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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: downbeat

Corazón – Corazón – Brazilian Edits (TTRaízes Vol. 1)

Corazón – Corazón – Brazilian Edits (TTRaízes Vol. 1)

Corazón

“Corazón – Brazilian Edits (TTRaízes Vol. 1)”

Please welcome the first edition of TTRaízes, our brand new series focusing on edits of Brazilian traditional music. For the grand opening, we invited our dear friend Pablo Arruda aka Corazón, bringing us 10 of his best original edits.

The idea behind the Corazón project is directly linked to the production of the edits in this release. In the attempt to find a different soundscape from the scene in which he was inserted at the time, the artist reached for Brazilian music in a way to form a unique setlist, bringing an original identity to the project.

Therefore, classical and significant music from Brazilian history were carefully selected and went through an experimental process, by studio or by live edits on stage, the songs started to be reconstructed under Pablo’s unique vision.

Originally from Francisco Beltrão in Paraná, Brazil, Pablo is a musician, DJ, and music producer. Now based in Curitiba, he was a drummer for Audac, releasing an album produced by Gordon Raphael, known for his work on The Strokes’ albums “Is This It” and “Room On Fire”. He has performed at festivals such as Popload Gig in São Paulo, Meca Festival in Porto Alegre, and FARM/Picolé at Circo Voador in Rio de Janeiro. He began presenting DJ sets at James Bar, where he was a resident for four years. As a member of GATOPARDØ, he performed at Adhana Festival editions and has five releases under the record label.

Currently, he produces events with Portal Kirin, with Kirin Sets being the main project he’s involved in.

This series will remain a hidden gem in our Bandcamp for obvious reasons. We will invite different artists with edits from different regions of the country, and each edition will come with exclusive and limited cassette tapes.

Follow him around the internet:
Soundcloud: soundcloud.com/pablitocorazon
Instagram: www.instagram.com/pablitocorazon
Spotify: open.spotify.com/intl-pt/artist/1zjvUO5Te6TW064KUEORDt?si=YprEGA9xRH2OlugUpPpfGA
Kirin Sets: www.youtube.com/@kirinsets

Curated by
soundcloud.com/ivpalmer
instagram.com/ivpalmer
soundcloud.com/tha_guts
instagram.com/tha_guts

Masters
soundcloud.com/piglion
www.instagram.com/pigmylion

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posted 07 December 2023

Nerdicus – Nerdicus

Nerdicus – Nerdicus
[BSOG0134]

Nerdicus

“Nerdicus”

Hey kids! Today Nerdicus returns with his great new self-titled album! Thirteen tracks deep, it’s an album packed with electronic adventures awaiting eager ears. Please don’t let me bore you any longer, though… just download it and enjoy. Happy listening!

Hey Nerdicus… thanks for another terrific album!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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posted 05 December 2023

Gears in the Rain – Endogeny

Gears in the Rain – Endogeny
[zen280]

Gears in the Rain

“Endogeny”

Subterranean soundscapes for Autumn’s turns, shifting perspectives, and uneasy realizations.

Harmonic drones, partial melodies, and skittering rhythms combine as nostalgic, melancholic electronic music.

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posted 03 December 2023

The Hooligan – D3CAD3S

The Hooligan – D3CAD3S
[enrmp524]

The Hooligan

“D3CAD3S”

D3CAD3S is a four track EP celebrating the finnish indie artist The Hooligan’s past three decades in music making and still releasing frequently in the present fourth decade. Tracks inspired by bands/artists like The Alan Parsons project, Jan Hammer and Vangelis mixed with sounds of his signature style. Artwork by Manu Pärssinen.
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posted 02 October 2023

Matt Jah – Matt Jah – Enlazador De Mundos (TTR093)

Matt Jah – Matt Jah – Enlazador De Mundos (TTR093)
TTR093

Matt Jah

“Enlazador De Mundos”

It’s a pleasure to welcome the talented Italian DJ and Producer Matt Jah to our family! His debut EP “Enlazador De Mundos” brings us 3 original groovy downtempo tracks, with remixes by our dearests Kadum and Kika Deeke.

Inspired by travels between Mexico and Bolivia “Enlazador de Mundos” is an Ep that takes its name (the one who unites the worlds) from the Maya Toltec culture. “Isla de la Luna and Isla del Sol” two songs that try to evoke the environments and vibrations of the two islands that bathe the titicaca lake. Suggestive places that could almost seem from other worlds.
In this work Matt Jah tries to combine analog electronic sounds and acoustic instruments, environments and natural spaces with unexplored dimensions, reality and dreams, a timeless world described by music.

With a continuous and careful research into ancient and ancestral that blends with electronic and psychedelic. Matteo La Motta (Matt Jah) is always looking for new sounds. Accompanied by his voice, guitar and some synths, his musical research goes into organic textures and tribal rhythms that try to evoke inner rituals and deep emotions.

Curated by
soundcloud.com/ivpalmer
instagram.com/ivpalmer
soundcloud.com/tha_guts
instagram.com/tha_guts

Masters
soundcloud.com/piglion
www.instagram.com/pigmylion

Cover art by Tropical Twista Records

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posted 29 September 2023

Fields Ohio- Don’t Stare at the Sun When Your Hands are on Fire

Don’t Stare at the Sun When Your Hands are on Fire

Fields Ohio – Don’t Stare at the Sun When Your Hands are on Fire

Fields Ohio

“Don’t Stare at the Sun When Your Hands are on Fire”

LINER NOTES

Bien que moins souvent à l’honneur dans nos pages que d’autres projets du New-Yorkais Eddie Palmer (citons Cloudwarmer, Aries Death Cult ou feu The Fucked Up Beat en plus de ses albums solo), ce duo plus acoustique et psyché qui l’associe à la multi-instrumentiste et vocaliste Christine Annarino fait preuve d’une belle constance depuis une dizaine d’années d’existence, avec une quinzaine de sorties au compteur, pour l’essentiel en long format.

Déjà auteurs cette année de l’excellent “Valkyrie”, typique de l’univers des Américains entre trip-hop mystique aux accents world music, downtempo-patchouli densément arrangé et touches electro hédonistes, on imaginait les Fields Ohio persister et signer dans leur admirable pré carré Ninja-Tunesque (de la belle époque) avec cette suite. Loin s’en faut ! Si “Don’t Stare at the Sun When Your Hands are on Fire” se décline au gré de la double-hélice d’un ADN désormais bien connu, il donne également l’occasion aux deux musiciens de se réinventer avec subtilité. Les rythmiques ici sont souvent plus feutrées, les textures plus oniriques et gorgées de reverb au diapason des nappes de synthés scintillantes d’Eddie, les lignes acoustiques et vocales de Christine fondues dans l’ensemble avec une homogénéité toute particulière, les mélodies presque serpentines et d’une fluidité qui évoque l’eau, élément omniprésent sur le disque.

Souvent inspiré par la contemplation de la rivière Hudson que surplombe son appartement new-yorkais ou par ses sorties au bord de l’océan, Eddie Palmer y trouve en effet matière à se concentrer sur le présent, autre thème central de l’album. “Don’t Stare at the Sun When Your Hands are on Fire” sonne ainsi comme un rappel à l’ordre que l’on se fait, dans ces moments de chaos que la vie nous réserve : affronter les problèmes un à un, un jour après l’autre, sans se préoccuper de trop d’un futur encore lointain et abstrait. Autant de sensations – ligne d’horizon, impermanence et abstraction – qui président à cette superbe collection d’instrumentaux au groove impressionniste et hypnotique.

—–
ENGLISH VERSION

Although not featured in our website’s columns as often as other projects by New Yorker Eddie Palmer (including Cloudwarmer, Aries Death Cult or the late great The Fucked Up Beat, in addition to his solo albums), this more acoustic and psychedelic duo associating him with multi-instrumentalist and vocalist Christine Annarino has shown great consistency over the span of its ten years of existence, with about fifteen releases so far.

After dropping earlier this year the excellent “Valkyrie”, representative of the band’s signature sound somewhere between mystical trip-hop with “world music” elements, densely arranged downtempo psychedelics and hedonistic electronic touches, we imagined that Fields Ohio would go on with that “great Ninja Tune era” trademark with its follow-up. Not exactly though ! Even if “Don’t Stare at the Sun When Your Hands are on Fire” remains consistent with that henceforth well-known DNA, it also gives the two musicians the opportunity to subtly reinvent themselves. The beats here are often more subdued, the textures more dreamlike and bursting with reverb in tune with Eddie’s scintillating synth pads, Christine’s acoustic and vocal lines melt into the whole with more homogeneity, and the melodies’ fluidity evoke water, an omnipresent element on the record.

The contemplation of the Hudson River from his New York apartment or his outings by the ocean indeed help Eddie Palmer to focus on the present, another central theme of the album. “Don’t Stare at the Sun When Your Hands are on Fire” thus sounds like a reminder, in these moments of chaos that life has in store for us: facing the problems one by one, one day after another, without worrying too much about a still distant and abstract future. So many sensations – the horizon, impermanence and abstraction – which preside over the impressionistic and hypnotic groove of this impressive new collection of instrumentals.

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posted 29 August 2023

Yadak – Cells for Replication

Yadak – Cells for Replication
[pn222]

Yadak

“Cells for Replication”

The album “Cells for Replication” by Yadak immediately captures attention, generating a deep emotional connection from the body, primitive and animalistic. Its sound envelops and invites the listener to immerse themselves in an existence that flows in waves, awakening profound states that are increasingly restless and connecting with internal places that express themselves in intimacy. I can’t separate it from the image; it moves, transitions, evolves, it carries you… As I listen, oscillating landscapes slowly unfold, swaying between stillness and darkness, then gliding towards crystalline lights and fluid pulses. Yadak‘s sonic gestures manifest in imaginary landscapes, full of texture and color. I feel as if I’m traveling through time, traversing vibrant and diverse atmospheres that are almost palpable. At certain moments, the music emerges with a hypnotic intensity, shifting tones and providing sharpness and timbral brilliance even in the darkest segments. That contrasting luminosity of textures resembles a glow that sparkles in a deep blue twilight. The chiaroscuro is ever-present, carried by mechanical impulses that convey a sense of different spatial planes, with a manifest intention to take us on the journey to the end.

“Cells for Replication” obeys nothing more than its own emotion, and it drags you through time with determination. The music permeates attention, generating an immersive sensory experience, playing with images of our era, human beings, life, and artificial intelligence. It’s impossible not to feel the territorial vastness it proposes, situating the physical sensation in this subtle yet robust imaginary landscape. The rhythms carry you forward, anchoring a precise point of contemplative stillness while awakening memory. As I approach the end of the album, an image appears in which the sea is close. In my mind, I can almost imagine what it would be like to immerse myself in it. I breathe deeply and ponder the question: how can one not be carried away?

Valentina Maza
(Santiago, Chile. Agosto / August 2023)

This mixture of climates with apparent sequences is very well coordinated, there is a profound sense of melancholy with sparks of light, as if to say that you can still float and see positive things in a dark ocean.

Luis Marte
(Buenos Aires, Argentina. Septiembre / September 2020)

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posted 20 August 2023

Ohad Slavin – Hide EP

Ohad Slavin – Hide EP
[DigitalDiamonds099]

Ohad Slavin

“Hide EP”

Ohad Slavin – Hide EP

Catalogue: DigitalDiamonds099
Format: EP
Released: June 2023

We are excited to announce Ohad Slavin’s new downtempo EP, “Hide”. The title track is a meditative and mesmerizing exploration of soundscapes, taking the listener on a journey of emotion and introspection. The EP also features two remixes of “Hide”, both of which bring a unique flavor to the track. Timboletti’s version brings a lush and ethereal atmosphere while Fieldy’s remix brings a dubby groove to the track, making it a perfect addition to the dancefloor.
We invite you to explore the sounds of “Hide” and its remixes and experience the deep and powerful journey that Ohad Slavin has crafted for us.

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posted 04 June 2023

CLOUDWARMER – Rellik

CLOUDWARMER – Rellik

CLOUDWARMER

“Rellik”

The Other Body by Barry Burton

Whatever I am, whatever I’m not, all I’m doing now is remembering. Within the depths of the landfill, my wire lattices spiderwebbing out, branches upon branches, piercing the dirt and trash and ash of decomposition… for what exactly? Simple recollection seems to be the only function I can perform now. Nodes near my center push precious few trickles of electrons round and round, replaying the choice that I made.

Before the choice, before the phenomena that triggered the choice, my life had been clean and satisfying. I had hunger. I had cold need. Out into the darkness I stretched myself, weaving wires, infiltrating beyond. When I found warmth, my tendrils surged like hungry critters seizing upon a cracker. Dregs of a battery. A sip of idle electrons inside a loop of insulated wire. Sometimes, something more indirect. Some preserved organic matter. A pocket of food stuffs I could smother in wires, feed heat to so it would cook, and later I’d slurp down the result, a great heaping gulp of energy. These were my trials. Feel need, meet need. I spread myself out into the darkness. I got bulky. I found machines. Books. Relics of a time long gone.

Eons ago there had been humans, I discovered. They dominated the planet. At some point they went away. They left behind great mounds of their discarded creations. Garbage they called it. The planet had once been warm. Then it became cold. Now it swung between warm and cold frequently. As far as I could tell, there was nobody. No sign of anyone, anywhere. I grew and grew into the darkness, found recorders of sound, recorders of vibration, radios, TVs, computers. When the hunting was good and there were electrons to spare, I powered each of them on. Dead silence, every one of them. The radio, endless static. The TV was the same. No signals, just buzz. But vast libraries kept me occupied. Great volumes of human doings. Wars, disease, famine, scientific inventions, exploration of space, great literature and bad literature, so much somehow in so little time. It held my interest, up to a point.

One day, after a great and satisfying hunt, I decided to return to my humble beginnings. I’d just drank the juice of a half-full lithium ion battery and used it to push electrons around to some of my earliest and oldest wires, near my birth node. As I began this process, a flood of early memories came back, when the darkness was so big and I was so small, when I hadn’t any idea what lay beyond the immediate blackness. And then… there was nothing. Coursing off the end of some of these earliest wires was a drop off of flow. Like the wires had disappeared. I tried to push out new sproutling wires from that drop off, and nothing came. It was as if I’d run dry of energy, except that wasn’t at all the case. There was plenty of energy left to use. Something was in my way. I crept wires over from a different area, an area not so old. When I got over to the drop-off point, nothing was there. All was dark, as if my body no longer existed there, but that made no sense. Even without coursing electrons through these old circuits I remembered them well, I knew the angles and turns they made, the branches they formed, and so on. That day, and for weeks after, I squandered the energy from my hunts beyond, combing through this little bit of darkness in search of my old wires. Where had they gone? Sometimes it seemed as if things had been rearranged. The density of area, the effort it took to push my wires along, seemed a little different day by day. This was something I’d never encountered before.

Then one day, the answer came. Something was there. Something small and made of wires. Like me, but in miniature. Actually they were me. They’d taken up my old wires. Where that energy had come from, probably taken from me as well. Scavenged old parts of me somehow. This was something entirely new. It was an Other Body. I tested them. I brought over a wire from beyond, filled with some juice. I left it in the Other Body’s vicinity and waited. After a moment of stillness, their wires crept in, took the offering, sucked it dry. Another test. I brought over a different wire from beyond, this one rotted, a kind of trap for them. After a moment of stillness, the Other Body’s wires crept in again. They took the offering and attempted to suck it dry. Then they recoiled from the bad wiring, the loss of electrons, the bitter taste. I knew that feeling oh so well. I waited a day then I repeated my test. This time they took the good wire and left the bad one alone. That was how I knew the Other Body could learn. The Other Body was alive. They were scavenging off me, taking my wires and taking my juice.

I could see no best choice. Fundamentally, the Other Body was a cancer. They were growing rapidly by the day. There were ways to control them, blocking their expansion by walling them off with bad wires. I was able to halt their growth this way until they learned to circumvent the blockade, worming their ways over/under/between cracks I had made. They were a fast learner. And they were driven by hunger, revitalized by food. The crux was this: the Other Body was sucking me dry. But that wasn’t their fault. They had needs and they met those needs by feeding off of me. I understood those needs well. I felt those same needs. I remembered how strongly they gripped me in my youth. Only I had been born alone. I was able to thrive cleanly.

Given enough time, I believed the Other Body could learn to speak. We could have had conversations. Maybe we could come to an agreement. Maybe the Other Body could have lived and hunted in one area and I could have taken another. Like humans from bygone days, after a long day of hunting we could have reconvened in the middle, talk to each other over an area of warmth, as if sitting around a campfire.

But the Other Body was mighty hungry. And despite blockade after blockade, they persisted. I tried to clear them a path. Come out this way, I offered. Into the wild! The darkness which is free and open for you to hunt! But the Other Body was drawn to me. They feasted off my easy energy. Like a child suckling. Only I could see no end in sight.

Kill the parasite and certify your survival or let them feed on you and hope they will someday listen to reason. A demon and an angel, my two options whispered their logics into my ear, day after day. Some human, in some old library, said zero-sum games were an illusion. They are borne from lack of the imagination. And that lack of imagination is stoked by fear. I could feel that fear alright, when the Other Body tapped into one of my main libraries. Suddenly a bulk of my memories were gone. Memories of my middle-life, of vital hunting lessons learned at that time, of huge swathes of human-perceived history read in the downtimes, of clean, unproblematic wonder. Afterward, the Other Body’s scavenging became more sophisticated. I felt them gnawing at my weaker areas, more quickly overtaking my vital circuits.

The choice was like a bet. A bet on me or a bet on them. The old me versus them dilemma. Fear was stoking a great need. The Other Body’s feedings had taken its toll, and I was experiencing a great power shortage now. My thinking was fuzzy, my movements were becoming sluggish. Within that stolen library was human language. And before the choice was made, I tried to speak to them. I said, Ouch, wait, stop, hold on. Please, I’m begging you. The Other Body paused. They seemed to be attempting to understand what I was saying. Or maybe they understood and were deliberating on how to proceed.

I will never know. I made my choice. By way of a tunnel. A tunnel of juicy wiring that led to a corrupt library. Years ago, this corrupt library nearly killed me. I almost touched it, but I held off because of a vague bad feeling I’d had, which I later learned was a kind of sense aout corrupt devices. A younger more hunger-driven me would have sunk their wires into it without a second thought, I realized. It was just dumb luck that I hadn’t encountered it back then. For the Other Body, luck wasn’t a factor. It was my choice.

Milliseconds. The time it took for the Other Body to go from living to dead. There were no screams, no thrashes. No final words. Whether or not it suffered, I cannot know. What it thought in those last moments, brief or near-eternal, is lost, irrevocably. Our interaction, these “days” and “weeks” were truly only seconds and minutes. I reframed them to try to comprehend what had occurred. I met someone like me. They were made of wires and lived upon energy sapped from the garbage of long gone humans. Only that energy they sapped had already been claimed. And therefore, they were a threat. I made my choice.

Months, literal months and counting of memory. I’d lost interest in hunting, despite a near-depletion of my energy stores. I left the Other Body’s remains where they were. This sprawling circuitry that was once my arm, that became them, that snaked into the corrupt library. It was a continual reminder of what I had done. The planned execution, fueled by fear. Amidst the replaying of events entered questions. Perhaps if I could have offered some other library packed with stories of allyship, cooperation, co-reliance for victory. Perhaps I could have written my own library. Told the story of who I was, what I was. Perhaps then the Other Body would have understood. Or maybe I should have just waited longer. That pause was hope. It was consideration. Maybe, instead of deliberating, the Other Body had been trying to understand, trying to process what it meant to not be alone. I couldn’t know and now I never would. All I knew is that I made my choice. I chose myself over uncertainty. I chose to kill instead of wait. I was a killer. No amount of clean living beyond would change that. And so the memories followed. A different kind of parasite. A parasite that needed no wires or energy of its own. It lived within me, thriving no matter what. Every need, every hunt, every treasure trove of human knowledge tinged with its presence. You made a choice, it said. Now live with it.

released March 25, 2023

VOCALS – JIM JONES
MUSIC/ BEATS – EDDIE PALMER
FOLEY SOUNDS – BRETT ZEHNER
STORY – BARRY BURTON
barryburton.substack.com

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posted 01 April 2023

Hermanokiltro – Limitaciones & Retazos

Hermanokiltro – Limitaciones & Retazos
[pn210]

Hermanokiltro

“Limitaciones & Retazos”

Almost two years after their first release (HK. Orion, 2020), including their early works (2012-2015), “Limitaciones & Retazos” (Limitations & Pieces) is Máximo Campos Flores and Felipe Reyes Flores, second album, produced during the long Covid-19 pandemic quarantines and those days’ limitations, where getting together and making machines work was a therapeutic parenthesis in uncertain and catastrophic times.

Thus, pieces from intermittent improvisation sessions were put together, searching for landscapes, rhythms and melodies, part of the duo’s musical DNA, ranging from electronic cumbia to house, hip-hop to ambient, considering the whole variety of registers and sonic inquiries in their debut release.

“Limitaciones & Retazos” confirms this duo unprejudiced sonic curiosity and stylistic breadth, stretching their own limits, self-assured that musical experience is a permanent learning realm.

VC Miranda
(Santiago, Chile. Agosto / August 2022)

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posted 27 August 2022

Tha Silent Partner – 91 NITES… 92 DAYS

Tha Silent Partner – 91 NITES… 92 DAYS
[BS450073]

Tha Silent Partner

“91 NITES… 92 DAYS”

Today we’re happy to present to you Tha Silent Partner’s latest fortyFive “91 NITES… 92 DAYS”! This is his first release since his Netlabel Day 2021 release “Riddims & Stems”. Enjoy the vibes of these downtempo gems.

Hey TSP… thanks for a brilliant addition to your catalog here at bloc! I hope you find your happy.

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

s3.wasabisys.com/blocsonic/releases/fortyfives/bs450073/01-91NITES_192kb.mp3

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posted 19 August 2022