Questo progetto musicale affonda le sue radici nella musica elettronica, nel post-rock e nella shoegaze con influenze down-tempo. Voce, chitarre, sintetizzatori e suoni sporchi uniti in un suono unico e convincente. Il progetto Pura Neurosi è iniziato a Barcellona, nell’estate del 2010, e rappresenta la naturale evoluzione delle traiettorie musicali dei membri. Entrambi provengono da un passato rock classico ma negli ultimi anni si sono dedicati alla produzione e al djing di musica techno e minimal. Con riferimenti alla post-dubstep di Mount kimbie, Balam Acab e i suoni atmosferici ed inquietanti di Salem, Pura Neurosi ha fuso queste influenze dentro il suo stile alternativo.
KPL023 – INFERENCE “SHEETS OF RAIN WEAVE SILK E.P”
1. Clouds Inside
2. Sheets Of Rain Weave Silk
3. Static Chant
4. In The Tow
Written and produced by Alistair Stray
Cover by John Fhakner
Alistair Stray :
Stray has been involved in many areas of experimental and electronic music for the last 20 to 25 years, as well as being a visual artist, filmmaker and animator (8mm through video to digital). ‘Inference’ is his techno and dub techno solo project, the first releases of which ‘Reference’ and ‘Resistance is Mutable’ were released on the Kreislauf netlabel. This release is a new start, going back to the basics of groove programming and subtle modulation that are the roots of Dub Techno while referencing the early Detroit Techno sound and first Irdial label releases aesthetically.
During the 90s, his main project was a film improvisation group called Deconstructed Cinema. He was also a founder member of the Raya Collective who played various venue types from clubs to squats and had a brief residency at the Institute of Contemporary Arts (ICA) in London. Towards the end of the 90’s, Stray formed an improv group called Irritants that mostly played the free party and squat scene as well as at Hugh Metcalfe’s ‘Klinker’ club night in London. In recent times, he has collaborated with his partner Anna Flack (a vocalist and experimental digital musician) under the name Radical Elsewhere, releasing recordings on the DBS Sounds & Kreislauf labels. Stray has also released experimental music under the name Noosign on the HAZE and Zimmer labels as well as on Bandcamp. More recently he has been collaborating with another electronic musician, Dave Clarkson under the name ‘Psychic Frequencies’. They have released two sets so far, ‘Cut Ups and Fold Ins’ on HAZE and ‘Projecting Disorder’ on Test Tube.
1. Ohrwert – Musis
2. Rolando – Mood Maker
3. Textural Being – The Sixth Gap
4. Soul of Hex – Lip Reading (Larry Heard Midnight Remix)
5. Marko Furstenberg – 209
6. Aerts – Code
7.Pacou – Central (mainrmx)
8. Ohrwert – Airy Pattern
9. Kiano & Below Bangkok – Chicago Vibe
10. Liquom – SUmmER 14;41
11. Alessan Main – Ln-125
12. Quantec – Leap In The Dark
13. Shawn Rudiman – Until The Morning (Deep)
14. Analog People – Eros
15. John Shima – Finding your Path
16. Shawn Rudiman – Will I Dream
Formato: EP digital
País/Ciudad: Russia, Krasnodar
Fecha Publicación: Octubre 2014
Estilo: Hard Techno, Drum & Bass …
Esta vez se nos va la olla un poco lejos, allí por los confines europeos, a la Rusia industrializada y ruidosa. PLUS presenta en Soisloscerdos parte de su duro sonido, Hard Techno, Drum and Bass, Techstep, Acid…
Lanzamiento que une el este y el oeste para joder a los acomodados oyentes que piensan que somos diferentes.
Plus (Vladislav Shirshikov) nació en la gran ciudad industrial de Baku durante la URSS. Su amor por la cultura techno viene debido a que creció en medio del paisaje y los sonidos urbanos. Comenzó sus actuaciones como dj en 1999, mezclando estilos como la IDM, Drum & Bass y el Techno. Es parte de la generación de admiradores que se ha criado con los ritmos rotos del techno. Ahora está trabajando en la producción de sus propias canciones y la preparación de actuaciones en directo. Su música es una mezcla de varios estilos, entre Hard Techno, Technoid y Halfstep. Actualmente vive en Krasnodar, Rusia.
Plus (Vladislav Shirshikov) was born in a big industrial city of Baku (USSR). His love for Techno culture grew on the background of urban sceneries and sounds. In 1999 he started his career as a Dj and performed in IDM, Drum & Bass and Techno styles. Raised more than one generation of admirers of broken Techno rhythms. Now he is working on his own tracks and live projects. His music is a compilation of several styles such as Hard Techno, Technoid, Halfstep. Currently lives in Krasnodar, Russia.
Lyand (born January 15, 1989 in Moscow, Russia) is a Brooklyn Techno & Deep House producer and DJ. Lyand is best known for his Groovy Sound that keeps the party in motion and the crowd on the dance floor. It takes specific elements to create a Vibe and Lyand has been experimenting with different styles in the playgrounds of New York City for years.
A libertine is one devoid of most moral restraints, which are seen as unnecessary or undesirable, especially one who ignores or even spurns accepted morals and forms of behaviour sanctified by the larger society. Libertines put value on physical pleasures, meaning those experienced through the senses. As a philosophy, libertinism gained new-found adherents in the 17th, 18th, and 19th centuries, particularly in France and Great Britain. Notable among these were John Wilmot, 2nd Earl of Rochester, and the Marquis de Sade.
The word “Libertine” was originally coined by John Calvin to negatively describe opponents of his policies in Geneva, Switzerland. This group, led by Ami Perrin, argued against Calvin’s “insistence that church discipline should be enforced uniformly against all members of Genevan society”. Perrin and his allies were elected to the town council in 1548, and “broadened their support base in Geneva by stirring up resentment among the older inhabitants against the increasing number of religious refugees who were fleeing France in even greater numbers”. By 1555, Calvinists were firmly in place on the Genevan town council, so the Libertines, led by Perrin, responded with an “attempted coup against the government and called for the massacre of the French. This was the last great political challenge Calvin had to face in Geneva”. Charles-Maurice de Talleyrand wrote that Joseph Bonaparte “sought only life’s pleasures and easy access to libertinism” while on the throne of Naples.
To be human is possible. In this context, a robot with a human appearance wants to become more manlike, to be part of society, acting in it. The problem arises when his artificial brain will not process some things. He does not understand the behavior, customs, values, decisions and reason of human decadence. Each one of the electronic components that comprise him were programmed to function as an ideal and perfect human being (according to the standard of humanly possible perfection), he understands humanity in this way.
In reality, in human society as such, he does not find anything like himself. The human being IS NOT what has been programmed into his database. The real human being is practically totally the opposite.
The artificial intelligence with which he is equipped permits him to make the best decisions, to continue as what he is, a robot with human appearance, an autonomous and perfect machine, far from humanity, declaring himself, NON-HUMAN.
The characteristic analog sound of Gozne returns, though this time it seems harder and colder, approaching the sound of EBM (electronic body music) and old-school electro. The voice, already roboticized, serious, strange, paraphrases its own language mixture of English, French, German, Italian, Spanish and Mapudungun, not so unintelligible.
Perhaps because of the concept behind the album, 4 x 4 rhythms do not abound, although this does not separate it from the root of Gozne’s work, which carries a sound with experimental characteristics to the dance floor.
Gozne is my father and knowing his musical works since always, and surely because of my metal roots, this is the album that I like most.
Octavio Yáñez Salinas
(Quilpué, Chile, octubre 2014)
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“SonLos+Cerdos Live Podcast”
País / Ciudad: España / Madrid
Este tercer podcast viene firmado por nuestro nuevo colaborador MÖ$Q, desde Madrid. Aquí nos enseña sus gustos, gran amante del ruido y de la política subversiva, un avance de lo que nos espera al escuchar su música.
Otro al saco! Gracias!
We are bringing some soothing ambient waves in these days of autumn sunsets.
Hailing from a suburb outside of Los Angeles, California, Gilbert finds his inspiration in deep calm sounds after taking long night walks listening to the sounds of the world that help him open his imagination for new creative embodiments all the time. After countless hours of producing anywhere from progressive to dynamic underground electronic music Gilbert rest’s his productions in deep ambient dub sounds. Being a unique compelling producer Gilbert has a massive passion in music.
Welcome to our deep music family one more gifted producer that holds a lot to tell us.
Formato: Lp digital
País / Ciudad: España / Barcelona
Fecha Publicación: Abril 2014
Estilo: Techno, Dark Techno
1. Cosmic Dreams
3. M88 Entrance
4. The Alien Party
5. Apollo 808
6. Intergalactic holiday
7. Solar Storm
8. Scrap Robot
9. The After
10. M88 Entrance (MegaHast3r Remix)
11. The Alien Party (Ángel García Remix)
12. Solar Storm (Periodo Particular Remix)
13. Scarp Robot (No Human Remix)
Aquí tenemos nuestro primer LP, Langax se ha volcado con el netlabel y cede todo su material más reciente. Al escuchar la calidad de los canciones, no ha habido otro remedio que empaquetarlo conjuntamente. Nueve canciones dignas de los más ilustres exploradores de los confines del universo. Pura tensión Langax, oscuridad con toques dub y techno.
Soisloscerdos añade cuatro remixes de nuestros amigos MegaHast3r, Ángel García, No Human y Periodo Particular.
Gracias a todos!!!!!
Awkward Hugs is by C. Reider, a guest from Vuzh Music netlabel. “This is some work I did in 2007, directly after ending my work with the drone collective Drone Forest. I wanted to do some music that fell far outside of that group’s constraints (no beat, no melody). This music reflects an interest in minimal techno that I had at the time. The exploration of beat-oriented material during this time eventually led to the series of releases I called The Electret Quintet, which merged the accessible material presented here with a more experimental approach.”
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