Natur is the fourth proper Thuuooom album, showcasing the more ambient side of Tuomo. As the other full-length album released on the same day (Luonto under the monicker Thuoom) the sounds on this record consist 100% of nature field recordings. The recordings contain mostly birds but you can also hear bumblebees, deer, fishes mating, hints of human voices, small insects, sounds of walking through forest, wind, and windchime. Or maybe you can’t hear them, as the sounds have been mutated into something completely else.

Instruments used on this record: Field recordings captured with a binaural Soundman OKM II Classic Solo microphone attached to a Zoom H4n Pro portable recorder.

Oceanic is a massively long LP of experimental Ambient material I recorded between 2007 to 2008. Most of the tracks were live broadcasts on various internet radio stations (remember those?). I would build up loops using loopers as well as by using my Puredata patch ‘Jlooper’, then improvise with the K1, Guitar, and other fx and percussion. It’s some pretty out there stuff and great to put on before going to bed to direct your dreams to weird and interesting places.
Free to VIPs!
credits
released May 18, 2020

Justin Wierbonski – Synths, guitars, drums, fx
Alex Huang – Artwork

“Haunted Houses” is a collection of seven tracks in slow, melancholy, dreamlike, nocturnal mood. It’s a work made of waiting, of grainy sounds and silences full of rustles. It’s a work talking about isolation, either in a physical and mental space; which talks about full spaces and empty or restricted spaces, of presences and absences, of memory and hope, of distances, of houses and rooms. Rooms innervated with restlessness and waiting (the opening track “Sleepless”). Houses where memories crowd, layered memories that coexist with the present (the title-track “Haunted Houses” is a short electroacoustic study on perception: indistinct, evanescent sounds, old pianos in the distance, confused and ectoplasmic voices, furniture that moves from the floor above, sighs…). And then there are presences such as those of literary characters, which can come to life in the mind while reading (“The death of Joe Christmas” is inspired by the restless and controversial character narrated by William Faulkner in “Light in August”).

Even absences find space in the album, manifesting themselves in their impalpable distance (the piece “In Absence”), as memories of a past that has no place in the present. Then the rooms can become places overloaded with pain (the track “Torture Room”), where this suffering and effort can take an expiatory, spiritual, meditative form. And after all this inner torment, even isolation can turn into an opportunity for reflection, “redemption” and sincere change: the final tracks “Pure” and “Endless” try to capture this renewed spirit, following a strongly emotional path. “Endless” closes the circle, but it can also reopen it.

“Haunted Houses” was made with guitars, contact microphones, an old cassette recorder, field recordings, dusty and grainy lo-fi sounds, found objects, recordings of streets at night, sounds of a carpentry workshop, slowed sounds, manipulation of loops of classical music taken from the radio. Every detail, every sound has been carved and polished day after day, chiseled and positioned with care and devotion, in a work of “sound craftsmanship”.

https://soundcloud.com/alessandro-barbanera

https://alessandrobarbanera.bandcamp.com

Credits

Composed, recorded and mixed by Alessandro Barbanera

Mastered by Francis M. Gri