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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

We Fall – Sine Lime Paradise

We Fall – Sine Lime Paradise
[20k378]

We Fall

“Sine Lime Paradise”

New year, new sounds! Enjoy with us this epic length ambient/soundscape/experimental release from artist We Fall. Generator bleep bubbles and hazy drones abound.
all rights reserved
posted 10 January 2024

Makunouchi Bento – The Virtual Bluescreen-Collar Choir (Live at Progress. Paradigm Shifts #5)

Makunouchi Bento – The Virtual Bluescreen-Collar Choir (Live at Progress. Paradigm Shifts #5)

Makunouchi Bento

“The Virtual Bluescreen-Collar Choir (Live at Progress. Paradigm Shifts #5)”

The recording of our live act from “Progress. Paradigm Shifts #5” (18.11.2023, Muzeul Corneliu Mikloși, Timișoara, Romania), powered by Simultan, curated by Arne Hendriks & Ștefan Tiron.

www.facebook.com/events/1139362020111750/

00:00 01 Intro
01:28 02 Blu Marin Messa
05:32 03 One Strung Counterpoint
11:55 04 Director’s Barbers Moment
15:38 05 The Pink Trombone Thief
19:58 06 Our Lady of the Soup Kitchen
26:12 07 Cantata for Cats and Spoons
31:56 08 Tatar Throataches
38:13 09 Daydream in the Factory Dispensary
43:59 10 A Serpentine Queue to Folly

-̖͑-̑̋͂–̝̤͉̘̜͚-͕̩̤͓̹̼̝ͯ̑͐̉͛̔ͭ-̲͖̗̣͙͎ͦ͑͗̉̔̒-͚͔̩͐̊ͤ̚ͅ-͖̫͔-̥͉͎͎̫̝ͮ̇̓̆̂ͧ-̱̲̙͓͊̐ͣͫ—-͚̦̤̙͎̑̀̒ͬ̋͆ͅ–̙͔̲̗̮̰ͤͤ́̅̆ͥ–͈̥̻̬̹̀̎̽̎ͨ-̬̗͍̼ͯ͛̽̒-̠̤̒ͬ–̳̫̒̒-͐-̪̹̪͆̒͂-̗̉-͈̄–͔̮̦͚̀̅̂͑ͦͮͅͅ-̥̺̫ͯ̓̚-ͣ͒͂̽̔-̺̘͙̌͒̊̾ͅ-̹͔̝̗̙̱–̳̯̻̬̦͕̯̆̐ͦͣ̌̈̊-̖͔̦͎̭̰̓̂̅͆̂̿-͇̫̏͒-̞͉̻̳̗̺-̃̏̈́́͒ͯ͋–̩̲͓̮̳͌ͬ̇ͤ̚–́-̰̱-̥̜̲̦̥̺—-̭̙͇͓ͦ͊ͤ͐ͧͅ-͍͎̙͚͖̜̺͂͛̋ͪ͋͒ͮ-̰͍̩͕̣̤̝ͧ̍̎̄̊͌̒-ͭͭ̄-̤-̈́̇̚–̭͖ͯ̓-̘̭̠͉̫-̿ͤ̽̊̂-͚̬̫͚͑͋ͩ̽-͉-̻͍͚ͅ–̠̝̞̟̾ͣ͛̚–̭̯ͮ͛-͔͌-̻-̰̏-͈̼̙̯̞̀̃̇ͥ̑-̩͎̫̖̖ͩͥ̑͑ͫ-͇̬̺͕̤͑̈́͌͋̓-̩̱̻͖͑̀̓ͭ-͖̠̠̉̃̿-͇̰̲͔̫͎ͅ-͈̼͖̳̠̼̔͛̅͛̎̂-̲͖̗̪̬̬̤ͨ̂̔̎͑ͣ̚-̄̇-̦̹͎̝̲̺͎-͋̄ͧ-͇̣̲̼̞ͯ̉̈̓ͫ-ͪ-̦̠͚̤̘̲͔ͨ̔̀ͤ͌̓̚-̱-͈̬̹̎͒̚–͕̰-͌̊̈͗ͨͭͨ-͇͖̦̈̓͆-̙̝̹̪̯͉̟̓̾͋̔̀͊̚-͓̜̓͆-͛̀ͪͨ-̹̟

Ladies and gentlemen, welcome to the sonic journey of “The Virtual Bluescreen-Collar Choir”. This experimental music project delves into the realm of the surreal, where technology meets the nostalgia of a bygone era.

Inspired by the working men’s clubs of yesteryear, where camaraderie and community were forged through song, we have created a virtual choir that pays homage to these forgotten spaces. But here’s the twist – our choir consists solely of synthesized and re-synthesized voices, blending the past with the present in a futuristic soundscape.

As French philosopher Jean Baudrillard once said, “Simulation is no longer that of a territory, a referential being, but rather that of a code, a differential equation.” In this vein, The Virtual Workmen’s Choir challenges the notion of authenticity and questions whether technology can truly replicate the human experience.

Our soundscapes transport listeners to a world where the boundaries between reality and fantasy blur. Imagine strolling through a smoky, dimly-lit room filled with the echoes of laughter and chatter, only to find yourself enveloped by a cappella harmonies that seem almost otherworldly. That’s what you’ll encounter in our virtual choir, where the synthesized voices take on a life of their own.

But there’s also a hint of melancholy woven throughout our compositions. As German philosopher Martin Heidegger mused, “The essence of technology is by no means anything technological.” In simulating the voices of a lost community, we’re reminded that progress often comes at a cost. We ponder the price of innovation and ask: What do we sacrifice when we exchange the warmth of human connection for the convenience of digital reproduction?

And yet, within this dreamlike atmosphere, we discover a strange sort of beauty. Our virtual choir becomes a metaphor for the fragmented nature of modern society, where individuals come together virtually but remain disconnected physically. It’s a reflection of our times, where social media reigns supreme and online personas supplant face-to-face interactions.

So let us embrace the surrealism of The Virtual Bluescreen-Collar Choir, allowing ourselves to be enchanted by its haunting allure. Let us ponder the philosophical underpinnings that govern our relationship with technology and confront the existential queries it raises. For in doing so, we may just uncover hidden truths about ourselves and the world we inhabit. Thank you for joining us on this thought-provoking sonic adventure.

–ͫ̔͂̐̅-̗͙̦̯̙͈̻̐ͫ͋͂͌͌̌–̻̱̦̯̈̃ͭͫ-̪ͥ-̱̗̼͔–ͫͧ̇ͨͯ-͇́-̥-̰̻̰͚̃͗͛̂̌̃ͅͅ-̞-̣͛-͓͕̦͙͒̀̓̂-̼͇ͤ́-̦̪̘̮̝͚̄͌͌̆̑ͪ-̻̟͚͎͙̈ͣ̔́̚-̆̊-͌̿ͤͤͥ̊̚-͓̮̤̥͖–̲̟͙̞͕͙-͓̤͙̫͒͑̈́ͪ-̈́̽ͮ̾̐ͦ-̗̥̼̣͖̳-ͬͨ̎̉–̪̗̙̙̜̮̓͐ͥ͒̐ͦ̋ͅ-̭̘̈́̍-̘ͦ-͑-̳̱̓̿-͚̈́̚ͅ-̤͓̯ͅ–̩͉̠̟̯̘-̟̹͓̥̠͎̘̾͑͐͛̃͐ͮ–͖̙̀͆̚ͅ-̪͕̒ͭ-ͅ—-̯͇̟̙ͯ͛̈́͆-͕͔͕̬͔̙ͅ-̥̦͉̓́̇-̾ͦ-̦̼̱̞̘̬̆̆͂ͨͦͬ-̖̻̟̯̮̫̘̎͌ͪ̆ͮ̒̊-͑ͥͭ̓ͦ-̩̯͙ͣͪ̓-͖̯̣̹-̻̠̼͕̻̬̥ͬ̈́͐ͣͬͦ̅–̦̳-̜͉͚̺͇̠̥-̥̗͈̮͚̝-̫̞-͈̭̤͓ͨ͆ͫ͒̋ͅ-͙͖͚̥̻̘̩͛͒ͮͧ͛͒̎-̪̖͕̣̻ͥ̊͊́̀—̩͍̹͌̋̈́–̈́ͨ̏ͭ̽̚̚-͇̳̜̒̔̈́-̬̰̙̠–̰̭͈͖̹͈ͩ̿̽̀͂̐-ͧ-̩͊–̱̙̹͔͑̑ͦ̋-̬̫̳-̬͌–̫̥̦̗͎̦̄͐̀̍̓̇–͖-͍̭̫͕̬̽ͬ̋̒͌-̱̠̼-͖͓̅̅-͎̜̺̊ͦ͐-͙̻͕̼̬̜ͧ͂ͧ͛̓ͤ-̻̮̅ͯ-̑ͪ͆-ͧ͋͒-

Doamnelor și domnilor, bine ați venit în călătoria sonoră a „The Virtual Bluescreen-Collar Choir”. Acest proiect muzical experimental sondează profund tărâmul suprarealismului, unde tehnologia întâlnește nostalgia unei epoci trecute.

Inspirați de cluburile de altădată ale bărbaților muncitori, unde camaraderia și comunitatea s-au făurit prin cântec, am creat un cor virtual care aduce un omagiu acestor spații uitate. Dar iată întorsătura – corul nostru este format numai din voci sintetizate și resintetizate, îmbinând trecutul cu prezentul într-un peisaj sonor futurist.

După cum spunea odată filosoful francez Jean Baudrillard, „Simularea nu mai este aceea a unui teritoriu, a unei ființe referențiale, ci mai degrabă cea a unui cod, a unei ecuații diferențiale”. În acest sens, Corul Muncitorilor Virtuali contestă noțiunea de autenticitate și chestionează dacă tehnologia poate reproduce cu adevărat experiența umană.

Peisajele noastre sonore transportă ascultătorii într-o lume în care granițele dintre realitate și fantezie se estompează. Imaginați-vă că vă plimbați printr-o cameră fumurie, slab luminată, plină de ecouri de râsete și vorbărie, doar pentru a vă regăsi învăluiți de armonii a capella care par aproape din altă lume. Asta veți întâlni în corul nostru virtual, unde vocile sintetizate capătă viață proprie.

Dar există și un indiciu de melancolie țesut în compozițiile noastre. Așa cum medita filozoful german Martin Heidegger, „Esența tehnologiei nu este în niciun caz ceva tehnologic”. În simularea vocilor unei comunități pierdute, ni se reamintește că progresul are adesea un cost. Reflectând la prețul inovației ne întrebăm: Ce sacrificăm atunci când schimbăm căldura conexiunii umane pentru comoditatea reproducerii digitale?

Și totuși, în această atmosferă de vis, descoperim un fel ciudat de frumusețe. Corul nostru virtual devine o metaforă a naturii fragmentate a societății moderne, în care indivizii se unesc virtual, dar rămân deconectați fizic. Este o reflectare a vremurilor noastre, în care rețelele sociale dețin supremația, iar personajele online înlocuiesc interacțiunile față în față.

Așa că haideți să îmbrățișăm suprarealismul Corului Virtual Bluescreen-Collar, lăsându-ne vrăjiți de farmecul său obsedant. Să reflectăm la fundamentele filozofice care guvernează relația noastră cu tehnologia și să ne confruntăm cu întrebările existențiale pe care le ridică. Căci, făcând acest lucru, este posibil să descoperim adevăruri ascunse despre noi înșine și despre lumea în care locuim.
Vă mulțumim că v-ați alăturat în această aventură sonoră care provoacă gândirea.

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posted 09 January 2024

Ženy & Orkestar – Kasárna Karlín

Ženy & Orkestar – Kasárna Karlín

Ženy & Orkestar

“Kasárna Karlín”

releases January 11, 2024

Stanislav Diviš – dirigent
Jan Faix – klávesy
Vojta Havel – violoncello
Jan Havlín – zpěv
Jakub Havlín – zpěv
Mikoláš Chadima – saxofob, příčná flétna
Martin Janíček – ozvučené artefakty
Ondřej Ježek – kytara
Josef Jindrák – basová kytara, zpěv
Jan Jirucha – trombon
Martin Záchod Choura – zpěv
Zdeněk Konopásek – bicí
Michal Kořán – elektronika
Martin Kyšperský – zpěv, hračky
Petr Marek – housle, zpěv
Marcín – zpěv
Dan Mráz – zpěv
Petr Nikl – rozličné drobné nástroje
Zdeněk Hmyzák Novák – zpěv
Roman Plischke – saxofon
Pepa Pondělík – zpěv
Petr Komár Soudek – zpěv
Ivo Štefan – zpěv
Jára Tarnovski – Sampling, Field Recording, Fx, Noises

nahráll Lukáš Polák na koncertu v Kasárnách Karlín 2. 11. 2022
mix Ondřej Ježek, Studio Jámor, 2023

koncertní plakát: Carton Clan
foto: Soňa Pokorná

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posted 09 January 2024

Alexei Borisov and Jelena Glazova – Entrance to Hades

Alexei Borisov and Jelena Glazova – Entrance to Hades

Alexei Borisov and Jelena Glazova

“Entrance to Hades”

Alexei Borisov – live electronics, tapes, voice
Jelena Glazova – voice, laptop, controllers
Moscow – Riga, 2023

Full album available for free download at: www.panyrosasdiscos.org/pyr327-alexei-borisov-and-jelena-glazova-entrance-to-hades/

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posted 09 January 2024

Takuro Takeda – ETHEREAL

Takuro Takeda – ETHEREAL
[mi308]

Takuro Takeda

“ETHEREAL”

“Extremely light and delicate, as if not of this world” is the definition of Ethereal in the Online Cambridge dictionary.

On this record, electronics and field recordings intersect in a dialogue between the earthly and the ethereal.

There is something visceral in these sounds, in this combination of noises, organic and minimal sounds.

Halfway through the record we enter a hypnotic trance, we ascend to a place of peace and harmony and then, in go, we become irritable, disruptive and we come in direct confrontation with our brain.

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posted 05 January 2024

Mente​-​Atada / Disfigured Robot Child – Mente​-​Atada / Disfigured Robot Child

Mente​-​Atada / Disfigured Robot Child – Mente​-​Atada / Disfigured Robot Child
[GoH-466]

Mente​-​Atada / Disfigured Robot Child

“Mente​-​Atada / Disfigured Robot Child”

GoH-466: Mente-Atada / Disfigured Robot Child
Two harsh noise improv titans joint forces to attack your ears with streams of sonic violence and psychedelia.
all rights reserved
posted 04 January 2024

Tristan Sotomayor – Conjunto Vacio

Tristan Sotomayor – Conjunto Vacio
[pn228]

Tristan Sotomayor

“Conjunto Vacio”

A journey into emptiness, into the unknown of a knowledge that, because it is known, is forgotten. When the learned becomes commonplace, it disappears, and a new language is constructed to hold ideas. In Tristán Sotomayor‘s “Conjunto Vacío” (“Empty Set”), the primary focus is the body, the way it encounters experience and listening; what is forgotten becomes instinct, ways of inhabiting and traversing the world and its landscapes.

Elements, stories, signs, traces, and references unfold amid pristine, dark, and evocative spaces that challenge and reveal, paraphrasing the musician, artist, and writer David Toop, in sequences where the solid, fixed, stable, and concrete dissolve into the depths of the singular, different, deterritorialized, and immersive.

We witness the construction of a story made up of 7 fragments in which intensities coexist with expansive or contained spaces, traversing moments filled with absorbed information in chiaroscuros that subtly show and hide the place where the sounds originate and coexist.

An invitation to listen to the abstract nature of space, its designs, and structures; the ideas through which one can “float freely in a liquid space of nonlinear time”, as Toop also wrote. It presents an ethereal world translated through aromas, silences, and noises that give meaning in circumstances that constantly change. “Conjunto Vacío” is the sound and image of a story that possesses its own language to narrate the world, its course, and intensity.

Sebastián Herrera
(Santiago, Chile. January 2024)

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posted 03 January 2024

Various Artist – EPOCH

Various Artist – EPOCH

Various Artist

“EPOCH”

Artists were given the single word ‘EPOCH’ to interpret with whatever audio they deemed appropriate. There were no instructions other than a deadline for contributions.

Releases by Andreas Brüning, Audiomat, Dental Drill Slips, GLOBAL SYSTEMS INTNL., and WarpCensorcan be found elsewhere on the TCFSR bandcamp.
—————————————————————————————-\
—————————————————————————————–>
—————————————————————————————-/

We are pleased to welcome three artists from Burnt Seed Records of Western Australia burntseedrecords.bandcamp.com
Lost Ether lostether.bandcamp.com
Bilg burntseedrecords.bandcamp.com/album/sprouted-volume-i dogparkrecords.bandcamp.com/album/rain
Scientia scientia.bandcamp.com

Releases by vacant possession are at vacant possession records and <1
vacantpossession.bandcamp.com
lessthanone.bandcamp.com/album/return-of-the-dark-ages

Andreas Brüning, in addition to his solo work, is part of various groups:
Audiomat tcfsr.bandcamp.com/album/audiomat
Gruppe BASS tcfsr.bandcamp.com/album/extended-technique

Digital releases by Unearth Noise are at unearthnoise.bandcamp.com
Vinyl and cassettes from lullabiesforinsomniacslabel.bandcamp.com

Autistatic releases are at autistatic.bandcamp.com Also, he runs the Zenflesh Records label zenfleshrecords.bandcamp.com

Amina aminamusic.bandcamp.com is an ambient incarnation of Argentinian creator also known as Dyb dybmusic.bandcamp.com

Releases by GLOBAL SYSTEMS INTNL. are on the Hand Canyon Label handcanyon.bandcamp.com and also at globalsystemsintnl.bandcamp.com

EPOCH is the 15th TCFSR Solo Word project, following Twilight, NEW, OLD, Agency, Zucker, Melancholy, Anteontem, Cloister, EARTH, Geräuschkörper, Yellow, Sentience, RUST and AIR.
tcfsr.bandcamp.com/album/twilight
tcfsr.bandcamp.com/album/new
tcfsr.bandcamp.com/album/old
tcfsr.bandcamp.com/album/agency
tcfsr.bandcamp.com/album/zucker
tcfsr.bandcamp.com/album/melancholy
tcfsr.bandcamp.com/album/anteontem
tcfsr.bandcamp.com/album/cloister
tcfsr.bandcamp.com/album/earth
tcfsr.bandcamp.com/album/ger-uschk-rper
tcfsr.bandcamp.com/album/yellow
tcfsr.bandcamp.com/album/sentience
tcfsr.bandcamp.com/album/rust
tcfsr.bandcamp.com/album/air

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posted 02 January 2024

noxpox x humanfobia – 🔥Carrie White Burns in Hell​🔥

noxpox x humanfobia – 🔥Carrie White Burns in Hell​🔥
[None]

noxpox x humanfobia

“Carrie White Burns in Hell​

This is a witch house, vaporgoth, industrial/experimental EP inspired in the classic horror movie: “Carrie (1976)”

– Most stems, sound design by noxpox.
– Composed, mixed, remixed, additional sounds, sound effects, artwork collage by Sábila Orbe.
– Model in the cover. vocals in tracks, 3,4 & 6: Mist Spectra.
– Pictures of blonde women generated via bing and craiyon image creators.

noxpox is an experimental, idm, industrial artist from Germany.
for more of his work visit:
noxpox.bandcamp.com/
soundcloud.com/search/people?q=noxpox

Humanfobia is a witch house, ghostly experimental music duo from Rancagua, Chile. Members: Mist Spectra (lead female vocalist) & Sábila Orbe (sound mixer, male vocals)
humanfobia-official.bandcamp.com/
open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
archive.org/details/fav-mist_spectra
hearthis.at/humanfobia/

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posted 31 December 2023

Studio 112 – L’ Exploration Des Vertiges Vol. 2

Studio 112 – L’ Exploration Des Vertiges Vol. 2
[LCNLP183]

Studio 112

“L’ Exploration Des Vertiges Vol. 2”

The necrophile hummingbird netlabel present L’Exploration Des Vertiges
Vol. 2 by Studio112.

“Pataphysical Music for Space Dada”

The future where we live is a bad joke.

Studio112 is the main project of Alain Grille also electric guitarist and musicmaker in Multiple Personality 3 / PIRATE Tapes / EVA Vertigo / TKno BeurK / REfugEEs From Beyond / Invisible Illusion / MK-Ultra

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posted 21 December 2023

Wave Resistance – Cooper Pairs vol​.​1

Wave Resistance – Cooper Pairs vol​.​1

Wave Resistance

“Cooper Pairs vol​.​1”

Released December 20, 2023

“In some cases, during jam sessions, it is possible to reach a certain interesting state, during which intriguing compositions are born, which often do not require further post-processing. Such a unique creative phenomenon of musician collaboration resembles the pairing of electrons into Cooper pairs in a superconductor. The classical theory of superconductivity states that, below a specific critical temperature, electrons in a metal pair up to create bosons called Cooper pairs. These bosons form a phase-coherent condensate that can flow through a material without scattering – the result being superconductivity.

“Cooper Pairs vol.1” consists of three compositions: the first was recorded with Room V during numerous sessions in the pre-pandemic years in Moscow and its suburbs, the second was realized in collaboration with Fukte in 2019 in Crespano del Grappa after performing at “Noises From The Basement” in Belluno in the Dolomites, northern Italy, and the third recording was born as a result of a jam session with II:II during my last visit to St. Petersburg after performing at Sound Museum in January 2022, before leaving for Australia. All tracks combine a unique blend of genres. “Machine” is experimental techno and IDM, resulting from the combination of the sounds of analog modular and digital synthesizers. “Breakdown” is a mixture of noise from DIY electroacoustic instruments with experimental electronics, while “Collapse of Empire” is rhythmic noise and dark ambient with processed electric guitar.” –Theo Kovalev a.k.a. Wave Resistance

Wave Resistance is a project of Theo Kovalev (also releasing as Waldgrenze), an experimental electronic sound laboratory circa 2013 based under Moscow and currently in Australia. The project is focused on IDM, post-industrial, techno, rhythmic noise, dark ambient and experimental electronic genres. A philosophical journey to the reverse side of our world and consciousness through the language of the technogenic music. Besides on Mahorka, Wave Resistance has released albums on Abstrakt Reflections (Argentine), CRL Studios (USA), Eternal Turns (Russia), Noyade Records (Russia) and Null Sonics (Russia).

Room V, the project of Vadim Rumyantsev, formerly releasing under his name, represents a significant evolution in his stylistic exploration. While once confined to the exclusive realms of drone-ambient, Room V now ventures into uncharted musical territories. This evolution is marked by the seamless integration of dynamic rhythms and broader melodic lines, moving beyond the initial ambient confines. The project skilfully blends soundscapes influenced by Rumyantsev’s experiences in south-east Asia with emotive moods inherited from other corners of the world. In essence, Room V has transformed into a multi-dimensional sonic journey, capturing the artist’s willingness to experiment and explore beyond previous constraints.

Fukte is the main project of Fabrizio De Bon who is also the owner of the label Toxic Industries. The sound of the project is mostly Harsh Noise with HNW and industrial influences.

II.II is experimental electronic music project from Moscow, Russia, created in 2018 by Vorobiev Andrey, also known with the projects: ἐγρήγορος, Echo Сoma, p3o, Mesosphere, The Crawling Chaos, Ил, Cдоба, Magnetic TarTrap. The project name can be read as “11:11”. The music is performed on the analog modular synthesizer. It’s atmospheric and cinematographic, it slowly crawls into the frame like a black cloud of giant sprout and rolling everything around the not transparent darkness. Distant industrial bits and smooth bewitching drone, all as you love. Rumours are that his musical developments he leads secretly, in abandoned old factories, conducts mass on radioactive graves in Russian forests and he suits underground festivals in deep forests.

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posted 20 December 2023