Tras su segundo trabajo “Onirismo” publicado en 2013, no había vuelto a salir de la madriguera el Roedor. Al parecer había estado combinando nuevos sonidos todo este tiempo, hoy condensados en un álbum que aunque mantiene ciertas reminiscencias a objetos encontrados y la grabación de campo, viaja en sintes y ritmos que abren nuevos panoramas en su sonido.
“Simbiosis es música hecha con todo lo que aparezca. Es encuentro, diálogo, intercambio, mezcla. De sonidos, de sueños, de vidas, de objetos; de máquinas, paisajes, noches, silencios, recuerdos, sonrisas; datos, formas, colores, amor.”
I cannot hide the desire that this music would perhaps be heard beyond from what it was made for at first. That it should be thought without the missing component which it was made to harmonize with, to be a support to. It’s a standalone. Or so I wish. It irrevocably connects to its past, to its sources. Many threads have been drawn from many spindles to knit it. Some were planned, some not. Some were conscious, some not. And then there’s also an atmosphere. A socio-sonic environment. It’s where the listener comes in with all her baggage. And joining happens – through very particular nodes: those who moved to it, those who pressed buttons so it became a recording, those who thought about it and searched for moves, those who organized the sounds, bodies, reflections, feed-backs, and experiences. And then, reaching the ears and auditory cortex the music reorganizes itself again. Thus, it has an irrevocable future, and more resonance.
Albatrosses: it’s how they looked like, how they moved. It’s how they were called, how they named themselves and carried that name proudly.
I’m grateful to: Maja, Urška, 4H of 2016/17 SVŠGL class, Igor, Tina, Matjaž, my Patreon patrons, Emanat, SVŠGL, Iljus Wifmo, The Internet, Little Simz, and Dmitri Shostakovich.
credits
released July 31, 2017
written and produced by Luka Prinčič
piano and theme by Matjaž Predanič (1,2 and 7)
mastering by Igor Vuk
illustration by Emma Lazauski
design by Tina Ivezić
this release is part of Netlabel Day 2017, go to netlabelday.com to listen and download from more than 100 free digital music releases.
mastered by pheek
Instruments used on this record: Human voice alongside Arturia Microbrute Analog Synthesizer & Korg MS-2000, all echoing in a cave.
It is in these terms that I understand Música Inmobiliaria’s work – parallel project of José Gallardo -, titled ‘Dance’, as part of human reality, ‘Who could say that they have never danced?’
Now, the currents of dance music are extensive and for all tastes. What summons us is electronic. A rich sound of featuring classic analog sounds, old-fashioned electro along with vocoder, there is glitch, synthesized strings pads, powerful sinusoidal basses, in sawtooth and squares, TR-808 sound and a robotic voice that says ‘I want to dance’… Why not do it? It even has a rumba to Jean Michel closing the album to enthuse you.
An album with taste and flavor, with textures that, in an imaginative way, present us with a different, experimental and successful dance music. All in good time with Música Inmobiliaria.”
Eduardo Yáñez Torres aka Gozne
(Quilpué, Chile. Julio / July, 2017)
Nel caldo estivo arriva un brivido dark ambient, un giro nei meandri di incalcolabili pazzie e bianche muri che assetati aspettano schizzi di sangue. In Your Ears ha nuovamente l’onore di pubblicare una traccia di Snowfade aka Marco Grosso, una delle migliori menti elettroniche del nostro paese e non solo, ascoltando Solitude lo potrete capire molto bene.
Accogli l’incubo.
In the warm summer comes a dark ambient thrill, a ride in the meanders of incalculable madness and white walls thirsty waiting for blood sketches. In Your Ears is again honored to publish a track of Snowfade aka Marco Grosso, one of the best electronic minds in our country and not only, listening to Solitude you can understand it very well.
Get the nightmare
Part of the fun in making a theme like this was that it left the artists open to interpretation. It could be literal, metaphor, allegory, or any of other ideas that the artists had in mind. And there are fifteen very different perspectives on the storms in our world today.
But there is also a consistency to this release. It’s not just a collection of recordings thrown together. Each artist has contributed a work that fits within the theme, making for a recording that is more experience than it’s predecessor.
The seventeen tracks on Into The Rift Volume Two represent a lot of different thoughts on the world, right now. But, I am optimistic about one thing: this is a work that will transcend current events.
A few tracks revisited from the remastered back catalogue, but plenty of new sound to get your thoughts drifting back to far away places a long time ago.
Bonus track from 4T Thieves as track 28 if you download the entire album. All mastering by Mnemonic and ‘The Dark Crooked Tree’ by Lovekrafty features Tasman on the electric mandolin / violin.
Written/Composed/Performed by Simon Pyke
Mastering by Matt Subjex
TRACKLIST:
01. Chang Tang (2:42)
02. Tibetan Plateau (2:44)
03. Socota Island (2:27)
04. Koryak Okrug (2:12)Bouvet Island (2:17)
06. Ittoqqortoormiit (2:03)
07. La Rinconada (2:44)
Have a nice alchemical audio experience.
A great introduction to the hot summer months by Circa State.
Mastering by Mnemonic Studios.
