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Fields Ohio- Don’t Stare at the Sun When Your Hands are on Fire

Don’t Stare at the Sun When Your Hands are on Fire

Fields Ohio – Don’t Stare at the Sun When Your Hands are on Fire

Fields Ohio

“Don’t Stare at the Sun When Your Hands are on Fire”

LINER NOTES

Bien que moins souvent à l’honneur dans nos pages que d’autres projets du New-Yorkais Eddie Palmer (citons Cloudwarmer, Aries Death Cult ou feu The Fucked Up Beat en plus de ses albums solo), ce duo plus acoustique et psyché qui l’associe à la multi-instrumentiste et vocaliste Christine Annarino fait preuve d’une belle constance depuis une dizaine d’années d’existence, avec une quinzaine de sorties au compteur, pour l’essentiel en long format.

Déjà auteurs cette année de l’excellent “Valkyrie”, typique de l’univers des Américains entre trip-hop mystique aux accents world music, downtempo-patchouli densément arrangé et touches electro hédonistes, on imaginait les Fields Ohio persister et signer dans leur admirable pré carré Ninja-Tunesque (de la belle époque) avec cette suite. Loin s’en faut ! Si “Don’t Stare at the Sun When Your Hands are on Fire” se décline au gré de la double-hélice d’un ADN désormais bien connu, il donne également l’occasion aux deux musiciens de se réinventer avec subtilité. Les rythmiques ici sont souvent plus feutrées, les textures plus oniriques et gorgées de reverb au diapason des nappes de synthés scintillantes d’Eddie, les lignes acoustiques et vocales de Christine fondues dans l’ensemble avec une homogénéité toute particulière, les mélodies presque serpentines et d’une fluidité qui évoque l’eau, élément omniprésent sur le disque.

Souvent inspiré par la contemplation de la rivière Hudson que surplombe son appartement new-yorkais ou par ses sorties au bord de l’océan, Eddie Palmer y trouve en effet matière à se concentrer sur le présent, autre thème central de l’album. “Don’t Stare at the Sun When Your Hands are on Fire” sonne ainsi comme un rappel à l’ordre que l’on se fait, dans ces moments de chaos que la vie nous réserve : affronter les problèmes un à un, un jour après l’autre, sans se préoccuper de trop d’un futur encore lointain et abstrait. Autant de sensations – ligne d’horizon, impermanence et abstraction – qui président à cette superbe collection d’instrumentaux au groove impressionniste et hypnotique.

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ENGLISH VERSION

Although not featured in our website’s columns as often as other projects by New Yorker Eddie Palmer (including Cloudwarmer, Aries Death Cult or the late great The Fucked Up Beat, in addition to his solo albums), this more acoustic and psychedelic duo associating him with multi-instrumentalist and vocalist Christine Annarino has shown great consistency over the span of its ten years of existence, with about fifteen releases so far.

After dropping earlier this year the excellent “Valkyrie”, representative of the band’s signature sound somewhere between mystical trip-hop with “world music” elements, densely arranged downtempo psychedelics and hedonistic electronic touches, we imagined that Fields Ohio would go on with that “great Ninja Tune era” trademark with its follow-up. Not exactly though ! Even if “Don’t Stare at the Sun When Your Hands are on Fire” remains consistent with that henceforth well-known DNA, it also gives the two musicians the opportunity to subtly reinvent themselves. The beats here are often more subdued, the textures more dreamlike and bursting with reverb in tune with Eddie’s scintillating synth pads, Christine’s acoustic and vocal lines melt into the whole with more homogeneity, and the melodies’ fluidity evoke water, an omnipresent element on the record.

The contemplation of the Hudson River from his New York apartment or his outings by the ocean indeed help Eddie Palmer to focus on the present, another central theme of the album. “Don’t Stare at the Sun When Your Hands are on Fire” thus sounds like a reminder, in these moments of chaos that life has in store for us: facing the problems one by one, one day after another, without worrying too much about a still distant and abstract future. So many sensations – the horizon, impermanence and abstraction – which preside over the impressionistic and hypnotic groove of this impressive new collection of instrumentals.

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posted 29 August 2023