo Calis.

Artwork by Martha Marshall (http://marthamarshall.net/).

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Thuoom – Live Enhanced

[thump320]

Thuoom

“Live Enhanced”

Live Enhanced (#06/2017.5.18/ae7) features the full live show Thuoom played at Ambient Evening 7 in Parainen, Finland on May 18th, 2017. As usual for these evenings, Thuoom performed simultaneously with other artists but for this record, there’s no trace of other artists’ sounds. The sounds on this release have been processed to get a richer overall sound but the underlying performance has been left untouched.

Alongside the mp3s, there is a limited edition of physical CDR’s that will only be available at live shows.

Instrument used on this record: electroacoustic guitar.

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LORENZO ABATTOIR – line on sacred wall

[ACP 1121]

LORENZO ABATTOIR

“line on sacred wall”

live @ re:flexions ° k15, Augsburg, 23.06.17
photography by Lorenzo Abattoir
recording, mastering and design by EMERGE

Lorenzo Abattoir is an italian based audio engineer, noise artist since 2008. Founder of several projects into noise scene [ Nascitari, Psicopompo ] & sound art [ Mare di Dirac, Tevet Icetone Process ].Unconventional methods of composition to generate textures & installations with use of: electroacoustic instruments, isolation from environment, mental sound’s manipulation.
His work takes shape in a context of underground extreme music to become accesible through various projects related to contemporary art.

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Martin Rach – Pentacyclops

Martin Rach

“Pentacyclops”

music of cyclops, five, in an odd loop

piano, korg volca fm, korg volca keys, yamaha speakers, roland vt-3, mixer and zoom recorder

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Mental Escape Pod – silent series VI

[ACPC 1006]

Mental Escape Pod

“silent series VI”

live @ re:flexions – silent series ° Ganze Bäckerei, Augsburg, 07.10.17
recording, mastering, photography and design by EMERGE

Mental Escape Pod
alias: Dabit Vocem Austria; Oni_pelted_by_beans; Das Rheintaler Nachtwerk; Felix Montfort;

Born in 1977 in the far west of Austria, life for a hungry littlev electronica nerd was hard. My electronic music life started at the day I saw Aphex Twin’s “Come to Daddy” at MTV. In the next 2 years i collected what I got and also found some really relaxing works from him and other artists. With the purchase of Aphex’ “Selected Ambient Works 2” I jumped into soundscapes and Ambient sounds. In 1998 I started making own noises with a tracker and some free ware sounds. Then some personal problems kicked in 2002 and I did nothing until the winter of 2009/2010. In December 2010 Dabit Vocem Austria was born and 1 year later Mental Escape
Pod followed. And it never stopped until today.

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Carya Amara – From Ground to Sky

[earthrid-020]

Carya Amara

“From Ground to Sky”

Live set from August 2013.

The hirundu – Pain Levels Of The Rich And Famous

The hirundu

“Pain Levels Of The Rich And Famous”

“Pain Levels Of The Rich And Famous” is the 34th album by The hirunu

ref/inter – /inter

[EEM024]

ref/inter

“/inter”

/inter is an album based on a certain visuality of sound. It has various sounds in it (field recordings, instrument samples, pure frequencies, and glitch/feedback noise), however, the core of this album was an experiment – an analog connection of sound and image. By sending a sound signal to a screen in such a way as if it were visual information the screens started to show imagery and by testing four different approaches towards using sound and testing how they look in this particular connection /inter was formed.
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Magliocchi / Northover / Thompson / Okamoto – Music from dreaming skaters

[PT065]

Magliocchi / Northover / Thompson / Okamoto

“Music from dreaming skaters”

Trio 1
Marcello Magliocchi/Adrian Northover/Daniel Thompson

Marcello Magliocchi / drums, percussion
Adrian Northover / soprano & alto sax
Daniel Thompson / acoustic guitar

Recorded at Iklectik – London on April 19th 2016
Recorded by St Austral Sound

Trio 2
Marcello Magliocchi/Adrian Northover/Maresuke Okamoto

Marcello Magliocchi / drums, percussion
Adrian Northover / soprano & alto sax
Maresuke Okamoto / cello

Recorded at Iklectik – London on March 3th 2017
Recorded by St Austral Sound

Cover Photo by Lidia Stranges

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Onde Poussi̬re РVague Seconde

[Eg0_169]

Onde Poussière

“Vague Seconde”

Vague Seconde, the second album of Onde Poussière, documents the group’s evolution since their beginnings and their first album Silent Rain. Doedelzak now plays interconnected analog synthesiszers, and Kecap Tuyul has dropped the guitar and uses a “no-input mixer” with effects. Their improvisations are based on the creation of unstable situations in which some accidental sounds might happen at any time…
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Carya Amara – Echoes

[earthrid-019]

Carya Amara

“Echoes”

‘Echoes’ is a selection of Carya Amara tracks that have been heard elsewhere over the past few years, although not necessarily by you…

scmute – Sumic Semurnb

[mn007]

scmute

“Sumic Semurnb”

The structure of nature.

Nature expresses itself through its structure, it has no function or intention to communicate feelings or ideas. If nature speaks to us, she does so through her relationship with us, since we are part of her. The music presented by Marcos Bernabé (aka scmute) in “Sumic Semurnb” is like nature, its structure is algorithms, instructions for its generation that resonate us by its relation with our psychology of attention. The game with attention is the key, as a vehicle to enjoy the sounds, the dynamics and, ultimately, to provide us with a singular perceptual experience.

scmute gives us, in addition, an extra gift in track number two, because it gives space to the silence that we so much appreciate in this netlabel.

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