Following on from his first release on Kahvi under the name Phrulex (which was a single several years ago), and part one of the excerpts, K.Markov gives more of the detailed, progressive ambient work that appeared in part one.
Gently floating atmospheres, mixed with sweeping arpeggios and melodical interludes to keep you listening closely.
Gradient Descent was written and performed for a Chaos Theory event headlined by Jarboe and Farther Murphy, at St Pancras Old Church, London on 23rd October 2017. The piece features custom made electro-acoustic instruments, field recordings and live electronics. The release on Abstrakt Reflections is a studio arrangement of the original material, integrating additional sound design and layers of live sound from the church performance.
The name of the music stays the same over the years but the feel and construction evolves and this EP is a good example of todays vibe reflected in retro sounds. Mellow, Air-esque basslines, Sven Vath inspired beats, ambient pads. Dreamy.
Track List :
01. You Are My Universe
02. Yellow (Sunflower)
03. Autumn
04. Lover, Loser (Just, Fall)
05. Chamber -12
06. 2 AM
07. Universe
08. Drown
09. Bound
10. Everlasting (Goodbye)
Rhythmic and slow landscapes.
The sound is sometimes described as slow IDM. The distinct feature of the album is that only a few tracks have real drum samples, however, almost all of them are quite rhythmical. Rhythms are created just the way J. M. Jarre did that on “Zoolook” – using weird sounds, pulsing synths, and very clear melodies. Due to the lack of easily recognized drums, the album is sometimes ascribed to ambient, however, I’d call it “seismic ambient”, because of extremely heavy basslines.
Track list:
1. Ansietas
2. Just Pretending to Understand
3. Kol Nidre
4. Merewind
5. Parasomnia
6. Semoga Mimpi Indah dalam Meninggalkan Dunia
7. Slinkies Whispering Feverishly In A Wet Tunnel
8. This is Half a Duet
Music by Jam’s
Cover art by Thierry Castanier
Simulations of random behaviour lead us through an artificial organic space. The machines become our nature, as we venture into the abyss.
Freee download at: https://archive.org/details/AR-076
Marina Stewart
„Dawn Raised With A Gesture Of Submission“
(Music For Silence, Synthesizer & Voice)
The four parts of this composition are titled as follows:
I: This Ov That (Can Be Heard)
II: Dawn Raised With A Gesture Of Submission
III: Irchin
IV: Piano Rage (Nod2TerreThaemlitz)
Editorial remarks:
Part II is an electroacoustic rendition of fragments taken from »Odyssey To Anyoona« by Jam & Spoon (JAM!/Dance Pool, 1994), fully developed on the harmonium as a sole instrument.
Part III is based on microtonal synthesizer excerpts, whereas Part IV is an unreleased screwed edit of an sample loop taken from a live recording by Margitt Holzt.
Shortwave will be familiar to some, after appearing on our Boards of Canada inspired VA last year, but check out Between for one of the most catchy subtle analogue sounds I’ve heard for quite some time.
Bad Girl
(based on Florence – Italy) is the solo project of Leonardo Granchi.
Started playing electronic music with the band Downward Design Research he approaches to continue the expression of their imaginary sound through the use of the machines.
The romantic idea I’m referring to is the existence of an actual performer (in the more traditional sense performer – instrument) for the music itself to have value.
To which we respond with this tracks.
Autómatas Sonoros was first and foremost an acousmatic music concert presented at the Adolfo Prieto school in Monterrey Mexico on September 2 2017.
The concert was part of a series of retribution events organized by Raúl Guerra Jimenez as a winner for the 2015 PECDA Jovenes Creadores prize.
credits
released February 12, 2018
All music composition and production is that of their respective composer.
Compiled and directed by: Jesús Antonio Vergara
Tracks Leveling: Charles Leal.
Design: Bryan Garcia
license
Music by Artem Bemba
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Track list:
1. My Lai, 1968
2. Yes, Vomit Comet.
3. Possibilities are Endless; Train Stations, Airports, Foreign Lands
So much had happened since my last collection of sounds. I decided to “embark” to new, unfriendly shores with drones, noises, and a bit of pseudo free-jazz. Not as melodic as “Travel,” I reckon, but no less fun.
As far as subject matter goes, “Mira, la bruja no esta quemada” (which means “look, the witch is unburnt” in english, by the way) rolls around things that can’t go away no matter how hard we wish them to disappear; maybe the mundane (desire to travel) or the somewhat heavy (massacre and cover-ups).
Please, do use headphones/headsets while listening to the tunes. There are some interesting movements there. Don’t forget to drink some water and watch the witch go unburnt.
Achmad Luthfi
W&P by Sacha Rush
Mastered by Retouched
Cover by John Brahms
Walk
Circle (feat. Hugo Kant)
Shiver (feat. Bonza)
The Breath Of A Crow (feat. Vladimir Melnikov)
After Red (feat. Bonza)
Expansion (feat. Jonh Furey)
High Bank
Microworlds
Blue Elephant
Midnight
Lullaby For Maria
Visions (feat. Bonza)
Temple Of Hope
Trust Me
