Laurent Fairon – Elecktronische tsimtsum
Electroacoustic and musique concrète recorded from February to May 2021 in Paris, France.
01 Écoute construite (4:22)
02 Elecktronische TsimTsum (18:53)
03 Rire hérité (6:39)
04 Holodomor (9:49)
05 Cadastre (11:39)
Total time: 51mn 25
“Poemas de Porcelana” (“Porcelain Poems”) is the title of the album that brings together a selection of two performances realized within the context of the exhibition “De las Prácticas Cotidianas de Oposición” (“From Daily Practices of Opposition”) by Jorge Cabieses-Valdés in the D21 Art Projects (2020). In an individual exhibition the artist presented the works “Porcelanatron IV & V”, musical instruments constructed from pieces of glazed stoneware ceramics. Inspired by the acoustic potential that every piece of ceramic possesses, the instruments emit a sharp and crystalline sound that comes from the hollowness and hardness of their ceramic material.
For “Porcelanatron IV & V” the artist’s work is based on 14 vases from the Lota Ceramic Factory belonging to the Pedro Montes collection, typical of the domestic and ornamental environment. The ceramic pieces made by the artist try to imitate the appearance of these vases, failing irretrievably and presenting themselves in total deformation, thus forcing their rigid surfaces to vibrate and sing grotesquely.
This is not the first time that the artist has worked with the traditional ceramics of Lota. In 2018 he manipulated figures belonging to the collection of the Museum of Decorative Arts (Orfeón, Lota) where each figure had a large-scale acoustic replica that emulated the sound percussed on the figures.
The album features the participation of the musician and producer Marcelo Peña Cortés aka MIOPEC (Tobías Alcayota, MKRNI), who plays viola and synthesizer arrangements and is also in charge of mixing and mastering the album.
archive.org/download/pn188/pn188_01_Jorge-Cabieses-Valdes_1.mp3
![Humanfobia – Into the Crypt Hop Dungeon 🕯☽☾🔮[10 Years of Humanfobia]](https://i0.wp.com/f4.bcbits.com/img/a1918925696_16.jpg)
☽☾
[10 Years of Humanfobia]”
Compilation of Humanfobia tracks in crypt hop, witch house, dungeon wave genre. Released commemorating the 10 years anniversary of the music project.
Humanfobia is a dark experimental, ghostly computer music project from Rancagua, Chile. links: humanfobia.jimdo.com/discography-ii/
hearthis.at/humanfobia/
humanfobia-official.bandcamp.com/
humanfobia updates: ello.co/mistspectra
Sound programming, mixer, male vocals: Sábila Orbe
female vocals: Mist Spectra.
01. Doc Wör Mirran – I Got The Pfizer In Me 07:14
02. Stefan Schmidt – Basalt 08:02
03. Sprengmeister – 1 new mix 04:52
04. The Oval Language – room 1 04:49
05. Carsten Vollmer – Sticky Jazz Muzak (Suck RMX) 01:38
06. EMERGE – minuscule 4 06:29
photo by Dan Penschuck (feindesign.de)
design by EMERGE
re:flexions logo by Heinz Stempfle
ALL TRACKS EXCLUSIVE FOR THIS COMPILATION
Filmy Ghost is a dark experimental, horror noise project from Rancagua, Chile. websites:
– humanfobia.jimdo.com/filmy-ghost/
– hearthis.at/filmy-ghost/
– archive.org/details/fav-sabila_orbe02
– freemusicarchive.org/music/Filmy_Ghost
Mixed, cover design: Filmy Ghost [Sábila Orbe]
[Version Française en dessous]
The Necrophile Hummingbird netlabel presents an automatic poetry & music album.
“Ghost poetry & music for ghost listeners”
Under the same title that Arthur Adamov’s ephemeral revue “Discontinuité”are reunited two poems by Monny de Boully. The first one “l’Aorte des fantômes” published only in this revue . The second one Er l’Arménien also published in “Le Grand Jeu” revue. morne.free.fr/celluledessites/Game/index.htm
Free Download in Flac and Wav format on our bandcamp profile
zonefusion.bandcamp.com/album/discontinuit
Improvised Music recorded the 28th January 2020 at Studio 112 in Dole.
Line-up :
Studio 112 studio112.bandcamp.com/
Ed End ello.co/ed_end
We choise to keep volontary buzz, crackles, any kind of sound slags in this recording. This is not sanitized music.
Sleeve Artwork “PAS ENCORE” by Dida de Mayo.
Another track extract from the same session is available on yoshiwaku.bandcamp.com/track/welc0me-0n-n0netw0rkz0ne
[English version at the top]
Le netlabel le Colibri Nécrophile présente un album de poésie automatique accompagné de musique improvisée.
“Poésie et musique fantomatiques pour public fantome”
Sous le titre de l’éphémère revue d’Arthur Adamov “Discontinuité”. Voici réunis deux poèmes de Monny de Boully. Le premier l’Aorte des fantômes n’a été publié que dans cette revue. Le second Er l’Arménien a été aussi publié dans le Grand Jeu. morne.free.fr/celluledessites/Game/index.htm
Téléchargement gratuit au format Flac ou Wav sur notre profil bandcamp
zonefusion.bandcamp.com/album/discontinuit
Musique improvisée enregistrée le 28 Janvier 2020 au Studio 112 à Dole.
Membres présents :
Studio 112 studio112.bandcamp.com/
Ed End ello.co/ed_end
Le souffle, les craquements, toutes les scories de cet enregistrement, ont été volontairement conservés. Ceci n’est pas de la musique aseptisée.
Illustration de pochette “PAS ENCORE” par Dida de Mayo.
Un autre morceau issu de la même session est disponible sur Mushotoku Ear Bleeding yoshiwaku.bandcamp.com/track/welc0me-0n-n0netw0rkz0ne
Album “VII” is conceptual in nature. The single line that connects the tracks to each other is a journey in a lucid dream.
The album contains 7 tracks. Each composition is one cycle of lucid dream.
1 circle. Выход из тела (Вступление) “Out of the body (Introduction)” – immersion in the state of the astral plane and the exit of human consciousness from the body.
2 circle. В ожидании чуда “Waiting for a miracle” – everyone in dreams and reality dreams of seeing a miracle and believe in it. And everyone will not believe in it when they personally encounter it. The track uses Stalker’s monologue from Andrei Tarkovsky’s film “Stalker”.
3 circle. Поджигатель “The Pyro“ – a journey along the course of the sacred river Ganges. The connection of the consciousness with space.
4 circle. Свет далеких планет “Light of distant planets” – observation of the body from the height of the stars, travel to different planets that are inaccessible to humans in reality.
5 circle. Песок “Sand” – a record of the time until the body wakes up. Attempts of consciousness to escape from reality.
6 circle. Частица Бога “Particle of God” – a state of night alarm. Fear of the greatest invention of humanity, which is capable of destroying the planet.
7 circle. Пробуждение (Финал) “Awakening (Final)” – the return of consciousness to the human body.
Music: Luboš Fidler, Zdeněk Konopásek, Štěpán Pečírka
Lyrics: Štěpán Pečírka (1, 6, 7); Carmen Bernos de Gasztold (2, 3, 5); Štěpán Pečírka/Karel Kahovec (5); Štěpán Pečírka/Enya (7)
Cover: Luboš Fidler, photo: archiv Pecirka
Lineup and recording:
Luboš Fidler – bass (1–5, 7); cyclophone (2, 3); Romo T57 (5); electric guitar (6); steel spring (6); playPET* (6); PSS-270* (7)
Zdeněk Konopásek – drums and cymbals (1–7); trumpet* (2, 6); EtherPad* (3); tiny banjo* (4)
Štěpán Pečírka (permanent guest) – voice (1, 5–7); electric guitar (1, 4); bass (5, 6); bassoon* (6); field recordings* (6)
Radka Fiedlerová – voice* (2, 3, 5)
The original tracks (guitars, drums, voice of Štěpán Pečírka, cyclophone, Romo T57 and steel spring) were recorded live during rehearsals (1-5) and concert (6, 7) of Noční pták in Albeř, August 2019. Instruments marked * and Radka Fiedlerová’s voice were added in 2021.
nocniptak.cz (in Czech and English)
Noční pták (Nightbird) was formed ten years ago as a project of Luboš Fidler and Zdeněk Konopásek. Luboš Fidler is one of the most important and uncompromising performers of the Czech alternative scene. As a bass/acoustic guitar player, he was founding member of alternative rock groups of 1970s and 80s, such as Stehlík or Švehlík, he played with MCH Band, Kilhets etc. In early 1980s he was involved in the minimalist-experimental trio Janota-Fidler-Richter (together with Oldřich Janota and Pavel Richter). Zdeněk Konopásek was drummer of the early and late 1980s band Dvouletá fáma. He also played, e.g., in the Dr. Konopný Quartet (together with Joe Karafiát, Jan Štolba and Radomil Uhlíř) and also collaborated with Oldřich Janota. Currently he is involved in theatrical-musical performances of Divadlo Vizita and, as a second drummer, in the band Fish, Flesh, Field & Henry $. Occasionally, he plays solo on his drum set. The two are joined, in recent years, by a “permanent guest” Štěpán Pečírka (Vyšší popular, Kolotoč theater, Richter band).
The album “I am healthy and things are going well” is based on live recordings from rehearsals and home concert that took place in summer 2019. These recordings were revisited and reworked into original compositions by Luboš Fidler in early 2021.
Fidler explains the title of the album as follows: The phrase “I am healthy and things are going well” (or: I am healthy and fine) was pre-printed in all languages of Austrian-Hungarian monarchy on postcards sent by soldiers from the trenches of the First World War. This album can be understood as a flare fired from the trenches in which we have been for more than a year in 2020-21.
Born out of reflection and a keen observation of life, Blüm is the latest collaboration between artist/producer, Bon-Psy & Singer/Songwriter, Shauni.
Having already released a series of introspective and thought-provoking tracks, Bon-Psy continues chipping away at his unique style to unearth new ways of presenting his sources of inspiration. Shauni returns here fresh off the back of ‘Disappear’, once again embellishing her R&B infused vocals in a stand out performance.
Inspired by the life of a flower, Bon-Psy navigates varying emotional states that capture the essence of the journey through existence. Joy, grief, despair, love & hope. Blüm depicts what it is to be alive in movie esque fashion, with singer Shauni providing a poignant narrative that unifies the lifecycle of a flower with our own lives as human beings.
Blüm is once again a stellar release for these two artists who work in synergy to translate the journey of life into music.
‘Despite the garden you’ve been dealt, it’s still a garden. Your garden. When it feels you have nothing left to give, water it with a new perspective and watch what blooms there. Here you can allow your flowers to grow toward the sun into brighter days.’
Ecléctica es la entrega de Chango Dadá para Pueblo Nuevo. Dividido en tres tracks, el álbum “Trimate” navega entre aspectos afables y otros misteriosos o incluso ásperos en cierta medida. El track de apertura de carácter textural, hila los sonidos y gestos de manera cinemática, transitando entre texturas electroacústicas y motivos instrumentales de piano y clarinete entre otros. En cambio, en la segunda pista, aparecen materiales cercanos a una ‘indietronica’, donde el lenguaje se sustenta en lo tonal y teclados melódicos. El track final vuelve a los ritmos constantes a través de formas y colores cercanos a un IDM donde se superponen voces y colores a veces desde sonidos connotativos y otras desde texturas más abstractas: aquí las grabaciones de campo cumplen un rol timbrístico y a la vez de signo, especialmente las voces y el contenido semántico presentado.
Eclectic is the delivery of Chango Dadá for Pueblo Nuevo. Divided into three tracks, the album “Trimate” navigates between affable aspects and other mysterious or even rough to some extent.The opening track,with a textural nature, threads the sounds and gestures in a cinematic way, moving between electroacoustic textures and instrumental motifs of piano and clarinet among others.On the other hand, on the second track, there are materials close to an ‘indietronica’, where the language is based on the tonal and melodic keyboards. The final track returns to constant rhythms through shapes and colours close to an IDM where voices and colors are superimposed, sometimes from connotative sounds and others from more abstract textures: here the field recordings play a timbristic and sign role, especially the voices and the semantic content presented.
Alejandro Albornoz
Compositor / Composer
(Valdivia, Chile. Mayo / May, 2021)
This soundwork’s starting point is in the heatwave evenings of June 2018, in the south of France, when the heat made sleep impossible.
It is constructed like a soundtrack for a video movie where a narrative process is directly generated by airport public cameras. Timbres, intensities, pitches and rhythms « drop shadow on airport runway » and offer a perceptual immersion, guided by microphones, open to our habits and our dreams.
This musical piece was originally presented during the JeffersonParkExp 2020. You can see the live performance here: Jefferson Park EXP November 15, 2020. Set 2. Nicolas Tourney.
Please use headphones or a real stereo device.
Filmy Ghost is a dark experimental, horror noise project from Rancagua, Chile. websites:
– humanfobia.jimdo.com/filmy-ghost/
– hearthis.at/filmy-ghost/
– archive.org/details/fav-sabila_orbe02
– freemusicarchive.org/music/Filmy_Ghost
Mixed, cover design: Filmy Ghost [Sábila Orbe]
stems provided by Otepsia via less than one projects.
– Otepsia website: otepsia.bandcamp.com/
– Less than 1 projects: lessthanone.bandcamp.com/
Meagan Johnson aka Mrs Dink makes electronic music, often techno rooted. She’s a member of the Rootwork Collective and runs the electronic music label Degenerate Trifecta. Her EP Bird Sternum comprises 4 hypnotic tracks of experimental techno loaded with gritty sounds arranged in a subtle and personal way.
Credits
Music and visual by Meagan Johnson
The Necrophile Hummingbird present Christmas on Titan by Studio 112.
Second album of the movies scores serie.
The title track is include in the pilot episode of the webserialbum tranSFixion
archive.org/details/tranSFixion
Studio112 is the main project of Alain Grille also electric guitarist and musicmaker in
rADio eNd / Multiple Personality 3 / PIRATE Tapes / EVA Vertigo / TKno BeurK / MK-Ultra
Illustration by Alain Grille
All tracks have been recorded, mixed and mastered at FeelDirty Studio – Bournemouth (UK)
Painting by Marta Terranova
I, II, III, IV: prepared guitar, effects, tapes.
also available as cassette
