Compilation with modern independent Polish music, tracks vary from modern electronic of Eufoteoria, Stendek or Ebola Ape thru postpunk of the brainhole and Dirty Bitch, rooted in Polish jazz and hiphop HALF OF A dB, reggae/dub of Sedativa to Władysław Komendarek with modern interpretation of Fryderyk Chopin`s music.
Keeping summer alive as the seasons move towards winter, we are very proud to present to you a simply incredible split from Whitely and Love Through Cannibalism, Wonderful Island!
Creating a wonderfully upbeat sound, this album manages to conjure images of beautiful tropical beaches and luxuriously blue oceans with every beat and note. Each artist has their unique styles, but the entire album stays cohesive. Whitely starts off the album with his unique blend of sunny, dancey and downright cool tracks! Having featured here on Pxl-Bot before, Whitely this time ventures away from the straight chip sounds that we have heard before, but still draws heavily from the familiar sounds and styles that we have listened to and loved. Love Through Cannibalism then follows up behind, with his glorious seapunk, chipbreak goodness! Each track packed full of energy, sea spray and golden sand. Guaranteed to make even the most docile of fish grow feet and move them to the beat, grab this album now!
1. Whitely – Discovering Atlantis
2. Whitely – Lost In Your Eyes
3. Whitely – Pearl
4. Whitely – Show Me How To Fly
5. Love Through Cannibalism – A Summer Ghost
6. Love Through Cannibalism – Colorful Dreams
7. Love Through Cannibalism – Banana Night
8. Love Through Cannibalism – Kanto Drift
Incentive from the Dystopiaq netlabel has honored us with his latest EP – Cyberpunk Age. Produced by Incentive Artwork by je.vi Mixed by Chase Jackson (Tracks 1, 2) Mixed by Incentive (Tracks 3) Mastered by Chase Jackson
New album produced by Fredziak, ALTITUDES is an electronic symphony claiming an uninhibited poetic expression and a certain degree of sophistication. It is a sojourn in an imaginary sonic territory, a route traced in a series of landscapes: the wonder and excitement await the traveler-listener behind every corner, beyond each pass.
Engineer and artist, Fredziak, aka Frédéric Esnault, starts working on music after some experience in literature and painting. He devoted several years to produce the ALTITUDES album with the idea that the gap between contemporary pop, electronic production and classical heritage had no reason to exist. Therefore his work illustrates a form of reconciliation between the traditional approach to music and the most unbridled sound experiments.
ALTITUDES has been released on CD and downloadable files on September 15, 2012. It is published under Creative Commons license.
SHSK’H Volume 07 is now available, featuring June 5, 2012, a new 40 mn composition for electronically processed viola and piano by Kenneth Kirschner.
Composer Kenneth Kirschner was born in 1970 and lives in New York City. He is known for his open source approach to music, his experiments with software-based indeterminate composition, and his interest in adapting the insights and aesthetics of 20th century composers such as Morton Feldman and John Cage to the context of contemporary digital music.
“All It Takes” is the third album by Multi-Panel, the solo project of Ludo Maas. Native to the Netherlands, Ludo has been perfecting his style of loop based electronic music pared with vocals and acoustic guitar. On “All It Takes”, Maas blends Lo-fi IDM with Americana, creating a decidedly cinematic experience. Each track blends to the next like scenes in a movie. Nostalgic guitar rifts become the canvas for the synthetic flourishes and expressive synth work. Drum beats and vocals, come and go, on a tidal schedule. The end result is a rich and complex suite of songs that demands to be listened to from start to finish, like a good film. The album was inspired by Maas’ new found love for the cinema, and accompanying soundtracks. Notable inspirations include Tangerine Dream’s Risky Business, Howard Shore’s After Hours, Jon Brion’s Eternal Sunshine of the Spotless Mind, Patrick Leonard’s At Close Range, Ennio Morricone’s Days of Heaven, and Jon Hopkins’ Monsters. Maas’ musical influences include Nick Drake, Sufjan Stevens, Múm, Colleen, Fennesz, Boards of Canada, Neil Young, Four Tet, and Postal Service. Support the artist further by purchasing this release through Multi-Panel’s Bandcamp Page. http://multi-panel.bandcamp.com/album/all-it-takes
After his wonderful Debut on “krata.net.oo2” Qatarsis chooses the more abstract route this time and wrapped up Drunk in Japan for a ride in a spaceship, where they, that’s what we imagine, only subsist on interplanetary cookies and some spaced out teas to concentrate on their neverending route through the electronic universe!
sanefiftyfour is an anonymous musician/writer who lives in Kansas (USA). Initially motivated by the same impulses that lead others to a bohemian/rock lifestyle, he eventually realized that music was a way for him to conduct social research, and that tenures in bands playing radically different genres of music would enable him to gain valuable insights into the myriad conflicting American subcultures. His twenty-first century recordings, while largely computer -based, inevitably reflect the experience and misadventure that follow from that sort of attitude, and he considers himself a sort of American primitive, aligned with a (very) small group of “redneck” heartland artists.
“Our Time in the Invisible Wars” is a series of timbre experiments, ranging from noise to dark ambient. They were either variations on material from the early-to-mid twentieth century by various Anglo (USA, UK) composers (in which case the source midi has been cut up and reversed to the point where it is unrecognizable), or they were the outcome of aleatory/chance exercises. The goal, for about half of the pieces, was to try for as much sonic variety as possible; the goal for the other half is stasis. A smirk at Krautrock pervades throughout.
The Gateless Gate is the ambient music project of a Canadian singer-songwriter when he doesn’t want to write songs. Inspirations are ethnic music, Krautrock, avant garde, psychedelic music and various ambient music forms.
Projekt Luty presents another new old record, full of psueoindustrial beats, heavy guitars, catchy riffs, psychodelic noises as well as some melody from time to time. Punk, singing, screaming, squeals, casio percussion, amateur passion collide in a traditionally pleasantly chaotic mixture.
01.- Fantasmas (Demo 2006)
02.- Fiesta Funebre (2011)
03.- Ni La Cuarta Parte (2006)
04.- Maldita (Demo 2005)
05.- Mal Hábito (Acústico 2011)
06.- Distancia (Ensayo Junio 2007)
07.- Hurgar (2010)
08.- Revolución En Mis Días (2010)
09.- Noches De Marzo (2010)
10.- Pajaros Con Mirada De Gato (Ensayo 2009)
11.- 5:45 pm (2007)
12.- 10 Años Después (Demo 2006)
Art and music by Ruth Barrientos.
Mastered by C.N.Morgan.
Published by m.i.s.t. records
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