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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: ambient

s.soo(Sistal) / Polygonia – Cihosa

s.soo(Sistal) / Polygonia – Cihosa
[ST025]

s.soo(Sistal) / Polygonia

“Cihosa”

This phonograms is a protected intellectual work in favor of its producer. Rights protected. ℗ & © 2020 Secuencias Temporales. The rights of this phonogram are recognized by the Federal Copyright Law. Its production, reproduction, import, storage, transport, distribution, commercialization, sale or lease is prohibited, as well as its adaptation, transformation and direct communication to the public without the prior written authorization of the owner. The violation of this prohibition constitutes a crime and an infraction that are sanctioned according to articles 424 bis, 424 ter, of the Federal Penal Code; 232 section III and 232 section I of the Federal Copyright Law and other applicable regulations in force.

Written and Produced by Stas Sursyakov (s.soo) in Solikamsk, Russia.
Polygonia remix made by Lindsey Wang in Munich, Germany.
Mastering by Jorge Eafhm at Secuencias Temporales Studio in México City.
Secuencias Temporales ℗ & © 2020 – All Rights Reserved
credits
released December 21, 2020

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posted 25 December 2020

Luka Prinčič – ark​/​d, amorphic

Luka Prinčič – ark​/​d, amorphic

Luka Prinčič

“ark​/​d, amorphic”

“an uninterrupted journey of purely computer music, which moves through diverse sonic fields and eavesdrops on the darker aspects of contemporary human condition”

The newest work by the Slovenian intermedia artist Luka Prinčič, the continued piece ark/d, amorphic is somewhat minimal, but a complex composition and an example of computer music in the new decade. With SuperCollider and computer programming Prinčič has managed to use various sound-generating algorithms to form a lengthy non-linear sound story. Searching for the amorphousness in the absence of form, he programmed the sound generators and transformations using the programming language like a loom, sewing the code into repetitive pulsations and ambiental scenery that eavesdrops on the darker aspects of contemporary human condition.

Deliberately in small initials, the title ark/d, amorphic alludes to a minority philosophy that seeks a world in the shadows of the spectacle and activates against the domination of the majority and the megalomania of post-objectification.

Chapters of ark/d, amorphic:
· be back lighter
· gcdmod
· AKJ
· shippo
· wranglemel
· lcmnoi
· s1dist
· padme
· lorenzp

Source code to album is published free under conditions of Peer Production Licence – available as bonus material in the download, but also currently on this link: git.tmp.si/luka/ark_d.amorphic/src/branch/master/ark_d.scd

Download SuperCollider at supercollider.github.io (it’s free/libre software for majority of platforms)

Button: by-sa
posted 25 December 2020

Pedro Maras – Tipping Point

Pedro Maras – Tipping Point
[mhrk261]

Pedro Maras

“Tipping Point”

“The IPCC AR5 defines a tipping point as an irreversible change in the climate system. It states that the precise levels of climate change sufficient to trigger a tipping point remain uncertain, but that the risk associated with crossing multiple tipping points increases with rising temperature.

In the context of climate change, an “adaptation tipping point” has been defined as “the threshold value or specific boundary condition where ecological, technical, economic, spatial or socially acceptable limits are exceeded.

Tipping point behaviour in the climate can also be described in mathematical terms. Tipping points are then seen as any type of bifurcation with hysteresis. Hysteresis is the dependence of the state of a system on its history. For instance, depending on how warm and cold it was in the past, there can be differing amounts of ice present on the poles at the same concentration of greenhouse gases or temperature

In a study inspired by “mathematical and statistical approaches to climate modelling and prediction”, the authors identify three types of tipping points in open systems such as the climate system – bifurcation, noise-induced and rate-dependent. The idea of tipping points in climate science, as indicated by palaeoclimate data and global climate models, suggest that the “climate system may abruptly ‘tip’ from one regime to another in a comparatively short time.

Bifurcation-induced tipping refers to changes in dynamical systems that occur when a small smooth change made to bifurcation parameters of the system causes an abrupt or sudden topological change in the behavior of the system. In the Atlantic Meridional Overturning Circulation (AMOC), slow passage to the bifurcation parameters – the salinity, temperature and density of water – could cause the AMOC to abruptly collapse when it reaches a critical tipping point. Currents of warm, seawater in the upper layers of the Atlantic flow north, while currents of colder, deep waters from the North Atlantic flow south, like a conveyor belt known as thermohaline circulation. Downwelling occurs when the warmer, higher-density seawater accumulates and sinks beneath the colder, lower density less saline water from glacier melt. An AMOC collapse would occur if downwelling was inhibited . [critical slowing down] (CSD) “occurs because a restoring feedback is weakening as a bifurcation-type tipping point is approached.

Noise-induced tipping refers to transitions due to random fluctuations or internal variability of the system, as in the Dansgaard-Oeschger events during the last glacial period, with 25 occurrences of rapid climate fluctuations.

Rate-induced tipping occurs in an “excitable system” – such as peatlands – when one of the systems parameters is “ramped” through a “steady, slow and monotonic change” eliciting a “large excitable response”. In the case of peatlands, the rate-induced tipping point results in an “explosive release of soil carbon from peatlands into the atmosphere” – “compost bomb instability”.”

Released December 19, 2020 as free (cc) download and limited edition cassette.

“Thanks to the Mahorka team and Esther De Laet”.

Cover artwork by Pedro Maras and Ivo Petrov.

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posted 19 December 2020

Vanie Cotard // Sonajero de Brujo – Kriptonîa Split XVII

Vanie Cotard // Sonajero de Brujo – Kriptonîa Split XVII

Vanie Cotard // Sonajero de Brujo

“Kriptonîa Split XVII”

Vanie Cotard

Vanie Cotard es uno de los proyectos del músico chileno Francisco Ojeda. Bajo este nombre canaliza influencias shoegaze/dreampop con la de paisajes sonoros que nacen de sintetizadores, procesadores de efecto y grabaciones de campo.

Sonajero de Brujo

Sonajero de Brujo parte del imaginario de Nahuel T. De un apodo de pequeño y de la mano de sus sintetizadores te invita a experimentar el sonidero sonajero digital, sonidos de una búsqueda de experimentación musical creada e inspirada en un hermoso jardín con plantas de la ciudad de Salta.

Idea y producción: Kriptonîa
Kriptonîa son: Ismael Verde y Santiago de la Torre.

credits
released December 11, 2020

vaniecotard.bandcamp.com
lucet.bandcamp.com

www.youtube.com/playlist?list=OLAK5uy_lb9mj9GPi7G_alcRmwf-1hvUp219uQ620
www.youtube.com/watch?v=J1xMQDl4sgM

Mezcla: Sonajero de Brujo // Vanie Cotard
Masterización: Kriptonîa y Fran Ojeda

Arte de tapa y difusión: Pau Lee (www.instagram.com/sheispaulee/)

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posted 14 December 2020

Humanfobia – Realidades Paralelas

Humanfobia – Realidades Paralelas
[Eg0_247]

Humanfobia

“Realidades Paralelas”

Humanfobia are :
Sábila Orbe (sound programming, mixer, male vocals)
& Mist Spectra (lead female vocalist & visual support)

Humanfobia links:
– https://humanfobia.jimdofree.com/discography-ii/
– https://hearthis.at/humanfobia/
– https://humanfobia-official.bandcamp.com/

Credits :
All tracks programming, mixed, cover artwork design, vocals track 4: Sábila Orbe.
Vocals tracks 2, 4 & 7, model in the artwork: Mist Spectra.

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posted 14 December 2020

Cade White – Infinite (Single)

Cade White – Infinite (Single)

Cade White

“Infinite (Single)”

The astronaut gazed upwards from the lunar surface, eyes fixed on the pale blue disc he called home. Only now could he could see just how small and fragile it was, seemingly on the verge of being swallowed by the inky darkness that enveloped its faint, yet ever lustrous glow. From here, he thought, the space around it could only be described as… infinite.

This was a further experimentation in ambient sound, this time framed against our very universe. I’m pleased (if not completely so) with the outcome, and hope to be able to put out releases more regularly from here on in. (And no, I still don’t know any musical theory)

As a side note – feel free to use any of the audio in this release for personal and commercial projects, just be sure to mention me and drop a link to this page, subject to the Creative Commons Attribution 3.0 Unported License.
credits
released November 16, 2020

All music created by Cade White for this release.

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posted 13 December 2020

Milbentia – 1T

Milbentia – 1T
[VSS113]

Milbentia

“1T”

Milbentia is back to VSR with another short but great release! 4 vaportrap infused lofi beats for you to enjoy. ♡

released December 12, 2020

Music and production by Milbentia.

milbentiaofficial.bandcamp.com
soundcloud.com/gene-benavidez
youtube.com/channel/UCeYj7I2BPCjs0rEn5rty9VQ

[VSS_113]

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posted 13 December 2020

Various Artists – Take a funky ride

Various Artists – Take a funky ride

Various Artists

“Take a funky ride”

Take a funky ride is the result of one of our in house ‘challenges’.

The challenge:

Pick up to five 70’s funk tracks at random
Cut the tracks into pieces
Creating new instruments out of those pieces
Create a brand new track from those instruments.
To see which tracks were used for each track, click ‘info’

Easy? We’ll leave you to listen to the results.

New artist Talotres makes a first appearance in this release with his track ‘Pick it up’ with the rest being Kahvi regulars you’re probably familiar with.
credits
released December 8, 2020

Cover artwork by KodeTwo

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posted 11 December 2020

Studio 112 – Regarde… comme ils tombent

Studio 112 – Regarde… comme ils tombent
[LCNLP119]

Studio 112

“Regarde… comme ils tombent”

The necrophile hummingbird presents the third issue of Studio112 staggering “Radioactive Trilogy”.
Welcome to the depths of sound science experiments. Sometimes we would like to be able to glide into a parallel universe, music could be this place, to escape this universe where all the living are stabbed to death by industries, all victims of the capitalism’s insanity. And especially the humans killed by industrial junk food, air pollution, the consequences of the climate crisis and others horror. It is the slow genocide of our loves, of our friends, of our children. Will we let this system destroy life on earth any longer? Adjust sunglasses and cry, or struggle to end this race for false promises, there is no happiness in consumerism!

Studio112 is the main project of Alain Grille also electric guitarist and musicmaker in rADio eNd / Multiple Personality 3 / PIRATE Tapes / EVA Vertigo / TKno BeurK / MK-Ultra

The two previous issues Radioactive Woman and Radio Play will be publish next on the netlabel… time is a reverted process.

The previous “Alien Trilogy” is still here
https://archive.org/details/studio_112_Adorateurs_Du_Culte_Extraterrestre
https://archive.org/details/Music_for_Alien_Parties_Studio112
https://archive.org/details/A_Piece_Of_Sunlight_And_Other_Stories_Studio112

Illustration by Alain Grille

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posted 11 December 2020

Phaeleh – From the Vaults: Vol 2

Phaeleh – From the Vaults: Vol 2

Phaeleh

“From the Vaults: Vol 2”

A selection of unreleased tracks from 2008 to 2017

Sunshine (2012)
Talk to You (2011)
Don’t Wake Me Up (ft. Jess Mills) (2012)
Give (2012)
Fly (2017)
Cold Path (2012)
Sad to Think (2015)
Disappear (2015)
Azure (2016)
All Night (2015)
There Will Come Morning (ft. I-mitri) (2009)
Rise (ft. Indi Kaur) (2008)
credits
released December 4, 2020

All tracks written and produced by Phaeleh. Except Track 3 written by Phaeleh & Jess Mills, Track 11 written by Phaeleh & Indi Kaur and Track 12 written by Phaeleh & I-mitri.

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posted 09 December 2020

Andreas Davids – Isolation

Andreas Davids – Isolation
[mhrk260]

Andreas Davids

“Isolation”

“40 minutes of isolation. 40 minutes of bad news, good news, self-doubts and tears. 40 minutes of motivation, being tired and being sad and happy at the same time. all the silence at night, at day, deep inside has grown to noise, to walls of noise waiting to be born out of the darkness. 40 minutes… every second is a witness of the fall and the rise of a lost soul.”

Released December 6, 2020 as free (cc) download and limited edition cassette.

Created, recorded in 2020 by Andreas Davids @ Separate Room, MTH

Mastered by Anatoly Tokee Grinberg

Thanks to Ivo Petrov

www.andreasdavids.de

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posted 06 December 2020

rADio eNd – Sound Therapy

rADio eNd – Sound Therapy
[LCNLP117]

rADio eNd

“Sound Therapy”

The necrophile hummingbird netlabel and HAMFUGGI Records present Sound Therapy by rADio eNd, an experiment around the musicology concept.

“Healing Music for Normal People”.
Perhaps normal people would not listen it, but if they do it, this surely would have a psychoactive effect to help them to become open minded.
Indeed it seems that is the storytelling of my own mutation.

You may notice that the lyrics are very importants in the other rADio eNd albums. For this one we chose to use mostly the voice without any words.
Because the emotions don’t need words to be express. Further more conceptual in “Introspection Prologue” it is the absence of voice which is meaningful.
Despite this voluntary constraint the last track host a little automatic poem channeled at the end of the process. The whole thing being a kind of sound therapy study.

Album credits : Farabi Toshiyuki Suzuki & Ed End

More information about Farabi Toshiyuki Suzuki
https://hamfugi.wixsite.com/hamfuggirecords/farabi-toshiyuki-suzuki
More information about Ed End
https://panoramamix.tumblr.com/post/623102835945537536/ed-ends-retrospective-a-free-to-share
More information about rADio eNd
http://www.horsnorme.org/rADio_eNd/

One extra track extract of “Electricity” is on Shorty Music “My City” compilation https://vpoiskahdodofriends.bandcamp.com/track/radio-end-peru-the-electricity-fairy

Here is Introspection poem (notice that the meaning is little bit change in the english translation)

No matter how much I drank from all sources,
I was always thirsty.

Until something breaks.

Until a fissure forms,
that a crack snakes,
let a drop fall,
then another,
that they become a ditch,
then that the stream,
forms a puddle.

Become torrent,
gushing out of me,
then it becomes a lake.

I am sitting in the middle.

And I feel as soon as someone walks on the shore,
and I see the sky reflected there,
and the sky is the reflection of the earth.

And I feel, I sense, I anticipate.
And I feel, I sense, I know.
And I feel, I sense, I keep the track.

J’ai eu beau boire à toutes les sources,
j’avais toujours soif,
jusqu’à ce que quelque chose se brise.

Jusqu’à ce qu’il se forme une fissure,
que serpente une lézarde,
qu’une goutte tombe,
puis une autre,
qu’elles deviennent rigole
puis que le mince filet,
forme une flaque.

Devenues torrent,
jaillissant hors de moi,
qu’elle devienne un lac.

Je suis assis au milieu.

Et je sens dès que que quelqu’un marche sur le rivage,
et je vois le ciel s’y refléter,
et le ciel est le reflet de la terre.

Et je sens, je ressens, je pressens.
Et je sens, je ressens, je pressens.
Et je sens, je ressens, je pressens.

More lyrics from rADio eNd here
https://www.wattpad.com/story/187938713-translation-of-french-lyrics-from-anachronic

Last but not least the material of this album was first recorded to create an album of A Symbiotic Experience. So there is also a bonus video with an extra track done by Gabriel Pereira Spurr. The track will be available on Fieldmice recordings ESVB Vol 3
https://radiomulot.bandcamp.com/

Bonus Video Art clips
Abstract Introspection
https://youtu.be/JzQqlqUkwRY

The electricity fairy
https://www.bitchute.com/video/EVyPbYO2ll8d/

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posted 04 December 2020

Luca Formentini – Art Spaces

Luca Formentini – Art Spaces
[Lav86]

Luca Formentini

“Art Spaces”

An investigation – abstract

I’ve always been fascinated by watching and listening to the way we as human beings react to finding ourselves placed into different environments.

Specifically, I am intrigued by the way we manage the challenge of being in a space which is not created to be the stage where we can perform our personality and actively interact with the objects and the people who surround us, as a museum is.

Being in a museum limits our personality exposure, at the same time it engages our senses and sensitivity.
Is such context creating a push towards the outside in a context which makes such expression difficult to be exposed?

A modern art museum visit is able to stress such experience way further, visitors can sometimes be pushed to face languages and contents which run on the very border of comprehension and social acceptability.
As human beings we interact with habitats through different ways of using our physicality; I think that more or less consciously and intentionally our presence affirms itself through the sounds we make.

My first audio recording of my visit through a modern art exposition happened when visiting the Serpentine Galleries in London, a funny feeling of displacement imbued me because of sounds coming from both sides of the exposition internal entrance.
After visiting the Serpentine Galleries I visited the Tate Modern.

I recorded my walk through the different rooms, trying to notice the relation between the space, the exhibited works of art and the way people were managing their presence: imposing it or trying to be as transparent as possible.
While walking through the expositions’ rooms I was caught by another delicate emotional resonance.
A new element was coming into play, directly connected to a more emotional layer.
Temporal suspension and physical floating were somehow represented by the experience of walking through the artworks.
The peak was reached when I entered the room where the video work by Gülsün Karamustafa “Memory of a Square” was playing.
Something had happened.
By entering that room I understood what I would have done with the recordings I was collecting.
Back to my studio I recorded a musical dialogue over the environmental noise of walking through art spaces, art places.
A sort of counterpoint in play between my physicality and the sonic trace of the space.

I’ve been visiting and recording the space of modern art museums and expositions, such as: Guggenheim and MoMA NYC, MoMA SF, MOCA LA, MCA in Chicago, Modern art museum in Philadelphia, Mudam in Luxembourg, Stedelijk in Amdsterdam, Lenbachhaus in Munich, Serpentine and Tate Modern in London and Hangar Bicocca in Milan.

Luca Formentini:

Original recordings of the museums (visited in 2016 and 2017), all instruments, recording, mixing and mastering.
Concept and production.

Mastering consultancy by Stefano Castagna

This audio work is released under Creative Commons (BY-NC-SA) and free digital distribution via Laverna music label www.laverna.net

Cover: original painting by Patrizio Vanessi, 2019

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posted 03 December 2020

Adhémar – All the Birds are Talking at the Same Time LP

Adhémar – All the Birds are Talking at the Same Time LP
[ST024]

Adhémar

“All the Birds are Talking at the Same Time LP”

Artists: Adhémar
[Brussels, Belgium]
Format: Digital
Release Date: November 30th 2020
Cat: ST024

Free Download

This phonograms is a protected intellectual work in favor of its producer. Rights protected. ℗ & © 2020 Secuencias Temporales. The rights of this phonogram are recognized by the Federal Copyright Law. Its production, reproduction, import, storage, transport, distribution, commercialization, sale or lease is prohibited, as well as its adaptation, transformation and direct communication to the public without the prior written authorization of the owner. The violation of this prohibition constitutes a crime and an infraction that are sanctioned according to articles 424 bis, 424 ter, of the Federal Penal Code; 232 section III and 232 section I of the Federal Copyright Law and other applicable regulations in force.

Written and Produced by Clément Davout in Brussels, Belgium .
Mastering by Jorge Eafhm at Secuencias Temporales Studio in México City.
Secuencias Temporales ℗ & © 2020 – All Rights Reserved
credits
released November 30, 2020

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posted 02 December 2020

Echoes Chapter One – Various Artists

Echoes Chapter One – Various Artists
[insectorama091]

Echoes Chapter One

“Various Artists”

This is chapter 1 of 2 of the echoes compilation.
Chapter 1 comes with 21 tracks by artists from all over the world who cover all facets of dubtechno. That is pure dubtechno there is nothing more to say.
Relax, lean back and enjoy the journey through space and time and lose yourself in the vastness of the echoes in this cold season.

Many thanks to all artists who made this compilation possible with their tracks.
credits
released December 2, 2020

insectorama091
mastering and cover design by Markus Masuhr

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posted 02 December 2020

Igor Karaca – Desolace

Igor Karaca – Desolace
[zen220]

Igor Karaca

“Desolace”

“Desolace” is a dark ambient sonic exploration featuring odd organic ripples, sometimes insectile and spluttering, leading into sheets of synthetic tones sweeping slowly across the soundscape, with deeper drones and subtle samples of processed human voice and bowed percussion looming below.
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posted 01 December 2020