The premise is clear – the axioms, agreed. Deductions follow, but induction is lacking – the conclusion is missing.
Featuring synthesizers (including synthesized flute and acoustic guitar), drum machine, electric bass, piano, and backing vox.
released February 22, 2025
WDX’s approach to music highlights ingenuity and dedication to pushing the boundaries of conventional genres. Improvising with edited field recording loops, a bassline generating synth and an array of outboard effects, shows a unique and captivating style that incorporates musique concrète, improvised industrial sounds, and percussions from everyday objects. This creates unique compositions arising from a commitment to using only found sounds and field recordings that transport the listener to new and surreal environments. This approach focuses on the creative process while experimenting with different sounds and effects to create dynamic and engaging sets.
His second album on Mahorka, “Turn It Off And On Again”, named after our favourite IT department advice, was made using sounds of his outboard equipment being, erm, turned off and on again. Lots of clicks and reverb/delay trails with the usual huge bass lines. The track names are cases that ICT have dealt/not dealt with.
Mastered by Jack Chuter – www.attnmagazine.co.uk/mastering/
Everything else by Dave Webb – linktr.ee/wavedebb
The Wave Debb Radio Show – nrbc.io/show/the-wave-debb-show/
The Necrophile Hummingbird Netlabel presents Cultural Strains by Spore Designers.
“Dark Synthetic Music for Human Synthesizer”
Spore Designers are : HOMO | OresteS
When everything is possible, why do we make certain choices instead of others?
Experimenting with art—like music—is one of the most inspiring and transcendental things to do, at least for me. When you open new paths, traveling through unexplored lands, you are not here to plant a flag and colonize. Instead, you are drawing maps so that younger pioneers coming after you can reach these deeper places in the unknown and, in turn, open new paths themselves. Perhaps, just as Coil amongst many others did for us.
It’s more like opening your eyes, witnessing the light of a new day awakening. This expanded field of possibilities is a kind of call to all imprisoned musicians to break free from their cages.
Spore Designers is what happens when HOMO Met OresteS, but this music didn’t pop out of nowhere… In fact, it’s as if A Symbiotic Experience, rADio eNd, and Invisible Illusion form the basis of a triangle, and we are digging a channel through its center, leaving another dimension behind.
The music from Sequencing Life and Cultural Strains comes from the same source : the very first session I did with a sequencer—a Korg SQ-1. But each exists at different stages of evolution. While working on the tracks, refining and expanding them, I truly grasped the meaning of “spore”—how they can unfold, expand, mutate, and act like an endless spring, nearly infinite. Though, more often than not, infinity is simply the limit of our perception.
I wouldn’t say it’s exactly the same with other projects, but this one feels different—especially in the way rhythm is processed. It opened so many doors. It seems HOMO found the same approach I used in OresteS to emulate rhythm—thinking beyond fixed structures, outside any predefined framework. Not a mere pattern, but something closer to a pulse—like the play of raindrops, the wind drawing with tree branches, fire biting into matter, or the earth shaking through the bones.
We have a truly open horizon, free to go anywhere we like.
Now, let’s listen and see what happens in the next evolution.
Maybe you have a slight feeling of déjà vu ?
Imagine what it’s like to live in a world where most people imitate, instead of hybridizing, or even simply creating.
Poem on track 3 by Morne http://www.horsnorme.org/MONTREALEATOIRE/archaosesoterique.htm
Click. Click click. Click hold… click. Click, drag, release. Click click click. Click.
Featuring piano, synth, drums, organ, and choir.
The Necrophile Hummingbird Netlabel presents SEQUENCING LIFE by Spore Designers.
“Electro Synthetic Music for Human Synthesizer”
Spore Designers are : HOMO | OresteS
When everything is possible, why do we make certain choices instead of others?
Experimenting with art—like music—is one of the most inspiring and transcendental things to do, at least for me. When you open new paths, traveling through unexplored lands, you are not here to plant a flag and colonize. Instead, you are drawing maps so that younger pioneers coming after you can reach these deeper places in the unknown and, in turn, open new paths themselves. Perhaps, just as Coil amongst many others did for us.
It’s more like opening your eyes, witnessing the light of a new day awakening. This expanded field of possibilities is a kind of call to all imprisoned musicians to break free from their cages.
Spore Designers is what happens when HOMO Met OresteS, but this music didn’t pop out of nowhere… In fact, it’s as if A Symbiotic Experience, rADio eNd, and Invisible Illusion form the basis of a triangle, and we are digging a channel through its center, leaving another dimension behind.
The music from Sequencing Life and Cultural Strains comes from the same source : the very first session I did with a sequencer—a Korg SQ-1. But each exists at different stages of evolution. While working on the tracks, refining and expanding them, I truly grasped the meaning of “spore”—how they can unfold, expand, mutate, and act like an endless spring, nearly infinite. Though, more often than not, infinity is simply the limit of our perception.
I wouldn’t say it’s exactly the same with other projects, but this one feels different—especially in the way rhythm is processed. It opened so many doors. It seems HOMO found the same approach I used in OresteS to emulate rhythm—thinking beyond fixed structures, outside any predefined framework. Not a mere pattern, but something closer to a pulse—like the play of raindrops, the wind drawing with tree branches, fire biting into matter, or the earth shaking through the bones.
We have a truly open horizon, free to go anywhere we like.
Now, let’s listen and see what happens in the next evolution.
Video Art Clip is here https://youtu.be/7s1ZXYiAgS8
[UK]
It has been 20 years since Heitor Alves released under the alias Atom Size Elephant on MiMi Records.
Now he’s back with Undiagnosed, an album made up of two tracks that explore ambient, electronic, and improvised music.
The album, marked by ethereal textures and unpredictable rhythms, reflects the search for clarity in chaos. It is a fusion of structure and spontaneity, offering a reflection on the complexities of both human and sonic existence.
Undiagnosed is an intricate dialogue between technology and human intuition, offering a deep reflection on the complexities of existence. One example of this is the track “into the depths of loneliness,” which has a moment of near silence in the middle… allowing the listener time for personal introspection.
A truly interesting listening experience. A must listen!
Insectorama proudly celebrates its milestone 200th release with a special Various Artists compilation that embodies the label’s deep commitment to dub techno. This landmark edition brings together eight exceptional tracks from a roster of visionary producers: Dubtrak, Depthbarhat, Markus Masuhr, Davor Tosovic, Leopoldolll, Lotech_Hijack, and Narcotic303 (Roman Ridder Remix).
Marking this occasion with a fresh perspective, each track has been reinterpreted and reshaped by Dubree into a set of exclusive edits that breathe new life into the originals. The result is a cohesive yet diverse sonic journey, where atmospheric textures, deep grooves, and hypnotic rhythms merge into a timeless dub techno experience.
A tribute to 200 releases of innovation and underground sound, this special compilation stands as a testament to Insectorama’s enduring dedication to the genre—a deep, meditative space where echoes and reverberations sculpt the future of dub techno.
Dive into the sound and celebrate with us!
![Chang diz – UNFAIR]](https://f4.bcbits.com/img/a2602420901_10.jpg "Chang diz – UNFAIR]")
UNFAIR, is a sonic journey that breaks boundaries, blending elements of electronica, ambient and lo-fi into an immersive experience.
The project captures the essence of modern otaku culture, where digital and physical realities merge. While each track is a sonic landscape that feels both futuristic and nostalgic, they are quite similar, taking the listener on a journey through their most vivid thoughts and memories.
The invitation is extended to explore the fantastic world of Chang Diz.
Beneath a ceiling of mechanical quince leather,
children shatter time into triangular shards,
hurling it into the Pestmas tree-
a machine of vegetal organs,
where ornaments weep soft knives.
The fire begins to speak foreign tongues,
a dialect of square ash.
Branches twist into blue tentacles,
wrapping the air like a poisoned ribbon.
The children laugh with TV-bricked eyes,
tossing ice dolls into the orange vortex.
“What does fire taste like?” asks the smallest one,
while a cellophane specter
willingly casts its wings into the imaginary pan.
The smoke devours itself, a loop of hunger,
and on the floor, shadows start feasting on the walls.
The children become the memory of shredded paper,
circling above their incandescent supper.
The fire whispers freshly flavored tales,
and they reply in chorus, without harmony,
embraced by a Celebration seen by no one.
In the end, only ash.
A hoary ocean, calm as a broken mirror,
where the children dive together
to fish out a great cup of kites.
~
Saloane SCRUM
Sub tavanul din piele de gutuie mecanică,
copiii sparg timpul în bucăți triunghiulare,
îl aruncă în bradul de Crăciumă-
o mașinărie de organe vegetale,
din care globurile plâng cuțite moi.
Focul începe să vorbească limbi străine,
un dialect al scrumului pătrat.
Ramurile devin tentacule albastre,
înfășurând aerul ca o panglică otrăvită.
Copiii râd cu ochii tele-zidiți,
aruncând păpuși de gheață în vârtejul portocaliu.
“Ce gust are focul?” întreabă cel mai mic,
în timp ce un spectru de celofan
își aruncă de bună voie aripile în tigaia imaginară.
Fumul se înghite pe sine, o buclă a foamei,
iar pe podea, umbrele încep să mănânce din pereți.
Copiii devin memorie de hârtie forfecată,
zboară în cercuri peste cina lor incandescentă.
Focul le șoptește povești nou aromatizate,
iar ei răspund în cor, fără armonie,
îmbrățișați de o Sărbătoare pe care nimeni nu o vede.
La final, doar scrum.
Un ocean gri, calm ca o oglindă spartă,
în care copiii se aruncă să-și caute împreună
o cană mare de zmee.
Sometimes my anger came through me,
Maybe I hurt you too much.
But this is not my fault—
The Devil did this to me.
No, don’t arrive.
It was a mistake searching for you.
Please, don’t take my life away.
Please…
Oh, please…
Finally, the third part of the Ghost Stories album is complete.
As I mentioned before, this chapter dives deeper into ritual sounds, and I pushed myself to get the most out of this sonic journey.
I didn’t want to stick to the usual ritual soundscapes, so I experimented—mixing things up with some Techno kicks and Jungle break samples.
The story is slowly reaching its climax, and the next album will be pure darkness, with a touch of discomfort.
But it has to be that way. You can already catch a glimpse of it in the final tracks of this release.
I’ve been going through some stressful times lately, and this sound feels like a perfect reflection of my current mood.
Thank you for your patience— it took some time to achieve the exact sound I envisioned for Part III.
Enjoy,
SkyTwoHigh
volume II is here:https://underwater-computing.bandcamp.com/album/ghost-stories-volume-ii-awakening
The Necrophile Hummingbird netlabel presents UFO Stalker by Yoshiwaku.
“Unearthly Music for Aliens Tribes”
Live improvisation recorded in April 2024 at the Cave Heaven in Foucherans.
Be aware that this Unidentified Audio Phenomena includes real cosmic rays inside (I can’t tell what will happens if your soul stays too much longer exposed).
As well as an extanded critics of the penal colonies from the Katorga to the Laogai. It’s quite amazing that there is still no boycott of all china products till the release of the Uighurs. But is it that much surprising in a world where palestinians are killed in mass for the great profit of the weapon sellers. Also when the workers seem free but don’t earn the real price of their work because the corporations suck it, it may not be that much better. Don’t you think so ?
Dedicated to all the exploited prisoners who create the insane wealth of the world’s rulers.
Don’t be mystified, the artwork is not a photography, but a hybridization of Artificial Intelligence generated images with an editing software. I could use the photography of the Tesla Wardcliff tower instead, but I wanted to show the Siberia trees. This kind of cosmic keyhole is the free energy symbol but also a question mark about what happen in Tunguska, under the funny angle of view of the french serie Ovni(s).
No pink flamingos were harmed in the making of track 6.
Video Art Clips here
youtube.com/watch?v=kH6doLiOxps
youtube.com/watch?v=2QkhWxNoi24
music made while spending mornings in the sunlight with my sunshine
initially collected to listen back during their meditations
may or may not work as intended
released March 11, 2019
2 free WAV deep minimal techno house and deep electronic minimal music for monoKraK netlabel (http://www.monokrak.net)
Mastering by Pheek
