State Azure has appeared on Kahvi (a single featured on one of the VA compilations at Christmas) but now he’s back with an entire album of 9 tracks for your listening pleasure.
Elements of Future sound of London, Tangerine Dream and Solar Fields rebound from one side of the audio spectrum to the other, high quality sounds throughout and great ambient passages to remind you of times past.
released November 2, 2022
Cover artwork by State Azure
Liveset performed at Acoustic Neuroma #2 at TRXTR, Berlin, organised by Cate Hops.
Sampled found tape loops & shellac records, microgranny 2.0 by Bastl, granular synthesis in ableton.
released November 1, 2022
Weldroid returns to S27 with “Apprentice of Chaos”, an art experiment that attempts to re-imagine the soundtrack of the Netflix show “The Witcher”. Click on the tracks to watch the visual accompaniments to the album.
credits
released October 31, 2022
Production / Mastering by Weldroid (Tamas Zsiros)
weldroid.net
Bass&Delayer is a duo based in the North of Italy formed by two friends producers, Bassound and Mas&Delayer (who has notably also appeared solo and remixed others on Mahorka), with a common passion for bass music, especially drum&bass and dubstep sounds.
“THE WAY OUT” is a 140 bpm bass music project inspired by dark atmospheres. In this third EP of them together as Bass&Delayer (after debut on Ephedrina Netlabel in 2014 and “Signal from our Earth” on Typekonnection) they made a careful upgrade of their sounds, composed it from distance and finalized it in nearness, “looking for the perfect beat”.
Released October 30, 2022 as free (cc) digital download and limited (50pcs) cassette edition.
Composed and produced by Bass&Delayer
Cover photos by S_VIATOR
Logos by D VIEW
Artwork design by Angel Draganov
Frozen Clinamen is serie of works by Failure Circle (a solo project of Kecap Tuyul) started on autumn 2017. It follows a simple method inspired by the the possibilities of his no-input mixer set-up (and sometimes other modular set-ups) and the will to use a limited sound material in a posteriori compositions : all the sounds included in these works are recordings of moments that feature no human intervention. Frozen Clinamen #6 was recorded and mixed between March 2019 and June 2022 using no-input mixer and analog synthesizer.
Artwork by Jules-Valentin Boucher
Methodology
step (1) Tweaking the set-up until it produces some seemingly autonomously self-sustained sound sequences.
step (2) Stopping tweaking, then recording for at least 20 minutes without any intervention on the set-up.
step (3) Repeating steps (1) & (2) several times.
step (4) Using the generated sounds as only source in a posteriori compositions. The only variations used while mixing are equalization, panoramics and volume levels.
step (5) play it at low/high volume with open/closed window while complety asleep / fully conscious.
berhinger mixer
snake bite reverb
Boss DD-3
Akai Head Rush Sampler
berhinger MS-1
Yamaha reface cs
released October 22, 2022
This EP was due to be released as a small edition of lathe cuts & CD-r’s + extra stuff , but due to various delays and complications with the cutting machine we decided to release it as a free EP for your own enjoyment.
We love to share music and we hope you will have fun listening to this release.
We are 3 dudes from Quebec city and we met thru music and became friends. Even thought we live in the same province / area it does not mean we see each other all the time or hang out. We mostly speak on internet… therefore one the reasons that made me decide of the title (which translate from French to English to something like) ”he/we are there but not there” …
extra links:
Shango :
soundcloud.com/shango-qc
Kado :
soundcloud.com/vincent-cadorette
Bleupulp:
bleupulp.bandcamp.com
released October 28, 2022
Audio by Kado, Shango, Bleupulp.
Mastering by Maxime Tanguay
Additional mastering by Pheek (tracks 2 & 3)
Art work and Cover by Maxime tanguay
www.zenapolae.com/releases/zen259/zen259__Dueschek__Arrival__1_Arrival.mp3
Twitter twitter.com/Indoors_1
ARTWORK
VJ Twitter twitter.com/D_enpa
credits
released October 21, 2022
Today, with his new bonus EP “Lab Leak Therapy”, Headsnack continues to deliver new sounds in advance of his forthcoming album “Too Small to Cancel” that he’s dropping via Grammy award-winning producer Phil Nicolo’s Phil’s Records.
Containing songs that didn’t quite make the cut for the album and are Headsnack’s most personal to date, there’s lots to love about this tasty EP. Be sure to download it and check out the extensive liner-notes packed with info about this EP and each of the songs! Of course, it’ll also be available for streaming and purchase on digital outlets, if that’s how you roll.
Headsnack… many thanks to you and your collaborators for once again delivering the sonic gems!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
s3.wasabisys.com/blocsonic/releases/maxblocs/bsmx0219/01-Pleasant_192kb.mp3
The four compositions included in «Cr14tur4s» are songs composed since 2015. The author explores electronic percussive sonorities -from rhythm machines to soundfonts and samples- mixed with mid and high frequency synthesized with a propensity to stridency, adding recursive low-frequency loops, modulated in tune with the generated massive sound.
The Cr14tur4s proposed are forms going from the microscopic to the visible, mutated in imaginaries created under the intense influence of the accelerated, histeric times we are crossing as specie(s).
Monofónicos Netlabel está feliz de presentar el nuevo lanzamiento de Sergio Escobar (Qk) con un disco de melodías exquisitas, muy variado y melódico llamado ‘For My Cat’.
Qk nos presenta una dosis exclusiva de ritmos y texturas de música inspirada en su michi, cuyo sonido se conecta directamente del viejo sonido de baile del House y unas líneas melódicas que, entre cálidos juegos vocales de corte retro, parecen avanzar in crescendo dándole así fuerza a todo un disco de tres maravillosas canciones.
‘For My Cat’ es un disco finamente bien producido, en la que la conjunción entre percusiones, melodías y vocales consigue que el oyente evoque indefectiblemente al delicado Deep House de los noventa.
Cada lanzamiento de Qk está siempre bien estudiado para trascender las fronteras de la pista de baile, y no es para menos con este nuevo EP mostrando su más que renovado sonido, un sonido que ha evolucionado hacía un formato mucho más bailable, pero lleno de sabor y calidad, y donde aún tiene muchas más sorpresas que ofrecer.
released June 27, 2022
Producido por QK – soundcloud.com/qkramacara
Masterizado por Pheek – audioservices.studio
Producido para Monofónicos Netlabel. Medellín, Colombia 2022.
![Various Artists – New Hearts [Special Launch Number Fifty]](https://f4.bcbits.com/img/a0897215065_10.jpg)
New Hearts is a special compilation on the occasion of our fiftieth launch, this special launch is in charge of both emerging and established artists who make very inspiring and interesting music but who we think deserve to be heard more and receive more attention.
This compilation is intended to showcase new artists who deserve to be more valued by giving them a space to publish their music and that the right ears are the ones who truly appreciate them… all of them are characterised by making well planned music full of feelings.
For this compilation we would have loved to include many more artists but for the time being we will have to limit ourselves to this handful of hearts for this surprise for our 50th release.
We are excited for this special release and want to thank you for listening, appreciating and appreciating what we do here, without you we could not go on.
An eternal thank you from everyone involved and members of this project.
____
This phonograms is a protected intellectual work in favor of its producer. Rights protected. ℗ & © 2022 Secuencias Temporales. The rights of this phonogram are recognized by the Federal Copyright Law.
Its production, reproduction, import, storage, transport, distribution, commercialization, sale or lease is prohibited, as well as its adaptation, transformation and direct communication to the public without the prior written authorization of the owner. The violation of this prohibition constitutes a crime and an infraction that are sanctioned according to articles 424 bis, 424 ter, of the Federal Penal Code; 232 section III and 232 section I of the Federal Copyright Law and other applicable regulations in force.
Mastering by Eafhm at Secuencias Temporales Studio in México City.
Secuencias Temporales ℗ & © 2022 – All Rights Reserved
released October 17, 2022
3 free WAV’s deep minimal techno tracks for monoKraK netlabel (www.monokrak.net)
mastering by Pheek (audioservices.studio)
www.zenapolae.com/releases/zen258/zen258__Gears_in_the_Rain__Liminal__01_Liminal_1.mp3
the 31st of july we released visuddhi (ogredung #16), composed by our virtuesman purusha, before leaving for the summer vacation. it was a weird ambient d’n’b track, with some trigging inflections brought by a style he would define as ‘ceramics’.
well our new musician hexa, from japan, is a master of idm/ambient/breakbeats, and seems to compose his music by reminding the track named above, with great deepness and emphasis, that is.
xpecially this c o [dub], astonishes us, as if a deep, melancholic melody slowly grows up from the very depths of our hearts, and once in our head, we can’t do anything but let it take us to the heavens.
Release Date: 2001/10/11
The Necrophile Hummingbird netlabel presents ARZAK by rADio eNd in free download here archive.org/details/rADio_eNd_ARZAK_Free_Download
“Abnormal Music for Abnormal People”
Since the very beginning when I coined the “hors-norme” (Outside of the Norm or Apart from Standard) as a style to define the music shared on this netlabel the main purpose was to make room for any musics rejected by the mainstream music. And this was not only a struggle against artistic conformism, but more about the society rejecting any differences by the reign of the Norm. If the society is rule by white old heterosexual you will get racialized people, women, lesbian gay trans queer, people with disabilities and young people, whatever, pushed into the margin.
This is a marginalization process. Same way that when scientists study nature they will not care of the singularity, example if the bonobos are not using patriarchal model they will avoid studying them and focus on other primates to get better proof to sustain their dominant ideology.
The first time we tried to bring the lights on this was in 2004 with the Tribute to Necktar archive.org/details/Tribute_to_Necktar We called this marginalization process “Deviance’s Genocide”. It could seem strong, but this is what it is, people sometime suicide not by choice but because of exclusion making it impossible for them to live. The society, or specifically, those who conform to the norm bullying them to the death, we wanted to say it’s a real genocide.
The normal people or indeed thinking to be normal, pushing the abnormal people to disappear, consciously or not. Same way, the mainstream pushing the underground out of sight.
So now we are in 2022 and there are reactions like Black Lives Matter, Metoo… but often doing like if it was only for certain categories of people, when it’s the rulers of the world against all the others.
When it’s the norm against any differences.
And that’s why I added Epaminondas speech to Spinalonga track, ( archive.org/details/l-ordre-1973-jean-daniel-pollet ) because the inhabitants of this leper colony after knowing what it is to be rejected by the whole society didn’t want to be back to the norm.
That’s what they learned, and I hope it could be an example for any rejected people instead to try to be included choice the sedition, the separatism, and build their own micro society, surely it won’t be perfect, but at human scale there are more chances to avoid exclusion and get more alternatives.
Thus, there are also tracks related to Moebius & Alejandro Jodorowsky Incal for the same reasons. For me in this comic “La Paterne” is more the pattern, alias the norm, and the same way that the energy of the dissident in the snowpiercer is used by the power to regenerate itself, the mainstream music grub everything coming from the underground, removing everything which is subversive inside, keeping only the shapes. Like the industry did for the organic food in the hexagone, when it was first at least half or more about build a local system free of intermediaries than to care about the food being not toxic.
And there is also a track about war, because to be aware that our differences are our salvation, goes to with the idea that no matter who is the other, only few are enough crazy to worship the nations and their rulers. Most are just only not strong enough to create choices when it seems impossible to get some.
Last but not least, the change of internet from a freedom tool to a self slavery tool. People mostly stuck in the social network bubbles except if it’s for buying something. It seems a lot of the remains of free culture may disappear at the same time the new norms are applied to control everything online with help of A.I. when needed. It reminds me imperialism colonization, after taking control of a land they eradicate the previous culture, under the fake excuse of few trolls, they hunt all the witches. For example, few weeks ago the Radio Free Albemut h o r s n o r m radioblog with only legal free download music on Tumblr (nearly 1000 releases) has been suspended without explanations and my main Tumblr Panoramagix too. Few months ago it was the Wild Worm Web YouTube channel erased with no warning despite without new publications for months. Only my personal examples.
Finally it’s only music, but these are the kind of dreams hidden behind that very instrumental album. Stay tuned, and please share your dreams and the other ones.
Dedicated to everyone who will be never define in a single word.
Ed End on all tracks
www.ello.co/ed_end
Speech on track 5 by Epaminondas Raimondakis
More information about rADio eNd
www.horsnorme.org/rADio_eNd/rADio_eNd_english.html
Video Art Clips :
ARTSAKH Ersatz.
ww.youtube.com/watch?v=nT8l4DJfUCI
www.bitchute.com/video/TFJgd6n07roj/
And La nOrme a remix of L’Ordre
http://www.youtube.com/watch?v=8OrFCxthjb4
For Flac and Wav formats or in case of trouble with downloading it’s also in free download on bandcamp here yoshiwaku.bandcamp.com/album/arzak
released October 8, 2022
W&P by soundcloud.com/farzan-badie
Six experiments in atmosphere and ambiance. Some pleasant. Others, not so much. Released October 7, 2022
Created, programmed, recorded, and produced in Los Angeles, CA by Jose E Roman Garcia in October 2022. Copyright 2022 Rojo y Negro Records. Rojo. y Negro Music (ASCAP).
“Analog Songs” is an album composed by Felipe Baradit Stevenson, which is distinct in being his first album composed entirely with analog machines. With the creation of the musical instrument store “Midi in Store” directed by Alisú, Felipe began collaborating with synthesizer reviews, which in turn led to his taste for composition with analog hardware and processes. The world of visual and musical art, sexuality, cats, the illusion of a New Constitution that guaranteed multiple rights, the interconnection of analog machines via midi, the possible end of the pandemic, were all influences for the 7 works on this album.
For the graphics, Baradit invited the illustrator Paulina Gutiérrez Paravic to generate an artistic collaboration in Concón, wherein “PaliArt” displays all her talent and interprets the album in an illustration for the cover with her characteristic feminine and oceanic stamp, mixing this with references to the musical themes.
This album incorporates different analog equipment, such as the Argentine GS Music Apollo Mini synthesizer used to make bass lines, and the Korg Volca Keys and Volca Beats used in melodies and rhythms, respectively. The Korg Monologue was also used for basses and leads. Finally, the Korg Electribe EX1 tube sampler was used to reproduce sounds from the classic Roland TR 808 and 909, as well as analog synthesizers sampled from Arturia’s V Collection, such as the Jup 8 V3 or the Jun 6V. All these ingredients ultimately result in a warm, melodic, contemplative sound, yet with character, like a golden sunset by the sea.
Felipe Baradit Stevenson
(Concón, Chile. October 2022)
![Various Artist – Dreams in the Witch House [🔮Cosmic🦑 Magick❂]](https://ia801508.us.archive.org/2/items/v-a-dreams-in-the-witch-house-2022/artwork.jpg?cnt=0)
Compiled, cover artwork collage by Sábila Orbe.
released by Internet Daemon (ex-Cian Orbe):
internetdaemon.bandcamp.com/
archive.org/details/fav-obscvre_triangle_compilations
Various artists music compilation inspired in the master piece tale: “Dreams in the Witch House” written by H.P. Lovecraft. Published at July, 1933.
Each track composed by the respective artist. Links:
– Humanfobia: humanfobia-official.bandcamp.com/
– ImpulseGame: impulsegame.bandcamp.com/
– Axis Project: www.axisproject.net/
– Filmy Ghost: humanfobia.jimdo.com/filmy-ghost/
– Bosque Oscuro: https://soundcloud.com/bosqueoscuro
– melcom: melcom.bandcamp.com/
– PLOMQVIST [ONKVLO]: https://soundcloud.com/onkvlo
– Yaka-anima: humanfobia.jimdofree.com/yaka-anima/
– Rukirek: archive.org/details/rukirek-arabian-nightmare
– koolsamarkand: koolsamarkand.bandcamp.com/
– Wolfbeard: https://soundcloud.com/wolfbeardsounddesign
– Wivresse: archive.org/search.php?query=creator%3A%22Wivresse%22
– Alexarrakis: archive.org/search.php?query=creator%3A%22Alexarrakis%22
– RAUPPWAR: rauppwar.bandcamp.com/
– M.NOMIZED: mnomized.bandcamp.com/
– EISENLAGER: eisenlager.bandcamp.com/
– The Whalestoe Institute: https://soundcloud.com/the-whalestoe-institute
– GZG: aggressive-tormentor.bandcamp.com/
– systemctl: https://soundcloud.com/systemctl
– sticktopath: https://soundcloud.com/user238234944
– F3$+3R: https://soundcloud.com/fffesterrr
– aweful: https://soundcloud.com/azathothsneakerz
– S1ght: archive.org/details/MNMN555
Meeting between a composer and an illustrator, on the madness of this world.
Released by Mauvaise Foi Editions, October 2021.
Composition, recordind and mix : Matthieu Reynaud
Mastering : Lorenzo Targhetta & Matthieu Reynaud
Scenario, graphics, design and drawings : Hugo Charpentier
