about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, 28.1.2026

Hello, I have made a few changes to the site. Unfortunately, I am not quite finished yet, but it should continue without interruption. I hope you find the changes useful. Stay tuned. Konrad

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

El Sob – Silence is even sexier

El Sob – Silence is even sexier

El Sob

“Silence is even sexier”

Silence is even sexier if it is your silence!
So shut the fuck up and buy this record to be the sex bomb you’ve always dreamed of.

El Sob is not one of the classic influencers you can find on the internet, He’s the master of the silence. Enjoy his guitar-driven songwriting between Arto Linsday and Bill Frisell as the only thing better than silence is El sob, or it was João Gilberto?
credits
released March 15, 2021

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posted 21 March 2021

Petit Bourdon X PYR X Willy Marleen – K7 Split Petit Bourdon X PYR X Willy Marleen

Petit Bourdon X PYR X Willy Marleen – K7 Split Petit Bourdon X PYR X Willy Marleen
[LCNLP122]

Petit Bourdon X PYR X Willy Marleen

“K7 Split Petit Bourdon X PYR X Willy Marleen”

(Version française en bas)
The netlabel the necrophile hummingbird presents a Split between Petit Bourdon X PYR X Willy Marleen.
“Wild music for non-domesticated animals”.
Outside the ordinary circuits, hand to hand, underground music cassettes
are exchanged, and testifies to the resilience of Do-It-Yourself in the digital age.
“Nothing should be sacred, no one should be scared” is as much the anthem of plunderphonic music than of punk, when it waltzes the crowns of queens and kings of this world, in what brings them closest to a certain idea of ​​the anarchy. Even nature laughs softly at the posture of some of its worshipers, who without knowing it would like to perpetuate what assassinates it. Because nature is overflowing, subversion and wild joy, uncontrollable, the balance is unstable, always upset by extreme experiences, accidents. It is an invitation to release the mad torrent because without it there is no clear source, just an arid desert as far as the eye can see.
At a time when robots are traveling on Mars, it is a great joy to find the intact energy that animated this netlabel at its origin, to be able to offer one more testimony to the existence of horsnorme (non-standard) currents.

Find back Willy Marleen in virtual and on cassettes in his duo Zinzinuler
zinzinuler.bandcamp.com/

May the celebration of the Commune not be a sad tribute, but an endless celebration in the present, that of the ongoing humanity liberation.

(English Translation at the top)

Le netlabel le Colibri Nécrophile présente un Split entre Petit Bourdon X PYR X Willy Marleen.
De la “musique sauvage pour animaux non domestiqués”.
En dehors des circuits ordinaires, de la main à la main, des cassettes de musique souterraine
s’échangent, et témoigne de la résilience du Do-It-Yourself à l’ère numérique.
“Rien ne devrait être sacré, personne ne devrait flipper” est autant l’hymne de la musique plunderphonic que du punk, quand il fait valser les couronnes des reines comme des rois de ce monde, dans ce qui les rapprochent le plus d’une certaine idée de l’anarchie. Même la nature rie doucement de la posture de certains de ses adorateurs qui sans le savoir voudraient perpétuer ce qui l’assassine. Car la nature est débordement, subversion et joie sauvage, incontrôlable, l’équilibre est instable, toujours bouleversé par des expériences extrêmes, des accidents. Elle est une invitation à libérer le torrent fou car sans lui, il n’y a pas de source claire, juste un désert aride à perte de vue.
A l’heure où des robots voyagent sur Mars c’est une grande joie de retrouver l’énergie intacte qui anima ce netlabel à son origine, de pouvoir offrir un autre témoignage de l’existence des courants hors-normes.

Retrouve Willy Marleen en virtuel et en cassettes dans son duo Zinzinuler
zinzinuler.bandcamp.com/

Puisse la célébration de la commune ne pas être un triste hommage, mais une fête sans fin dans le présent, celle de la libération prochaine du peuple.

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posted 18 March 2021

Jazzdefector & Gaetano Fontanazza – Chiaroscuro

Jazzdefector & Gaetano Fontanazza – Chiaroscuro
[SCM-2102]

Jazzdefector & Gaetano Fontanazza

“Chiaroscuro”

The duo of Sebastian Buccheri (guitars) and Gaetano Fontanazza (gong, singing bowls) lands on Sucu Music and delivers a five piece, almost sixty minutes long album drenched in harmonies for the soul.
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posted 18 March 2021

Mas&Delayer – Renaissance

Mas&Delayer – Renaissance

Mas&Delayer

“Renaissance”

Mas&Delayer – Renaissance

NYB/EXT 029

01_Remind (Open)
02_Goofy
03_They said mix
04_Taccitua RMX (feat Microspore e Bud Lee)
05_SeeSide
06_More Love
07_Business M
08_NevaFoGiva (Close)

Mix e master By Angelino Bassound (TypeKonnection).

Cover art: Cristina Cammarata
www.behance.net/CristinaCammarata
Instagram: @crsn_visual

Noisybeat Extended 029
www.noisybeat.altervista.org
credits
released March 2, 2021

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posted 06 March 2021

Jazzdefector & Gaetano Fontanazza – Chiaroscuro

Jazzdefector & Gaetano Fontanazza – Chiaroscuro
[SCM 2102]

Jazzdefector & Gaetano Fontanazza

“Chiaroscuro”

The duo of Sebastian Buccheri (guitars) and Gaetano Fontanazza (gong, singing bowls) lands on Sucu Music and delivers a five piece, almost sixty minutes long album drenched in harmonies for the soul.
“After the storm” fills the air with rarefied guitar notes supported in the beginning by a substratum of vibrating bowls which becomes more and more prominent as the song goes on and fades to the end.
“Beginnings” lets the gong take its spotlight, leading glitches and guitar gusts as the song evolves in thousands directions willing to fill the air surrounding us.
“Chiaroscuro” is the pièce de résistance of the whole platter. Within its 23 minutes you will be taken by the hand and transported in the minds of the two musicians, an extracorporeal transmutation from listener to performer in which we become the director of everything that’s going on around and inside us.
“From nothing” bring us back to earth like a gentle wind born from the soundwaves of the song itself, taking us wherever our minds are willing to be.
“Thai Chi” ends the experience with a choir of singing bowls entering our ears and vibrating our brains, while the guitar draws paths of notes leading the way to the awareness of our present and future immortal self.
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posted 04 March 2021

Elite Border – Jornada Laboral N°1

Elite Border – Jornada Laboral N°1
[pn182]

Elite Border

“Jornada Laboral N°1”

Elite Border decided not making it easy for the ones approaching this behemoth opus. A hypothetical eight-hour-working shift turned into a Julio Cortázar like sonic coven. Almost 500 minutes, to be approached in any order, from a series of listening instructions. The album (?) refers to intermingled references. There are glimpses of 1980s indie cassette underground, industrial experiences, but also from concrète and electroacoustic, “serious” music (so to speak); monologues, certain melodic atmospheres diluted to sheer abstraction: noise as raw material and aesthetic discipline (once again).

More than experimenting, there is a leaning towards discipline in our environments’ habitable chaos. A continuum marked by timelessness and an all-encompassing sonic feeling anywhere. Everywhere. Sections filled with rock vigor or oozing city folklore, replacing rural charm with factory rattling and urban atmosphere. Sheer electricity outbursts mingled with brittle notes, while strings introducing glossy melancholy shades. Since this is a proposal based on a dual concept, provided by Pedro Pablo Pedroso (Baltazár) and Pablo Enelotromundo García, it is extended by several guests, weaving an almost unrecognizable skein of instrumental voices. A passage towards ubiquity, the nerve of a present time in crisis.

Where Throbbing Gristle, Stockhausen, Ron Geesin, Merzbow, Kagel, Alain Neffe, Ground Zero current heirs, and any barrier-free sound sniper from last century onwards meet, Elite Border has found a realm between listening inevitability and the dense architecture of dreams. It takes time to face their “Jornada Laboral N°1”, but the imagery comes out startlingly alive from the experience.

Humberto Manduley López
Escritor y crítico musical cubano / Cuban writer and music critic.
(México. Febrero / February 2021)

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posted 01 March 2021

rADio eNd – We Are The Intermorphs

rADio eNd – We Are The Intermorphs
[LCNLP123]

rADio eNd

“We Are The Intermorphs”

The necrophile hummingbird netlabel and HAMFUGGI Records present We Are The Intermorphs by rADio eNd, a tribute to John C. Lilly.

“Synchronicity Music for Related People”.

About the surface of the album :
Despite being release after Genesis Launch & Sound therapy this is the first album of rADio eNd, so you may think the goal was to design the sound of the project but it’s the opposite it’s because this sound was not fitting with any previous project that rADio eNd is born. That’s why there is no real influences despite perhaps it’s rooted to many previous netlabel’s projects with recent albums such as Junk DNA III or Shagreen Tape… or older ones like Hibakusha Jinx or Zvezda MIX.
Perhaps you can skin it out and find industrial Method, Trip Hop Rhythms, Avant Garde Turntablism… But you shall better turn off your reason, to walk with coincidences and take it as weird psychedelic trip.

About the depths of this album :
A dive into consciousness, including pressure stops with high risks of depths intoxication.
Light is such a mesmerising essence when it is watch from the abyss.

Featuring :
Amandine Prost on track 2
www.facebook.com/amandine131313
ardleg on track 10
ardleg.bandcamp.com/
Studio 112 on tracks 1 & 8
studio112.bandcamp.com
Ed End
ello.co/ed_end

Free Download in Wav & Flac also here with an alternate version of 9 Conditions.
yoshiwaku.bandcamp.com/album/we-are-the-intermorphs

rADio eNd is a process more than a simple musical project…
More informations about rADio eNd on the official page
horsnorme.org/rADio_eNd/rADio_eNd_english.html

The idea to do a tribute to John C. Lilly came from Studio 112.
Thanks a lot to the providers of the genium’s sources.

In loving memory of Peter & Lizzie and all the dolphins sacrifice in John C. Lilly experiments.

We hope this album will help to focus on the animal rights problems.
We are responsable of our choices.
We think one fine way to change the world is to be aware of the power of our acts.
There is no life without Consciousness.

Lilly also wrote that there are nine conditions that should be followed by people who seek to experience coincidence in their own lives:

You must know/assume/simulate our existence in E.C.C.O.
You must be willing to accept our responsibility for control of your coincidences.
You must exert your best capabilities for your survival programs and your own development as an advancing/advanced member of E.C.C.O.’s earthside corps of controlled coincidence workers. You are expected to use your best intelligence in this service.
You are expected to expect the unexpected every minute, every hour of every day and of every night.
You must be able to maintain conscious/thinking/reasoning no matter what events we arrange to happen to you. Some of these events will seem cataclysmic/catastrophic/overwhelming: remember stay aware, no matter what happens/apparently happens to you.
You are in our training program for life: there is no escape from it. We (not you) control the long-term coincidences; you (not we) control the shorter-term coincidences by your own efforts.
Your major mission on earth is to discover/create that which we do to control the long-term coincidence patterns: you are being trained on Earth to do this job.
When your mission on planet Earth is completed, you will no longer be required to remain/return there.
Remember the motto passed to us (from G.C.C. via S.S.C.U.): “Cosmic Love is absolutely Ruthless and Highly Indifferent: it teaches its lessons whether you like/dislike them or not.

Also Go With It or Never Walk was create first for Field Mice ESVB Vol. 3 Tape was not planned to be in the album, but after many listen seems it’s better to include it. radiomulot.bandcamp.com/

Why dNe oiDAr ?

First we planned to create this tribute with PIRATE Tapes…
But after listening the album it was obviously more sounding like the mutant child of TKno BeurK and A Symbiotic Experience.

What about rADio eNd ?

While I wrote this I’ve got an advertissement for nasty amazon music service on my phonecell. It was tricky to share our free music after the record compagnies did their best to erase the peer2peer softwares. It was more tricky after deezer and spotify make hardly possible to the free music to be available to their listeners. Could sound weird but they keep them jail in a bubble ^^. The example of Netflix for films and series in my opinion was not that much a problem because cinema need bigger funds than music and hollywood is not doing cinema but entertrainement, so I enjoy the idea that indie directors can create films with more freedom. But for the music I can’t imagine a world where nearly all the audience is lockdown on amazon music. First because each one do not need all the music of the world, indeed a simple real radio could be more enjoyable than tones of garbage muzak. And more accurate to the actual use of music. Halas they probably have got already an algorhythm to get your own radio based on your own tastes, including the possibility to enlarge that tastes… So the eNd for the muzik as we know it ? Perhaps it’s like organic versus industrial, few listeners understand that the vibe, energie, spirit of the music include by some way our being, if someone create some music to share it free whatever how it sounds it will never feed your soul the same way than the music create to make profit. So happy to bring you this very open project.

You may notice that the name of this project is in straight line of post situationist industrial culture detournement. Obviously a name squatting of Radiohead. Copythief Attitude. This music is free, usually in the capitalist system this would be consider for most of the listeners as something without value. Junk. Indeed it’s the opposite, actually in this upside down world nothing is more valuable than anything really free. Take Care to Keep the Free Culture Alive. Let’s share.

Video Art Clips here www.bitchute.com/channel/mixuptv/
Latest news on ello.co/ed_end

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posted 26 February 2021

room101 – mgnetic

room101 – mgnetic
[zen225]

room101

“mgnetic”

abstract experimental music, kind of incomprehensibility and elusiveness of the moment captured in repetition which is in fact a difference. dramatic moment of catching a reasonable point within infinitely flowing chaotic existence.

www.zenapolae.com/releases/zen225/zen225__room101__mgnetic__02_continus.mp3

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posted 22 February 2021

Theo Nugraha Feat. LNDG – Live Badminton Beat Club Vol.6

Theo Nugraha Feat. LNDG – Live Badminton Beat Club Vol.6

Theo Nugraha Feat. LNDG

“Live Badminton Beat Club Vol.6”

Theo Nugraha is a sound activist from Borneo. His works has been presented in many exhibition and festivals both local and international.

LNDG also known as Nissal or Lindung, well known in graffiti scene since actively organized many events, exhibition and festival with his colleagues in Gardu House. In the past few years Lindung made some photography works about young people in urban society.

Teks
Klub Karya bulu tangkis

Video

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posted 20 February 2021

CM aka Creative – Old Man Lugo EP

CM aka Creative – Old Man Lugo EP
[BSMX0199]

CM aka Creative

“Old Man Lugo EP”

t’s been over a year and a half since we were last able to enjoy new music by CM aka Creative, so we’re happy to present to you “Old Man Lugo EP”! Meant to be a taste of what’s to come with his forthcoming LP of the same name, the EP in itself is quite a dope selection of songs. Oh… and that bonus track… yo… a classic bloc Posse cut! So don’t sleep… download and enjoy… oh and if you want to show much needed support… buy a CD. Word up.

Yo CM… you’re on fire right now! Thank you, sir.

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

s3.wasabisys.com/blocsonic/releases/maxblocs/bsmx0199/01-OldManLugo_IntroSkit_192kb.mp3

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posted 19 February 2021

Various Artist – FFFASTR !

Various Artist – FFFASTR !

Various Artist

“FFFASTR !”

Pernahkah kalian berada di tengah tengah gigs cross over ?
Dibuka oleh band pop punk, kemudian dilanjutkan dengan riff gitar menderu band thrash. Lalu masih disusul dentum d-beat dan grind core, yang diakhiri dengan bunyi tuned down gitar band doom ?
Mungkin ini analogi yang ngawur, tapi sudahlah. FFFASTR ! ini adalah sebuah kompilasi yang sebenarnya merupakan inisiatif dari Diaz. Punggawa dari band Toxic Society dan juga Galagation.
Band band beraliran punk, d-beat sampai thrash melengkapi volume pertama kompilasi ini. FFFASTR ! dibuat dalam waktu singkat, ngebut dengan pedal gas ditekan penuh.
Mendengarkan komposisi dalam album ini mungkin tidak setara rasanya dengan mendatangi gigs gigs cross over. Slam dance sampai pogo di moshpit area, yang saat ini hampir mustahil rasanya dilakukan karena badai pandemi yang tak kunjung usai.
Minimal dengan album ini, kalian bisa headbang di kamar atau sekedar menganggukkan kepala dengan headset terpasang.
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posted 17 February 2021

Rafael Cheuquelaf – Austronautica

Rafael Cheuquelaf – Austronautica
[pn181]

Rafael Cheuquelaf

“Austronautica”

From Straits of Magellan, Rafael Cheuquelaf, a member of the duo Lluvia Ácida, presents us with his solo project, an interesting musical contribution in which he decided to dust off some treasured machines like the Moog Realistic M-1 synthesizer, in order to give the album a sufficiently characteristic sound and close a complex 2020 battered by the pandemic.

Almost like a meditation from a distant place, Rafael has captured the immensity of the Patagonian landscape, crossed by some antennas along with the hole in the ozone layer and its UV radiation. Musically, his album “Austronáutica” transports us to styles like Synthpop, Ambient, Dub and Synthwave, with solid basses, enigmatic melodies and multiple arpeggios, which evoke the influence of artists like Vangelis, Popol Vuh, Jean Michel Jarre and Pansonic, to name a few. We could imagine when we close our eyes that we are “Under the Milky Way (Bajo la Vía Láctea)” or that we hear the “Microplastics” coming through the speakers.

Without a doubt, this album will take us to other sonic latitudes that will please the ears.

Felipe Baradit Stevenson
(Concón, Chile. Febrero / February 2021)

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posted 15 February 2021

RwaBhineda – Ingsun Lumampah

RwaBhineda – Ingsun Lumampah

RwaBhineda

“Ingsun Lumampah”

RwaBhineda adalah project sisi lain dari Tri Wahyuliyanto dengan tonguedrumnya. Rekaman ini adalah usahanya untuk self healing dalam menghadapi benturan-benturan yang ada dalam dirinya. Dalam rilisan ini beberapa rekaman dilakukan di alam terbuka untuk merespon yang ada disekitarnya.

Pengisi Suara :
Tongue Drum : Tri Wahyuliyanto
Kendang : Andi Meinl a.k.a Ritual

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posted 15 February 2021

Elijah Knutsen – Pink Dream

Elijah Knutsen – Pink Dream
[zen224]

Elijah Knutsen

“Pink Dream”

a soothing translucent ambience

<em>Pink Dream</em> is the third album released by Portland based ambient producer Elijah Knutsen under his new-age imprint <em>Memory Color</em>. The album is an exploration into the ambient side of cemented genres such as Shoegaze and Dream-Pop. Inspired by artists and groups like Harold Budd, My Bloody Valentine, and Cocteau Twins, Pink Dream consists of four translucent soundscapes, washed in reverb and tremolo-like modulation, and melded with subtle field recordings.

Elijah Knutsen: Keyboard, Effects, Guitar.

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posted 05 February 2021

Aysen – Dijimos Apruebo, pero el Rechazo esta en todo

Aysen – Dijimos Apruebo, pero el Rechazo esta en todo
[pn180]

Aysen

“Dijimos Apruebo, pero el Rechazo esta en todo”

“Dijimos Apruebo, pero el Rechazo está en todo” (We said I approve, but the rejection is in everything), whose title is a re-reading of a theme by Nicolás Jaar, appeals to different historical moments in Chile, where the feeling remains, things seem to change, but in their essence they keep the same. Many times we can think that we are in limbo, in a context of hopelessness shaped like a rainbow similar to the 1989 elections between YES and NO. However, the social outbreak of 2019 exploded a strong idea: that a change can be generated from individuals, an ideal time to modify the foundations of any society.

I do not believe that we can be oblivious to social changes, be blind to the evils that we as societies possess and that we have strongly sought to change. Music is a social reflection and represents important milestones that happen around us and influence us in the form of sound waves, such as the drought in Chile and in various parts of the world, social conflicts on all continents, looted and exploited natural resources , along with inefficient transportation systems, all of them are social ideas that are present and influence me when composing my music.

This album has taken about 3 years to be created, where the main instruments used were the Elektron Octatrack Sampler, the Analog4 synthesizers, Roland MC-202 and Yamaha Portasound, plus some sounds sampled with Ableton Live. I hope that listening this album is a real journey, as for me it was to compose it every afternoon and night from my studio in Santiago de Chile.

Pablo Flores
(Santiago, Chile. Febrero / February 2021)

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posted 05 February 2021

Viktor Van River – Weapon Of Mass Distraction

Viktor Van River – Weapon Of Mass Distraction
[BSMX0198]

Viktor Van River

“Weapon Of Mass Distraction”

We know that it’s been a few months since Viktor Van River’s previous release and you must be in need of some tasty trip-hop for your soul. So, today we’ve got his terrific new EP, “Weapon Of Mass Distraction” for you to enjoy! Five songs featuring Viktor’s signature sound… ready and waiting for you to enjoy. What are you waiting for?

Viktor, thank you for another gem of a release! More sonic goodness for fans to enjoy.

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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posted 05 February 2021