Now it’s our time to say couple words. It’s been already 4 years since the launch of Energostatic Records, and we thank everyone and each of you for suppport and admiration. We are glad to bring you the joy of music and promise to continue doing so!
Finally, the long awaited 4th annual compilation featuring the brightest artists on dub techno scene, alongside with some new young talents is here!
We extend our warmest regards and wish you lots of harmony and peace in the coming year!
Mar’yan Kitsenko & Alex Zalygaeff (aka Energostatic crew)
Sphere Of Io è un progetto musicale basato sull utilizzo di software per la sintesi granulare per generare trame musicali al limite tra techno, industriale ed ambient. Tutte le registrazioni sono state eseguite in tempo reale.
Latest album by M-PeX, his 5th on Enough Records is a double album. It draws it’s inspirations from two odysseys: Homero’s and Kubrik’s. The first cd, sub-titled “Prologus” is entirely acoustic, with M-PeX on the Portuguese guitar and André Coelho on double bass. The second cd is titled “Epilogus”, adding electronic elements to the sounds and featuring additional guest artist DJ X-Acto providing some additional electronics and scratch sounds. Artwork by Marco Madruga.
Drum Jam #1
Mayor of Silicon Valley
Five Everyday Rules About Animule Behavior
New Definition of Torture
Drum Jam #2
Barrel Organ Set at an Open Mic
Consensual Sex with a Circus Monkey
Love Song on Virginia State Schools
It’s the Kahvi Christmas release 2014! Threads is a culmination of a year of gathering submissions, processing, mastering and finally compiling this 40 track release for your listening pleasure!
Kahvi listeners will recognise some artists, some regular appearances along with a couple of rare visitors appear within Threads, and then as usual this is a great opportunity to showcase some up and coming artists.
Playing time is 3 hours 20 minutes! And for the first time ever, a FLAC version is available over at our new Bandcamp page. There is no minimum amount to download but please consider supporting the artists involved!
Kai’s work is often based on stories, but the sixth album of a russian composer is a whole story itself. Rewind the clock to ‘Irsen’s Tale’ time and listen to neoclassical piano compositions once again, only much more mature and polished. While in a lot of ways it’s a Kai Engel you’re used to, ‘Rain Catcher’ will talk about something new, about a boy, out there in a night sky with stars, rain and finally dawn. It’s all in piano sound.
Music by Kai Engel
Artwork by Atkova Arts
Let’s go for a walk through Reykjavík!
This release is the fifth from Sound Interpretation series dedicated to cities.
We believe that each city has its own unique air. But anyone who works with the sound knows that every city has a inimitable soundscape and rhythm. So let’s make a musical journey through the cities. Cities you’ve been or would like to visit.
“Diaspora” is the debut album from the Ethernet Orchestra, an Internet based music ensemble exploring intercultural tele-improvisation. It is a compilation of live freely improvised vignettes from performances recorded between 2009-2014. It features musicians from a diverse range of cultures and musical traditions performing simultaneously between Iran and Australia via North America, Canada, Brazil and Europe. Distance is embodied in the material quality of the works, which not only serves as testament to the technological achievement of such a project but also forms part of the grain of the medium itself.
During this period we also had the great fortune to collaborate with the late Richard Lainhart, who is featured on many of the recordings. Ethernet Orchestra would like to dedicate this album to Richard, whose passion and generosity touched us all and his music continues his presence in our lives.
The album also contains works from the “Distant Presences” trilogy of performances. These events included networked VJs Helen Varley Jamieson, Neil Jenkins, Graziano Milano and Michael Szpakowski mixing live cinematic visual collages in the audiovisual platform VisitorsStudio, which can be viewed from diasporasound.wordpress.com/vjmixes
medial ages – Live A/V Audiovisual Performance & Installation
It is influenced by theories of postmodernism, postcolonialism, relies in the aesthetics of noise, it is supported by cybernetics and the relations between Art, Science and Technology. It is influenced by Political Art, Activism, Hacktivism, Human Rights and Policies of Heritage.
DIY Installation: Synthesizers: DIY Oscillators, 555 Synthrotek Time Oscillator, Arduino Potentiometers. Control 9V input and transform it into sound.
1) Solef – Painful Loss (Substak Remix)
2) Benbui-northern lights
3) Billy Niko & John Philip – dub conectors
4) Ion-Turbulence (Descend Mix) [Kinetik]
5) Substak-take the lead (Retouched Remix)
6) S_EncE_-_Clouds #8
8) Salz – Stainless Dub (Joergmueller Remix)
9) -Roger Gerressen-Koshima
10) Pablo Bolivar – Out of place
Mastered by Jon Astley and John Martin
Cover by John Fhakner
Marco Mestichella is a 24 years old recording and performing artist originally from Italy who moved to London in 2009 where he’s been producing and playing original music since.
He describes his style as ‘ILLPOP’ referring to it as a blend of trip hop, retro-pop, soft rock and cinematic music.
Marco’s debut EP ‘The Day I Killed My Ego’ was self-released in 2013, with the following release of two video-singles ‘Treason’ and ‘I Should Have Stayed Home Tonight’.
His new single ‘ Fragments Of Light’ has been released earlier this month and plenty of new music is set to be released over the next year with new live dates in the pipeline.
Marco has been working with bristolian arranger/composer Joe Rodwell whom he has co-produced all his music with so far as well as collaborating with other underground songwriters like Turan and Claudia Heidegger.
Marco’s music is a crossover in between 70’s and 90’s productions, with hints of Portishead, Morcheeba, Isaac Heys and Pink Floyd, mixed with some old school Madonna and George Michael. www.marcomestichellamusic.com www.soundcloud.com/marcomestichellamusic
К сожалению не всегда получается сделать все во время и по иронии судьбы, данный сингл, который должен был выйти в августе, увидел свет на лейбле только в декабре.
Может даже это и к лучшему…
Ведь же приятно, холодным зимним вечером придаваться теплым летним воспоминаниям и ещё раз пережить все самые лучшие эмоции.
Sound Engineering: Blomberg Studio
Artwork: Мария Пеганова
Texts & Music by Still Pluto
I have a love-hate relationship with art in general. Because very often artists lack self-humor and too often suffer from a Napoleonic Complex. They look upon themselves from such heights and perceive their work to be of unmatched grandiosity. Look and reflect on your favorite artists and/or bands – how much they seek the approval and passionate love from their audiences, to the point it becomes hilariously odious. Groupies and more groupies, men and women alike, and collectors who worship their guru artists as if they were living gods… Today, at the front door of the new year, I feel so detached from all this glamour.
My point of reference is: in this time and age, we have to expand the limits of what art is and how we as individuals and as a culture perceive a certain work of art.
This LP is titled accordingly, and symbolizes a vision according to which art has an end or rather art might end at some point. Metaphorically, I feel as if artists are not as important a persona as they are often perceived and/or vision themselves to be. Unfortunately, unlike human touch, art cannot comfort one on his or her deathbed. Art is a remarkable transitional object, but it’s no substitute for so many things and experiences. Artistic creations become obsolete, they weary off with time, lose their initial relevance, become inanimate, inorganic and abiotic. This is why, although some would call me an artist (a title I don’t seek nor need in my age) – I look upon art in general and my creative adventures in particular with a lightweight tone…
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