quefear – (ado​)​r​(​able) (mure​)​mur

quefear – (ado​)​r​(​able) (mure​)​mur
[ACP 1214]

quefear

“(ado​)​r​(​able) (mure​)​mur”

The project has existed since 2014. Located in Moscow, Russia.
Concerning the name of the project: in Spanish, “que” means “what” or “what,” so the name can be considered as the question “what to fear?”. In Russian, the word pronounced “kefir” (or “kephir” – a fermented milk drink).
I’m interested in experimenting with sound. I like to combine different noises and strange samples, effects. I love to improvise.
I use a variety of tools, from traditional to homemade. MS-20 Mini, Kaossilator and Kaoss Pad, the Mopho Keyboard, LYRA, casio sk-8. In addition to them, I use different percussion, tambourines. I impose noise and sounds recorded on the telephone recorder. Sometimes I add my poetry and lyrics.
The result is a kind of collage, a mixture of sounds and noises.
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Failure Circle – Melting Clinamen

Failure Circle – Melting Clinamen
[Eg0_209]

Failure Circle

“Melting Clinamen”

“Melting Clinamen” was born from a small deviation from the methodology used by Failure Circle in this serie of compositions Frozen Clinamen that normally uses only sounds recorded while no human intervention is applied to the used set-up ( no-input mixer most of the time). The creation of the first track of this album followed the same rules – except that it used a recording that features some little changes created manually (this sound can be heard between 3min11 et 12m06). This is also the first release in which Failure Circle doesn’t use a no-input mixer but a semi-modular analog synthesizer, the Neutron by Behringer, with no effects except its built-in ones. Another notable difference with the past volumes lies into the way the material has been edited & mixed. The other track of the album (Frozen Clinamen #2M) follows more strictly the Frozen Clinamen methodology, but all sounds were also created with synthesizer. Thus, Melting Clinamen is and isn’t part of the Frozen Clinamen serie.

Methodology of the Frozen Clinamen serie
step (1) Tweaking the set-up until it produces some seemingly autonomously self-sustained sound sequences.
step (2) Stopping tweaking and recording for at least 20 minutes without any intervention on the set-up.
step (3) Repeating steps (1) & (2) several times.
step (4) Using the generated sounds as only source in a posteriori compositions. The only variations used while mixing are equalization, panoramics and volume levels.
step (5) play it at low/high volume with open/closed window while complety asleep / fully conscious.

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Das All – Don’tfuck

Das All – Don’tfuck
[audios65023]

Das All

“Don’tfuck”

New Abstract Techno EP on New Jersey’s netlabel sub65. Six tracks from the Swiss underground experimental duo Das All. The first track “Don’t Fuck With Das All” is an edit of an exclusive contribution to the eight episode of the lobit procpod podcast.
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Hypocranusesent – I Said, Emotional Content. (EP)

Hypocranusesent – I Said, Emotional Content. (EP)
[s65024 ]

Hypocranusesent

“I Said, Emotional Content. (EP) “

‘Boss, we sent your entire crew in to reach his heart. We kept pulling up salt. Lots and lots of salt.’

I Said, Emotional Content. (EP) by Hypocranusesent is now available on sub65 media!

#Hypocranusesent #ambient #experimental #abstract #lobit #sub65media

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WHΛLT THISИEY – This is not This

WHΛLT THISИEY – This is not This

GMS/FBW – Vol.3

GMS/FBW – Vol.3
[pn141]

GMS/FBW

“Vol.3”

“The longing for (inner) silence leads the/our being(s) to take the(ir) sound to the outside, exposing it/them as a natural/peculiar/idiosyncratic happening.

This sound is also influenced by collective unconscious – i. e. a global < > local society.

What are we to find in this transcendental process?: all/nothing, a receiver/Pandora’s box, feeding back this inner space which happens to be mute(d).

What are we to do if Monserrat Bustamante Laferte came out of the blue? Our amazement would allow this silence to expand in space-time, procrastinating an explanation.

All these processes/experiences/longings turn this album into a snapshot, a here-and-now portrait, a possible chart for adventurers, uncertain for our recent past, stamping our existence until the end of silence.

For this is no comfort zone approach: neither pop nor tape music nor free improv, but all of them instead, a García Canclini-like hybrid, pointing out an emerging possibility for our countries.

Who are these people?

This makes it even more interesting: deeply rooted in crossover practices, GMSs play cumbia on Monday, jazz on Tuesday, and experimentalia on Wednesday.

Martín/Benavides (M/B), one of the most outstanding musicians nowadays, accompanying Chilean acts such as Francisca Valenzuela, Chancho en Piedra, Los Tres, and many others. He is also a great performer in an extremely complex and mesmerizing instrument, such as the theremin.

Gerardo/Figueroa (G/F), composer and musicologist, participant in several Chilean underground scenes and venues from early on: radio shows, such as Musiclaje, and Pueblo Nuevo en Conexión Social; producer of singer-songwriter Camila Moreno’s early recordings. A sui géneris ol’ skool, chatting freewheelingly and unhamperedly with newer generations.

Seiten/Wall (S/W), young composer prone to challenging audiences with unconventional ideas and practices. representing the twilight zone where all sounds and formats meet. At present, he is also a board member of Comunidad Electroacústica de Chile (CECH).”

Víctor Tapia Herrera
(Santiago, Chile. Junio/June 2019)

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Prinzip Nemesis – im Extrasalon

Prinzip Nemesis – im Extrasalon
[ACP 1212]

Prinzip Nemesis

“im Extrasalon”

This performance of Prinzip Nemesis in 2016 was part of the 7@7-exhibition by EXTRASALON at Werkstattgalerie Krüggling (Augsburg)

recording/mastering/cover/: brezenstudio.com

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Gilman Mom – A Trilogy of Perspective

Gilman Mom – A Trilogy of Perspective
[Macaque Records 005]

Gilman Mom

“A Trilogy of Perspective”

Gilman Mom has compiled their three albums into a single release, A Trilogy of Perspective. Meant to showcase growth, the collection exemplifies perseverance and fortitude. You can also purchase Gilman Mom’s masterpiece in box set form at a pay-what-you-want pricing scale. Half of all proceeds go to the charity of your choosing.
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Le geneS – Por fin, la marmota accedió a mutarse

Le geneS – Por fin, la marmota accedió a mutarse
[PT089]

Le geneS

“Por fin, la marmota accedió a mutarse”

Jose María Pastor – drums; David Ramos – speak and spell, Casio SK-1 (circuit bent), Piano Roland EXR -3, Microkorg, Korg Poly 800, Drone Thing and TW3, TW5 and Noise Machine (selfmade); J.G. Entonado (a.k.a. Arín Dodó) – voice, piano, electric guitar, harmonica, Ventris Dual Reverb

Cover Art by Pedro Menchaca

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Cyborg Project – Absence

Cyborg Project – Absence

10Konekt – Mixtape

10Konekt – Mixtape

Various – Noise Factory 2018 “klangschatten”

Various – Noise Factory 2018 “klangschatten”
[ACP 1203]

Various

“Noise Factory 2018 “klangschatten””

Arne Heisch
Lu Laumer
Dieter Mauson
Wolfgang Neven
Dan Penschuck
Sascha Stadlmeier
Henning André Voss
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Laura Cavan – Unsuspicious

Laura Cavan – Unsuspicious
[Eg0_208]

Laura Cavan

“Unsuspicious”

Laura Cavan is a french visual artist who also works with sounds, and especially natural ones like in her first album Unsuspicious. This project started in 2016 when Laura Cavan was studying arts in Marseille and created an installation using pieces of wood found in the area of her school (which is located close to a forest). The insertion of contact microphones in these pieces of woods allowed to transmit small vibrations emitted by its inhabitants : termites. The resulting sounds were sent in real time through headphones for the installation’s visitors.

Early 2019, some of these sounds have been selected, edited and mixed by Kecap Tuyul in for the realisation of this album. Different, light treatments (mostly equalization) have been applied to the orginal tracks, without trying to hide the recorder’s hiss nor other unwanted sounds, but rather with the aim of letting appear all aspects of the recordings in an organic way. The results don’t pretend to give an accurate reproduction of termit’s sound but should rather be considered like sound pieces where the recording technology is a part of the material and not a transparent medium. As a sequel of this release, Kecap Tuyul is currently working on tracks mixing electronic sounds with Laura Cavan’s recordings.

The artwork is made of a selection of Laura Cavan’s drawings of these wood pieces which that were created for her installation.

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Toxic Chicken – Noodle Soup

Toxic Chicken – Noodle Soup

Toxic Chicken

“Noodle Soup”

Toxic Chicken’s Noodle Soup.

free download, fun -hot and spicy, electronic, experimental, weird music!

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a.d.du.nord – Sana Grano

a.d.du.nord – Sana Grano
[Eg0_207]

a.d.du.nord

“Sana Grano”

A.d.du.nord is a musician who doesn’t work in a particular style but is guided by ideas of the moment without feeling compelled to maintain a single sound aesthetic. His first releases have been a few minimalist drone tracks published in 2018. He now aims to create some kind of “post-music” that is “strange and dysfunctional”. In short, a.d.du.nord is a project for free experimentation, where everything is possible.

Sana Grano is some kind of mixtape that gathers ten one minute long improvised sequences created with granular synthesis tools. The choice of samples was purely intuitive, and the results are partially aleatory. But if you listen between the lines, you may find reminscences of dub and afrobeat.

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Holorime – Uitled 1

Holorime – Uitled 1
[s65015]

Holorime

“Uitled 1 “

‘Don’t worry about changing your shirt. The party we’re headed to is for sloppy people.’

Uitled 1 by Holorime is now available on sub65
https://archive.org/details/s65015

#sloppyidm #electronic #lobit #sub65media

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Eniac – Cangiante

Eniac – Cangiante
[IYE33]

Eniac

“Cangiante”

his project (Eniac), has started in 1997 as an experimentation on the use of feedbacks and tape loops. In 1999 he started publishing music with a tape (split with Cria Cuervos); then the project evolved in different directions over the years: computer music, glitch, anche elctreoacoustic. He released music for recodx label like: Acustronica, Adaadat, Almost Halloween Time, Cathedral Transmissions, Chew-Z, Creative Sources, Edison Box, Many Feet Under, Sonospace, Touchin’ Bass.

Cangiante represent a point of view on the past (20 years) and on the future (the new projects will be under the name of Fabio Battistetti and Brezza).

The tracks have been composed at Blue Angle studio, between 2018 and 2019, using recordings and loops from the personal archive, including a short excerpt from a track recorded in 1999.

The titles of the tracks are quotes and references to past influences over the course of 20 years and visions of the present:

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V.A. – angst vs. anticyclic new trauma guarded and ripped despite engagement

V.A. – angst vs. anticyclic new trauma guarded and ripped despite engagement
[ACPS 1027]

V.A.

“angst vs. anticyclic new trauma guarded and ripped despite engagement”

01. DYSTOPIAN LEGACY – Støberiet 08:59
02. experiment#508 – The Path Was Clear 11:58
03. CHANGING PERSPECTIVES feat TEETH OF DIVINE – The Green Book 09:03
04. SOFIA BERTOMEU – Abstract Thought 06:53
05. STUDIO KO-OP – Don Trumpee 11:08

cover art by Claus Poulsen
design by EMERGE



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The Dry Mouths – Memories From The Pines Bridge

The Dry Mouths – Memories From The Pines Bridge

The Dry Mouths

“Memories From The Pines Bridge “

Jam brutal desde Almería (Spain) producido por los propios The Dry Mouths.

Grabado en Sonobalance Studio por Victor Ortiz asistido por Alberto Chamorro & Daniel Ruiz

The Dry Mouths:
Christ O. Rodrigues: guitarra, theremin
Andy Reyes: bajo
Josh Morales: Batería

Artwork por Iván Carreño

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Xavier Mussat – Provided for Courses

Xavier Mussat – Provided for Courses
[Eg0_206]

Xavier Mussat

“Provided for Courses”

After 5 years spent exploring improvised and noise guitar, Xavier Mussat opened a parenthesis without his usual instrument. He recorded abstract sound ambiances to be used as background sounds to accompany the work of his students during the intuitive drawing classes he gives. Here simplicity prevailed : he used the cheap internal microphone of his computer and several objects (bowls, balls, crumpled paper, table, and finally a hint of prepared banjo), as well as remixed sounds taken from videos of snowy landscapes. Experimenting with the austerity of a minimalist aesthetic, he extracted 4 tracks from these raw textures and materials.
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Knolios – My light in the dark

Knolios – My light in the dark
[Picpack 258]

Knolios

“My light in the dark”

My light in the dark
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Marco Colonna – THE SECOND COMING

Marco Colonna – THE SECOND COMING
[PT088]

Marco Colonna

“THE SECOND COMING”

Marco Colonna : clarinet, bass clarinet
Recorded and mixed by Marco Colonna
March-April 2019photo by Alessandro Lisci
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WHΛLT THISИEY – WalkThisWay

WHΛLT THISИEY – WalkThisWay

KiB – Lithuanian Metrica

KiB – Lithuanian Metrica
[EEM046]

KiB

“Lithuanian Metrica”

Take a pipette and drip a drop of water on your own palm. Transparent drop, full of invisible organisms, chemical elements, and personifications. Looking at the drop, thoughts are spinning. With the other hand rub the drop until the drop penetrates the skin and disappears. Hands need lots of water, but it’s enough for this time. Look at the lake…

The album was based on Lithuanian Chronicles, history and historical personalities, who might be connected to each in strange ways. While working on each track special attention was given to convey with sounds all the aspects of each historical personality and their influence on the history of Lithuania.

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Various – Noise Factory 2018 ‘klangtiegel’

Various – Noise Factory 2018 “klangtiegel”
[ACP 1202]

Various

“Noise Factory 2018 “klangtiegel””

Arne Heisch
Lu Laumer
Dieter Mauson
Wolfgang Neven
Dan Penschuck
Sascha Stadlmeier
Henning André Voss
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Shekuza – De Sica

Shekuza – De Sica

Shekuza

“De Sica”

“The album De Sica is made using custom modular patching systems for synthesis and composition in which the analogue and the digital join hands: a continuous signal through patch cables performing analogue voltage control of an almost infinite variety of parameters and available hardware modules.

Many forms of music simultaneously existing locally and accessible in the global exchange are creating a continuum of events–geographically and historically–musical works that transcend discrete performances. Relatively differentiated musical objects (releases, labels, creators) or images of music can be ‘dequantized’ into a continuity of known and undiscovered structures. Music is continuous with everyday life from which it emerges.

The creative force on this album is sourced from personal stories and since it is part of an infinite music space, its undulations between music and noise are deeply interconnected with community, society, and politics.” (excerpt from liner notes on the USB-booklet)
credits
released May 8, 2019

Miha Šajina · composition, recording, production
Blacklisted Mastering · mastering
Maruša Hren · USB booklet
Luka Prinčič · liner notes, design, executive production
Lina Rica · video support, source graphics
Stella Ivšek · promo design, Rentgen streaming

Thanks to Duška, Nepal and Tibet.

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Zenapolæ – 20 Years in 4T Minutes

Zenapolæ – 20 Years in 4T Minutes
[zen187]

Zenapolæ

“20 Years in 4T Minutes”

a musical journey along Zenapolæ’s timeline celebrating its 20th anniversary

Nik, aka 4T Thieves, from Finland, has crafted an awesome 4-deck live remix of 23 tracks taken from Zenapolæ’s catalog, in roughly chronological order. this 40-minute continuous remix track beautifully reflects the label’s development over time, at the same time creating its own, unique atmosphere. from our electronic beginnings, through the dark ambient phase, into its present more experimental orientation.

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Federico Schumacher – Lo Inquietante

Federico Schumacher – Lo Inquietante
[pndvd02]

Federico Schumacher

“Lo Inquietante”

(The Acousmatic Musical Experience & The Uncanny)
Federico Schumacher Ratti (Editor)By Miguel Vera-Cifras.

The work we are presenting today is part of a process of research, creation and listening carried out by a team of researchers, collaborators, and auditors, under the direction of the faculty of Psychology at the Universidad Diego Portales. An initiative that involved numerous people, including those who ultimately worked on the final design of the written document, its translation into English, and on the features that extend this process beyond the text.

This represents an interdisciplinary work, published under a Creative Commons license, whose hybrid imprint includes a book, a recording, and a web presence. Three channels of action and circulation mutually nourish one other. A printed book, also in PDF digital version. A CD featuring the musical creation entitled “Lo Inquietante” (The Uncanny) by Federico Schumacher, who also serves as a researcher and editor of the book. And, finally, a playlist of acousmatic musical pieces by the same author, uploaded to the Pueblo Nuevo website, where they can be visited in a manner that is personalized and free. Hence, there are three ways in which the reader, listener and navigator are summoned jointly to read, listen and participate, either by introducing themselves to the theoretical discussions, by listening to the accompanying musical creation, or by immersing themselves freely in the playlist that extends the format of the book to unprecedented reconfigurations yet to come…

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V.A. – humilate after rude solace humming near oracle in sunny environment

V.A. – humilate after rude solace humming near oracle in sunny environment
[ACPS 1026]

V.A.

“humilate after rude solace humming near oracle in sunny environment”

01. DANIEL PICO – VHF Reader 07:24
02. GRODOCK feat. FERDINAND WEINBERGER – Irrung 09:37
03. CLAUS POULSEN’S VYSTOPIA – Under 04:01
04. DAS RHEINTALER NACHTWERK – Gladio 07:15
05. ORiFiCE – Rallizes 09:04cover art by Claus Poulsen
design by EMERGE
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Toxic Chicken – Wet Pussy

Toxic Chicken  – Wet Pussy
[s650012]

Toxic Chicken

“Wet Pussy”

~
It’s raining! Hurry up and send all the kitties outside! It’s time for Wet Pussy!
~Wet Pussy by Toxic Chicken is now available on sub65.

#lobit #electronic #idm #funtimes #experimental #sub65media

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Knolios – Duality of will

Knolios – Duality of will
[Picpack 257]

Knolios

“Duality of will”

Knolios – Duality of will
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M.A.K.T. Sono – ‘UNK

M.A.K.T. Sono – ‘UNK
[Eg0_205]

M.A.K.T. Sono

“‘UNK”

Since their beginnings in February 2018, M.A.K.T. Sono (Magali Albespy and Kecap Tuyul) have been experimenting with different set-ups and ways of playing. Amongst them, they like to play both on the same instruments / set-ups in the same time. It’s what they did on ‘UNK.0, an improvisation played on a no-input mixer. The other tracks of this EP are electronic compositions by Kecap Tuyul and Doedelzak using this improvisation as only sound material.
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WHΛLT THISИEY – Thismoornia

WHΛLT THISИEY – Thismoornia

WHΛLT THISИEY

“Thismoornia”

The music of WHΛLT THISИEY is a solitary soundtrack to nowhere, a non-tourist map into the unknown; music and images to create new, fully immersive environments, an intriguing aural pilgrimage with no destination in time and space, nuances and labyrinths. WHΛLT THISИEY selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects.

WHΛLT THISИEY mixes impressionist piano atmospheres, spoken wordcore, drone, experimental, library, hypnotic escapism music. WHΛLT THISИEY aka Fernando Cerqueira is the founder member of Thisco record label and publisher of Antibothis anthologies.

Fernando Cerqueira was the founder member of the late 80’s SPH tape / record label.

Fernando Cerqueira / WHΛLT THISИEY has several works released through Symbiose, Thisco, Illuminated Paths, Blocsonic, La Nostalgie de la Boue, Grain of Sound, HNM Rec. Grado,Klappstuhl, EE tapes, Vuz Rec. Tape Safe, Spettro Rec., DigitalDizzy, Floppy Kick, Kitsh Magik, Placenta Recordings, Attenuation Circuit, Petroglyph, Post Global rec., Drone Works International, Naviar, Pilot 11, Sea ov Clouds, Attenuation Circuit, Petroglyph, Urubu among others and recorded several tracks with Jarboe, Von Magnet, Emil Beaulieau, Merzbow, Smell&Quim, Wild shores, irr.app.(ext.) Antonym, Shhh, Amantra, Harsh Noise Movement, lolipoop, among others. https://walthisney.bandcamp.com/

Cover art & Photo by BroodingSideOfMadness

ET128 An Etched Traumas release April 2019

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Various Artists – Nocturnal Pieces

Various Artists – Nocturnal Pieces
[UM025]

Various Artists

“Nocturnal Pieces”

A compilation of eleven tracks best suited for nocturnal playback.
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homogenized terrestrials – flon

homogenized terrestrials – flon
[ACP 1209]

homogenized terrestrials

“flon”

photos: phillip klampe
recordings and production feb. 2019: phillip klampe
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Nac/Hut Report – Wszystko Jeszcze Jest

Nac/Hut Report – Wszystko Jeszcze Jest

Nac/Hut Report

“Wszystko Jeszcze Jest”


Das All – Allbum

Das All – Allbum
[GRUWAVFFD 001]

Das All

“Allbum”

Last summer, my former bandmate asked me to process and glue his field shots, which he had taken during the holidays in Croatia. I liked the idea so much that I threw myself into this adventure and did all kinds of field shots with my old Nokia Classic 2300. With the material of Mathias and myself, I ventured into a new universe. This resulted in this over 2 hours long work, which should correspond to a timeless time capsule. This was my first work in this direction and it was a lot of fun, although a lot of time was taken.

>From outward journey to stay to return, this album breaks down a bit of modern history and does not leave much room for distraction. In the first chapter, the listener soon notices that the technician had forgotten to turn off his iPhone after field recording and most likely fell asleep. Sometimes one hears his breath, which fits in calmly on the whole chapter. Chapters 2 and 3 were then deliberately introduced as hearty life sketches and give the album a true consciousness.

Let yourself be abducted into a world full of appreciation.

Chears Davide


Nick R 61 – Into the mind

Nick R 61 – Into the mind
[FN_53]

Nick R 61

“Into the mind”

Style | Genre: Abstract Hip-Hop, Big Beat, Darkbient, Electronic, Experimental, Fusion, Glitch
Duration: 00:07:12
Released: 22.04.2019

Tracklist:
01. Lhasa
02. Kathmandau
03. Chomolungma



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SAD / BAS / FILINICH – Relatos de Poder

SAD / BAS / FILINICH – Relatos de Poder
[PT087]

SAD / BAS / FILINICH

“Relatos de Poder”

Recorded live at Fundación Mercedes Sosa, Buenos Aires,
16th September 2018
Jorge Sad (Argentina), Renzo Filinich (Perú) and Pablo Bas (Argentina).
Stereo Mix from the Octophonic performance.
Cover / Audiovisual Art: Pablo Magne
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Knolios – Between causes

Knolios – Between causes

Ayato – Face à face, épisode 2, saison 1

Ayato – Face à face, épisode 2, saison 1
[Eg0_204]

Ayato

“Face à face, épisode 2, saison 1”

Face à face, épisode 2, saison 1, the new album of Ayato is the 2nd part of a cut-up recomposition series recorded and mixed at La Ferme Là, Olivet, France between 2015 and 2017. It consists of playing in real time two tapes with two different multitrack recorders, which gives 4 stereo sounds side A in normal play and side B in reverse added to others sounds played depending on which way the wind is blowing with the others devices. Some Loops have been created during the mixing process. Cassettes are from private collection, gifts, prepared and found tapes, archives…
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Tonoptik / zll’ – Practical

Tonoptik / zll’ – Practical
[NN_LP079_04_19]

Tonoptik / zll’

“Practical”

Second digital album in Nostress for Tonoptik from Saint Petersburg (Russia). This new digital LP “Practical” was played and recorded with the artist zll’. Organic sound of analog synthesis is presented in the form of “sound sculptures” smoothly changing in time.
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Miquel Parera – TEFE025 | The Stone House of the Minairons

Miquel Parera – TEFE025 | The Stone House of the Minairons
[TEFE025]

Miquel Parera

“TEFE025 | The Stone House of the Minairons”

Title: TEFE025 | The Stone House of the Minairons.
Author: Miquel Parera.Gralla: Giovanna Parera.
https://en.wikipedia.org/wiki/Gralla_(instrument)

———————————————————————————-

Tracks:

01-The Aloja who sang to me in the Lake – TEFE-25-2019-04-07-08-55-36 – 00:03:45.14
02-I played Chess with a Bubota – TEFE-25-2019-04-07-09-00-51 – 00:03:24.34
03-The Cocollona flies with the Full Moon – TEFE-25-2019-04-07-09-04-46 – 00:04:26.75
04-I’ve been Bitten by a Dip! – TEFE-25-2019-04-07-09-11-32 – 00:04:11.89
05-The Cult of Marraco – TEFE-25-2019-04-07-09-18-02 – 00:06:30.84
06-Trip to Iltirta- TEFE-25-2019-04-07-09-24-55 – 00:03:28.79
07-Pesanta does not let me Breathe – TEFE-25-2019-04-07-16-09-13 – 00:05:38.08
08-The Birth of the Tombatossals during the Storm – TEFE-25-2019-04-07-16-17-03 – 00:07:08.73
09-Will you remind me if I Kill the Víbria?- TEFE-25-2019-04-07-16-25-17 – 00:02:30.84

Total time: 00:41:05.40

———————————————————————————-

About The Eternal Feedback of Existence:

It is an acousmatic diary. With the samples and images of each day an instrument for livecoding improvisation is built.

https://en.wikipedia.org/wiki/Acousmatic_sound
https://en.wikipedia.org/wiki/Live_coding

Some releases are collaborations:

TEFE025 | The Stone House of the Minairons (Gralla: Giovanna Parera)
TEFE014 | Piano Keys Inside the Quarks (Piano: José Guillén)
TEFE012 | The Flute that Sounds in the Center of the Universe (Flute: Javi)

If you play an instrument or have a group and you want your samples to be chopped, abused and mixed with noises and screams, you can send them to: theeternalfeedbackofexistence@gmail.com

———————————————————————————-

Open Source Music:

You can download the source code, the samples and the images on:
https://archive.org/details/TEFE025Source

———————————————————————————-

Bandcamp: https://tefe.bandcamp.com/

———————————————————————————-

#electronica #idm #glitch #breakcore #experimental #acousmatic #algorithmic #gralla
#electronica,#idm,#glitch,#breakcore,#experimental,#acousmatic,#algorithmic,#gralla

———————————————————————————-

License: CC-BY
https://creativecommons.org/licenses/by/2.0/

You are free to:

Share — copy and redistribute the material in any medium or format

Adapt — remix, transform, and build upon the material
for any purpose, even commercially.
This license is acceptable for Free Cultural Works.

The licensor cannot revoke these freedoms as long as you follow the license terms.

Under the following terms:

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.

No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

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Ausland – Tal

Ausland – Tal

Aunt Jackie – I’m The Godmother

Aunt Jackie – I’m The Godmother
[nolimit027]

Aunt Jackie

“I’m The Godmother”

This track is about the narcissist mother of family murderer Chris Watts who in an interview blamed her pregnant dead daughter-in-law for her own killing as well as the killing of her two girls.

The second track is a rework by Willi. It was produced at Cadmium Studio.

This release ended in the disbandment of the band Das All that consisted of Willi and me. I offered Willi to mention Cadium Studio on the cover of this release after he mentioned to me he was looking for publicity. He thought the idea so ridiculous that he ended all collaboration with me.

Released in 2019 on L.A no Limits


Anastasia Vronski – Estrangements (Volume 2)

Anastasia Vronski – Estrangements (Volume 2)
[Eg0_203]

Anastasia Vronski

“Estrangements (Volume 2)”

Anastasia Vronski is a versatile experimental musician from Perm, Russia. Since years she has been creating an impressive and quite diverse body of work. Many of her tracks can be classified as “drone “or “noise”, but they always have a specific, often intriguing qualities. Above all, she’s not an artist who will do the same twice, and maybe that’s why some of her pieces are sometimes published separately. Since we thought many of them deserved more exposure, we decided to make a selection of such works in a compilation album : Estrangements, published in two volumes. While first one consisted of 4 minimal conceptual pieces, second one is made of 10 shorter tracks focusing on mysterious ambiances and dense sound textures. One of them, “the pack” wasn’t published before and was made specially for this compilation. The selection of tracks was made by the artist and the label, trying to make the compilation as cohesive as possible. We hope it will make you curious to discover more works from her.
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Duality Micro – Batteries Low EP

Duality Micro – Batteries Low EP
[20K360]

Duality Micro

“Batteries Low EP”

Duality Micro (aka eVade) is a producer from lower Saxony who’s been active since the mid 90s, releasing on a plethora of labels. He’s the inventor of a cable to sync up Game Boys with Korg drum machines.
Previously, he appeared on two 20kbps compilations but this ablum is his first release on our label under this moniker. All of the eight songs of the EP are solid, but one that imo stands out is Guten Abend Leute (Nixtauger Mix 2), an addictive minimal tech-house track, where you’ll automatically start to shake along.

Alexei Borisov – DADA 100

Alexei Borisov – DADA 100
[ACP 1205]

Alexei Borisov

“DADA 100”

All tracks played and recorded by Alexei Borisov during The 100 years of DaDa tour, November 2016.

Special thanks: Dave Phillips, Michael Kuzmin, Maxim Khaikin, Boris Shershenkov.

Lyrics by Alexei Kruchjonykh and Alexei Borisov.
Voices: Alexei Kruchjonykh, Alexei Borisov

photography by Felix Montfort
design by EMERGE

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VVAA – Divertimento al Amanecer

VVAA – Divertimento al Amanecer
[pn140]

VVAA

“Divertimento al Amanecer”

“Divertimento al Amanecer”
José Vicente Asuar RemixesElectronic music by José Vicente Asuar has influenced several generations of composers, both within the realm of electroacoustic music and other genres using technology as a means, ranging from techno to hip-hop, the latter at least in Chile. This has been proven, especially in recent years, with the growing rediscovery of his figure and work and his definitive positioning in the musical spectrum via academic writings and , especially, his complete electroacoustic oeuvre release (“Obra Electroacústica” / pncd08 / Pueblo Nuevo 2011) and Variaciones Espectrales documentary, by Carlos Lértora (2013).Therefore, and after several tributes due to Asuar’s death in January 2017, we wanted to carry out a new tribute, this time inviting the entire community to revisit the electronic body of work of the Chilean pioneer.

We have got together two perspectives, two schools: the electroacoustic one, which creates new pieces up from short sounds or sections from pieces by the honouree; the other one, in the vein of remix and sampling, also creates from the same sources, generating new works or tracks located in techno, ambient, hip-hop, and other related aesthetics.

In this deconstructive exercise, which we have called Divertimento al Amanecer, the pieces to work with were, precisely, Divertimento (1967) and Amanecer (1977).

The restriction was the use of one piece as an only source for a version, remix, etc., not merging both pieces into a single new one. Each author had to choose one or another work to participate, since the result of this call would be organized into a two-part compilation (sides A and B, corresponding to one of the two pieces each), participants were required to concentrate their efforts into on of the options.

About Asuar original works:

Divertimento “is a piece with great dynamism and speed, full of very elaborated articulations which are constructing the musical discourse with its structural and spectro-morphological richness, that due to its great fluidity, organic liveliness and contrasts that could be said to have a certain baroque character. Something amazing at the same time are rough textures got by modulations and high-speed iterations, that somehow anticipate the birth of granular synthesis and could be related with some moments of works by later authors like Curtis Roads. This work would get the first prize of the Dartmouth Electronic Music International contest, USA, 1970” (Albornoz 2017).

On the other hand, Amanecer is a piece labeled by Asuar as impressionistic, “in the sense of trying to describe, by musical means, the sensations or impressions that the author has about some natural event. In this case it is about sleeping nature that little by little it begins to revive until arriving at a final dance full of life and energy” (Asuar 1989). From a certain point of view, we could say that it is a contemplative work, close to ambient.

Call for works was so successful we were forced to go through a long, steady listening task in order to get the final pace for this release; thus, it presents a wide collection of works inspired by, quoting and appropriating the sound materials straightforwardly, nourished by the expresive and adventurous spirit of José Vicente Asuar. We hope they interest, inspire, and and become sources of enjoyment for all.

Alejandro Albornoz
(Valle Hermoso, La Ligua, Chile, Marzo / March 2019)

(*) Albornoz, A. (2017) “Asuar: diez obras electroacústicas. Una breve reseña” (Unpublished).

(**) Asuar, J. (1989) “Música Electroacústica, José Vicente Asuar, Compositor Chileno” [Cassette] Santiago de Chile: Santiago Vera Producciones.

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Ilia Belorukov & H̩ctor Rey Рwhssu

Ilia Belorukov & H̩ctor Rey Рwhssu
[#029]

Ilia Belorukov & Héctor Rey

“whssu”

01 hola kyngy (09:10)
02 hassu lauri (06:00)
03 sup bilb (12:50)
04 haha? jon (06:00)ilia belorukov – fluteophone, objects
héctor rey – bass concertina, objects

recorded in bilbao in july 2017
recorded, mixed and mastered by ilia belorukov

cover by MKLMB

thanks to miguel and elena, anya, MKLMB


Linden Pomeroy – Spirit Redux

Linden Pomeroy – Spirit Redux
[PE19]

Linden Pomeroy

“Spirit Redux”

Spirit Redux is a set of previously unreleased tracks, 1 and 2 were outakes from Spirit Replica, 3 from Hypnos.

Recorded between 2014-2017.

Track 1 recorded at Bedford Hollow.
Track 2 and 3 recorded at Seamonster Sound by Mike Baker.

Linden Pomeroy is a musician and sound artist based in Worthing, West Sussex UK, applying field recordings, tapes, voice and treated guitars into compositions from expansive drones, to delicate ambient ballads.

Released by Pilot Eleven Netlabel (PE19) on 23 March 2019 under a Creative Commons Attribution-ShareAlike 4.0 International license CC BY-SA 4.0.

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Wings of an Angel – Concerto De La Luna

Wings of an Angel – Concerto De La Luna

Daniel Barbiero & Cristiano Bocci – Wooden Mirrors

Daniel Barbiero & Cristiano Bocci – Wooden Mirrors
[PT086]

Daniel Barbiero & Cristiano Bocci

“Wooden Mirrors”

On Wooden Mirrors: Daniel Barbiero, double bass (left channel); Cristiano Bocci, double bass (right channel)
On From a Concourse: Daniel Barbiero, double bass; Cristiano Bocci, live electronicsRecorded live in the studio August 2017 in Silver Spring, Maryland, USA.
Cristiano Bocci: Engineering & mixing.
Photographs by Cristiano Bocci
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Peculate – There Are No Angels

Peculate – There Are No Angels

Peculate

“There Are No Angels “

There are no angels.
There is no supernatural.
There is only the material.released December 23, 2015
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illocanblo – Genotype EP

illocanblo – Genotype EP
[phokes132]

illocanblo

“Genotype EP”

In the mood … for evolution.
Walls of machine tones.
Soon to be upgraded. Again.The music by illocanblo can be perceived as rather contemporary art instead of classic electronic or IDM.
His production process consists certain artistic techniques. The machines are fed with his mood and
partially put in generative mode and automated. So illocanblo is like a duo of a human and a machine.
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Various – either long either cold to raise own nightmares in curious anger

Various – either long either cold to raise own nightmares in curious anger
[ACPS 1025]

Various

“either long either cold to raise own nightmares in curious anger”

01. REMETEMEN – Hopeless 09:04
02. MRS DINK – Circumstantiality 09:04
03. EISENLAGER – Native Processing 08:11
04. ESCAPED TREES – Chthonic Romance 06:24
05. XFnX – Elephant Speech 08:36cover art by Claus Poulsen
design by EMERGE
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Number Eleven – Drinkble Coolant

Number Eleven – Drinkble Coolant
[EEM045]

Number Eleven

“Drinkble Coolant”

Sticky and cold silicone sealants, spades and screwdrivers allow you to forget the crippling life threatening drama of Strict, Event and Resistance. Another pile-up of sand which was forcefully shaped into something comprehensible and mostly even danceable. Disclaimer – the danceable part is evaluated by the rhythmical insanity of the brain in control of the sequencer. Apply incorrectly and it’ll break your spine.
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Gabriele Ragonesi – Dark Passenger

Gabriele Ragonesi  – Dark Passenger
[IYE31]

Gabriele Ragonesi

“Dark Passenger”

The wonderful comeback of Gabriele Ragonesi for Florence, one of the most interesting musician out there. His first opus with In Your Ears , was one of the most downloaded in our history.
This work is amazing, plenty of music form prog to rock, from post rock to jazz. Gabriele plays every instruments, is the producer and the recorder, and plays a gentle and affascinating music.Dark Passenger is the perfect journey, take the ride.

The artwork is, like the first work, of the talented William Santiago from his serie “ Zabele “. All is well with Gabriele.

A special thanks to Gabriele Ragonesi, one of the people that is why we are on this.

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z(xW+yV) – 3×2(1W+18V)

z(xW+yV) – 3×2(1W+18V)
[Eg0_202]

z(xW+yV)

“3×2(1W+18V)”

z(xW+yW) is a solo project of Kecap Tuyul started spring 2018 while experimenting different ways to generate low volume feedback with small gear : for instance with one contact microphone and one 1W battery-powered amplifier. It was initially thought as lo-fi version of the “Failure Circle” project work with chaotic feedback system of the no-input mixer in a more portable way, but finally took a quite different direction, with a more tactile & acoustic dimension.

3×2(1W+18V) is the first published album of this project. It was recorded in june 2018 with lo-fi means (cell phone and a cheap digital recorder). Each track is a mix of two improvisations played with the most primitive form of z(xW+yV) : one contact microphone, one 1W battery-powered amplifier and two guitar effects (overdrive and equalization).

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Sofia Bertomeu Hojberg & EMERGE – live @ re​​:​​flexions sound​​-​​art festival

Sofia Bertomeu Hojberg & EMERGE – live @ re​​:​​flexions sound​​-​​art festival
[ACP 1189]

Sofia Bertomeu Hojberg & EMERGE

“live @ re​​:​​flexions sound​​-​​art festival”

live @ abraxas, Augsburg, 20.07.18
thanks to Gerald Fiebig & Kulturamt Augsburg
photography by Dan Penschuck
recording, mastering and design by EMERGE
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