about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Miro, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music in category: by-nc-sa

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

GMS/FBW – Vol.3

GMS/FBW – Vol.3
[pn141]

GMS/FBW

“Vol.3”

“The longing for (inner) silence leads the/our being(s) to take the(ir) sound to the outside, exposing it/them as a natural/peculiar/idiosyncratic happening.

This sound is also influenced by collective unconscious – i. e. a global < > local society.

What are we to find in this transcendental process?: all/nothing, a receiver/Pandora’s box, feeding back this inner space which happens to be mute(d).

What are we to do if Monserrat Bustamante Laferte came out of the blue? Our amazement would allow this silence to expand in space-time, procrastinating an explanation.

All these processes/experiences/longings turn this album into a snapshot, a here-and-now portrait, a possible chart for adventurers, uncertain for our recent past, stamping our existence until the end of silence.

For this is no comfort zone approach: neither pop nor tape music nor free improv, but all of them instead, a García Canclini-like hybrid, pointing out an emerging possibility for our countries.

Who are these people?

This makes it even more interesting: deeply rooted in crossover practices, GMSs play cumbia on Monday, jazz on Tuesday, and experimentalia on Wednesday.

Martín/Benavides (M/B), one of the most outstanding musicians nowadays, accompanying Chilean acts such as Francisca Valenzuela, Chancho en Piedra, Los Tres, and many others. He is also a great performer in an extremely complex and mesmerizing instrument, such as the theremin.

Gerardo/Figueroa (G/F), composer and musicologist, participant in several Chilean underground scenes and venues from early on: radio shows, such as Musiclaje, and Pueblo Nuevo en Conexión Social; producer of singer-songwriter Camila Moreno’s early recordings. A sui géneris ol’ skool, chatting freewheelingly and unhamperedly with newer generations.

Seiten/Wall (S/W), young composer prone to challenging audiences with unconventional ideas and practices. representing the twilight zone where all sounds and formats meet. At present, he is also a board member of Comunidad Electroacústica de Chile (CECH).”

Víctor Tapia Herrera
(Santiago, Chile. Junio/June 2019)

Button: by-nc-sa
posted 10 June 2019

BERTHELOT – Principe d’incertitude des espaces imperceptibles

BERTHELOT – Principe d’incertitude des espaces imperceptibles
[earS092]

BERTHELOT

“Principe d’incertitude des espaces imperceptibles”

Composed of modulated quantum capsules, this album analyzes the principle of uncertainty, or, more correctly, the principle of indeterminacy of Heisenberg, under the meta-sonic influence of Berthelot’s theorem on the curvature of imperceptible spaces.

In quantum mechanics, the precise value of a particle’s physical parameters, such as its position or velocity, is not determined until it is measured. A quantum object could therefore be “in several places at the same time” (this is what my neighbor Schrödinger says about his cat, but I think he is using too much wine from the Loire Valley).
But this paradox is only apparent because classical scalar magnitudes are insufficient to describe quantum reality.
We then use the sound wave functions of Berthelot’s theorem, modular vectors that demonstrate that the uncertainty principle invariably leads to imperceptible spaces of infinite dimensions.

If the principle of indeterminacy of Heisenberg is a quantum reality, Berthelot’s theorem is not one.
Only the meta-sound analysis of this album remains, consisting mainly of analogically tangible and numerically virtual electronic structures.
Listening with good quality non-quantum headphones is recommended.

Button: by-nc-sa
posted 01 June 2019

303 – Baltdub

303 – Baltdub
[JAM007]

303

“Baltdub”

Selected cuts of the 303 jams in the dub style direction.
It’s like when we are far away “flying” in experiments, into rhythmic noise, in the process of jam, but there is a daredevil who declares: “Let’s play dub!”.It’s like something about dub and techno, somwhere close to noise with broken rhythm. It’s like something with bass and chords and melody, it is mostly rhythmic, stumbles somewhere, sticks somewhere, it is electronic and connected to the “network” …

Attention! illocanblo (11,12,13) and Potential DifferenSe (14) participated in several jams. Thank you.

Button: by-nc-sa
posted 01 June 2019

Laura Cavan – Unsuspicious

Laura Cavan – Unsuspicious
[Eg0_208]

Laura Cavan

“Unsuspicious”

Laura Cavan is a french visual artist who also works with sounds, and especially natural ones like in her first album Unsuspicious. This project started in 2016 when Laura Cavan was studying arts in Marseille and created an installation using pieces of wood found in the area of her school (which is located close to a forest). The insertion of contact microphones in these pieces of woods allowed to transmit small vibrations emitted by its inhabitants : termites. The resulting sounds were sent in real time through headphones for the installation’s visitors.

Early 2019, some of these sounds have been selected, edited and mixed by Kecap Tuyul in for the realisation of this album. Different, light treatments (mostly equalization) have been applied to the orginal tracks, without trying to hide the recorder’s hiss nor other unwanted sounds, but rather with the aim of letting appear all aspects of the recordings in an organic way. The results don’t pretend to give an accurate reproduction of termit’s sound but should rather be considered like sound pieces where the recording technology is a part of the material and not a transparent medium. As a sequel of this release, Kecap Tuyul is currently working on tracks mixing electronic sounds with Laura Cavan’s recordings.

The artwork is made of a selection of Laura Cavan’s drawings of these wood pieces which that were created for her installation.

Button: by-nc-sa
posted 30 May 2019

A.Moss – Carolina Raised

A.Moss – Carolina Raised
[BS450042]

A.Moss

“Carolina Raised”

Back in early 2010 a Charlotte, North Carolina based label Black Flag Records was kinda blowing up with the release of a DJ Green Lantern presented mixtape. That compilation featured joints from their talented roster of artists. Although there was lots of fire on that comp, one artist stood out to me with his unique and on point delivery. That artist, A.Moss went on to release a solo album and a couple features on other releases. After that… crickets. Not just from him… from the label too. What seemed to be a promising label, proved to be short lived.

Then at some point around 2014, I found A.Moss’ Soundcloud page and saw that he had posted something new! The new song was incredible… I was psyched to see that he wasn’t done delivering music. Then… crickets… for little longer. Anyway… fast-forward to sometime the following year or so when I tweeted to him an open offer to release music at blocSonic. Fast-forward a few more months… he tweeted he was interested in talking about it… and now here we are!

Today we kick off the lead up to his first EP, “Gravel King”, which is set to drop on July 19th. His first new release since 2010! Leading up to the release of the EP… we’ll be dropping three fortyFives featuring previously unreleased gems from his archives and joints he released via soundcloud. This one features “Carolina Raised”, originally released as “Who killed it” on Soundcloud and “MB”, some fire from the archives. So download it… bump it loud… offend some neighbors… but most of all… enjoy.

Hey Moss… it’s great to finally have you on board here at blocSonic! Thank you, sir. Can’t wait to release Gravel King! Welcome to the blocSonic fam.

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

Button: by-nc-sa
posted 24 May 2019

a.d.du.nord – Sana Grano

a.d.du.nord – Sana Grano
[Eg0_207]

a.d.du.nord

“Sana Grano”

A.d.du.nord is a musician who doesn’t work in a particular style but is guided by ideas of the moment without feeling compelled to maintain a single sound aesthetic. His first releases have been a few minimalist drone tracks published in 2018. He now aims to create some kind of “post-music” that is “strange and dysfunctional”. In short, a.d.du.nord is a project for free experimentation, where everything is possible.

Sana Grano is some kind of mixtape that gathers ten one minute long improvised sequences created with granular synthesis tools. The choice of samples was purely intuitive, and the results are partially aleatory. But if you listen between the lines, you may find reminscences of dub and afrobeat.

Button: by-nc-sa
posted 21 May 2019

Xavier Mussat – Provided for Courses

Xavier Mussat – Provided for Courses
[Eg0_206]

Xavier Mussat

“Provided for Courses”

After 5 years spent exploring improvised and noise guitar, Xavier Mussat opened a parenthesis without his usual instrument. He recorded abstract sound ambiances to be used as background sounds to accompany the work of his students during the intuitive drawing classes he gives. Here simplicity prevailed : he used the cheap internal microphone of his computer and several objects (bowls, balls, crumpled paper, table, and finally a hint of prepared banjo), as well as remixed sounds taken from videos of snowy landscapes. Experimenting with the austerity of a minimalist aesthetic, he extracted 4 tracks from these raw textures and materials.
Button: by-nc-sa
posted 15 May 2019

Zenapolæ – 20 Years in 4T Minutes

Zenapolæ – 20 Years in 4T Minutes
[zen187]

Zenapolæ

“20 Years in 4T Minutes”

a musical journey along Zenapolæ’s timeline celebrating its 20th anniversary

Nik, aka 4T Thieves, from Finland, has crafted an awesome 4-deck live remix of 23 tracks taken from Zenapolæ’s catalog, in roughly chronological order. this 40-minute continuous remix track beautifully reflects the label’s development over time, at the same time creating its own, unique atmosphere. from our electronic beginnings, through the dark ambient phase, into its present more experimental orientation.

Button: by-nc-sa
posted 08 May 2019

Federico Schumacher – Lo Inquietante

Federico Schumacher – Lo Inquietante
[pndvd02]

Federico Schumacher

“Lo Inquietante”

(The Acousmatic Musical Experience & The Uncanny)
Federico Schumacher Ratti (Editor)By Miguel Vera-Cifras.

The work we are presenting today is part of a process of research, creation and listening carried out by a team of researchers, collaborators, and auditors, under the direction of the faculty of Psychology at the Universidad Diego Portales. An initiative that involved numerous people, including those who ultimately worked on the final design of the written document, its translation into English, and on the features that extend this process beyond the text.

This represents an interdisciplinary work, published under a Creative Commons license, whose hybrid imprint includes a book, a recording, and a web presence. Three channels of action and circulation mutually nourish one other. A printed book, also in PDF digital version. A CD featuring the musical creation entitled “Lo Inquietante” (The Uncanny) by Federico Schumacher, who also serves as a researcher and editor of the book. And, finally, a playlist of acousmatic musical pieces by the same author, uploaded to the Pueblo Nuevo website, where they can be visited in a manner that is personalized and free. Hence, there are three ways in which the reader, listener and navigator are summoned jointly to read, listen and participate, either by introducing themselves to the theoretical discussions, by listening to the accompanying musical creation, or by immersing themselves freely in the playlist that extends the format of the book to unprecedented reconfigurations yet to come…

Button: by-nc-sa
posted 03 May 2019

C. Reider – … a trustable cloud

C. Reider – … a trustable cloud

C. Reider

“… a trustable cloud”

Every single sound on my new album was made with online instruments that you play in internet browsers.

There’s a tape for 10 bucks and a download you can have for free.

The download comes with a list of links to all the websites I used to make the sounds.

Button: by-nc-sa
posted 29 April 2019

M.A.K.T. Sono – ‘UNK

M.A.K.T. Sono – ‘UNK
[Eg0_205]

M.A.K.T. Sono

“‘UNK”

Since their beginnings in February 2018, M.A.K.T. Sono (Magali Albespy and Kecap Tuyul) have been experimenting with different set-ups and ways of playing. Amongst them, they like to play both on the same instruments / set-ups in the same time. It’s what they did on ‘UNK.0, an improvisation played on a no-input mixer. The other tracks of this EP are electronic compositions by Kecap Tuyul and Doedelzak using this improvisation as only sound material.
Button: by-nc-sa
posted 29 April 2019

Yris – Histoire Naturelle

Yris – Histoire Naturelle

Yris

“Histoire Naturelle”

Yris is a 25-year-old french singer-songwriter. She released her first song on the internet in 2010, when she was a teenager.

After a first album studio “The riverside”, she released another one recently : “Histoire Naturelle” came out on April, 19th 2019.

“Histoire Naturelle” is the second album studio by Yris. The lead single “On s’en va” is successful on Soundcloud (more than 135 000 streams with Freebackgroundmusic).

The next single taken from this album will be : “Perdue Ft. Bthelick”.

Good listen to you ;)

Button: by-nc-sa
posted 21 April 2019

Ayato – Face à face, épisode 2, saison 1

Ayato – Face à face, épisode 2, saison 1
[Eg0_204]

Ayato

“Face à face, épisode 2, saison 1”

Face à face, épisode 2, saison 1, the new album of Ayato is the 2nd part of a cut-up recomposition series recorded and mixed at La Ferme Là, Olivet, France between 2015 and 2017. It consists of playing in real time two tapes with two different multitrack recorders, which gives 4 stereo sounds side A in normal play and side B in reverse added to others sounds played depending on which way the wind is blowing with the others devices. Some Loops have been created during the mixing process. Cassettes are from private collection, gifts, prepared and found tapes, archives…
Button: by-nc-sa
posted 19 April 2019

The Anarchist Society of Youth Anger – Bekatul Maut

The Anarchist Society of Youth Anger  – Bekatul Maut
[WAC29]

The Anarchist Society of Youth Anger

“Bekatul Maut”

‘Bekatul Maut’ merupakan hasil gagasan tentang potensi pangan alternatif dari Johanes Handjono dan Gerry Pindonta lewat proyek elektronik, The Anarchist Society of Youth Anger atau yang disingkat TASYA. Bekatul sendiri merupakan hasil produk sampingan dari pengolahan padi yang sering dijadikan sebagai pakan ternak. Lewat proyek TASYA, duo personil Samber Nyawa ini mengubah fungsionalitas bekatul menjadi lebih menyehatkan, bermanfaat dan pastinya ‘maut’.
Button: by-nc-sa
posted 15 April 2019

Anastasia Vronski – Estrangements (Volume 2)

Anastasia Vronski – Estrangements (Volume 2)
[Eg0_203]

Anastasia Vronski

“Estrangements (Volume 2)”

Anastasia Vronski is a versatile experimental musician from Perm, Russia. Since years she has been creating an impressive and quite diverse body of work. Many of her tracks can be classified as “drone “or “noise”, but they always have a specific, often intriguing qualities. Above all, she’s not an artist who will do the same twice, and maybe that’s why some of her pieces are sometimes published separately. Since we thought many of them deserved more exposure, we decided to make a selection of such works in a compilation album : Estrangements, published in two volumes. While first one consisted of 4 minimal conceptual pieces, second one is made of 10 shorter tracks focusing on mysterious ambiances and dense sound textures. One of them, “the pack” wasn’t published before and was made specially for this compilation. The selection of tracks was made by the artist and the label, trying to make the compilation as cohesive as possible. We hope it will make you curious to discover more works from her.
Button: by-nc-sa
posted 03 April 2019