NOE’ (Nostra Orchestra Estemporanea) & OLEO (Orquestra Livre Experimental Orgânica) – NOE’ con OLEO

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NOE’ (Nostra Orchestra Estemporanea) & OLEO (Orquestra Livre Experimental Orgânica)

“NOE’ con OLEO”

NOE’ (Nostra Orchestra Estemporanea) & OLEO (Orquestra Livre Experimental Orgânica)

NOE’ con OLEO [0kbps081]

NOE’_SIDE:
01 – Il risveglio del carrozziere (1)
02 – Il risveglio del carrozziere (2)
03 – Il risveglio del carrozziere (3)
04 – Salivo e respiravo affannosamente
05 – L’orchestra da sogno (1)
06 – L’orchestra da sogno (2)

OLEO_SIDE:
01 – Ambuja (intro)
02 – Blatta Orientalis
03 – The Consistency of Inclusion (part1)
04 – Colias Croceus
05 – Kusumita
06 – Yuezhi

——————————————-
Artwork by Gianfranco Bonadies
——————————————-

LINER NOTES NOE’:
Immaginiamo per un momento un’orchestra timbricamente completa che suona senza direttive, senza partiture, senza determinazioni di alcun genere.
Così, giocando con la sensibilità dei singoli musicisti, nasce NOÈ (Nostra Orchestra Estemporanea).
È noto che l’improvvisazione si nutre delle incredibili connessioni etiche fra coloro che agiscono nell’esatto momento dell’agire.
L’ordinato riferimento estetico cui siamo abituati non conta; suonare nell’orchestra, o semplicemente ascoltarla, significa sospendere, almeno momentaneamente, ogni atteggiamento critico di carattere storico-letterario.
Forse pirati, altroché nipoti del diluvio, navigando in mari sconosciuti e terribili, in quel momento utile si riconosce l’entità di quel viaggio necessario a fissare l’essere, il divenire di questa musica in questa orchestra.
Le persone che ne fanno parte, lo sanno bene: NOÈ prosegue, semplicemente, la strada intrapresa da NED (Nostra Etichetta Discografica) verso l’indefinita ricerca dell’estemporaneità in musica e non soltanto.

Imagine for a moment a full orchestra timbre that rings with no guidelines, no scores, no determinations of any kind.
So, playing with the sensitivity of the individual musician, born ‘Our Extemporaneous Orchestra’.
And ‘well-known that this type of music is nourished by the incredible ethical connections between the musicians in the exact moment of noise.
The orderly aesthetic reference we used does not matter playing in this orchestra, or just listen, you stay, at least temporarily, any aesthetic judgment-mindedness and critical of any historical-literary.
Perhaps pirates, grandchildren of the flood, navigating in unknown seas and terrible, then useful to recognize the extent of the stops on the trip needed to produce this music in this orchestra.
People who are dedicated to do this, know this: NOE continues, simply, the road taken by NED to search indefinite extemporary music.

CORDE: Quinto Fabriziani, Mauro Tiberi, Marco Maurizi, Chris Blazen, Clangore
FIATI: Andrea Tosi, Claudio Nitti, Anna Guidi, Giuseppe Savino, Gaetano Corallo, Pico Sadun, Lorenzo Labagnara
VOCI: Benedetto Fanna, Antonio Saccoccio, Helena Velena, Patrizia Rotonda, Michele Tuozzolo
TASTIERE: Kapitan Mikonos, Luca Miti, Marco Olivieri, Benedetto Fanna, Giuseppe Cubelli
PERCUSSIONI: Simona Verrusio, Dario Nitti, Diego Mazzoni, Patrizio Pica, Marco Ariano, Roberto Dogustan
ELETTRONICHE: Stefano Balice, Tommaso Busatto, Lorenzo Lustri, Cristiano Luciani, Giancarlo Esposito, Alessandro Cerratti
FONICA: Paolo Sinigaglia

LINEAR NOTES OLEO:
Projeto que teve inicio em 23/ agosto/2014d.C
Idéia inicial do projeto era a intenção de usufruir da criatividade e improviso livre que visa em criar novos conceitos e sons(explorando o eletrônico e o orgânico).
Focando musica e artes, mesclando elementos à idéia surgiu.
Criou-se e desenvolveu-se em uma amplitude maior com mais cabeças pensantes, nova idéia de som e atitude.
O que ajudou em tudo isso foi esse tipo de “experimentalismo conceitual, musical” por isso esse projeto foi feito.
Algumas das faixas são de improviso no “flow” e de uma maneira bem despretensiosa, tão despretensiosa que ainda a espaço para novas “instrumentalizações” e participações… Pois o que conta é ultrapassar barreiras e criar novos ambientes e timbres.
(A transcendência).
Todo esse conceito, não seria possível sem o conceito:
“Faça você mesmo!”.
Pois tudo se gera disso o conceito de improvisação é principalmente a habilidade de, simultaneamente, produzir e interpretar, dentro ou não de parâmetros harmônicos ou rítmicos, melodias, ritmos ou vocalizações.

Project that started in 23 / August / 2014d.C
Initial idea of the project was intended to take advantage of free improvisation and creativity aimed at creating new concepts and sounds (exploring the electronic and organic).
Focusing on music and arts, blending elements to the idea arose.
It was created and developed on a larger scale with more talking heads, new idea of sound and attitude.
What helped in all this was that kind of “conceptual experimentalism, musical” so this project was done.
Some of the tracks are improvised on the “flow” and a very unassuming, unpretentious way so that even the space for new “instrumentalist” and shares… What matters is to overcome barriers and create new environments and sounds.
(Transcendence).
This whole concept would not be possible without the concept:
“Do it yourself”.
For everything that generates the concept of improvisation is mainly the ability to simultaneously produce and interpret within or without harmonic or rhythmic parameters, melodies, rhythms and vocalizations.

SAXOPHONE: Nando Souza
TRUMPET: Romulo Alexis
DRUMS: Jeferson Peres
BASS: Marco Antonio
NOISE EFFECTS AND KEYBOARD: Guina
(PARTICIPATION / GUEST) EFFECTS/AMBIENT NOISE: O.s125

MAV [0kbps] Records, January 2015


Mauro Sambo – Presto (dicono) giungerà la neve​.​.​.

PT001

Mauro Sambo

“Presto (dicono) giungerà la neve​.​.​.”

We are happy and honored that Mauro Sambo,gave us his permission to release his “Presto (dicono) giungera la neve…” on our netlabel as our first release.

Dead Frank – Under The Basеboard

PICPACK216

Dead Frank

“Under The Basеboard”

01-Twilight(9:27)
02-Bad Foreboding(10:53)
03-Down The Slope(7:20)
04-Bad Job(6:42)
05- Stop Everything,Please(3:33)
06-Love & Peace For All(7:33)
07-Anybody Home(6:45)
08-Inside The Winding(2:29)

C. Reider – Not Subliminal

ctrlvlv#055

C. Reider

“Not Subliminal”

“Not Subliminal” has just been released on the Control Valve netlabel. There is no direct link to the album, due to the way the netlabel is structured. You need to visit http://controlvalve.net and click the photo to get to the download page.


The netlabel’s succinct description of the work is “cassette experiments”. Pretty accurate.

I experimented a lot with cassette players & cassettes this Summer. Further releases will document the full extent of the results of these experiments. This particular set of recordings is primarily improvisations with multiple handheld tape recorders and players. I scavenged a bunch of these and a bunch of tapes from thrift stores this Summer. Much of the process involved recording some stuff onto one tape while playing back previously recorded stuff on the other tape players, and letting it all mix together out loud… recording everything onto the shitty little onboard microphones that these handheld tape recorders had. The sounds I recorded mingled together with environmental sounds and got grittier and more lo-fi as continually overdubbed. Some results were extremely distorted, others just muffled and gritty.

One exception to the method used on most of this album is “Gala Video ’94”. In that track, I took a found video cassette and cut strips out of the tape down to 1/8″ so that they could play on a standard cassette player. You can hear the video data as audio in this track, and on occasion the audio soundtrack cuts in. When I sliced the video tape I tried to do it in a curving way so that different areas of the 1/2″ wide video tape would be exposed to the 1/8″ player head as the tape advanced. This explains the changing nature of the track as it progresses.

So, a lot of what I released this year might be described as “pretty”, or “approachable”… this release can’t really be described that way, but I think it’s really interesting to listen to. I hope you will too.

Klaus Marten – Sometimes EP

Klaus Marten

“Sometimes EP”

This short collection of tracks, recorded and produced with the feel and appeal of a stripped-down radio session, includes re-imagined acoustic versions of previously recorded songs of mine, and one yet-to-be released song given the same treatment.

Wings of an Angel – Your Dominatrix Had A Brain Transplant Under My Knives

Self-Release

Wings of an Angel

“Your Dominatrix Had A Brain Transplant Under My Knives”

Humor is an essential and reoccurring leitmotif in my life. Without the ability to laugh out loud about the absurdity of human behavior and of nature’s macabre mirages, life could easily become a heavy burden. In my eyes, humorless people are like zombies. How can one go about without noticing the fantastically grotesque moments that surround us all?
This album explores the theme of quintessential black humor in a rather light mood. It addresses the fact that for many, life is an experimental BDSM film without a script. This is an improvisational soundtrack that in my perception complements such a vision.
From all the arts (cinema, music, literature, poetry, painting etc’) to politics, education, work and every other aspect of civilian life – people take everything so darn seriously, as if their lives depend on it…
Most people are absolutely sure that this little world resolves around them, therefore, unable to see the larger perspective; ala that we’re here so very temporally, and instead of conducting ourselves within the limited perspectives and safety cages that society pushes us into – we have to go out of our minds, to think profoundly and sincerely outside the box and to feel without the primordial fear of being labeled as weirdos and stigmatized!

Sphere Of Io – Winter Works

SE055

Sphere Of Io

“Winter Works”

Titolo Album: Winter Works
Autore: Sphere Of Io
Etichetta: Stato Elettrico
Cat. : SE055
Free Download: http://statoelettrico.net/netlabel/?p=1629
License: CC BY-NC-SA 4.0

Sphere Of Io è un progetto musicale basato sull utilizzo di software per la sintesi granulare per generare trame musicali al limite tra techno, industriale ed ambient. Tutte le registrazioni sono state eseguite in tempo reale.

http://www.statoelettrico.net


VA – Sound Interpretation: Reykjavík

HAZE315

VA

“Sound Interpretation: Reykjavík”

Let’s go for a walk through Reykjavík!
This release is the fifth from Sound Interpretation series dedicated to cities.
We believe that each city has its own unique air. But anyone who works with the sound knows that every city has a inimitable soundscape and rhythm. So let’s make a musical journey through the cities. Cities you’ve been or would like to visit.

Ethernet Orchestra – Diaspora

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Ethernet Orchestra

“Diaspora”

“Diaspora” is the debut album from the Ethernet Orchestra, an Internet based music ensemble exploring intercultural tele-improvisation. It is a compilation of live freely improvised vignettes from performances recorded between 2009-2014. It features musicians from a diverse range of cultures and musical traditions performing simultaneously between Iran and Australia via North America, Canada, Brazil and Europe. Distance is embodied in the material quality of the works, which not only serves as testament to the technological achievement of such a project but also forms part of the grain of the medium itself.

During this period we also had the great fortune to collaborate with the late Richard Lainhart, who is featured on many of the recordings. Ethernet Orchestra would like to dedicate this album to Richard, whose passion and generosity touched us all and his music continues his presence in our lives.

The album also contains works from the “Distant Presences” trilogy of performances. These events included networked VJs Helen Varley Jamieson, Neil Jenkins, Graziano Milano and Michael Szpakowski mixing live cinematic visual collages in the audiovisual platform VisitorsStudio, which can be viewed from diasporasound.wordpress.com/vjmixes

Roger Mills
(Sydney, Australia, December 2014)


Wings of an Angel – The Magic Realism Of The End Of Art

Self-Release

Wings of an Angel

“The Magic Realism Of The End Of Art”

I have a love-hate relationship with art in general. Because very often artists lack self-humor and too often suffer from a Napoleonic Complex. They look upon themselves from such heights and perceive their work to be of unmatched grandiosity. Look and reflect on your favorite artists and/or bands – how much they seek the approval and passionate love from their audiences, to the point it becomes hilariously odious. Groupies and more groupies, men and women alike, and collectors who worship their guru artists as if they were living gods… Today, at the front door of the new year, I feel so detached from all this glamour.
My point of reference is: in this time and age, we have to expand the limits of what art is and how we as individuals and as a culture perceive a certain work of art.
This LP is titled accordingly, and symbolizes a vision according to which art has an end or rather art might end at some point. Metaphorically, I feel as if artists are not as important a persona as they are often perceived and/or vision themselves to be. Unfortunately, unlike human touch, art cannot comfort one on his or her deathbed. Art is a remarkable transitional object, but it’s no substitute for so many things and experiences. Artistic creations become obsolete, they weary off with time, lose their initial relevance, become inanimate, inorganic and abiotic. This is why, although some would call me an artist (a title I don’t seek nor need in my age) – I look upon art in general and my creative adventures in particular with a lightweight tone…

Pink Hex – Live @ The Old Brick Theater (Scranton, PA) November 23, 2014

ASR107

Pink Hex

“Live @ The Old Brick Theater (Scranton, PA) November 23, 2014”

Pink Hex live @ The Old Brick Theater in Scranton, Pennsylvania (U.S.A) on November 23, 2014.Jamms 1-4

Jared C. Balogh: Drums, Bass Guitar and Bell Kit
Ed Cho- Guitar/Noise and Bass Guitar
Joel Kromer- Guitar/Noise and Cassette Manipulation

http://www.alteredstateofmine.net/pink-hex/

Released on Altered State Reflections (ASR107)


http://www.insub.org/images/inub43_w.jpg JEAN-LUC GUIONNET – D’INCISE – At Cave12

insub43

JEAN-LUC GUIONNET – D’INCISE

“At Cave12”

Jean-Luc Guionnet: saxophone
d’incise: laptop

Jean-Luc Guionnet: « My musical work subdivides itself into as many ways as occasions arise for me to think and act with sound. Those occasions have always to do with a strong meeting with an outside element: an instrument (saxophone/organ), a theoretical idea (what is « rumour »?), and mainly a collaborating friend (André Almuro, Éric Cordier, Éric La Casa, Lotus Edde Khouri … Seijiro Murayama) … There then follows a collection of themes which, in turn, influence the evolution of the musical work and define the direction of meetings to come: the thickness of the air, the pidgin (language with neither grammar nor vocabulary), the musical instrument considered as affective automaton, listening dark unto itself, the algebra of and in hearing, sound as a signature of space, signature of objects, signature of what it is not… the fact that French uses the same word – le temps – for time and weather, propagation and spread of forms in time etc. Music is, then, a way to test reality.
Conversely, it’s a test whose experience defines a new distribution of the whole body by artificially localizing it in an unknown and purely physical environment, all the while being able to think, count, make relations or understand places, and so forth. The emotion I look for in music is made out of all these strata and the sliding of one over the other during the act of listening »

d’incise, electroacoustic musician, doing both composed and improvised works. He focuses mainly on generation and manipulation of acoustic sound sources and objects, loves feedbacks and digital glitches as well. He tends to extract the most tiny details of the elements, appreciates slowness and obsessive explorations of simple processes. He coordinates the Insub. label and the Insub Meta Orchestra with Cyril Bondi, with whom he also have the Diatribes duo.

Wings of an Angel – The Empty Bible Of The Psychonaughty Psychonaught

Self-Releae

Wings of an Angel

“The Empty Bible Of The Psychonaughty Psychonaught”

– This is a poem for the ambient musician “Wings of an Angel” –
Diving into the depths of the cold black sea,
the submerged depths of human psyche,
the psychonaut fearlessly plumbs the depths,
seeking the entire breadth and depth of human experience.
He seeks to face the darkness to bring out the light,
to float fearlessly into the inky night of his own soul,
to let the light shine through,
illuminating the vagaries of human expression,
as with ambient waves of musical majesty,
he sends forth a mystic echo location to find the divinity within.
This brave psychonaut,
he faces those possibilities,
knowing of the possibility that when one plunges into the depths,
they may never return,
but he knows he that he will,
if not because he feels the urgency to illuminate The World with obsidian ambient light,
spreading that light forth like the wings of an angel about to take flight.
Let us thank the psychonaut for doing what most of us dare not do,
for most are too frightened to plunge those icy depths for fear of spiritual death,
alas,
I feel as if I am a psychonaut too;
and I feel thankful for that,
for there are those that must plunge into the depths of the darkness
…to remind us that we are the light.
Copyright © 2014 Robby Baby Dark Poet of Amour aka Robert Matejko
You can find Robby at:
robbybabydarkpoet.wix.com/poetry

Dario Nitti & Claudio Nitti – Colonna sonora di un giorno solo

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Dario Nitti & Claudio Nitti

“Colonna sonora di un giorno solo”

Dario Nitti & Claudio Nitti

Colonna sonora di un giorno solo [0kbps073]

. Soundcheck
. Spaccamintothebody

Dedicato a Vale, cuore.

MAV [0kbps] Records, October 2014


King Imagine & Pankifared – Episodes (Concerto For Two Pianos & String Quartet)

[SCL148]

King Imagine & Pankifared

“Episodes (Concerto For Two Pianos & String Quartet)”

History of creation:
«Once I was chatting with Alexey Micrukov on the Internet and he accidentelly asked me about collaboration with 2 midi-keyboards.” That was the beginning of creation of “Episodes”. Set up was pretty minimalistic so it did not take much time to plug in keyboards, sound cards and speakers. Alexey had an Evolution MK-249C USB MIDI Keyboard and I had an old Cassio, however with dynamic keys, full octave keyboard and pedal! Alexey suggested a great direction. The idea was to mix modern classical music with minimalism, avant-garde, dodekaphonia to make recording interesting for wide range of music lovers.»

About Pankifared:
«He is definitely one of the most flexible and open composers in Kiev. His music is modern and up to date within any context,” – “Afisha” magazine, 2006 about Alexander Kohanovsky. His experience is huge and really impressive. Even the first project was a huge success. He joined the band «Сахар – белая смерть» (formed by Kohanovsky and his fellow mate). After the recording of «Манірна музика» they played at two festivals in Poland at the beginning of 90s. That was a great start. Gigs, performances, collaborations with various artists, recording soundtracks for German mute films such as “NOSFERATU, A SYMPHONY OF HORROR” by Murnau and “Der müde Tod” by Fritz Lang (It was an order of Goethe-Institut). About 12 years ago Alexander started to work in a theatre and he collaborated with a genious, Dmitry Bogomazov. Together they’ve done tens of various projects which were favoured by critics for an excellent composition.»

About King Imagine:
«Alexei Mikryukov aka King Imagine was born in 1972. His first song was sung and recorded at the age of 4. He began his career in music as a gutarist in the punk collective Zooy E Orchestar in 1989. In the same period some of the first bootleg recordings were made, all of them now lost. In the summer of 1993 he meets Eugene Alexandrov, with whom organizes The Schizotronics..and records solo. In 1996 together with the Kiev poet Danylo Kubai,he founds the noise industrial group Ilam, Inc. (or, rather a noise orchestra with 13 musicians, which gave an incredibly insane concert in the Kiev Actors House of Culture) and also the project Rooteniya Pe Since 1998 cooperates as sound engineer with the first Ukrainian reggae/dub group Rootmans Band, Karina Kuznetsova (with whom he works to this day) and the bass guitarist Kirill Machinski aka Roots Controlla, with whom he founds the digital roots dub project Dub Compressors. In 1999 together with the composer Alexander Kohanovski aka Pankifared he starts the studio project Superapes, recording 2 albums, making experiments with electronic and ambient music, as well as composing music for escalators, elevators and corridors. Since 2004 actively cooperates with Foa Hoka as sound producer, remixer and contributor of music. Since 2005 releases his output on the d.i.y. CD-R label SKP Records (Kiev). Since 2006 actively cooperates w/International movement Ukr.tele.kom – as remixer, co-author and remastering engineer.»


Wings of an Angel – Mombasa And The Beheaded Trajectory

Self-Releae

Wings of an Angel

“Mombasa And The Beheaded Trajectory”

“Wings of an Angel’s recent releases have had both great sadness and great hope in them. Musical essays on the human condition, especially the soul-searching that must necessarily come from conflict, are his focus. The titles all tell stories in themselves, and guide the listener on a kind of meditation of the topic”

Akane Hosaka – Loop Music

Akane Hosaka

“Loop Music”

Wrieuw is thrilled to release a collection of loop music by the wonderful Akane Hosaka. After 4 albums of gleeful, quirky electronica Akane dives headlong into experimental territory whilst maintaining the sound that is uniquely hers, using a Korg MS-20 Mini and a loop pedal. Akane has regularly been posting the results of these experimentations to here soundcloud page, and she has kindly collected together an EP of these for Wriuew. To my mind in places it sounds like a lost soundtrack to an Oliver Postgate program, either way, experimental music doesn’t get cuter than this, bleeps, bloops and joyful melodies abound. Wrieuw loves releasing music it loves and we have been fans of Akane for a very long time, we hope you enjoy this collection as much as we do.

303 – Brownian Motion

JAM001

303

“Brownian Motion”

Today we open new section called JAMS. Here We will publish audio albums of cut, selected and polished improvisation records. First release of real live experiments by 303 – trio of sound generators. The natural stream of sound vibrations taken from a meditative condition of the improvising shamans – musicians. This album flows like a river. A sound for travel on own consciousness.

Orquestra Livre Experimental Organica – Sunyata

0kbps071

Orquestra Livre Experimental Organica

“Sunyata”

Orquestra Livre Experimental Organica

Sunyata [0kbps071]

01 – Kavorkafka
02 – The Clay Tablets
03 – Tetrastigma
04 – Mukesh
05 – Trick
06 – “Codex Seraphinianus”
07 – Flor de Obsessão
08 – Sunyata

Project that began in 23 / ​​August / 2014d.C
Initial idea of the project was intended to benefit from the creativity, free improvisation.
The concept of improvisation is mainly the ability to simultaneously produce and interpret within or without harmonic or rhythmic parameters, melodies, rhythms and vocalizations…. See more
Declaration of authorship:
This page and all the issued and published in it content is of interest, domain and full responsibility of OLEO (Orquestra Livre Experimental Orgânica)
OLEO (Orquestra Livre Experimental Orgânica)
Nando Souza: saxophone
Romulo Alexis: trumpet
Jeferson Peres:drums
Marco Antonio: bass
Guina: efects/noise
cover art: Tor Fröseth (Norway)
participation/vocals on: “the Clay tablets”: Shirin Ny SSan (Tunisia)
MAV [0kbps] Records, September 2014


Whitely – सन लाइफ मौत

TWG020

Whitely

“सन लाइफ मौत”

TWG has always prided itself in its genre diversity. With the fourth in our line of final releases, Whitely brings us what is easily his most surprising and one of his best realised pieces yet. Indian influenced ambient music, with ethereal vocals provided by Whitely himself, thick in atmosphere, emotion and tension.
There is not much else that can be said about this release, other than it’s Whitely as you’ve never heard him before, a listening experience that is an experience as much as it is a journey, and that we’re incredibly proud to have this here on TWG. Not necessarily chiptune, but incredible all the same.
Chiptune is dead anyway, right?

Andre Darius; Paul Mimlitsch; Martin Pozdrowicz – Outsiders

HAZE290

Andre Darius; Paul Mimlitsch; Martin Pozdrowicz

“Outsiders”

That album inspired by experimental and improvised music is a bunch of solo/duo/trio performances in wich all combinations have been explored.
The tracks are short, concise with no blah blah blah, music says what it has to say with no hesitation!
In sum, these 9 snapshots capture, in a pretty nice way, the first collaboration of those three creative musicians, Paul Mimlitsch – Martin Pozdrowicz – Andre Darius. Enjoy!

sarah rasines – every single girl deserves a song

pyr124

sarah rasines

“every single girl deserves a song”

sarah rasines (burgos, castile and leon, spain) born in 1983, has a degree in fine arts (san carlos faculty of fine arts, valencia polytechnic university, spain). she combines artistic creation with research at the faculty of fine arts at the university of the basque country. she also belongs to a research group called ikersoinu, which is now working on a project called investigación sonora y espacio artístico: nuevas herramientas técnicas y conceptuales para la creación (sound research and artistic space: new technical and conceptual tools for creation). her interdisciplinary work revolves around time processes and experimental media.

experimental electronic music. the culmination of several years’ research in music in burgos, valencia and bilbao – every single girl deserves a song is her latest work in experimentation and sound production. cyclical melodies, hypermusical instrumental tracks, programmed synthesizers and sampled noises overlay the sonic medium.


Boiar – Sete Bóias A Boiar Ao Sábado

EdP067

Boiar

“Sete Bóias A Boiar Ao Sábado”

Peça concebida propositadamente para radiodifusão n’O Arranca Corações.

Este trabalho pretende agarrar o ouvinte para um desafio simples que poderá realizar a partir dum qualquer ponto sonoro exposto; conseguir o auditor desenvolver uma superconsciência auditiva que o leve a emigrar para fora do tempo/espaço usando como meio para tal fim a multiplicidade das formas auditivas expressas. Quanto mais se deixar absorver por elas mais depressa apreende o fluxo e o refluxo das ondas sonoras em presença, assim como a unidade intrínseca destas no todo consciente (superconsciente), a isto chama-se Boiar. Arte nobre hoje em dia quase esquecida e pouco praticada.

This work intends to grab the listener for a simple challenge that (s)he will be able to carry out from any exposed sound point; getting the listener to develop a superconsciousness hearing (awareness) that will lead her/him to emigrate out of time/space, using as a means to this end the multiplicity of hearing expressed forms. The more we let ourselves be absorbed by them the quicker we’ll apprehend the flow and reflow of the existing sound waves, as well as their intrinsic unity in the conscious whole, this is called Boiar, (Boiar is not “to Float”; Boiar is much more than simply floating). Noble art nearly forgotten today and rarely practiced.

Boiar is:

João Ricardo – Synthesizers, guitar, drums, laptop and fx (i.e. small toys difficult to specify);
João Santos – Acoustic bass, electric bass, traps, concertina, hornpipe, synthesised flute, laptop and fx;
José Soares – Keyboards, synthesizers, guitars, drums, cello, anything at hand, laptop and fx;
Paulo Santos – Voice, acoustic and electric guitar, keys, trumpet, percussion, laptop on/off.


Marrach – Chambers of Resistance

enrmp350

Marrach

“Chambers of Resistance”

Tripstep album by Lithuanian project Marrach, cousin from our release artists Chtin Mara.

JONAS KOCHER – GAUDENZ BADRUTT – Cinema Rex

insub42

JONAS KOCHER – GAUDENZ BADRUTT

“Cinema Rex”

Jonas Kocher: accordion
Gaudenz Badrutt: electronics

Having collaborated for many years now, Badrutt and Kocher play improvised music. Through this practice they explore the relation between the very electronic sounds of the accordion and the instrumental potential of the electronics.
There is no electronic processing of the accordion, more the opposite: the acoustic sounds tend to influence the machine, creating accidents and random behavior of the electronics.
Badrutt and Kocher also take care of the acoustic specificities of the spaces where they play, taking it as a fundamental element of the performance. Through this subtle tuning between the playing and the space, every sound performance becomes site specific.

The concert at Rex was the last of a small tour in the Balkan region. Hours of travelling around on bad roads with old albanian taxis and public buses, fastidious border crossings and concerts in very different venues: a quiet basement in Athens, an old industrial building in a no man’s land area in Tirana, a very small bar in the middle of a fancy bars area in Skopje and the beautiful old cinema REX in Belgrade.
Our music evolved quite a lot during the tour, the context as well as all the people we met and the places we stayed, having definitely an influence on our playing. This recording aims to document our practice in a specific context at a specific time. No concept before playing, no edits or re-composing after. It is just what it is, improvised music.


Iris Garrelfs – Bedroom Symphonies

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Iris Garrelfs

“Bedroom Symphonies”

Linear Obsessiona lis delighted to present this unique new work by thecomposer and sound artist Iris Garrelfs-

“Bedroom Symphonies Bedroom Symphonies is an album of eight compositions made from voice practice sessions during a number of tours and residencies. So, imagine me sitting on a hotel bed, or friendâs sofa, laptop on the night table with a head microphone plugged straight into it and you wonât be too far from reality.
As the practice microphone wasnât exactly the best on the market and it was also used sans sound card, there is a certain raw feel to the sound. I have also tended to whack up the effects in places by way of compensation. That said I really like the way you can hear the materiality of the situation in the recordings, the quality of the equipment, my response to it, the occasional keyboard sound that creeps into a rhythm. The result is a rather curious, private set of pieces, performances entirely without an audience. Most pieces have somewhat mad stereo images – a fragmented counterpoint – best enjoyed with headphones.
Whilst the original recordings were made between 2005 and 2008, the album itself was created in 2014 from a series of shorter segments, without, however, any additional processing bar a few intros and endings. In the making I enjoyed internal references to Tracey Eminâs My Bed (1998), the infamous bedroom producer, and a gentle questioning of conceptions of liveness.
The booklet that comes with the download contains a selection of my photographs from the trips, and Brandon LaBelle has kindly contributed a text about my work, which you can find on page 33 of the brochure”
Iris Garrelfs, London, June 2014

irisgarrelfs.com


Miquel Parera – nxAM / Iteration#1

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Miquel Parera

“nxAM / Iteration#1”

From the AM Radio to the Body by the Psyche.

Consciousness creates patterns from chaos. She orders the reality to live. My algorithms extract information from the noise of the radio and transform, create patterns, melodies, colorful figures… I model these structures by altering the code (livecoding), improvising a physical journey to consciousness.


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