We welcome the first release of french artist (writer and musician) Aloyse. His refined electronic music evolves between ambiguous shifts and clear lines, using fuzzy textures, subdued melodies and sparse, fragmented beats. This diversity of approaches is also reflected in the reinterpretations by 8 other artists who remixed the 4 original tracks :
Stoé OrkéoPresentation of the project by Aloyse : ” Sound of the selves is a sound project between field recording and the art of sampling designed to be listened to during a stage performance. Shown in various places in Paris the performance “Parachute”, presented by the theatre company Machine, consists in a mobile dome under which one comedian faces one spectator. A couple of minutes to save the world from its delusions, a moment of intense intimacy before the world and its chaotic noise repeat themselves.
Sound of the selves is also an invitation to think and recreate the bound between the voices of the world and the voice of the machine: 8 musicians with variegated backgrounds offered an edit of one of the tracks in order to push one step ahead the endless communication between the creative forms of life.”
“Landscape of the village with the smell of forest, milk and freshly baked bread (2018)”
Альбом проекта под названием Gradatsiya. Представляет собой 30-минутную атмосферную, успокаивающую, обволакивающую и умиротворяющую эмбиент-сессию. Атмсоферности данной записи придают некоторые звуки природы, звучащие на фоне. Почитателям данного жанра крайне рекомендуется.
recorded by Jens Rosenfeld in Darmstadt in November 2017
mixed and mastering by Jens Rosenfeld in May 2018photography and design by EMERGE
This time Circuitnoise explores the coronal loops of the sun. The magnetic flux within the solar body gets twisted and mangled and create these giant loops. These loops of fire are emitting electromagnetic pulses, which could be recorded by radio telescopes all over the world.
On the search for new sounds Circuitnoise uses the electromagnetic sounds of the sun and combine them with electromagnetic fieldrecordings from earth to a dark, rumbling and screaming sound collage.
The coronal loops of noise is a trilogy consisting of the recordings matter, fusion and core.
recorded by Jens Rosenfeld in Darmstadt in November 2017
mixed and mastering by Jens Rosenfeld in May 2018
The Portuguese Wal Thisney is one of the main protagonists of the underground world of netlabels, a tireless producer of beautiful records and accessible to all through the name your price formula.
His works have been released on many of the world’s best netlabels, and we are very honored to publish his work. His music is something that could be called neo classical, and it is a pleasure to be enjoyed calmly and without haste, letting everything flow.
Wal Thisney is the demonstration that out of the market there are beautiful music, made by characters who deserve great attention.
36. Futurologischer Congress recorded by der schlachter at studio glasklinge zeitenlicht from 2016 – 2018
70’s – 2018
This album shows points of my life that were important, which have influenced me, or which have happened to me.
track 10 with Vava Vol (vavavol.bandcamp.com)
track 013: text by Eisenlager glasklinge zeitenlicht, Voice by Miriam Christina
Frozen Clinamen is a new serie of works started by Failure Circle (a solo project of Kecap Tuyul) in autumn 2017. It follows a simple method inspired by the the possibilities of his no-input mixer set-up and the will to use a limited sound material in a posteriori compositions. Frozen Clinamen #1 was recorded and mixed between november 2017 & june 2018.
step (1) Tweaking the set-up until it produces some seemingly autonomously self-sustained sound sequences.
step (2) Stopping tweaking and recording for at least 20 minutes without any intervention on the set-up.
step (3) Repeating steps (1) & (2) several times.
step (4) Using the generated sounds as only source in a posteriori compositions. The only variations used while mixing are equalization, panoramics and volume levels.
step (5) play it at low/high volume with open/closed window while complety asleep / fully conscious.
Lucas Alvarado is composer/producer/sound artist & viola da gamba player. He’s currently working on superconscious sound researchers, experimentation, free impro & eclectic DJ sets under the Huemul project.
Specialized in ancient bowed instruments, playing viola da gamba, vihuela de arco & violone in early music ensembles.
“Indr0 is the artistic moniker of Carlos Píscopo and it is an experimental music project, with influences from dark ambient, industrial, noise, drone and electronics based in sonic deconstruction and with cultural studies serving as a political and theoretical foundation.
His music is extremely cold, dark, at times suffocating, with care taken in its purely desolate, instrumental aesthetic, populated with climates of rusty, scratchy plains, and full of images.“
Curador del sello Sonido Atmosférico
(Córdoba, Argentina. Julio / July 2018).
Stillborn Blues‘ 3rd album (originally released on cd-r in 2010) has the same old typical style : plaintive melancholy, detuned guitars, lo-fi recording, awkward playing muffled by the abuse of reverb and delay – all the ingredients for a low-profile soundtrack for lazy dreamers and restless losers in need of a pretext for spending the day watching the ceiling. Now that the music is on you can close the curtains and go back in your bed.
Following on from his slow burning self-released cassette “Unweather”, “lutra” is the first CD release by smallhaus (AKA South London based guitarist, electronicist, percussionist David Little). It expands his singular sound environment into a full-screen, full-colour and hugely enjoyable collection.
At times this almost feels like a tribute to the classic sounds of 70’s ambient – the choral textures, the infinite guitars, the synthesizers, but it’s done with a knowing wink and a contemporary layer of grit and dust. But mostly it’s an enveloping, immersive wash of precision moulded sound.
Yesterday was today.
Tomorrow will be today.
The frontier between oustide & inside just gets a bit more blurred.Recorded live at the Zorba, Paris, France, on february 24, 2018.
Mixed by Jossé.
Artwork by Torbill.
Mason is the new project from Abe Mason (Thirteen Fingers, Church of the Tin Vagabond) Harsh Cut-ups, industrial ambiance and field recordings are utilized to create a project that is personal, evocative and dynamic. Inspired by Purgist, Facialmess, Kuzuma Kubota, Kazumoto Endo, Chris Goudreau, Harness, Developer, Enephalophonic and Constrain.
Wolf Wrams constantly explores human psyche, the emotion that arises from it and influences it making further steps towards heights and after that falling down into the abyss. Birth, life and death, and then another birth are the results of it. That is expected from Entropy, perhaps all Wolf’s songs are entropic.
Mercury is an album in wich the sounds used (improvisations with percussion metal plates and storms field recordings) work into a different perspective on dark ambient, Nieto hasnpt used melodies or ornaments to make the listener more “friendly”, It’s the transformes sounds that sustain the album and need attentive ears to be enjoyed.
“Artificial Thoughts” is the first Zzy‘s album. The story of this album is about two different realities: the humanity and the machine revolution. In other words, this work criticizes “the modern society” and their addictions. Do humans control the machine or does the machine control humans?
The technological revolution an its progress seems to us unbreakable and doesn’t show signs of ending.
Will we all be dominated by the machine? Is this our end?
“Artificial Thoughts” is struggling with those questions that have no concrete answer. However, the future looks dangerous and THE HUMANITY has to make decisions to survive in this game, against the endless evolution of the machine.
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