The Necrophile Hummingbird Netlabel presents SEQUENCING LIFE by Spore Designers.
“Electro Synthetic Music for Human Synthesizer”
Spore Designers are : HOMO | OresteS
When everything is possible, why do we make certain choices instead of others?
Experimenting with art—like music—is one of the most inspiring and transcendental things to do, at least for me. When you open new paths, traveling through unexplored lands, you are not here to plant a flag and colonize. Instead, you are drawing maps so that younger pioneers coming after you can reach these deeper places in the unknown and, in turn, open new paths themselves. Perhaps, just as Coil amongst many others did for us.
It’s more like opening your eyes, witnessing the light of a new day awakening. This expanded field of possibilities is a kind of call to all imprisoned musicians to break free from their cages.
Spore Designers is what happens when HOMO Met OresteS, but this music didn’t pop out of nowhere… In fact, it’s as if A Symbiotic Experience, rADio eNd, and Invisible Illusion form the basis of a triangle, and we are digging a channel through its center, leaving another dimension behind.
The music from Sequencing Life and Cultural Strains comes from the same source : the very first session I did with a sequencer—a Korg SQ-1. But each exists at different stages of evolution. While working on the tracks, refining and expanding them, I truly grasped the meaning of “spore”—how they can unfold, expand, mutate, and act like an endless spring, nearly infinite. Though, more often than not, infinity is simply the limit of our perception.
I wouldn’t say it’s exactly the same with other projects, but this one feels different—especially in the way rhythm is processed. It opened so many doors. It seems HOMO found the same approach I used in OresteS to emulate rhythm—thinking beyond fixed structures, outside any predefined framework. Not a mere pattern, but something closer to a pulse—like the play of raindrops, the wind drawing with tree branches, fire biting into matter, or the earth shaking through the bones.
We have a truly open horizon, free to go anywhere we like.
Now, let’s listen and see what happens in the next evolution.
Video Art Clip is here https://youtu.be/7s1ZXYiAgS8
The Necrophile Hummingbird netlabel presents Black Sun by REfugEEs From Beyond.
“Apocalyptic Punk Folk For NeoFolk Folks”
Improvisation recorded live* in September 2024 at the Cave Heaven in Foucherans.
Members :
Master of Ceremony : Psyché Pelik
Guitar Hero : McClintic
Disc Jockey : Yoshiwaku Mushotoku
Few months ago I’ve seen that Black Sun painted by Odilon Redon in Amsterdam Van Gogh’s Museum. And Odilon is one of my fav surrealist precursors, so despite I enjoy a lot Coil, the title comes more from this black sun and also from the black sun of Bauhaus on the sleeve of the Sky’s Gone Out. Or also les éditions Soleil Noir.
Except for the Title the artwork is made without computer edit with an argentic photography bleach with javel and other substances…
There is an great exhibition (80 photos) of my photos & Studio112 argentic photographies till the end of february in france more info in french here https://www.horsnorme.org/instanT/
Dedicated to those who are not afraid to cross the darkness to reach the light and go further in the in between.
*What you are listening is a spontaneous improvisation, nothing prepared, no overdub, no mix, no edit except few…
Beneath a ceiling of mechanical quince leather,
children shatter time into triangular shards,
hurling it into the Pestmas tree-
a machine of vegetal organs,
where ornaments weep soft knives.
The fire begins to speak foreign tongues,
a dialect of square ash.
Branches twist into blue tentacles,
wrapping the air like a poisoned ribbon.
The children laugh with TV-bricked eyes,
tossing ice dolls into the orange vortex.
“What does fire taste like?” asks the smallest one,
while a cellophane specter
willingly casts its wings into the imaginary pan.
The smoke devours itself, a loop of hunger,
and on the floor, shadows start feasting on the walls.
The children become the memory of shredded paper,
circling above their incandescent supper.
The fire whispers freshly flavored tales,
and they reply in chorus, without harmony,
embraced by a Celebration seen by no one.
In the end, only ash.
A hoary ocean, calm as a broken mirror,
where the children dive together
to fish out a great cup of kites.
~
Saloane SCRUM
Sub tavanul din piele de gutuie mecanică,
copiii sparg timpul în bucăți triunghiulare,
îl aruncă în bradul de Crăciumă-
o mașinărie de organe vegetale,
din care globurile plâng cuțite moi.
Focul începe să vorbească limbi străine,
un dialect al scrumului pătrat.
Ramurile devin tentacule albastre,
înfășurând aerul ca o panglică otrăvită.
Copiii râd cu ochii tele-zidiți,
aruncând păpuși de gheață în vârtejul portocaliu.
“Ce gust are focul?” întreabă cel mai mic,
în timp ce un spectru de celofan
își aruncă de bună voie aripile în tigaia imaginară.
Fumul se înghite pe sine, o buclă a foamei,
iar pe podea, umbrele încep să mănânce din pereți.
Copiii devin memorie de hârtie forfecată,
zboară în cercuri peste cina lor incandescentă.
Focul le șoptește povești nou aromatizate,
iar ei răspund în cor, fără armonie,
îmbrățișați de o Sărbătoare pe care nimeni nu o vede.
La final, doar scrum.
Un ocean gri, calm ca o oglindă spartă,
în care copiii se aruncă să-și caute împreună
o cană mare de zmee.
Sometimes my anger came through me,
Maybe I hurt you too much.
But this is not my fault—
The Devil did this to me.
No, don’t arrive.
It was a mistake searching for you.
Please, don’t take my life away.
Please…
Oh, please…
Finally, the third part of the Ghost Stories album is complete.
As I mentioned before, this chapter dives deeper into ritual sounds, and I pushed myself to get the most out of this sonic journey.
I didn’t want to stick to the usual ritual soundscapes, so I experimented—mixing things up with some Techno kicks and Jungle break samples.
The story is slowly reaching its climax, and the next album will be pure darkness, with a touch of discomfort.
But it has to be that way. You can already catch a glimpse of it in the final tracks of this release.
I’ve been going through some stressful times lately, and this sound feels like a perfect reflection of my current mood.
Thank you for your patience— it took some time to achieve the exact sound I envisioned for Part III.
Enjoy,
SkyTwoHigh
volume II is here:https://underwater-computing.bandcamp.com/album/ghost-stories-volume-ii-awakening
The Necrophile Hummingbird netlabel presents UFO Stalker by Yoshiwaku.
“Unearthly Music for Aliens Tribes”
Live improvisation recorded in April 2024 at the Cave Heaven in Foucherans.
Be aware that this Unidentified Audio Phenomena includes real cosmic rays inside (I can’t tell what will happens if your soul stays too much longer exposed).
As well as an extanded critics of the penal colonies from the Katorga to the Laogai. It’s quite amazing that there is still no boycott of all china products till the release of the Uighurs. But is it that much surprising in a world where palestinians are killed in mass for the great profit of the weapon sellers. Also when the workers seem free but don’t earn the real price of their work because the corporations suck it, it may not be that much better. Don’t you think so ?
Dedicated to all the exploited prisoners who create the insane wealth of the world’s rulers.
Don’t be mystified, the artwork is not a photography, but a hybridization of Artificial Intelligence generated images with an editing software. I could use the photography of the Tesla Wardcliff tower instead, but I wanted to show the Siberia trees. This kind of cosmic keyhole is the free energy symbol but also a question mark about what happen in Tunguska, under the funny angle of view of the french serie Ovni(s).
No pink flamingos were harmed in the making of track 6.
Video Art Clips here
youtube.com/watch?v=kH6doLiOxps
youtube.com/watch?v=2QkhWxNoi24
2 free WAV deep minimal techno house and deep electronic minimal music for monoKraK netlabel (http://www.monokrak.net)
Mastering by Pheek
“Pain recordings” is a complex sound collage that delves into the fragments of memory emerging from personal relationships. Blending electronica, industrial, drone, noise, and bass music, the album offers an abstract and evocative experience, where traces of human connections manifest in structured forms.
This double album plays with the abbreviations M. and J., drawing from Robert Smith’s approach in the track “M” from “Seventeen Seconds”. The song references Albert Camus’ novel “La Mort Heureuse”, where the character Patrice Mersault feels jealous of his girlfriend Marthe’s other lovers, beginning with the phrase Hello image.
The album’s focus is not on raw emotion but rather on the ways memories—fuzzy, distorted, and at times disorienting—filter into consciousness. Each track acts as an autonomous yet interconnected fragment, reconstructing the vestiges of human interactions. Industrial landscapes, deep basslines, and the raw textures of noise create an unsettling atmosphere, where sounds echo past moments, reconstructed and deconstructed in a sonic quest for meaning through drone.
The music of “Pain recordings” embraces a fragmented sonic aesthetic, in which rhythms and melodies emerge and disappear like memories dissolving over time. It’s a work that captures the incomplete and fleeting nature of memory, offering an experience that is as challenging as it is hypnotic. Listeners are invited to navigate these passages of broken sounds and saturated textures, finding their own interpretations in what lingers between the sounds.
Rather than presenting a linear narrative, the album unfolds as a mosaic of sounds that invite reflection on the fragility of memory and how past events are reconstructed in fragmented ways in our minds. “Pain recordings” is, ultimately, an experimental sonic exercise, where relationships and memories become raw material for an exploration that feels as cerebral as it is emotional.
Joan Lavandeira aka randomVOLT
(Barcelona, España / Spain. December 2024)
The Necrophile Humingbird Netlabel presents Live Peep Show by REfugEEs From Beyond
“Queercore for Postcore Lovers”
Improvisation recorded live the 10th November 2024 at the Cave Heaven in Foucherans.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku
“The perfect soundtrack for your Genderfuck Party !” G.B. Jones
Despite the Artificial Intelligence did not help for the artwork, It seems obvious that this is the Queercore third part of the core trilogy…
Or is it a kind of stand alone episode like RFA for the VALIS trilogy ?
This album is dedicated to Ahou Daryaei and all the unsubdued people like her, because our bodies belong to us alone — whether we choose to reveal or conceal them is our choice. If someone is foolish enough to eroticize my chest, that’s their issue, not mine. Down with puritanism. Down with any religious fanaticism.
And also don’t forget to visit Radio Free Albemuthorsnorme ^^
https://www.horsnorme.org/Radio_Free_Albemuth/
The Necrophile Hummingbird Netlabel presents Bukowski A-Go-Go
“Electro-Post-Punk for Beat Generation Lovers”
Years ago while creating toward the Beat Generation I did only one track with his poetry The Last Days Of Suicide Kids on Back Of The Beat Generation, which was quite unfair so this time I get back to made this little tribute to Bukowski’s poetry.
Musical Improvisation recorded live in September 2024 at the Cave Heaven in Foucherans. Voice lyrics overdub. Charles Bukowski poetry on all tracks, self reading on track 3.
Dedicated to all the hurt people who try to heal themselves by healing others.
Artwork is a mix of bleach photographies with an AI generated visual.
If you want to go on your trip with the beat poets try the Best of Beat Generation https://archive.org/details/BestOfBeatGeneration
And also don’t forget to visit Radio Free Albemuthorsnorme
https://www.horsnorme.org/Radio_Free_Albemuth/
There’s a lot about the Covid era that I can’t get past. It changed me and largely not for the better. Everything is absurd and somehow we need to press on and go to work and pretend like things make sense.
Time is passing and I decided to sit down and play everything live to 1/4″ tape. Out of tune. Out of key. But here they are. Things are not OK. The near future is bleak, but we’ve gotta dig in and grind it out for the kids.
Shortcuts went on a beach holiday! They came back with an EP in their luggage, which is tellingly titled “Strand”.
It is sometimes about “lying in the sun” or “swimming in the sea”, “journey” in the literal and figurative sense is a recurring motif. But anyone who expects a kind of vacation report set to music or even concept music is thinking too short-sightedly.
There are a few things different on “Strand” than on the previous two releases. The record is not only the most electronic, but also the most guitar-heavy in the band’s history to date. The music is also much more straightforward this time, which brings the duo closer to their live sound. “Strand” is also the first Shortcuts record with completely German lyrics. Another special feature is that Jule does not play drums on any of the songs, as usual, but guitar.
The rest remains the same. On “Strand” Shortcuts again live up to their name: you can hear short, concise songs in which nothing more is said and played than necessary.
The Necrophile Hummingbird Netlabel presents Alien Pulp Weirdcore by REfugEEs From Beyond
“Noisecöre Röck for Industrial Nü Metal lovers”
Improvisation recorded live* the 22th August 2024 at the Cave Heaven in Foucherans.
Master of Ceremony : Psyché Pelik
Guitar Hero : McClintic
Disc Jockey : Yoshiwaku Mushotoku
Video Art Clip here www.youtube.com/watch?v=VwcJ9UfPQ7U
As the insanely wiseguy said :
“There is a Butthole Surfer waiting to be high on acid in every children°. ”
So this album is dedicated to this crazy combo ^^
And also to those who seek behind the surface to find psychedelic contre-culture gems, like the readers of the Whole earth catalogue as well as the readers of Grant Morrison’s Invisibles…
Artwork done by a stoned artificial intelligence ^^
*What you are listening is a spontaneous improvisation, nothing prepared, no overdub, no mix, no edit except few clicks removed…
More free music on the audio blog Radio Free Albemuthorsnorme https://radiofreealbemut.tumblr.com
Also the Webradio is streaming here https://www.horsnorme.org/Radio_Free_Albemuth/
° Next he said : Hey kids ! I was kidding… I do not take any longer any acid blotters…
Seems this is part of a trilogy with Bukowski-A-Go-Go & Curse Of Knowledge
Still two days to take action as musician or fan “Over 600 musicians are speaking out to demand that major labels drop a lawsuit aimed to destroy the Internet Archive—and for their industry to take concrete actions to realign their actions with the interests of working artists. Sign their open letter now to show your support.”
https://www.savethearchive.com/
This is a little tribute to Internet Archive.
Musical Improvisation recorded live in October 2024 at the Cave Heaven in Foucherans.
Special Thanks to Enola for her hair extensions…
And also don’t forget to visit Radio Free Albemuthorsnorme ^^
https://www.horsnorme.org/Radio_Free_Albemuth/
Boarding the flying ship, which is also a submarine.
Breathe in the molecules that tell stories.
Adventure stories of places beyond the known.
Jordi Saludes alias D-Fried has moved to a city by the sea and studies the waves and nature there, sitting right in front of the ocean when he produces music. One result is the album “Images sur la mer”, the images of the sea, an album that stimulates the imagination, a journey through soul and spirit.
Like with D-Fried’s first release on Phonocake, this release is presented with an amazing contemporary digitally version of an artwork by Buna. It is about the idea, that everything is connected and this idea reflects in oceans especially, since the oceans connect all the continents on our precious planet.
» artist shout outs:.
thanx to Buna, Dani, and Sven for their support
Luka Prinčič recently also known as Prince Lucija (Crucial Pink, ex-Nova deViator and Deviant Funk) created a pile of music for a certain genre-transgressive stage show. On these originals and reworks of various degrees Prinčič is joined by bouquet of members from the collective The Feminalz. The shuffling team of collaborators presents itself in the usually peculiar and ambivalent light on the new productions, stealing melodic and textual images in a mix of instrumental club tracks and lyrically generous songs that function both as performative moments and repeatable musical hooks.
DRAGX̶FUNK is a transgenre mutation, a fluid entity, jagged pop, electro-funk, techno-cabaret, a schlager, and soft alternative, queer to the core, satire and tragedy, sharp and fun indulgence for the dance of bodies and brains, activism and hedonism, which would all like to steal your attention.
DRAGX̶FUNK is pronounced /dɹæɡɑːfʌŋk/.
credits
released December 5, 2024
Luka Prinčič · music, production, arrangment, recording, mix
Maja Delak · vocals and lyrics on Stoj Đoni, Hočem več, and Tossing Lawrence
Nataša Živković · vocals and lyrics adaptation on Lubricate Me and Ljubo
Veronika Valdés · vocals on Handy One
Daniel Petković · vocals and lyrics on Jst ga res ljubim
Leon Marič · vocals and lyrics on Aplauso
Jan Rozman · vocals and lyrics on Minica
Loup Abramovici · vocals on Heaven
The Feminalz · back vocals and co-writing
Josipa Tadić · graphic design
Maruša Hren · printing & usb booklet
Luka T. Zagoričnik, Luka Prinčič · executive production, promotion
Just Start The Funk contains percussion samples and music parts from Michael Jackson’s Don’t Stop ‘Til You Get Enough.
Handy One is based on “Why Don’t You Do It Right” composed by Kansas Joe McCoy, lyrics adapted by Bela Pikalo from “My Handy Man” by Andy Razaf and first recorded by Ethel Waters.
Lubricate Me lyrics adapted by Nataša Živković from “Shave ‘Em Dry” by Ma Rainey
Echoes is based on Olof Dreijer – ‘Echoes From Mamori’
Aplauso composed by José Antonio Farias Mackey as “Esmeralda” originally performed by Javier Rodriguez.
Heaven written and composed by David Byrne and Jerry Harrison
Music initially written for the stage show “Image Snatchers present: Mad Jakale in a Film We Haven’t Seen” by Maja Delak premiered on 9. December 2023 and produced by Emanat.
produced by Emanat emanat.si
released by Kamizdat kamizdat.si
with support from the City of Ljubljana
“Pain recordings” is a complex sound collage that delves into the fragments of memory emerging from personal relationships. Blending electronica, industrial, drone, noise, and bass music, the album offers an abstract and evocative experience, where traces of human connections manifest in structured forms.
This double album plays with the abbreviations M. and J., drawing from Robert Smith’s approach in the track “M” from “Seventeen Seconds”. The song references Albert Camus’ novel “La Mort Heureuse”, where the character Patrice Mersault feels jealous of his girlfriend Marthe’s other lovers, beginning with the phrase Hello image.
The album’s focus is not on raw emotion but rather on the ways memories—fuzzy, distorted, and at times disorienting—filter into consciousness. Each track acts as an autonomous yet interconnected fragment, reconstructing the vestiges of human interactions. Industrial landscapes, deep basslines, and the raw textures of noise create an unsettling atmosphere, where sounds echo past moments, reconstructed and deconstructed in a sonic quest for meaning through drone.
The music of “Pain recordings” embraces a fragmented sonic aesthetic, in which rhythms and melodies emerge and disappear like memories dissolving over time. It’s a work that captures the incomplete and fleeting nature of memory, offering an experience that is as challenging as it is hypnotic. Listeners are invited to navigate these passages of broken sounds and saturated textures, finding their own interpretations in what lingers between the sounds.
Rather than presenting a linear narrative, the album unfolds as a mosaic of sounds that invite reflection on the fragility of memory and how past events are reconstructed in fragmented ways in our minds. “Pain recordings” is, ultimately, an experimental sonic exercise, where relationships and memories become raw material for an exploration that feels as cerebral as it is emotional.
Joan Lavandeira aka randomVOLT
(Barcelona, Spain. December 2024)
Radiovision vs. Earsheltering
EARSHELTERING: 20 years of noise
earsheltering celebrates is 20th anniversary in 2024 with a various artists release as a tribute to RADIOVISION.
Thanks to all artists & friends who supported this project & also EARSHELTERING since 20 years, especially Alkbazz providing a wonderful artwork within short timelines & Françis Baume for Amazing sampling from Radiovision to create interludes between each tracks.
The release is available as a free virtual double disc available on archives & bandcamp(s). Disc 1 is dedicated to Radiovision serie and disc 2 is dedicated to Radiovision Eveil serie.
1 video clips by CorteX is also made available.
Radiovision is an educational program which was launched in 1955, combining a school radio program with a slide show and a booklet. Forgotten today, it was a great success until the 1980s.
The slideshow and booklets were received on request by schools a few weeks before the radio program was broadcast. The colored slideshow pictures were larger and in a higher definition than the television image could offer. Paintings, engravings, manuscripts and old photographs were rendered with a higher quality than television couldn’t reach. It was therefore particularly useful for Geography, History of Arts and Natural Sciences classes.
The teacher had to manually ensure synchronization between images and sounds, triggering the transition to the next slide at each the sound signal.
During the 70s, in addition to the combination of sounds and still images, radiovisions became part of a more complete multimedia system, from an educational and tools point of view, and made up the radiovisual file. Each week, two programs from the “Radio-awakening” series would be associated with the radiovision, developing complementary aspects of the subject dealt with, along with educational documents gathered together in a file (15 to 20 pages of program content analysis, bibliography, texts, photographs, maps, etc.).
From the 1974-75 school year onwards, a flexy 7 inch disk would be part of the package for a few files, and then it developed to become more systematically; in the 80s, audio cassettes took over the flexy 7 inch disk.
ITA
Il duo si è formato durante un workshop di musica e spiritualità tenutosi nell’Abbazia di San Paolo fuori le mura a Roma nel 2024. Dotati di grandi capacità compositive e organizzative, ma scarsa attenzione, i quattro hanno imparato una lettera dell’alfabeto italiano a testa: la p, la a, la o e la l. Bastano infatti solo quattro lettere per sapere tutte le lettere di S. Paolo (la o viene ripetuta due volte e la S è muta).
Questo ensemble si distingue per la sua capacità di creare un’atmosfera unica e coinvolgente con semplici melodie tipiche di chi ha appena iniziato a suonare, ma vive l’urgenza di inondare il mercato musicale con il racconto della propria vita.
Con la speranza di fare cosa gradita, questo primo volume di una collana di album tutta da collezionare augura un futuro di serenità a: Corinzi, Colossesi, Efesini, Filippesi, Galati, Romani, Tessalonicesi.
“A voi ho trasmesso quello che anch’io ho ricevuto” (1 Corinzi 15:3).
ENG
Laricchia, Matsumoto, Nitti, and Padapopolous form an innovative musical duo, with Laricchia on piano and trombone and Nitti on drums, while the other members of the group do not play any instruments.
The duo was formed during a workshop on music and spirituality held at the Abbey of St. Paul Outside the Walls in Rome in 2024. Gifted with great compositional and organizational skills but lacking in attention, the four learned one letter of the Italian alphabet each: P, A, O, and L. Only four letters are needed to spell out “S. Paolo” (the O is repeated twice and the S is silent).
This ensemble stands out for its ability to create a unique and engaging atmosphere with simple melodies typical of those who have just started playing but feel the urgency to flood the music market with the story of their lives.
With the hope of being appreciated, this first volume of a collectible album series wishes a future of serenity to: Corinthians, Colossians, Ephesians, Philippians, Galatians, Romans, Thessalonians.
“I passed on to you what I also received” (1 Corinthians 15:3).
