Juan Antonio Nieto – Mercury

[054]

Juan Antonio Nieto

“Mercury”

Mercury is an album in wich the sounds used (improvisations with percussion metal plates and storms field recordings) work into a different perspective on dark ambient, Nieto hasnpt used melodies or ornaments to make the listener more “friendly”, It’s the transformes sounds that sustain the album and need attentive ears to be enjoyed.
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Zzy – Artificial Thoughts

[AR_081]

Zzy

“Artificial Thoughts”

“Artificial Thoughts” is the first Zzy‘s album. The story of this album is about two different realities: the humanity and the machine revolution. In other words, this work criticizes “the modern society” and their addictions. Do humans control the machine or does the machine control humans?

The technological revolution an its progress seems to us unbreakable and doesn’t show signs of ending.

Will we all be dominated by the machine? Is this our end?

“Artificial Thoughts” is struggling with those questions that have no concrete answer. However, the future looks dangerous and THE HUMANITY has to make decisions to survive in this game, against the endless evolution of the machine.

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Dans les Tuyaux – Ecoutez


XFnX / EMERGE – loosing shelter

[1016]

XFnX / EMERGE

“loosing shelter”

A – XFnX
loosing shelter 1-6B – EMERGE
re-weld

original version released by Sirona-Records in 2013
original sounds by elektrojudas

attenuation effect ° 1016 ° 2018
photography by Dan Penschuck
design by EMERGE

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Luka Prinčič – Antigone​/​Child

Luka Prinčič

“Antigone​/​Child”

music by Luka Prinčič

source code:
gitlab.com/lukap/antigone-child

released by Kamizdat
kamizdat.si

made with open source: SuperCollider, Ardour, Kdenlive, FFMpeg, G’MIC, UbuntuStudio

supported by Emanat and Matija Ferlin via production of “Staging a Play: Antigone” emanat.si/en/production/matija-ferlin–staging-a-play–antigone/

financial support:
patrons at Patreon – patreon.com/lukaprincic
City Municipality of Ljubljana

media suport: Radio Študent, Ljubljana

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V/A – Live in Norwich

V/A

“Live in Norwich”

This is the live recording of the second edition of the Naviar Haiku Fest, which took place in Norwich (UK) on Friday 25th May at The Birdcage. www.naviarrecords.com/haiku-fest-norwich

The event was curated by Naviar Records and Neil Stringfellow, supported by the Great Britain Sasakawa Foundation and Resonance Extra.

artists:

Audio Obscura (UK) audioobscura.bandcamp.com

Audio Obscura performs Lap-top based electronics for the ears, haunting the wide spectrum’s of electro-acoustic music with a firm footing in the ambient realm. The sound also strays towards the experimental; musique concrète, idm with post-classical minimal leanings occasionally push through.

Ikjoyce (UK) ikjoyce.bandcamp.com

ikjoyce makes electronic ambient and drone music using modular synthesis to explore themes of nature, space, isolation, man/machine interaction, and the borders of the sleep/wake cycle.

Sevenism (UK) sevenism.bandcamp.com

“I’m a self taught musician and sound mangler blurring the boundaries between analog and digital, acoustic and electronic, generative and human. I work in the present moment letting the music flow wherever it wants. My aim is to make music that is strange and experimental yet resonates on a deeper level.”

Subespai (AUS) subespai.bandcamp.com

Subespai is the solo project of Mauri Edo, a Sydney musician born in Barcelona. Walking the line between ambient, noise and drone music, Subespai paints experimental soundscapes by mixing acoustic and electronic audio sources with effect pedals, field recordings and other gadgets.

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affaire difficile – certain aspects of proliferation


Officina Errante – Recorder! Ricorda​.​.​.

Officina Errante

“Recorder! Ricorda​.​.​.”

“Recorder! Ricorda…” is the first release in Linear Obsessional’s cassette series, professionally produced cassettes in uniform designs by David (smallhaus) Little. The artists have worked to produce music specifically for this format.

Officina Errante’s piece is an audacious journey through a succession of sonic moods, all sounds recorded on a portable Zoom recorder- the results then manipulated, crunched and highlighted later- time compresses and expands infinitely….tinkles from a borrowed piano add melancholic interludes.. It’s almost like a succession of audio postcards or snapshots, each “movement” capturing moments of stasis or energy, urban clamour or rural tranquility the whole work flowing seamlessly with it’s own logic.
Officina Errante reworked his piece especially for the cassette format and Linear Obsessional is delighted to present this piece of 21st century musique concrete/sonic travelogue.
credits
released June 22, 2018

All sounds, fields and instruments in this work have been sampled from recordings taken by me with the Zoom H5. I could take these recordings also thanks to Niina, Luke, Laura, and Michiko-san who let me play her piano all the time I wanted while I stayed at hers.
Photography by Niina Mahosenaho.

Written and produced by Officina Errante in Tokyo, Tonami and London.

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JAMES WYNESS – a rummage around in the recycling department

[ACP 1152]

JAMES WYNESS

“a rummage around in the recycling department”

photography by Felix Montfort
design by EMERGEa labyrinth of discarded objects, materials, everyday and domestic items and stuff left lying around in dark corners

friction, resonance, violent impacts, vibration, induction and weak magnetic fields

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Drone Forest – Point – Less

Drone Forest

“Point – Less”

Alternate takes and unused pieces made while composing the album Point.

Drone music by

C. Reider
Dave Stafford
Michael J. Bowman
Ian C. Stewart

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Failure Circle – A mistake within a mistake

[Eg0_179]

Failure Circle

“A mistake within a mistake”

While Failure Circle‘s 1st album 0x0.0 was full of overdubs, the 2nd one “A mistake within a mistake” consist of 3 raw improvisations recorded in Kecap Tuyul’s home studio during winter 2017-2018. It shows another side of this no-input-mixer project: more focused, less frantic, and even minimalist and droney sometimes.
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Salis / Sanna / Pili – Choke

[PT078]

Salis / Sanna / Pili

“Choke”

Giacomo Salis: Percussion, objects
Paolo Sanna: Percussion, objects
Stanislas Pili: Percussion, objectsRecorded at P@SoundWorkshop, Sardara ( Cagliari), july / august 2017
Mixed and mastered Carlo Barbagallo (Noja Recordings) , May 2018 (Torino)

All music improvised by Salis, Sanna, Pili

Giacomo Salis / Paolo Sanna Percussion duo meets Stanislas Pili, a percussionist with a classical-contemporary background. The result is a visionary and deep dialogue, where standard and extended tecniques are used to play different percussion. The non – idiomatic free improvisation and the post free european school are the foundations of the trio’s sound research.

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Trixie Delight – Submarine

Trixie Delight

“Submarine “

Trixie Delight’s second release on TCFSR is once again constructed from her own field recordings over which she plays her zither and sings.

This release includes interpretations by Lone Cosmonaut, Doctor Mario, Dental Drill and 3dtorus.

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FezayaFirar – admin

[ACP 1150]

FezayaFirar

“admin”

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Of. – Aridos

[M028]

Of.

“Aridos”

This handful of sounds in musical format is anything but arid, since thousand of images do flourish and take place against to our psyche, as we go through the generous timing of the tracks.

Microscopic geometries perpendicularly pass through the space inhabited by omnipresent and opaque bass drums in black notes (as it has to be) which are several times fractured by resounding breaks that keep inviting us to a total immersion. There is no truce or carelessness. Everything is in its place.

The web is solidified and amalgamated by elegant melodies of overseas (Árido III). Other times there are distant voices (Árido II) which characterize the galloping plot that equally spill magic and celebration in an endless coven. Árido I puts us a muzzle and a leash to take us to a ride with an eternal arpeggio of cosmic horseback ride that is little by little being contaminated by weaves of liquid gas and noisy flashes.

The delivery is a resounding trip of oneiric minimalism with remarkable aquatic calling and architecture riddled with compressed concrete. Since minute 1 it warns that from here one does not come back with the same face as the one at the beginning of the trip.

A serious, meticulous, elegant and hypnotic work that invites to be listened with closed eyes, light off and a closed door.

The excellent remixes that complete this robust new delivery of Modismo provide spice to the total, but of course the dish can only be more filling at that level of genre.

Miguel Conejeros, 2008 Stgo. Chile.

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Ana Carvalho – Earthquake Detector

[078]

Ana Carvalho

“Earthquake Detector”

“O detector de terramotos (earthquake detector) não é uma ideia minha. Alguém disse a frase e eu, por via de apropriação, dei-lhe novos significados. A audiência talvez encontre algo escutado, dito, visto anteriormente. Por fim, acrescentarei, que utilizei, no processo, uma técnica de colagem de livre combinação (de textos, filmes, música, conversas com pessoas conhecidas e desconhecidas, na rua, no café, pelo Skype e email, bem como conferências sobre ufologia, tecnologia e consciência e ainda numa visita ao veterinário).”
– Ana Carvalho
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Dan Lizard – Drone Music

[FSR005]

Dan Lizard

“Drone Music”

Drone Music by Dan Lizard

released June 11, 2018 on FEUERSTEIN Records (Cat #: FSR005)

https://www.discogs.com/Dan-Lizard-Drone-Music/master/1376940

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YENNU ARIENDRA & J MOONG SANTOSA PRIBADI – Raja Kirik

[YESNO 090]

YENNU ARIENDRA & J MOONG SANTOSA PRIBADI

“Raja Kirik”

Diproduksi oleh Image Of The Giant Project

Direkam di Rumah Mo’ong, Yogyakarta

Mixing & Mastering oleh Yennu Ariendra

Dirilis oleh Yes No Wave Music

Gambar diambil dari buku Serat Damar Wulan

Desain dan olah gambar oleh Wok The Rock

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Gilman Mom – Revisionist History

[Macaque 002]

Gilman Mom

“Revisionist History”

In attempt to connect deeply with nature Gilman Mom’s newly-released album, Revisionist History, is immersed in atmospheric field recordings and jazz-inspired drone. The album looks to delve into the embrace of a warm, youthful summer’s day and perhaps explore what mental state endured by such an environment.
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EISENLAGER & TOXIC CHICKEN – Bibab Ba Du Bab

[ACP 1145]

EISENLAGER & TOXIC CHICKEN

“Bibab Ba Du Bab”

recorded by Toxic Chicken and EISENLAGER fom 2016 to 2018
coverartwork by Toxic Chicken
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Awake In The Dew – Sounds To Ascension

[TRANZ068]

Awake In The Dew

“Sounds To Ascension”

RELEASE INFO:

ARTIST: Awake In The Dew
RELEASE TITLE: Sounds To Ascension
CAT Nº: TRANZ068
RELEASE DATE: June 01, 2018
FORMAT: Mp3 / 320kbps / 44.100 MHZ
GENRE: Electronic
SUB-GENRE: IDM, Glitch, Experimental, Downtempo, Balearic, Chillout
TOTAL TIME: 36:32
SIZE: 109 MB

TRACKLIST:

01. FRACTAL (4:52)
02. WAVES OF COSMIC FIRE (4:55)
03. THE LIGHT HOPE (6:15)
04. INFINITE WAYS TO FLY (3:56)
05. BURNING THE VIOLET FLAME (5:42)
06. LIGHT IN THE SHADOWS (5:28)
07. CHILDREN OF THE SUN (5:24)

Notes
BIO:

‘Sounds to Ascension’ é um EP do projeto de música eletrônica e experimental Awake In The Dew que tem por base o álbum ‘Last Sounds to Ascension’, lançado digitalmente em novembro de 2015. O EP reúne os principais títulos do disco e traz as faixas na íntegra sem a sonoplastia contida no álbum.
A sonoridade de ‘Sounds to Ascension’ se volta para os gêneros mais experimentais da música eletrônica, como o dark ambient, drone, glitch e idm, que formam as influências trabalhadas dentro do projeto e contam com referências a artistas atuais como Access To Arasaka, Hecq e The Flashbulb, além de grupos clássicos como Autechre e The Future Sound of London.
Awake In The Dew foi criado em meados da década de 2000 na cidade de Maceió pelo produtor alagoano Diego Henrique. O projeto teve sua primeira fase entre os anos de 2007 e 2011, com uma sonoridade mais noise com bases em gravações lo-fi e conotações post-rock e psicodélicas. A segunda fase se iniciou em 2012 e já conta com quase uma dúzia de discos lançados, mais voltados para música eletrônica experimental.
O produtor Diego tem 31 anos de idade, cresceu ouvindo dance music e outros gêneros da eletrônica, até se interessar por sonoridades experimentais no final da adolescência. Autodidata, começou a se interessar por softwares de produção e edição sonora aos 17 anos de idade, época em que integrou o coletivo de DJs pragatecno em sua cidade, tocando suas próprias produções como DJ.
Atualmente, ele mantém outros projetos além do Awake In The Dew, nos quais ele desenvolve seu estilo particular e característicos em outros segmentos da eletrônica, seja voltado para pistas, seja misturado com elementos do rock, como pode ser conferido nos trabalhos do Airplanemusic, Hightech Factor e Plumarino.

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Max Bober – Autumn in Warsawa

[WAC18]

Max Bober

“Autumn in Warsawa”

Max Bober is a musician born in the windy south of Argentina, near Atlantic ocean and the Andes mountains. He studied violin, composition, philosophy and other interesting things in Buenos Aires. He is interested in experimenting with the ideas of silence, space, and resonance. Since 2017 he is living, studying and composing in Warsaw, Poland. When he is not thinking about music, or writing, or working, he likes to walk near the river and drink wine watching to the sunset.
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I’VE SEEN DEMONS – TOOTH DECAY – HAARP HYSTERIA – same

[ACP 1149]

I’VE SEEN DEMONS – TOOTH DECAY – HAARP HYSTERIA

“same”

recording by Stefan Lorenz
photography by Felix Montfort
design by EMERGE
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Longman – Plays The Music Of Cacil Taylor And Steve Lacy

[Picpack 255]

Longman

“Plays The Music Of Cacil Taylor And Steve Lacy”

Free jazz compositions based on free improvisations of two great musicians of avant-garde free jazz pianist Cecil Taylor and saxophonist Steve Lacy, through the eyes of the fusion jazz combo Longman.
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Jan LF Strach – Wygaszacz Ekranów

[UPL 077]

Jan LF Strach

“Wygaszacz Ekranów”

Another set of post-everything impressive expressions in rock and roll vein for voice, casio keyboards, electron guitar, fuckton of pedals, choirs, samples. Dubbed by the artist, “psychedelic chaos-pop”
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C. Reider – Young Music vol. 2

C. Reider

“Young Music vol. 2”

The second volume of collected early works spans the years 1994 to 2001, when I was twenty-three to thirty years old.
Most of these pieces are either unreleased or have been out of print for decades.
Some of my more drone-based work from this early period has ended up on this volume of work.Free to download for those who can’t afford it, or pay something if you can afford it and want to support what I do.
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DABIT VOCEM AUSTRIA – A Night Out

[ACP 1148]

DABIT VOCEM AUSTRIA

“A Night Out”

Recorded between December 2017 and February 2018 at Roy T. Studio, Mühlbach, Dornbirn.
Thanks to Andrijana for help.

photography by Dabit Vocem Austria
design by EMERGE



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