Arabian and Persian musical scales and rhythms, middle eastern instruments, a hint of Croydon bass electronica…Transglobal Breakbeat Dub Science from Broken Drum Records. Any sufficiently advanced music is indistinguishable from magic…In a world heading towards barbarism, beauty as resistance.
Nenormalizm Recs. – New Year Gifts 2018
Various Artist Music CompilationCatalog ID: [NrM083]
Style: IDM, Uptempo, Braindance, GlitchCompiled and mastered by Ilya Bitekhtin
Art cover and layout by Daniel Glaser
Detroit sound artist and producer Rich Sudney goes dark this time with his release Autumn Rehearsal. Having a deeper sound then his previous releases, DF-5 takes a hibernating attitude fit for the winter months. Deep, dark and deliberate but not void of his signature musical structure. Few are more reminiscent of sound tracks from the movie Koyaanisqatsi. Others are just uplifting as usual. Rich Sudney directs us in his sound to ready us for rehearsal.
live @ villa, Augsburg, 12.10.18
cover art by Claus Poulsen (artwerk.menneske.dk)
recording, mastering and design by EMERGECRANK STURGEON explores the unwieldy commingling of noise and performance through the use of thrift store electronics, incongruous actions, and costuming reminiscent of supermarket aesthetics. Whether meditating on a roll of amplified packing tape or instructing an audience to fill Crank’s pants with water, the result has been a double-decade odyssey of noisy mishaps, inflatable parades, and accidental theater; feats destined for the shelves of ever-grinning and mesmerizing obscurity.
The Saddest Part Is When We Quit 36:362.
Bewildering Variations Of The Self-Mutilating Tricks We Play With Obsessively To Fool Ourselves Into Believing That We Are Better Than Everyone Else 01:16:243.
Eternal Fragments Of Interplanetary Glaciers Breaking Into Cosmic Smithereens, Carrying Particles Of Every Manmade Hope Ever Dreamt Of, Like God’s Charcoal Figure With Muscular Hands And Feminine Brows, Interrogating The Fallen Angels About The Bitter Fate Of Humanity Out Of Despair To Fix Creation 57:37
compilation to celebrate the 16th birthday of netlabel 20kbps rec.
It’s today 16 years ago that a very special netabel named 20kbps rec was born & looks it’s all grown up! It even got the legal age to drink and get laid! Whoohoo!
L0BIT is extremely proud and excited to bring you a very, very, very special compilation! It’s not just a compilation; it’s an entire birthday party, celebrating 16 years of the fabulous 20kbps.
The most wonderful stand out lobit netlabel in the entire galaxy! Come on and join the festive party, we got the drinks the drugs and especially all the music humans and animals alike will enjoy! From wonderful lobit techno melodies, to lobit metal, lobit acid, lobit pop and unexplainable independent lobit music forms! It’s a blast!! And absolutely freely available! That means it comes at no costs! Unbelievable, but true! But hey; it’s a party after all!
Every track comes with a short review and there’s even a foreword by origami repetika.
On his debut the Cologne resident of choice, Theodor Steiner, who not just works solo, but also runs the Band Blarg together with Torn Vega, you maybe already met here on djummi-records, presents two atmospheric and noisy overdrive bass improvisations. Spontaneous, uncut and truly deep!
“The shaman won’t come back” is a new file-exchange based collaborative album of Ayato & Kecap Tuyul, It was recorded and mixed in various places between 2015 and 2018. Ayato played guitar with live looping made with a Revox reel to reel tape player, and Kecap Tuyul later overdubbed these hypnotic tracks with various sounds, building dense and trippy soundscapes.
This work can be considered as the 3rd part of a trilogy started with “Waiting for the shaman” , published 6 years ago. For the moment, the 2nd part of this trilogy exists only in the head of the listener.
Exactly a year ago, Tha Silent Partner kicked off the ten year celebration of his Platters series with the release of an addition to it… A Platters Intermission: BLUNTEDSESH. Well, it’s only fitting that today he closes out the celebration with an incredible addition.
As a project that was so special to Gregory ‘TSP’ Davis’, Platters, Act 8: A Beat Plate For Pete Rock was something that had to be just right if he was going to release it. As such, it took years for it to come to fruition. Not only is it a tribute to one of his favorite producers, it’s also dedicated to his father Lloyd Davis, who instilled in TSP his love of music at an early age.
With this one TSP explores the reggae sounds of Jamaica and it’s incredibly good! So why a Reggae vibe? TSP and Pete Rock share a common Jamaican background and much of the music that his father introduced to him to was reggae.
TSP and blocSonic want to wish you Happy Holidays! Thanks for another incredible year. Enjoy this one.
Platters 8?!? It’s great to be able to continue giving fans incredible selections of music to listen to. Thanks for another one, TSP!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
Santi’s original “Music, the Only Way” tells a playfully dystopian story: “In a not so far away retro-future, a group of self-aware, compassionate robots have taken upon themselves the task of resolving humanity’s oldest paradox: its tendency for endless destruction and chaos despite its longing for boundless creativity and joy.
After a thorough examination of humanity’s greatest attempts and defeats, they have come to a consensus. All other previous paradigms and executions have failed. Music is the only way to save the humans”.
In this special compilation which marks the 50th release of Tropical Twista Records, five stunningly diverse producers come on board and recreate their unique renditions of Santi’s dark yet light-hearted space odyssey.
Acknowledgments: Santi extends his special thanks to Ivan Palmegiani for his tasteful curation of this compilation.
Monofónicos Netlabel presenta el lanzamiento de su 10 aniversario. Nos sentimos orgullosos de estar activos en la escena musical durante tantos años con una propuesta de valor de promover todo el talento que hay en la ciudad.
Durante todos estos diez años todo el grupo de amigos de Monofónicos ha impulsado cada lanzamiento, desde la creación y post-producción de la música, hasta la manera en que llevamos la difusión y publicidad de cada disco. Tenemos la fortuna de tener un público que entiende nuestra dinámica y que apoya cada uno de los lanzamientos para potencializar el talento local.
Nos movemos en la música electrónica, rodeados de un sin fin de estilos, tendencias e ideales que terminan influenciando los sonidos y creaciones de cada lanzamiento, por eso queremos traerle este Monosplit con una gama de varios sonidos y también con la participación de varios artistas que han apoyado y respaldado esta plataforma llamada Monofónicos Netlabel.
Muchas gracias por todo el apoyo durante tantos años, esperamos que sigan disfrutando de la música de Monofónicos tanto como nosotros.
Our last release of the year comes to us from new artist MVar. His first
solo release on the label, and anywhere! He first released with us on
Futur[e]cho 2018, and brings a very mature sounding Dub Techno release
for his first on the label.
“When the weight drops to the floor, after the lifting,
the moment of relaxation is achieved.
But if you’re standing on ice,
the problems are just about to begin.”Erich Schall in December 2018, gone fishing after dictating.
This time around, the VA Christmas release is a more chilled out selection of tracks is mostly ambient or chill, with a couple of more beat driven tracks mixed in for good measure.
Mainly unreleased artists have been showcased this time around, with a few regulars (4T Thieves, Rephazer, Faex Optim) appearing and a lot of up and coming talent which may appear on Kahvi in the future. Designed to let you drift into your thoughts, imagining distant unknown places beyond the stars.
It’s the end of the year and as always we want to present something special to you.
SK’P is back with his detailed and clean sound compositions which already fascinate us, make us dream and forget the time. Better still, he brought a mutual friend with him this time. We knew the whole time that they fit together perfectly, but now we can experience how the completion of this connection finally takes place. We’re obviously talking about the ever more productive GESO, who in between his always fantastic visual appearances thought of something special for us and lets us immerse ourselves in some completely symmetrical 360º videos, interspersed with complicated details that we want to and can explore again and again – with a completely subjective perception and always different.
You know Sk’p and his precise micro cuts, squeaky clean beat works and joyful synth works. Put these two in a mixer and you have another fine release with infinite replay value that invites you to think about our prejudices about paradise, distant futures and multiple ways that we wish they hadn’t taken.
Here you can find the portfolio with all the 360 VR videos:
Ayato & Naoki Ishida have been working together via file exchange since the early 2010s. 3 years after their album “Red_control rec.played” , they offer us a split album recorded between 2015 and 2016 : Tapes Outtakes. Here, as the title suggests, the 2 artists have both worked with magnetic tapes. Ayato has used an old Revox reel-to-reel tape player to create evolving loops of various instruments, while Naoki Ishida has used other (undisclosed) methods and material. Two ways to use the tape as an instrument and tool for experimental composition.
Starfoods Chips, Serenata candybars, Tornado laundy detergent and Polish Polonez 1.5 car – first brands and first commercials that haunt my meoeries of late 80s and early 90s in Poland, glued to a screen of OTAKE TV set. The first whiff of imperialism, sudden flurry of colors and sounds and…Luksus! (Luxury). And out of nowhere, there is an ASSORTMENT of GOODS everywhere. For you, ladies and gentlemen, samples of memories cut out of memories – rhythmical tunes constructed of nothing else but beats, riffs, stabs and exclamations cut out from Polish tv commercials from transformational period – the sounds of Luksus.
Pistol jazz is an instrumental band(violence, beauty, and own vision) who expresses the energy of life with avant-garde music.
Once you hear their wild sound of rapture, you will hear the sound of their burning souls are going to be a legend of Pistol Jazz.
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