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music tagged with: jazz

rADio eNd – NEVERLAND

rADio eNd – NEVERLAND
[LCNLP216]

rADio eNd

“NEVERLAND”

rADio eNd – NEVERLAND

WRONG REVOLUTION and The Necrophile Hummingbird Netlabel present Neverland by rADio eNd.

« True music for Listening thru »

This time, rADio eNd is only Pete Hope and Ed End.
The improvisational base was recorded on May 1st, 2024, in the Cave Haven,
upgraded next with instruments and lyrics by Pete.

RATTLING MY BLUE HAND
rattling my blue hand
taking the middle right out
of your devalued day
make a prison
in your image
print it on a shirt
you can sell yourself
you can tell yourself
you need to wear your hair shirt every day
money for something i don’t have
money makes the world go round to their neighbours
with a knife – with a can full of acid
with a holiday brochure
with a test strip that measures
the paranoia in your saliva
get a new work shirt
get a new clay wife
break the mould
get the gold
buy back all that shit you sold
only to find out
you were well and truly ripped off by yourself
honey drips
you need to wear your hair shirt every day
rattling my blue hand

COLLAPSING PULSE ON TRUE TELEVISION
plaiting thumbnails
a keen eye
floral tributes to falling soldiers
and swollen women
thick of sleeve
real and true – real and true
small movements become giants
the telling of
both heat and cold
(real and true)
some jagged expanse
a sweeping scrape
lifting the layer
hipped hug
slinked in a villain head
automatic mind
true television
i’ve been collecting for a wall
reshaping in sight
of snow caps
sin-tax
eye for eye

REAL GRAS IN YOUR SKIN
right off – written off
right off – written off
clothed in cow hide
who says – who said yes
who says – who said yes
little busy crows
with fish-hooks for toes
am i real? – am i unreasonable?
just because
am i real? – real unreasonable
tipped off – ripped right off
no place like home
worked out – works right out
working out – get a thicker skin
you need to fight – fight through
fight off today
chose a little sweetness from the plate
chose a little sweetness from the plate
share it
create a story – create a story
rub it into your skin – rub it into your skin
stained red
parallel and running wild
glue back your mind – am i real?
trash deal – am i real?
am i unreasonable?
here comes the crash
too much passion
it’s so old fashioned
right off – written off
worked out – working out
rub it into your skin – rub it into your skin
lip sneers – as if to say
who are you, anyway?
am i real?

Though some albums like Arzak II and Mantra Wave remain not release free, this is the very last rADio eNd album. Sometimes, things must die for the void to be felt — and for you to wish to fill it with your own dreams.
rADio eNd was like a giant telescope aimed at life on Earth.
Uncentered art digging into the universal disaster, seeking survivors, glimpsing humans still alive among the ruins. Humanity lost in a senseless world.

Why label any utopia as Never-Neverland?
They let you dream ambitiously, but children’s reverie is banned.
Maybe the meaning must be sought in daily life —
in the corruption of your child-soul,
in dreams cut away to bonsai your mind
so it fits into tiny boxes called prisons/homes/comfort/habits.

Adults teach us fear.
Adults teach us the self-mutilation of constant lying.
They use authority to deny autonomy.
Pretending to be “parents” when being only self-centered people who care more about their own pleasure than anything else.
Pleasure is good — but not that kind of artificial, consumerist pleasure :
false needs, real illusions —
instead of raw perception, instead of meals rooted in the living soil.

Not this endless hunger for more, instead of a search for balance.
They teach us to obey their unreal storytelling —
Should I call it horror tales disguised as fairy tales?

Sell your life-time to capital.
And teach your children to sell theirs.

Technology hides that it’s global slavery.
When a rich man uses a computer or an AI, he doesn’t save time —
he steals the life-time of poor people in less “fortunate” lands, condemned to fuel it.

Alike capitalism pretending to be the solution when in reality it’s the problem.
They pretend to be models —
but they are the trap, the embodiment of the sick old world.

And when children grow older and try to speak truth,
adults label it adolescence —
to sweep the truth under the rug.

Stuck in loops.
While they drain our energy.
Artificial paradises flavour sticking to everything.

Something is rotten.
The Earth has become a giant supermarket.
Client souls arranged in aisles.
Insane masters are here to pick our children,
eating, fucking, doping, killing, without limits —
amongst the ruins of a dying world like if it was just a game.

Everybody knows… and denies.
We should not let this happen.
Everybody knows… and still too many want their slice of the deadly cake.

When imbalance lasts too long, it always collapses.

There are no more islands left.
And as they destroy them all,
they try to erase their very memory.

No more children — only future customers.
Like all other species, everything must be part of this game.
Worshiping their god with a thousand masks.

It’s a war against everything wild and alive.
Xenophobia rules the planet.
They turn off the lights with their weapons of mass destruction.

This album is dedicated to the victims of Israel.
This must be said clearly:
it’s not only Benjamin Netanyahu —
it’s Zionism itself responsible for the genocide in Gaza.
And perhaps the worst is not only the mass death,
but that so many people know —
watch —
and do nothing to stop it.
That they know but do like if nothing happens.

A View from Ed End.

So many days have opened their wounds in front of my eyes
that I can’t tell anymore
if this is just an echo of a long-forgotten thought.

But when I listen to this album,
it feels like watching the light of a distant star:
so far away that by the time her light reaches me, she’s already gone.

That’s it.
Even though the base was recorded last year and later upgraded by Pete,
it comes from a place that no longer exists.

These days, it’s hard to speak without a bitter aftertaste.
I keep moving forward, facing whatever comes —
I don’t look back.
because I feel that there’s no way back.

And still I know:
Neverland isn’t in front of me.
The way this journey changes me inside is a reality swap leading to this place.

I erase the white chalk from the blackboard
and start drawing a new crazy dream,
making room for my sound-friends.

No matter what’s lost in the past —
it’s long gone.

rADio eNd had a beginning, and it had an end.
It was alive.
Now we change vehicles.
It seems for us, after this, there is no more moniker.
We become a chain of names, DNA.

Never give up.
That’s exactly it — Pete’s words.
Mind-traveller, drawing maps like paintings,
blending dreams and realities.

I’ll never give up
until everyone has found his own way
to break free from the pattern, the norm.

We mutate, we become everything —
because when you never give up,
you shed your skin,
cast it into oblivion,
the old ceremony, again and again:
a new life after another life,
inside a mind in free fall —
into creation.

Button: by-nc-sa
posted 04 July 2025

WAYVES – BOT

WAYVES – BOT
[mhrk444]

WAYVES

“BOT”

WAYVES – BOT

released May 24, 2025

Raw, fleeting, disfigured — breaking through the cracks like weeds through concrete.
A rebellion against the self. Against the urge to please, to polish, to resolve.
A controlled fall. A dance between chaos and pattern.

Meant to disorient. To move. To interrupt.

A celebration of not pretending.

This work leans toward a non-dual listening — where no line separates beauty from abrasion, nor pitch from noise. There’s no subject, no object. Only the sound of falling water near a stone. A hum that could be harmony, or just friction made gentle by time.

It draws from Dada not in style but in gesture — refusing meaning as fixed, embracing disruption as form. Like Zen, it invites without asking. The music doesn’t develop — it arrives, disappears, and remains.

This is apophatic sound art — not built on themes, but on the refusal of them.
It doesn’t declare, it negates. Not a construction of beauty, but a slow erosion of its false appearances.
The sound exists as absence made audible — like the gap between waves, or the breath between two conflicting thoughts.

Button: by-nc
posted 28 May 2025

Jazzaria – All The Notes Go Up

Jazzaria – All The Notes Go Up

Jazzaria

“All The Notes Go Up”

Jazzaria – All The Notes Go Up

Are kiss of promised springtime you. Lonely long makes seem that the winter. Are breathless evening hush of the you. A brink lovely of on that the song trembles.

This reordering of “All The Things You Are” features a jazz quintet of alto saxophone, vibraphone, piano, upright bass, and brushed drums.

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posted 08 May 2025

Jazzaria – All’s Fair

Jazzaria – All’s Fair

Jazzaria

“All’s Fair”

Jazzaria – All’s Fair

Step on up, come one, come All! All are welcome (and required) at All’s Fair – a Fair where every tit has its tat. All’s Fair, in love and war, serves the needs of All, whether pliantly or peremptorily.

A carnival of topsy-turvy exchange, All’s Fair provides the circus – though you may pay dearly for the bread.

Featuring alto sax.

Button: by-nc-nd
posted 05 March 2025

Luneta Freedom Jazz Collective – Mga Matang Pumipikit Sa Langit

Luneta Freedom Jazz Collective – Mga Matang Pumipikit Sa Langit
[mhrk421]

Luneta Freedom Jazz Collective

“Mga Matang Pumipikit Sa Langit”

Luneta Freedom Jazz Collective – Mga Matang Pumipikit Sa Langit

Luneta Freedom Jazz Collective is an experimental jazz group from Manila, Philippines. Their first studio album “Ethos”, was recorded and released in 2015, followed by “Inland Empire” in 2017. In 2021 the project debuted on Mahorka with their third album, “Slaves and Masters”.

“Mga matang pumipikit sa langit” (translates to “Eyes closing to the sky”) is their fourth album and second on Mahorka, released December 7, 2024

“Mga pinagbabatayang kaisipan at paniniwala tungkol sa pinakapuso ng kalikasan ng tunay na nandito at umiiral, na nagsisilbi namang pinakasahig ng iba pang mga kaisipan at paniniwala.”

The album as a whole is grounded on the profound engagement with the foundational ideologies and convictions concerning the nature of that which genuinely exists and prevails, serving as the primary basis for all subsequent thoughts and beliefs that underpin human thought and belief. Offering a nuanced perspective, each moment delves into different facets of human cognition, reality, and perception, mirroring how foundational ideologies about reality shape and are shaped by these elements.

Luneta Freedom Jazz Collective are:
Hamzah Nubia – Guitar
Rahiem Tashan – Percussion
Althea Segunda Katigbak – Keys
Akilah Marasigan – Sax
Dustin “Xenokrates” Bones – Bass
Maleeq Ras Nashiem – Drums/Theremin

Artwork by Maleeq Ras Nashiem

Button: by-nc
posted 11 December 2024

Kevin Miller – initial concourse aftermath

Kevin Miller – initial concourse aftermath

Kevin Miller

“initial concourse aftermath”

Kevin Miller – initial concourse aftermath
The music heard on this recording consists of what the subtitle suggests; solo guitar improvisations from 7-24-24.
All of the music is completely improvised, and was recorded using a few different basic sound setups from virtual amp plugins.
The titles, for the most part, have nothing to do with the music on any level.
Button: by-nc-nd
posted 19 September 2024

L’Autre – Dans le miroir

L’Autre – Dans le miroir
[LCNLP193]

L’Autre

“Dans le miroir”

L’Autre – Dans le miroir

The Necrophile Hummingbird Netlabel presents L’Autre Dans le miroir (aka In The Mirror by The Other)

“Nu Trip Hop for Self Reflection”

L’Autre is Antonella Porcelluzzi and Ed End.

Antonella Eye Porcelluzzi (lyrics and voices + voice pedals)
https://www.linktr.ee/AntonellaEyePorcelluzzi

Ed End (electronic noise + turntablism + khoomei voice)
http://www.horsnorme.org

Recorded live at the Cave Haven in Foucherans the 9th of March 2024.

Special thanks to jazz pioneer Art Blakey without whom this album wouldn’t be.

Dedicated to those who are not afraid to break through the mirror

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posted 12 September 2024

Ivano Nardi Solo / Ensemble – To Tony Oxley "Travel notes" Letters 2007​-​2023

Ivano Nardi Solo / Ensemble – To Tony Oxley "Travel notes" Letters 2007​-​2023
[PT162]

Ivano Nardi Solo / Ensemble

“To Tony Oxley “Travel notes” Letters 2007​-​2023″

Ivano Nardi Solo / Ensemble – To Tony Oxley "Travel notes" Letters 2007​-​2023
Ivano Nardi: Drums cymbals objects percussion
meets: Marco Colonna,Angelo Olivieri,Carola De Scipio,Roberto Del Piano,Eugenio Colombo,Silvia Bolognesi,Giancarlo Schiaffini,Roberto Bellatalla,Filippo Monico,Marcello Magliocchi,Davide Merlino,Sebi Tramontana,Roberto Ottaviano,Danilo Gallo, Mauro Sambo,Marco Ariano,Luca Venitucci.
Button: by-nc-nd
posted 06 September 2024

Fake Samo – Interzona

Fake Samo – Interzona
[pn235]

Fake Samo

“Interzona”

Fake Samo – Interzona

“An anthropological journey…” —a concept I overheard from one of the attendees at the end of the presentation by the trio led by Fake Samo (computer, composition), plus Edén Carrasco on tenor saxophone and Francisco Sánchez on drums, last August 7, date on which was presented live this album that today you can know, listen and appreciate in its digital version.

As a privileged witness to the history of this recording, which took several months to reach its final form, I can only highlight the result, both in its digital recording and in its performative aspect—two sides of the same coin, or rather, a mirror that faithfully reflects either side of its surface. “Interzona”, the concept that gives this album its title, originates from the idea developed by William S. Burroughs in his novel Naked Lunch. This concept connects to music in multifaceted ways, as Burroughs’ work has profoundly influenced musical culture, especially in electronic music, punk, and experimental rock, with a particular emphasis on Free Jazz in this case. Burroughs’ “Interzona”, as a concept, has become a powerful metaphor for musicians seeking to explore and transgress the boundaries of artistic creation, particularly in genres that value experimentation and the breaking of conventions.

With his computer, software, mouse, attentive ear, and remarkable auditory memory, Fake Samo invites us to engage with his own musical interests, bringing together both performers (Carrasco and Sánchez in this case) and listeners to be part of this collage of crossed references, chaotic worlds, alienated dreams, and ruptures in reality. As in John Cage’s “Music Circus”, where everything and everyone can sound at the same time, this album might evoke the sounds of Throbbing Gristle, Swans, Can, Peter Brötzmann, among others that are sonically more recognizable.

In just over half an hour, “Interzona” unfolds in roughly four movements, with abstract preludes, noise-laden crescendos, and mysterious endings, where the blend of multiple sound layers finds its defined space, shining through and making itself heard. With the recording and pre-mix by Antonia Valladares and the hands of AtomTM on the mixing and mastering, this should come as no surprise. What should be noted, however, is how the realization of an idea that seems simple in its conception can come to such a strong conclusion, both aesthetically and conceptually, becoming a powerful proposal and a manifesto of the will to create.

Mika Martini
(Santiago, Chile. August 2024)

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posted 29 August 2024