V3U – 2

V3U – 2
[s65018]

V3U

“2”

“It’s incredible, John! The plastic machine dancers are dancing perfectly in sync with the music!”

2 by V3U is now available on sub65

Button: by

Soletik – Disinformatics

Soletik – Disinformatics
[FN_54]

Soletik

“Disinformatics”

Style | Genre: Abstract, Broken Beat, Electronic, Experimental, Glitch, IDM
Duration: 00:15:55
Released: 24.05.2019Tracklist:
01. 98 Static
02. Hide Indifference
03. Afterpoints
04. Inform F18
Button: by-nc-nd

a.d.du.nord – Sana Grano

a.d.du.nord – Sana Grano
[Eg0_207]

a.d.du.nord

“Sana Grano”

A.d.du.nord is a musician who doesn’t work in a particular style but is guided by ideas of the moment without feeling compelled to maintain a single sound aesthetic. His first releases have been a few minimalist drone tracks published in 2018. He now aims to create some kind of “post-music” that is “strange and dysfunctional”. In short, a.d.du.nord is a project for free experimentation, where everything is possible.

Sana Grano is some kind of mixtape that gathers ten one minute long improvised sequences created with granular synthesis tools. The choice of samples was purely intuitive, and the results are partially aleatory. But if you listen between the lines, you may find reminscences of dub and afrobeat.

Button: by-nc-sa

Holorime – Uitled 1

Holorime – Uitled 1
[s65015]

Holorime

“Uitled 1 “

‘Don’t worry about changing your shirt. The party we’re headed to is for sloppy people.’

Uitled 1 by Holorime is now available on sub65
https://archive.org/details/s65015

#sloppyidm #electronic #lobit #sub65media

Button: by

4T Thieves – Electronic Tonalities

4T Thieves – Electronic Tonalities

Akusmatic – System of Edges

Akusmatic – System of Edges
[SWM014]

Akusmatic

“System of Edges”

Button: by-nc-nd

Knolios – My light in the dark

Knolios – My light in the dark
[Picpack 258]

Knolios

“My light in the dark”

My light in the dark
Button: by-nc-nd

Emanuele Colucci – Mine Reflex

Emanuele  Colucci – Mine Reflex
[029]

Emanuele Colucci

“Mine Reflex”

3 wave tracks minimal
Button: by-nc-nd

Matti_T – Farewell

Matti_T – Farewell
[phokes133]

Matti_T

“Farewell”

An endless ending.
Or object of change.
Tears; that run dry.Matti T says goodbye to music producing. Hopefully it’ll be just for some time. His talent is brilliant. But it seems that he emptied himself in emotional and musical processes to some extent. Please enjoy his so far final release at Phonocake, a sixty minutes mix of old and new tracks.
Button: by-nd

BLACKMOD – Night Walkers

BLACKMOD – Night Walkers
[NYB/EXT 025 ]

BLACKMOD

“Night Walkers”

Blackmod – Fuckish
Blackmod – Filler
Blackmod – Again
Blackmod – Street buddha
Blackmod – Fuckish (Jacopo Bacci Rmx)
Blackmod – Filler (B.kr. Rmx)
Button: by-nc-sa

Shekuza – De Sica

Shekuza – De Sica

Shekuza

“De Sica”

“The album De Sica is made using custom modular patching systems for synthesis and composition in which the analogue and the digital join hands: a continuous signal through patch cables performing analogue voltage control of an almost infinite variety of parameters and available hardware modules.

Many forms of music simultaneously existing locally and accessible in the global exchange are creating a continuum of events–geographically and historically–musical works that transcend discrete performances. Relatively differentiated musical objects (releases, labels, creators) or images of music can be ‘dequantized’ into a continuity of known and undiscovered structures. Music is continuous with everyday life from which it emerges.

The creative force on this album is sourced from personal stories and since it is part of an infinite music space, its undulations between music and noise are deeply interconnected with community, society, and politics.” (excerpt from liner notes on the USB-booklet)
credits
released May 8, 2019

Miha Šajina · composition, recording, production
Blacklisted Mastering · mastering
Maruša Hren · USB booklet
Luka Prinčič · liner notes, design, executive production
Lina Rica · video support, source graphics
Stella Ivšek · promo design, Rentgen streaming

Thanks to Duška, Nepal and Tibet.

Button: by-sa

Zenapolæ – 20 Years in 4T Minutes

Zenapolæ – 20 Years in 4T Minutes
[zen187]

Zenapolæ

“20 Years in 4T Minutes”

a musical journey along Zenapolæ’s timeline celebrating its 20th anniversary

Nik, aka 4T Thieves, from Finland, has crafted an awesome 4-deck live remix of 23 tracks taken from Zenapolæ’s catalog, in roughly chronological order. this 40-minute continuous remix track beautifully reflects the label’s development over time, at the same time creating its own, unique atmosphere. from our electronic beginnings, through the dark ambient phase, into its present more experimental orientation.

Button: by-nc-sa

AAVV – Otto Anni e non vederli VOL 1 (2011-2019)

AAVV – Otto Anni e non vederli VOL 1 (2011-2019)
[EPH165]

AAVV

“Otto Anni e non vederli VOL 1 (2011-2019) “

AAVV – Otto Anni e non vederli VOL 1 (2011-2019)

Nuovo capitolo EPHEDROSO per il Laboratorio, per questi OTTOANNI passati sotto i ponti partecipano personaggi già visti e non…. che continuano a tracciare tracce per il LABORATORIO.

Affezionati che confermano la loro vista utopistica ed il loro pensiero sognante di un nonluogo, dove tutti producono, dove tutti ascoltano e soprattutto dove tutti condividono beandosi dei numeri e del piacersi sbrodolandosi addosso ad ogni costo.

Spero la storia vada avanti per millenni, anzi per MINUTI e secondi…..in pratica quelli che darete al vostro cervello per spingere PLAY e buttarvi in queste 12 TRACCE.

::::::::::::::::::::::::::::::::::::::::::::::

Nel VOLUME UNO ascolterete molto TRIPHOPaBstraCTbeATSFUTUREsoundIntimiSTa!!

Button: by-nc-nd

V.A. – humilate after rude solace humming near oracle in sunny environment

V.A. – humilate after rude solace humming near oracle in sunny environment
[ACPS 1026]

V.A.

“humilate after rude solace humming near oracle in sunny environment”

01. DANIEL PICO – VHF Reader 07:24
02. GRODOCK feat. FERDINAND WEINBERGER – Irrung 09:37
03. CLAUS POULSEN’S VYSTOPIA – Under 04:01
04. DAS RHEINTALER NACHTWERK – Gladio 07:15
05. ORiFiCE – Rallizes 09:04cover art by Claus Poulsen
design by EMERGE
Button: by

Toxic Chicken – Wet Pussy

Toxic Chicken  – Wet Pussy
[s650012]

Toxic Chicken

“Wet Pussy”

~
It’s raining! Hurry up and send all the kitties outside! It’s time for Wet Pussy!
~Wet Pussy by Toxic Chicken is now available on sub65.

#lobit #electronic #idm #funtimes #experimental #sub65media

Button: by-nc

elAstrum – Freqmod

elAstrum – Freqmod

elAstrum

“Freqmod”

We’re heading back to the 90s with this album by guest artist elAstrum, heavily influenced by Kraftwerk and Orbital, and chip music from 80s home computers such as the Commodore 64.

Extreme retro vibes with those addictive, glitchy melodies that those of a certain vintage can very well remember. Exciting, harsh, melodic and retro in 15 tracks.

Button: by-nc-nd

Knolios – Duality of will

Knolios – Duality of will
[Picpack 257]

Knolios

“Duality of will”

Knolios – Duality of will
Button: by-nc-nd

Good Over Evil Productions – Keep The Fire Burning

Good Over Evil Productions – Keep The Fire Burning
[DPH038]

Good Over Evil Productions

“Keep The Fire Burning”

Good Over Evil Productions is a roots reggae project founded in Spain by the producers Jah Ivan and Dani Roots, the singer Sista Livity and Furi the manager. They come with a clear mission: to spread the Rastafari message by means of their music and their positive vibrations. Strictly Roots and Culture. Word, Sound and Power. Jah music to the people.

They have been releasing their work in different formats since 2008 on their own label (CD, Vinyl, Digital releases, etc.) alongside artists like Sista Livity, Anayah Roots Levi, Robel The Earthiopian (Reuben Addis), Ras Elijah Tafari, Raszor Brankata, Pato Ranking, Sista Moni and more.

It is a blessing that their new tune Keep the Fire Burning is being released on our label. You can feel the Good Over Evil’s essence in a pure dub style. It is a militant tune, with a mystic atmosphere and remembrance of the mighty ancients sounds worldwide, that inspires a spiritual meditation for a deep connection with our inner self and with the most high God, almighty, creator of all life, Jah Rastafari. God live on the hearts of all flesh. Good Over Evil! Life Over Death!

Button: by-nc-nd

DFHK – First Light

DFHK – First Light

DFHK

“First Light “

Jet Dongguo
guitar, sequencer, synth, backing vocalsNicolas Wong
lead vocals, sequencer, synth

Zhang Yi
bass, sequencer, synth, backing vocals, engineering

Equipment Used: Roland MC 50, Roland R8, Roland VS8, Clavia Nordlead 2, bass, guitar, mic.

These songs were recorded in a 2-day session in the end of May 2014. The bonus track was recorded in fall 2014.

Mastering by Chris McCormack for Blacklisted Mastering, UK.

All songs by DFHK.

Button: by

V.A. – Heavy Dub Vol. 4

V.A. – Heavy Dub Vol. 4

V.A.

“Heavy Dub Vol. 4”

It is our 9th birthday, and we continue a tradition of releasing a free dub compilation every year.
credits
released March 1, 2019

SAD / BAS / FILINICH – Relatos de Poder

SAD / BAS / FILINICH – Relatos de Poder
[PT087]

SAD / BAS / FILINICH

“Relatos de Poder”

Recorded live at Fundación Mercedes Sosa, Buenos Aires,
16th September 2018
Jorge Sad (Argentina), Renzo Filinich (Perú) and Pablo Bas (Argentina).
Stereo Mix from the Octophonic performance.
Cover / Audiovisual Art: Pablo Magne
Button: by-nc-nd

Knolios – Between causes

Knolios – Between causes

Ayato – Face à face, épisode 2, saison 1

Ayato – Face à face, épisode 2, saison 1
[Eg0_204]

Ayato

“Face à face, épisode 2, saison 1”

Face à face, épisode 2, saison 1, the new album of Ayato is the 2nd part of a cut-up recomposition series recorded and mixed at La Ferme Là, Olivet, France between 2015 and 2017. It consists of playing in real time two tapes with two different multitrack recorders, which gives 4 stereo sounds side A in normal play and side B in reverse added to others sounds played depending on which way the wind is blowing with the others devices. Some Loops have been created during the mixing process. Cassettes are from private collection, gifts, prepared and found tapes, archives…
Button: by-nc-sa

Delicate Apparatus – Delicate Apparatus

Delicate Apparatus – Delicate Apparatus

DISCONTINUATION OF TREATMENT – A DEEP REMORSE

DISCONTINUATION OF TREATMENT – A DEEP REMORSE
[IYE032]

DISCONTINUATION OF TREATMENT

“A DEEP REMORSE”

Discontinuation Of Treatment is the creative project of Giuseppe D’aiuto. Behind this moniker he needs to get close the dark and deep sounds and treat them as a bad memory…when it’s gone, the past will remain in the past.
His urgent creative needs are mostly influenced by mental illness and behavioural disorders…Post-punk!

I confide in your ability to push back the obscure and noisy nightmare.

Many many thanks to Gufo Records !!! https://archive.org/details/guforecords

CREDITS :

~ A Deep Remorse ~
Music composed by Discontinuation Of Treatment https://discontinuationoftreatment.bandcamp.com/
Album Produced by MonkeYear https://monkeyear.bandcamp.com/
Album Art by Gianbattista Barbieri a.k.a. Jemba

Web:
https://www.instagram.com/memorialpaint/
https://www.instagram.com/jemba_g/

Button: by-nc-nd

The Anarchist Society of Youth Anger – Bekatul Maut

The Anarchist Society of Youth Anger  – Bekatul Maut
[WAC29]

The Anarchist Society of Youth Anger

“Bekatul Maut”

‘Bekatul Maut’ merupakan hasil gagasan tentang potensi pangan alternatif dari Johanes Handjono dan Gerry Pindonta lewat proyek elektronik, The Anarchist Society of Youth Anger atau yang disingkat TASYA. Bekatul sendiri merupakan hasil produk sampingan dari pengolahan padi yang sering dijadikan sebagai pakan ternak. Lewat proyek TASYA, duo personil Samber Nyawa ini mengubah fungsionalitas bekatul menjadi lebih menyehatkan, bermanfaat dan pastinya ‘maut’.
Button: by-nc-sa

Tonoptik / zll’ – Practical

Tonoptik / zll’ – Practical
[NN_LP079_04_19]

Tonoptik / zll’

“Practical”

Second digital album in Nostress for Tonoptik from Saint Petersburg (Russia). This new digital LP “Practical” was played and recorded with the artist zll’. Organic sound of analog synthesis is presented in the form of “sound sculptures” smoothly changing in time.
Button: by-nc-nd

Miquel Parera – TEFE025 | The Stone House of the Minairons

Miquel Parera – TEFE025 | The Stone House of the Minairons
[TEFE025]

Miquel Parera

“TEFE025 | The Stone House of the Minairons”

Title: TEFE025 | The Stone House of the Minairons.
Author: Miquel Parera.Gralla: Giovanna Parera.
https://en.wikipedia.org/wiki/Gralla_(instrument)

———————————————————————————-

Tracks:

01-The Aloja who sang to me in the Lake – TEFE-25-2019-04-07-08-55-36 – 00:03:45.14
02-I played Chess with a Bubota – TEFE-25-2019-04-07-09-00-51 – 00:03:24.34
03-The Cocollona flies with the Full Moon – TEFE-25-2019-04-07-09-04-46 – 00:04:26.75
04-I’ve been Bitten by a Dip! – TEFE-25-2019-04-07-09-11-32 – 00:04:11.89
05-The Cult of Marraco – TEFE-25-2019-04-07-09-18-02 – 00:06:30.84
06-Trip to Iltirta- TEFE-25-2019-04-07-09-24-55 – 00:03:28.79
07-Pesanta does not let me Breathe – TEFE-25-2019-04-07-16-09-13 – 00:05:38.08
08-The Birth of the Tombatossals during the Storm – TEFE-25-2019-04-07-16-17-03 – 00:07:08.73
09-Will you remind me if I Kill the Víbria?- TEFE-25-2019-04-07-16-25-17 – 00:02:30.84

Total time: 00:41:05.40

———————————————————————————-

About The Eternal Feedback of Existence:

It is an acousmatic diary. With the samples and images of each day an instrument for livecoding improvisation is built.

https://en.wikipedia.org/wiki/Acousmatic_sound
https://en.wikipedia.org/wiki/Live_coding

Some releases are collaborations:

TEFE025 | The Stone House of the Minairons (Gralla: Giovanna Parera)
TEFE014 | Piano Keys Inside the Quarks (Piano: José Guillén)
TEFE012 | The Flute that Sounds in the Center of the Universe (Flute: Javi)

If you play an instrument or have a group and you want your samples to be chopped, abused and mixed with noises and screams, you can send them to: theeternalfeedbackofexistence@gmail.com

———————————————————————————-

Open Source Music:

You can download the source code, the samples and the images on:
https://archive.org/details/TEFE025Source

———————————————————————————-

Bandcamp: https://tefe.bandcamp.com/

———————————————————————————-

#electronica #idm #glitch #breakcore #experimental #acousmatic #algorithmic #gralla
#electronica,#idm,#glitch,#breakcore,#experimental,#acousmatic,#algorithmic,#gralla

———————————————————————————-

License: CC-BY
https://creativecommons.org/licenses/by/2.0/

You are free to:

Share — copy and redistribute the material in any medium or format

Adapt — remix, transform, and build upon the material
for any purpose, even commercially.
This license is acceptable for Free Cultural Works.

The licensor cannot revoke these freedoms as long as you follow the license terms.

Under the following terms:

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.

No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

Button: by-sa

Aunt Jackie – I’m The Godmother

Aunt Jackie – I’m The Godmother
[nolimit027]

Aunt Jackie

“I’m The Godmother”

This track is about the narcissist mother of family murderer Chris Watts who in an interview blamed her pregnant dead daughter-in-law for her own killing as well as the killing of her two girls.

The second track is a rework by Willi. It was produced at Cadmium Studio.

This release ended in the disbandment of the band Das All that consisted of Willi and me. I offered Willi to mention Cadium Studio on the cover of this release after he mentioned to me he was looking for publicity. He thought the idea so ridiculous that he ended all collaboration with me.

Released in 2019 on L.A no Limits


John Novak – The Moon is a Strange God

John Novak – The Moon is a Strange God
[#420]

John Novak

“The Moon is a Strange God”

John Novak appeared on Kahvi a couple of times previously, both showing his versatility of different styles, from popular mainstream melodies, to IDM inspired by Tangerine Dream and Chemical Brothers.

This time around he’s back with passages of ambience, interspersed with addictive melodies in the shape of his new album ‘The Moon is a Strange God’.

Eight tracks of sublime chill, drifting between the stars.

Button: by-nc-nd

VVAA – Divertimento al Amanecer

VVAA – Divertimento al Amanecer
[pn140]

VVAA

“Divertimento al Amanecer”

“Divertimento al Amanecer”
José Vicente Asuar RemixesElectronic music by José Vicente Asuar has influenced several generations of composers, both within the realm of electroacoustic music and other genres using technology as a means, ranging from techno to hip-hop, the latter at least in Chile. This has been proven, especially in recent years, with the growing rediscovery of his figure and work and his definitive positioning in the musical spectrum via academic writings and , especially, his complete electroacoustic oeuvre release (“Obra Electroacústica” / pncd08 / Pueblo Nuevo 2011) and Variaciones Espectrales documentary, by Carlos Lértora (2013).Therefore, and after several tributes due to Asuar’s death in January 2017, we wanted to carry out a new tribute, this time inviting the entire community to revisit the electronic body of work of the Chilean pioneer.

We have got together two perspectives, two schools: the electroacoustic one, which creates new pieces up from short sounds or sections from pieces by the honouree; the other one, in the vein of remix and sampling, also creates from the same sources, generating new works or tracks located in techno, ambient, hip-hop, and other related aesthetics.

In this deconstructive exercise, which we have called Divertimento al Amanecer, the pieces to work with were, precisely, Divertimento (1967) and Amanecer (1977).

The restriction was the use of one piece as an only source for a version, remix, etc., not merging both pieces into a single new one. Each author had to choose one or another work to participate, since the result of this call would be organized into a two-part compilation (sides A and B, corresponding to one of the two pieces each), participants were required to concentrate their efforts into on of the options.

About Asuar original works:

Divertimento “is a piece with great dynamism and speed, full of very elaborated articulations which are constructing the musical discourse with its structural and spectro-morphological richness, that due to its great fluidity, organic liveliness and contrasts that could be said to have a certain baroque character. Something amazing at the same time are rough textures got by modulations and high-speed iterations, that somehow anticipate the birth of granular synthesis and could be related with some moments of works by later authors like Curtis Roads. This work would get the first prize of the Dartmouth Electronic Music International contest, USA, 1970” (Albornoz 2017).

On the other hand, Amanecer is a piece labeled by Asuar as impressionistic, “in the sense of trying to describe, by musical means, the sensations or impressions that the author has about some natural event. In this case it is about sleeping nature that little by little it begins to revive until arriving at a final dance full of life and energy” (Asuar 1989). From a certain point of view, we could say that it is a contemplative work, close to ambient.

Call for works was so successful we were forced to go through a long, steady listening task in order to get the final pace for this release; thus, it presents a wide collection of works inspired by, quoting and appropriating the sound materials straightforwardly, nourished by the expresive and adventurous spirit of José Vicente Asuar. We hope they interest, inspire, and and become sources of enjoyment for all.

Alejandro Albornoz
(Valle Hermoso, La Ligua, Chile, Marzo / March 2019)

(*) Albornoz, A. (2017) “Asuar: diez obras electroacústicas. Una breve reseña” (Unpublished).

(**) Asuar, J. (1989) “Música Electroacústica, José Vicente Asuar, Compositor Chileno” [Cassette] Santiago de Chile: Santiago Vera Producciones.

Button: by-nc-sa

WHΛLT THISИEY – Bothissattva

WHΛLT THISИEY – Bothissattva
SP 023

WHΛLT THISИEY

“Bothissattva”

released March 26, 2019

Produced, Recorded, Mixed & Performed by Whalt Thisney
Executive Production & Additional Mix on ‘Wordcore Ambient
Journey’ by 6 9 N & F

Design / Graphic Manipulation – fd
Original Photo – Samuel Silitonga

Published by Klappstuhl International.


illocanblo – Genotype EP

illocanblo – Genotype EP
[phokes132]

illocanblo

“Genotype EP”

In the mood … for evolution.
Walls of machine tones.
Soon to be upgraded. Again.The music by illocanblo can be perceived as rather contemporary art instead of classic electronic or IDM.
His production process consists certain artistic techniques. The machines are fed with his mood and
partially put in generative mode and automated. So illocanblo is like a duo of a human and a machine.
Button: by-nc-nd

Various – either long either cold to raise own nightmares in curious anger

Various – either long either cold to raise own nightmares in curious anger
[ACPS 1025]

Various

“either long either cold to raise own nightmares in curious anger”

01. REMETEMEN – Hopeless 09:04
02. MRS DINK – Circumstantiality 09:04
03. EISENLAGER – Native Processing 08:11
04. ESCAPED TREES – Chthonic Romance 06:24
05. XFnX – Elephant Speech 08:36cover art by Claus Poulsen
design by EMERGE
Button: by

Number Eleven – Drinkble Coolant

Number Eleven – Drinkble Coolant
[EEM045]

Number Eleven

“Drinkble Coolant”

Sticky and cold silicone sealants, spades and screwdrivers allow you to forget the crippling life threatening drama of Strict, Event and Resistance. Another pile-up of sand which was forcefully shaped into something comprehensible and mostly even danceable. Disclaimer – the danceable part is evaluated by the rhythmical insanity of the brain in control of the sequencer. Apply incorrectly and it’ll break your spine.
Button: by-nc

Æther State – Immaterial / Half Life / Regress

Æther State – Immaterial / Half Life / Regress

Æther State

“Immaterial / Half Life / Regress “

released March 19, 2019

Art: Matthew Smith (www.instagram.com/therealmueseum)
and Construct (MadeByTulippe.com)

Mastering Engineer: Saif Bari (fixedmastering.com)


DEN – DEN – Daily Galaxies EP

DEN – DEN – Daily Galaxies EP
[BM01R19]

DEN

“DEN – Daily Galaxies EP”

Very interesting, inspiring alternative-chillout music. As the artist – Denis says: “Sometimes the sound can convey much more than the words said”. So let’s just listen!
Button: by-nc-nd

Go Ask Alice – Go Ask Alice – Ten little dreams (and one bonus nightmare)

Go Ask Alice – Go Ask Alice – Ten little dreams (and one bonus nightmare)
[LBN046]

Go Ask Alice

“Go Ask Alice – Ten little dreams (and one bonus nightmare)”

Humankind has always looked to the stars as its own destiny. For this reason, indefatigable and willful, it has always climbed the highest peaks to get as close as possible. It knows that this is impossible, but it has the courage to try the same. This is written in the sign: the capricorn.
Button: by-nc-nd

Kodacrome – Aftermaths

Kodacrome – Aftermaths

Kodacrome

“Aftermaths”

released July 29, 2014
Button: by-nc-nd

the dissonant – the oslovian tapes

the dissonant – the oslovian tapes
[diss028]

the dissonant

“the oslovian tapes”

industrial / noise from norway
Button: by-nc-nd

bolus – perceived redness of an evening sky

bolus – perceived redness of an evening sky
[EEM044]

bolus

“perceived redness of an evening sky”

Qualia is ‘an unfamiliar term for something that could not be more familiar to us: the way things seem to us’, such as the perceived redness of an evening sky – it cannot be put into words. These compositions are an attempt to describe a space in the artist’s mind, a three dimensional region of emotion and feeling influenced by a fleeting yet intense period of saudade – an indescribable longing for something one never had.
Button: by-nc

Nortas – AukÅ¡tai

Nortas – AukÅ¡tai
[EEM043]

Nortas

“Aukštai”

Aũkštai (“Floors”) is a result of how overthinking leads the mind to multiple directions while searching for answers in the surroundings. These 5 stories reflect on how the mind works in different situations, whether it’s a cup of coffee in the morning by the favourite clock ticking down the time of waiting, taking a dog for a walk with thoughts of self-doubt, or whether it’s stone-tied drowning in the sea of paralysed body cells.

Dreamlike walk through inner depths, as if you were walking on thick ice surrounded by misty void and could wake up any second. The sounds reflect a journey through grief, anxiety, finding peace in solitude.

Button: by-nc

Wolf Wrams – Quant Bunker

Wolf Wrams – Quant Bunker
[EEM042]

Wolf Wrams

“Quant Bunker”

Written using virtual machines controlled by haunting Taoist infernal dreams inspired hands. Driven by the awareness of the plaguing fact that the artist has to compete with others by implementing his own ideas, not attached to anything in particular but his mind only. Showing features of artist’s body, heart and soul while he’s being in a state of a magical drive. A theater of mashing abstractions sampled and processed ideas, where complex beats and smashing sounds emerge to evoke energy and will inside the listener’s mind.
Button: by-nc

Niteffect – The Wage Of Foregetting

Niteffect – The Wage Of Foregetting

NNYz? – Aetiology

NNYz? – Aetiology
[kahvi419]

NNYz?

“Aetiology”

NNYz? was last seen back at #375, and he returns to Kahvi with a short but sweet seven track EP called ‘Aetiology’.

Highly detailed textures with glitchy beats, field recordings and IDM arps combined into simply named but exotic sounding tracks.

Track of choice: 4am for deliciously sweeping eighths for emotive spine tingling nostalgia.

Button: by-nc-nd

Mika Martini – Mestizo

Mika Martini – Mestizo
[pn014]

Mika Martini

“Mestizo”

27 february 2007…12 years ago… My first album in Pueblo Nuevo Netlabel.

“‘Mestizo‘ fusiona electrónica con sonoridades autóctonas y voces ancestrales, con el objeto de encontrar un lenguaje que se posicione en el presente, pero que a su vez, tenga su base en nuestra memoria sonora histórica.

‘Mestizo‘ es un trabajo colaborativo, donde han aportado con sonidos y samples los siguientes músicos e investigadores: José Pérez de Arce (samples del disco “Son-Ido” en tracks 1-3-4-5-6), Matorral (samples de guitarra acústica en track 2, voces en track 5), Lluvia Acida (samples de zampoñas y ocarinas en tracks 2-3-4), Michel Durot (samples del tema “Ying Yang” en track 4), Pablo Cornejo (diversos samples en tracks 2-3-4), Tatevari (sample de ocarina jarra en track 3). Gracias a ustedes esta música fue posible.”

“‘Mestizo‘ is a mixture of electronics and ancient local sounds and voices. The idea is finding a language based in our historical sound memory, but firmly placed in the present day.

‘Mestizo‘ is a collaborative work, where the following musicians and researchers contributed the sounds and samples below: José Pérez de Arce (samples from “Son-Ido” album in tracks 1-3-4-5-6), Matorral (acoustic guitar samples in track 2; voice in track 5), Lluvia Acida (zampoñas and ocarinas samples in tracks 2-3-4), Michel Durot (samples from “Ying Yang” theme in track 4), Pablo Cornejo (assorted samples in tracks 2-3-4), Tatevari (ocarina jarra sample in track 3). Thanks for making this music come true.”

Mika Martini
(Santiago, Febrero / February 2007)

Button: by-nc-sa

Tryph̬me РThanks God For Air Emotions

https://i1.sndcdn.com/artworks-000486639492-b2vs4e-t500x500.jpg
[D!HR-40]

Tryphème

“Thanks God For Air Emotions”

For its 40th release, Da ! Heard It went and got a creator of feelings who founds her music on the intimacy she builds with the listener.
Tryphème is a painter of enchanting landscapes. From these territories that transport with a singular atmosphere rather than flashy colors, she fashions an environment into which one must blend. No sudden dives or sheer falls; this music’s charm comes from insinuation—an invitation softly whispered into the hollow of the ear. And here we are, with Thanks God for Air Emotions, in the middle of this unknown region, suspended by strings controlled by the Parisian woman’s delicate hands.
We’ve known this power of seducation for two years already. Her first album, Online Dating with CPU Records, established the outline. It was the manifestation of an artist who is well-aware of the possibilities that musical creation has to offer. She navigated among the most subtle genres of this art of time and made herself the master of our emotions. Already.
With Thanks God for Air Emotions, we reach the next level. Succeeding the innocence of the first opus is an album purified of all dispersion, focused on the listening of her feelings. These notorious “air emotions,” overflowing with useless affects, form a continuous murmur that is used as raw material for the production of her healing music. They are the soft energy that drives the turbines of a mutant IDM with evanescent voices and synthetic layers. Too easily would we ogle the English ambient masters of yesteryear, if it weren’t for Tryphème coming to add to it here and there her personal inspirations, where the culture of the perpetually learning artist, from hip-hop to new wave, mixes.
The painting’s composition conforms to the hopes promised by Tryphème’s unique talent: a world beyond, formed by a power whose sensuality and mastery are formidable weapons.Thanks God For Air Emotions, Da ! Heard It Record’s 40th release, is distributed under a Creative Commons BY-NC-ND. The album can be listened to and downloaded freely at the following link: https://www.daheardit-records.net/en/discography/40
Button: by-nc-nd

Baradit – Revolucion Tecnologica

Baradit – Revolucion Tecnologica
[pn139]

Baradit

“Revolucion Tecnologica”

“Un recuerdo de infancia común de quienes nacimos en el siglo pasado es el haber leído enciclopedias, con coloridas ilustraciones que nos mostraban como sería el Futuro. En esos días, en que con expectación calculábamos cuanto quedaba para el año 2000, la Tecnología aparecía ante nosotros como el Santo Grial, como una promesa de un mañana mejor. El tiempo ha pasado y nos volvimos adultos, con preocupaciones y deudas, siendo gran parte de nuestras vidas pauteadas y gestionadas mediante máquinas. ¿Estamos viviendo en ese futuro que esperábamos? Claro que no. Como simples ciudadanos no podemos viajar al Espacio Exterior. No hay ciudades ni en la Luna ni orbitando la Tierra. No hay robots haciendo tareas domésticas en nuestras casas. En cambio, sí llegaron muchas otras cosas que no aparecían en esas optimistas enciclopedias. Y no todas son buenas.

Pero la Música Electrónica, especialmente en sus vertiente ligadas al Techno, tiene el poder de revivir esa sensación de asombro y maravilla ante los productos del ingenio humano. Justamente eso es lo que hace la música de Felipe Baradit, compositor y productor porteño de larga trayectoria. Un creador de una gran constancia, que cultiva un sonido fiel a sus raíces. Sin oportunismos ni imposturas, Baradit teje ritmos y melodías de atmósfera sintética que sugieren una vida cotidiana mediatizada, en una Latinoamérica multicultural y en contínuo cambio. “Revolución Tecnológica” es un disco de sonido estilizado, que evoca paisajes completamente humanizados, con formas de vida diseñadas que crecen y se desarrollan a nuestro alrededor. Escuchar este trabajo es unir nuestra imaginación a la de su autor y es abrir nuestros sentidos a su particular energía. Captar sus vibraciones, que alguien dotado de sinestesia quizás visualice con colores iridiscentes, es experiencia que personalmente recomiendo vivir.”

……………

“A common childhood memory of those who were born in the last century is to have read encyclopedias, with colorful illustrations that showed us what the future would be like. In those days, as we calculated with expectation how much time was left until the year 2000, technology appeared before us as the Holy Grail, as a promise of a better tomorrow. Time has passed and we became adults, with worries and debts, and with a large part of our lives influenced and managed by machines. Are we living in that future that we expected? Clearly not. As ordinary citizens we cannot travel to Outer Space. There are no cities on the Moon or orbiting the Earth. There are no robots doing housework in our homes. On the other hand, there were many other things that did not appear in these optimistic encyclopedias. And not all are good.

But Electronic Music, especially in its expressions linked to Techno, has the power to revive that feeling of amazement and wonder at the products of human ingenuity. This is precisely what defines the music of Felipe Baradit, a composer and producer from Valparaíso with a long career trajectory. A creator of great perseverance, who cultivates a sound true to his roots, without opportunism or posturing, Baradit weaves rhythms and melodies of synthetic atmosphere that suggest a mediated daily life, in a multicultural Latin America and continuously changing. “Revolución Tecnológica” (Technological Revolution) is a disc of stylized sound that evokes completely humanized landscapes, with forms of life designed to grow and develop around us. To listen to this work is to unite our imagination with that of its author and to open our senses to its peculiar energy. To capture its vibrations, which someone gifted with synesthesia might visualize with iridescent colors, is an experience that I personally recommend living.”

Rafael Cheuquelaf
Miembro del dúo Lluvia Ácida / Lluvia Ácida member.
(Punta Arenas, Chile. Febrero / February, 2019)

Button: by-nc-sa

Martin Rach – Unfinished Loops

Martin Rach – Unfinished Loops
[enrmp435]

Martin Rach

“Unfinished Loops”

Latest album from long term Enough Records collaborator Martin Rach from Lithuania, exploring some Unfinished Loops in his usual tripstep jazz influenced way. Expect eerie settings, deep wobbling bass sounds, cinematic constructs and strong silences dominating the structure of the tracks. Artwork by Martin Rach and ps.
Button: by-nc-sa

SKEW – Cyborg Rising

SKEW – Cyborg Rising

NEW MANAGEMENT – 遠くの見知らぬ人

NEW MANAGEMENT – 遠くの見知らぬ人

Dino Felipe – Citrus Scenarios

Dino Felipe – Citrus Scenarios
[GAY002]

Dino Felipe

“Citrus Scenarios”

Citrus Scenarios
by Dino FelipeWishlist

High Way 00:00 / 01:49

Streaming + Download
Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.
name your price

1.

High Way 01:49

2.

Sex Breath 01:31

3.

Puka 01:13

4.

Tropik 02:36

5.

Pipiltzintzintli 01:29

6.

Diamond Life 03:06

7.

Prom 01:54

8.

Sofadventure (feat. Melba Libia) 02:34

9.

Vacuum 04:54

about
Artist: Dino Felipe
Title: Citrus Scenarios
Cat: GAY002
Genre: Dino Felipe style
Runtime: 21:10 min

GAY superstar Dino Felipe brings you a very colorful album,
one that for a fact might even be more colorful than what your average looking rainbow flag has to offer. His Citrus Scenarios is a spectacularly juicy journey that serves up a sexy diversity of sceneries that hop from one into another. The result is a very adventurous soundtrack that would make you want to come out of the closet and see what the F(elipe) is this all about!


Toxic Chicken – Project Jan

Toxic Chicken – Project Jan

Toxic Chicken

“Project Jan”

With this short release your favorite piece of poisonous poultry went inside the head of Jan (the cat) and made music as Jan (the cat) with his favorite blue toy piano and other cat friendly thingies. Meeting some wonderful crazy friends along the way!

Caffeinate channels his inner cat by meowing on that’s a bit odd.
Peter Because also pops up to be funnily chopped up in the blender
TOTAL E.T. donates his alien sounds to the cat’s handicrafts
and all the way at the end Furchick’s Trouble with a capital T drops in Jan’s glorious cat litter tray!


Harley Cream – Suffocation

Harley Cream – Suffocation
[GAY001]

Harley Cream

“Suffocation”

suffocation
by Harley CreamWishlistSUFFOCATION 00:00 / 02:53

Streaming + Download
Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.
name your price

1.

SUFFOCATION 02:53

2.

FROST 03:18

3.

BURIAL 02:00

about
Artist: Harley Cream
Title: Suffocation
Cat: GAY001
Genre: out of the box cream style
Runtime: 8:12 min

GAY super star Harley Cream is putting himself out there with this magnificent 3 track EP,
prettily filled up with groundbreaking and ass shaking material that is as good as unclassifiable raw, hard and creamy! It’s the coolest and yet also the hottest stuff available at this very moment!
The material will fuck you up in all the best possible ways! In staid of choking on a phallus, suffocate on Suffocation instead! Ride that baby hard and good! Yummm!


Gert 3000 – Respekt Für Meier

Gert 3000 – Respekt Für Meier
[GT1070]

Gert 3000

“Respekt Für Meier”

As I’m not 100% sure about how much time I have left because of cancer, I’m starting to release part of my backlog of unreleased stuff. This is a brief album I’ve done and encoded in 128kbps back in 2006.

V.A. – Fusion Compilation 12

V.A. – Fusion Compilation 12
[FN_52]

V.A.

“Fusion Compilation 12”

Netlabel: Fusion
Genre | Style: Abstract Hip-Hop, Chillout, Electronica, Ethnic, Experimental, Hip-Hop, Indie, Instrumental, Jazz, Reggae, World
Duration: 00:39:08
Released: 01.02.2019
Button: by-nc-nd

Toxic Chicken – Trash On Tape

Toxic Chicken  – Trash On Tape
[s65008]

Toxic Chicken

“Trash On Tape “

Toxic Chicken – Trash On Tape

Side A

1 K-Josh
2 drumnbaseallinurface (part1)
3 drumnbaseallinurface (part2)
4 metal&tcbeats (toxic chicken & Herman Bilderberg)
5 Heile Selassi
6 do you dig anarchy?

side B

1 re
2 sick in the head (hi fi edition)
3 headstruck
4 Valececo2
5 Purple B (cheese music)
6 golden brown
7 thai32
8 ACI2
9 someone to love

~
Hey boss, not tryin to get anyone in trouble but the shift before me screwed up. They put this tape in the trash when it obviously belongs in the treasure bin.
~

Trash On Tape by Toxic Chicken is now available on sub65

Button: by

I Neurologici – Bacteria Eta Big Fishes

I Neurologici – Bacteria Eta Big Fishes
[SDR042]

I Neurologici

“Bacteria Eta Big Fishes”

Composed by Matteo Minetti, Valerio Cottarelli, Stefano Damiano, Alessandro Mattei, Fabio Pieri, Paolo Chiriatti, Andrea Mazzini, Andrea Baldasseroni
Arranged by I Neurologici and Alessandro Mattei
Produced by I Neurologici
Button: by-nc-sa

V.A. – Forms

V.A. – Forms
[kahvi417]

V.A.

“Forms”

Just before Christmas, Curious Inversions came up with the idea for our next artist challenge in the shape of a ‘Secret Santa’ challenge.

The challenge was to create a track using at least some of the sounds from sample packs, along with a few additional sounds such as bass, percussion from the artists own collection.

Seven sample packs were created by seven different artists, and then randomly distributed. The result is what’s now known as ‘Forms’.

Button: by-nc-nd

Old Europe – Kurgan Jack

Old Europe – Kurgan Jack
[s65007]

Old Europe

“Kurgan Jack”

Note from the the producer:

Some time a go, when I was digging in my graveyard to get rid of some bodies, I stumbled over some clay tablets with strange geometrical patterns on it. After much research I found out that they belong to the Sredni Stog Culture of the DDII settlements at the Dnieper valley and constitute the oldest musical notations known to archeology. Interestingly, they are a couple of centuries older than any known text so far.
I spent the last months deciphering the instructions to recreate the music of these pre-archaic indo-europeans using modern means of sound creation and processing. Of course we do not know what instruments they originally used to play these notations and which frequency correlates exactly to which note in the sheet – future research may shed some light on this topic; all I can do at this moment is to give you my subjective interpretation of these clay tablets.

The accuracy of this account is disputed.

Button: by

Datenschutz & Cookies:

Diese Website verwendet Cookies. Wenn du die Website weiterhin nutzt, stimmst du der Verwendung von Cookies zu.
Weitere Informationen, beispielsweise zur Kontrolle von Cookies, findest du hier: Cookie-Richtlinie