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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: improvisation

Studio 112 – Adorateurs Du Culte Extraterrestre

Studio 112 – Adorateurs Du Culte Extraterrestre
[LCNLP110]

Studio 112

“Adorateurs Du Culte Extraterrestre”

The necrophile hummingbird & Hamfuggi Records present the third issue of Studio112 wonderful “Alien Trilogy”.
Welcome back far before the 4th Dimension, in the retro future world of Astounding Stories of Super-Science… Adjust the mirrored sun glasses, adjust the seat and fasten the seat belt, the end of this race promises to be an exhilarating ride !

Studio112 is the main project of Alain Grille also electric guitarist and musicmaker in Multiple Personality 3 / PIRATE Tapes / EVA Vertigo / TKno BeurK / MK-Ultra

The two previous issues are here
https://archive.org/details/Music_for_Alien_Parties_Studio112
https://archive.org/details/A_Piece_Of_Sunlight_And_Other_Stories_Studio112

Download in Flac and Wav format here :
https://hamfuggirecords.bandcamp.com/album/adorateurs-du-culte-extraterrestre

Artwork by Alain Grille

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posted 13 July 2020

Mescalibur – The Dark Side Of The Wonderland

Mescalibur – The Dark Side Of The Wonderland
[LCN109]

Mescalibur

“The Dark Side Of The Wonderland”

The necrophile hummingbird & Hamfuggi Records present a marvellous journey on the Dark Side Of Wonderland by Mescalibur.
Alice trip has been revisited many time, from the Jan Švankmajer’s Alice to the Jeff Noon’s Vurt… it’s always very psychedelic… but this time it’s the dark side… then perhaps the rabbit hole is actually more looking like Norman Spinrad LSD description in The Mind Game… you know like watching inside a bubble with the whole surface made in mirror. Some call also this kind of bubble a Eye Ball. I don’t know where you are know but take care, next to listen this, perhaps you will think that you are still in the same dimension… but I really don’t know… Sometime things are not what they seems. I wouldn’t spoil the end of your travel.

Mescalibur is here http://mescalibur.fr/ perhaps… the only one who knows that kind of answers.

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posted 13 July 2020

Viktar Siamaška Dy Kumpanija – JUR

Viktar Siamaška Dy Kumpanija – JUR
[SFA085]

Viktar Siamaška Dy Kumpanija

“JUR”

Iryna Maziuk – vocal,
Pavał Silivončyk – vocal,
Dzianis Kudraŭcaŭ – guitar,
Eryk Arłoŭ-Šymkus – double bass,
Frydrych Samotny – tenor saxophone,
Uładzisłava Chaŭratovič – hapi drum,
Vasil Pankrataŭ – percussion, Korg monotron,
Viktar Siamaška – text, declamation, winds, percussion.

The Memorial Museum-Studio of Zair Azgur, Miensk, Biełaruś, 24-04-2015.

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posted 25 June 2020

Various Artist – Salon Bruit Rerouted Series 2

Various Artist – Salon Bruit Rerouted Series 2

Various Artist

“Salon Bruit Rerouted Series 2”

The second season in our streaming concert series, Salon Bruit Rerouted on https://frbb.out.airtime.pro/frbb_a
and on https://www.colaboradio.org/
based in Berlin, but stretching far and wide. May 2020

Taking place every Thursday between 8 – 10pm (CET) with four 30 minute acts of live experimental music performance.

A virtual version of the concerts we are all missing out on during this time of self isolation.

Each week we will bring you a diverse selection of music performance and sound art.

with…
Son Samin (Berlin/South Korea) https://www.instagram.com/saminsonstudio/
Victoria Shen (Boston, USA) https://www.instagram.com/evicshen/
Knifemi Xingloop (Berlin/Ireland) https://lifeloop.org/
Krusha Antena (Prague, Czech Republic) https://krushaantena.bandcamp.com/
Dinelka Liyanage (Sri Lanka) https://soundcloud.com/aklenid
Dirar Kalash (Palestine) https://albayan.bandcamp.com
Martina Bertoni (Berlin/Italy) https://martinabertoni.bandcamp.com
Dr. Nexus (Berlin/Germany) https://soundcloud.com/dr-nexus-meditations
Danny McCarthy (Cork, Ireland) https://soundoutin.blogspot.com/
Akita Yra (Prague, Czech Republic) https://soundcloud.com/akitayra
Lichene (Berlin/Italy) https://www.mixcloud.com/licia-lithium/
Fabrizio Modonese Palumbo / ( r ) (Turin, Italy) https://fabriziomodonesepalumbo.bandcamp.com/
Erika Sofia Sollo (Turin, Italy) – https://soundcloud.com/sollosofia
Kris Limbach (Berlin, Germany) – http://krislimbach.com
Clodo Misère III (Tatie Petanol, Tenenbaum Ruben and An Dao) (Nancy, France) – https://soundcloud.com/tatie-petanol/sets/la-deconfiture-coronaire
SLOW SLOW LORIS (Berlin/USA/Germany) – http://www.slowslowloris.com

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posted 12 June 2020

303 – True Time

303 – True Time
[JAM008]

303

“True Time”

We met online on the basis of interest in non-standard electronic music its production and distribution.

Trio 303 as an improvisational gang has formed in St. Petersburg, where the participants met on the pretext of the apartment renovation around 2011. The guys devoted all possible time to getting to know local musicians, organizing performance parties and exploring the environment.

In the process of renovation, sound equipment appeared in the flat in the form of a subwoofer amp from a PC system 5.1 and the Radiotehnika S30 speaker. That how we started to improvise in a free style using mostly computers.

We do this constantly and periodically to this day, slightly changing the composition of the participants. Today we are happy to present our a new album.

Attention! illocanblo (6,7), Nishimaru (8) and Potential DifferenSe (9) participated in several jams. Thank you.

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posted 01 June 2020

SINAVISAR & Joachim Spieth – Newtone

SINAVISAR & Joachim Spieth – Newtone
[AL085]

SINAVISAR & Joachim Spieth

“Newtone”

Ricardo Marichal – tenor sax

Dennis Mateis – guitar and effects

Joachim Spieth – trumpet and flugelhorn
……………….
Esta obra mantiene los ambientes etéreos que son seña de identidad de Dennis Mateis y Ricardo Marichal en sus anteriores ediciones, ahora enriquecida por el impecable sonido de Spieth cuya interpretación encaja a la perfección con los conceptos sonoros del dúo. Una combinación feliz que nos devolverá a esos vuelos lentos por los que el dúo Sinavisar es plenamente reconocido y apreciado… read more
……………
Recorded by Dennis Mateis at Aguagarcía (Tenerife) 2 Nov. 2019
Produced by Sinavisar and Víctor Sequí for Alina Records 2020 – AL085
Mastered by Víctor Sequí. May 2020
Cover by CovAL desing

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posted 17 May 2020

Christoph Gallio / Omar Grandoso / Sam Nacht / Marcelo von Schultz – Ecce homo. Wie man wird, was man ist

Christoph Gallio / Omar Grandoso / Sam Nacht / Marcelo von Schultz – Ecce homo. Wie man wird, was man ist
[PT102]

Christoph Gallio / Omar Grandoso / Sam Nacht / Marcelo von Schultz

“Ecce homo. Wie man wird, was man ist”

Christoph Gallio: alto & soprano saxes
Omar Grandoso: trombone & fx pedals
Sam Nacht: trombone & fx pedals
Marcelo von Schultz: drums & percussion

Recorded by Sam Nacht in Estudios Libres, 16/11/2018. Buenos Aires, Argentina.
Mixed by Sam, Marcelo, Christoph & Omar.
Mastered by Gerardo Morel.

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posted 01 May 2020

entropija – genealogija A: 2017-2018

entropija – genealogija A: 2017-2018
[EEM054]

entropija

“genealogija A: 2017-2018”

The first part of a retrospective collection, documenting live concert excerpts and private experiments between October 2017 and June 2018. Dynamic, rhythmically active, contrasting motifs dominate the album, emanating shades of IDM, glich, and post-industrial music. Beats and tonalities assemble, clash together and disintegrate, giving way to the next cycle of entropic interactions. The album attempts to construct a sonic narrative from disparate recordings, recontextualizing them into a new whole, but retaining the eclectic nature of entropija‘s live performance.
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posted 23 April 2020

cozilos VIVOS – RUA

cozilos VIVOS – RUA

cozilos VIVOS

“RUA”

released March 27, 2020

arte por Diego Maia @miragemmaia
produzido e gravado por Vitor C.
mixado por Vitor C. e Diego Maia
masterizado por Diego Maia

released March 26, 2020

todos os instrumentos por Vitor C.
todas as vozes por Vitor C.
áudios/samples captados por Vitor C.*

no texto de “Um sonho incontido” tem também a letra de “Niños Heroes”, por Negro Leo. gentilmente cedido pelo Artista.

todas as músicas por Vitor C., exceto “A faca instrumental”, música por Vitor C. e Bruno Rafael.

o texto de “Eletricidade” é um poema, com o mesmo nome, de Raisa Christina

*áudio de ligação telefônica em “A faca instrumental”, voz: Bruno Rafael
*áudio de ligação para auto-atendimento bancário.

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posted 05 April 2020

Seuil Optique – Les Habitants

Seuil Optique – Les Habitants
[Eg0_228]

Seuil Optique

“Les Habitants”

Seuil Optique, duo of Sig Valax and Nicolas Tourney, offers a unique experience of listening to music in the dark. Immersing the stage and the public in constant darkness, Seuil Optique creates soundscapes where electronic transmissions, acousmatic landscapes and refined drones intersect. By jostling the boundaries between listening, blind manipulation of machines and immersive experience offered to the audience, the two musicians explore new sound tracks, in permanent dialogue with hybrid musicalities and the practice of singular instruments: persephone, field recording, electro-acoustic devices, matrices and samples.
On stage, they use deliberately “open” improvisation strategies and defeat the boundaries between manipulating machines in the dark, harmonics tinged with noise-producing materials and the “eyes closed” hearing experience offered to the public.

Seuil Optique’s third album, Les Habitants, focuses on the practice of electronic improvisation. Recorded in three days and three nights, in Paris, in total darkness, Les Habitants aims to be a place of recognition of gesture as a creative act. No preparation beforehand, no benchmark, no intro or climax, only the interaction between two ways of producing spectral imprints. In this sound dialogue, electronics are the vector of total sincerity: the inhabitants target the listener, bringing them to live the experience of the moment that guides the “non-idiomatic” music of Seuil Optique, in which each sound, each transmitted waveform is dedicated to the inhabitants of the present.

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posted 16 March 2020

Jude Cowan Montague – to India

Jude Cowan Montague – to India

Jude Cowan Montague

“to India”

Linear Obsessional is delighted to present a solo album by Jude Cowan Monague (of Montague Armstrong who released the acclaimed “Hammond Hits” on LinOb last year.
“To India” was originally self released as a very limited CDr – this re-issue includes the original CDr packaging as jpg files.
Mixing Jude’s trademark mix of quirky travel reportage, poetry and a fascination with archaic keyboard instruments, “To India” is a joyous collection of songs from this unstoppable and endlessly creative artist.

tracks 1 – 7 – written on an art residency on Goa India
tracks 7 – 9 – written in Mauritius and first published as poems in “The Groodoyals of Terre Rouge” (Dark Windows Press 2013)

Thanks to Rekha Sameer and my fellow artists and to Kiran Groodoyal and her brilliant family
credits
released March 14, 2020

tracks 1-6 recorded at J.C. Montague’s, London by Matt Armstrong

Jude Cowan Montague – Vocals, Hammond, Fender Rhodes, Min-Moog
Matt Armstrong – Bass, Backing Vocals, Philichorda
Tom Murrow – Drums

tracks 7-9 recorded and mixed at Bark Studios, London by Brian Ono
Jude Cowan Montague – Vocals/Alesis Micron
Matt Armstrong – Bass/Percussion/Vocals
Mark Braby – Vocals

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posted 14 March 2020

Cyff Gwawd – Cyff Gwawd

Cyff Gwawd – Cyff Gwawd

Cyff Gwawd

“Cyff Gwawd”

Cyff Gwawd is Stuart Estell, a piano, and a couple of barely-functional tape machines. The project draws on his love of Satie, Cage, Feldman and Basinski while also being a logical step from his compositions for drone/doom tuba outfit ORE, which he left in 2014. Cyff Gwawd is named in tribute to Mark Hollis. It means “Laughing Stock” in Welsh.

The pieces on this release started as miniatures, some of the material freely composed, and some of it restricted to sets of just four pitch classes. In performance, however, they took on a life of their own and didn’t seem to want to be constrained to what had been written down — resulting in what might be better described as planned improvisations.

The same side of the same C90 — an old and far-from-clean TDK SA90, naturally — was used to record all four pieces. The older cassette machine’s completely unreliable motor and faulty tape head resulted in some happy accidents (speed changes, incomplete erasure) that would be impossible to reproduce. Apart from EQ, some additional reverb and the occasional overlaying of additional tracks (from the same source material), the only editing here has been structural. Other than that, what you hear is how it… more
credits
released March 6, 2020

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posted 09 March 2020

George Christian – Longes

George Christian – Longes
[mhrk235]

George Christian

“Longes”

“This album is the first work I’ve done in 2019 and also part of a series of instrumental works that reflect upon absence in different ways, in a pentalogy. All of them expresses what I felt after the latest political misfortunes in my country (Brazil) and overall social-political state of mind in the world. In “Insomniac Dreams” – the absence of rest and sleep to convey life in its existence. In “Antimanicomial” – the absence of sanity in its helplessness in a political system that doesn’t give a care. In “Duets for Balogh” – the absence of a friend, despite his presence in sound conversations. In “Cinzas” – the absence of care on nature, a mourn for dead rivers. And this, “Longes” is about absence of faith. However, there is no particular order, nor any sound similarities for this pentalogy, despite being linked thematically. “Insomniac Dreams” was the first published one, but “Longes” was the one recorded first, with later-on finalizations.

”Longes” is my second work in which I play electric guitar (a Telecaster) as a main instrument (first one was “Electric Ramblings” (2014) in most of the tracks). It was conceived as a series of variations on the final motif from the coda of the song “Muito Mais Longe do que o Bastante”, which was originally recorded for the album “La Géographie sans Regret” (2012), made in collaboration with Mehata Sentimental Legend. In this album, I explore on electric guitar both timbral and electronic experimentations whereas the themes are extended without regard on time and space, despite having their own implicit structure. Apart from the last track (X), the pieces were all improvised in their performances. Somehow, it’s a spiritual manifesto on struggling for survival, in electric mantras; against all odds, a life-affirming statement.”

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posted 02 March 2020

Ethernet Orchestra – Oceans between Sound

Ethernet Orchestra – Oceans between Sound
[pn150]

Ethernet Orchestra

“Oceans between Sound”

REVIEW / RESEÑA
Oceans between Sound is a selection of live improvisations by the internet based music ensemble, Ethernet Orchestra. The album was recorded during located venue performances and online sessions between 2014-2019, featuring musicians from a diverse range of cultures, performing across international time-zones and physical locations in Brazil, the USA, Canada, UK, Germany and Australia. The music was inspired by the ebb and flow of network data as a metaphor for the world’s oceans and waterways separating the members of the ensemble, and their geographically dispersed lives.

Oceans between Sound includes performances by internationally acclaimed improvisers such as guitarist Chris Vine, best known for his work with the British post punk band Blurt (Factory Records), and Elliott Sharp and Bob Boilen in the downtown music scenes of New York and Washington D.C. The ensemble founder, trumpeter Roger Mills, came to prominence during the 1990s with his work with the Bristol-based free jazz ensemble Space Ways and the trip-hop collective Statik Sound System (Cup of Tea Records). Performing on many of the tracks is the UK based free improviser Hervé Perez, acclaimed German pianist Holger Deuter, as well as world-renowned Moorin Khuur player and throat singer, Bukhchuluun Ganburged. The album also features a performance by the late Richard Lainhart, who worked and performed with John Cage, David Tudor, Steve Reich, Phill Niblock, David Berhman, and Rhys Chatham. His musical contributions to Seymareh ensure his presence continues to live on in our music.

A salient characteristic of the recordings on Oceans between Sound is how they reflect the materiality of the telematic performance medium. Musical sound travels through multiple networks, and is subject to a variety of operational conditions, latency, speeds, compression, and jitter. These phenomena imprint themselves on the sound as an aesthetic parameter within the music, rather like the crackle of an old vinyl album. These sonic qualities are also a testament to the incredible feat of musicians performing in real-time across distances of thousands of kilometres.

Roger Mills
(Sydney, Australia, marzo / March 2020)

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posted 01 March 2020