Weldroid returns to S27 with “Apprentice of Chaos”, an art experiment that attempts to re-imagine the soundtrack of the Netflix show “The Witcher”. Click on the tracks to watch the visual accompaniments to the album.
credits
released October 31, 2022
Production / Mastering by Weldroid (Tamas Zsiros)
weldroid.net
![Various Artists – New Hearts [Special Launch Number Fifty]](https://f4.bcbits.com/img/a0897215065_10.jpg "Various Artists – New Hearts [Special Launch Number Fifty]")
New Hearts is a special compilation on the occasion of our fiftieth launch, this special launch is in charge of both emerging and established artists who make very inspiring and interesting music but who we think deserve to be heard more and receive more attention.
This compilation is intended to showcase new artists who deserve to be more valued by giving them a space to publish their music and that the right ears are the ones who truly appreciate them… all of them are characterised by making well planned music full of feelings.
For this compilation we would have loved to include many more artists but for the time being we will have to limit ourselves to this handful of hearts for this surprise for our 50th release.
We are excited for this special release and want to thank you for listening, appreciating and appreciating what we do here, without you we could not go on.
An eternal thank you from everyone involved and members of this project.
____
This phonograms is a protected intellectual work in favor of its producer. Rights protected. ℗ & © 2022 Secuencias Temporales. The rights of this phonogram are recognized by the Federal Copyright Law.
Its production, reproduction, import, storage, transport, distribution, commercialization, sale or lease is prohibited, as well as its adaptation, transformation and direct communication to the public without the prior written authorization of the owner. The violation of this prohibition constitutes a crime and an infraction that are sanctioned according to articles 424 bis, 424 ter, of the Federal Penal Code; 232 section III and 232 section I of the Federal Copyright Law and other applicable regulations in force.
Mastering by Eafhm at Secuencias Temporales Studio in México City.
Secuencias Temporales ℗ & © 2022 – All Rights Reserved
released October 17, 2022
the 31st of july we released visuddhi (ogredung #16), composed by our virtuesman purusha, before leaving for the summer vacation. it was a weird ambient d’n’b track, with some trigging inflections brought by a style he would define as ‘ceramics’.
well our new musician hexa, from japan, is a master of idm/ambient/breakbeats, and seems to compose his music by reminding the track named above, with great deepness and emphasis, that is.
xpecially this c o [dub], astonishes us, as if a deep, melancholic melody slowly grows up from the very depths of our hearts, and once in our head, we can’t do anything but let it take us to the heavens.
Release Date: 2001/10/11
Long-awaited 1st album by λμκικαζε in the last row of the Breakcore scene.
Track Listing:
01. low
02. 5円
03. アーメンは正直だって言ってんの
04. 奈落
05. 嘘ノ怪物哨戒班
06. 踊廻
07. 鯨
Music by λμκικαζε
Artwork by V1V404
Logo Design by LOB3
Design by Occupied Territories
It’s been a long time since we last heard from Zainetica but he’s back with a new album of UK electronica from the heart of London. Oldschool percussion intermixed with ambient and detailed melodies.
released September 28, 2022
(reviewed by Igloo Magazine)
A new collaboration between Floating Spirits (aka Nathan Story) and Nonima/Mitoma (aka Tam Ferrans), FUTURISM is a long overdue release that finally sees the light of day on Section 27. IDM and industrial tinges tangled among glitch and ambient strands as this album sets the stage for hopefully a longer term project. It all comes to a head as the opening track, “Internatl,” and its dark ambient clouds, are submerged beneath a layer of smothered synth streams.
As the release progresses, caliginous rhythms persist; tracks like “Microcapsule” and “Sapient” scrape and crawl their way through unlit corridors and dystopian trails of dust and debris while the IDM-centric and brooding atmospheres of “Thermophosphor” and “Nightide” provide just enough fuel to keep us in constant motion. We begin to ponder what’s evolved before our eyes and ears; Peltiform calmly luring us through these subtle abstractions. The raw energy and dynamism of modern technology simply becomes tangible as each audible slice explores the farthest reaches of sandblasted electronics. We would highly recommend FUTURISM for fans of classic Gridlock as well as current-era industrial-glitch sound sculptors like Access to Arasaka, Subheim, and Stendeck et al.
credits
released September 23, 2022
Album mix / mastering by Weldroid (Tamas Zsiros)
Sounds by Peltiform
(T. Ferrans / N. Story)
Released by S27
Cat No [S27-192]
This is a promotional compilation. The purpose of this project is to promote the existence of newcomers by including only their previously released songs, and to stimulate their activities.
Track Listing:
01. negimiso – Would you like more detailed management
02. rlaghcks – 죽다 사신 여기서
03. lilmajime – it’s just a burning memory 笑
04. xkvzxrv – yukinoparty
05. DJ Cherry Clone – ABYSS SPIRIT
06. UnkoFuckerz – 酒井王国 崩壊
07. マロロンヌ – ikinuki
08. DJ西宮硝子 – ぃι￡彡☆ﾐ
09. Places80 – Dariacore from wuhu island
10. YURUYURU RUNTIME – sounds of water
11. comED – Chronometro
12. Machi – Darkest Before the Dawn
13. hkmori – blankets
14. nr/z – remember
15. pleaseloveme – better off alone (selfloathing mix)
16. combine – gender envy over jesse pinkmans goth landlord gf
Artwork by Atrpntime
Design by Occupied Territories
With summer slowly sliding into autumn, we figured a little contemplative ambience was in order, and Japanese artist Sabi, who released on Mono a _long_ time back with .MODs under the name of Taro, and has since done excellent work for net.labels like Inpuj.
On this EP, beautiful, puretoned sinewaves mix with sampled ambience from real-life, as “Yello Sand Back” gives us the subtlest drifts of sound ever, “Johdo” iterates in the smallest of ethereal beats, and “Uki 3 2” has what sounds like Japanese street scenes twinned with gorgeous limbo-floating wonder.
A prime candidate for Winamp perma-repeat and curiously womb-like, we suggest you make a Freudian statement to be reckoned with, and download four thousand years of eternity, yours for the toying with, courtesy Sabi.
Release Date: 2002/09/14
jacket by かにくみーとい
mabiko character design by cosgaso
mastering by 得能直也
01.back to
02. overcast
03. hallucinate
04. gate
05. magical stick
06. sign of fate
07. without sky
08. paradox
09. memory path
10. reproducibility
//04 gate//
風が吹く 頬を撫でる 日が陰る 夏みたいに
雲が鳴く 星が降る 夢を見られる日まで
//07 without sky//
何回も見すぎて忘れてた景色は
昼過ぎの時計と何処かへと過ぎ去るの
いつもの電線も火照ってる体温も
すべては思い出す夢の中しまわれて
見えているつもりの提出の期限も
忘れないふりして街の電波耳すます
遠く青い空と冷え切った気温にも
立った浮足にもいつの日か気づけない
夢で見たのはすこし違う友達と
明日が来ればもっと遠くなる景色
魔法はいつかそっと通り過ぎていく
照れてた落書きは消したまま
壊れてた日常は静かに手のひらを反して
濁る目で見つめてるMSゴシックの防空壕
あの時ははっきりと見えてた空の向こうの色
確かにしまい込んで
Maltine Records 2022
PPFPESSco [ The Psycho Paranoid Flower Power Electro Shit Song Company]
is an experimental project from Italy. for more music visit:
bandcamp.com/search?q=PPFPESSco&item_type=t
www.discogs.com/es/artist/6842954-PPFPESSco
All music composed by PPFPESSco.
track 4: “Frost” remix of original track by S4lem.-
Logotype by PPFPESSco.
artwork by Sábila Orbe.-
This album contains different track for v/a compilations from cian orbe, witch spectra, paracelsian records and other netlabels.
давным-давно инопланетяне расселились по планете Земля, чтобы сохранить её культурное разнообразие. никто не знает, что из этого вышло, но нам удалось собрать и расшифровать несколько записей из разных стран. лишь некоторые треки получилось адаптировать к привычным нам мелодиям и ритмам, эти записи мы и предлагаем вашему вниманию.
released September 2, 2022
обложка – Leonid Zarubin www.instagram.com/miaou_for_all
анимация – Nutnutz www.instagram.com/nutnutz.art
Our first CD release for over a year features a new moniker to TCFSR, although not a new artist. Steve Tree has been working with Dental Drill, primarily as Except Buses then tourmaline hum since 1985. Over the past decade Steve has released solo work as Lone Cosmonaut. He now steps away from his work as Lone Cosmonaut to create an album of IDM oriented tracks under the name WebCam’.
released September 5, 2022
All tracks & cover image: Steve Tree
Album production & CD pack design: Dental Drill
Getuss 1st EP.
Track Listing:
01. my breackfast
02. open door
03. closed window
04. solid ground
Music by Getuss
Artwork by tayama
Design by Occupied Territories
The album starts with “qap19”. A very powerful track which instantly introduces Kyllönen’s style to the listener. Fast complex beats and high tuned distorted bleeps with clipping treble make your ears bleed. Sweet and relaxing pads and the harsh beats together as contradictions build up a very efficient tune. I love this one.
“Iteca liqer” is a very hard distorted track with tricky beats and distorted speech samples. Not much melodies here except the distorted sweeping bass and almost random like bleeps. There’s nothing radically new in this I think but a great track for hunger of fast and hard beats. Reminds me of AFX’s older works (the harder ones).
The third track “waterworks” is smooth ambient and fits in just perfect after two harder tunes. The filtered watery rhythm effects and effected child-like vocal samples run along with the minimal strings just nicely. To me this certainly isn’t the best track on the ep (well, this is one of Kyllö”nen’s older tunes).
“Qap19” and this fourth track “Threethree” are my favorites on this ep. I just love those pads on “threethree” – the pad sample itself is a very nice humming sample and the melody is really really nice (the best I’ve heard for a while). The comp again is very fast in Kyllö”nen’s style. The track is just too short – if you asked me it could go on for over twice it’s present duration. I was really positively surprised when this one came 6th at assembly music compo. I really love this one.
“Celedo” is something that I had heard long before the rest of the tunes. The melody played with strings, female voices and an ethnic like instruments got to me then and I still think it’s very catchy. Again in this track is a fast beat played with many kinds of percussion and other effects.
The ending track “lost” is FSOL like ambient with reversed pianos and different over reverbed sounds and other effects. Smooth strings and flutes come along playing melancholy tunes. There come different loops of samples like ring modulated rhythmic noises and a nice wind bell loop at the end of the song. This is a great chill out track that suits nicely the end of a great ep.
Although this album would do very nice without some of the older tracks like “iteca liqer” and “waterworks” there are some pearls here too such as “qap19”, “threethree” and “lost”.
90%
-S.Louhela
Release Date: 1999/08/30
Compensating world noise.
Where have the good times gone?
Divided by zero.
Sound artist Pawel Rassolko returns to Phonocake with an album that offers us a sound that fits so really well in this year 2022. It’s not an easy album to listen to, it’s quite demanding, but it’s worth experiencing it as an hour of a concert in sound art shared with the world, expressing themes of confusion, war, longing, nostalgia and fear. Pavel Rassolko makes music for films and is also a writer.
In late 2000, 5 canadians and 4 americans formed dot9 to bring their music together as a collective. Independently the styles varied in large degrees, but often they would come together or team up with another member to write songs or to explore sound and rhythm techniques. Dot9 stopped in March, 2003.
This compilation contains nine examples of that union. They are the favorites of the abandoned and scattered collaborations of dot9. From heavily melodic moments to mind numbing madness, these songs are evidence of the unique combined energy that was dot9.
“what matters the most is nothing matters”
– pinkj
Release Date: 2002/12/19
Re-Release Date: 2004/08/22
Japan edition of “vienuolika” EP with new bonus track!
Track Listing:
01. cold lead
02. song of what now?
03. prunus subg
04. unhinged creatures
05. twelfth
Music by futureisfailed
Artwork by はら
Design by Occupied Territories
The first EP release online from Monotonik, and that quirky English idm-ster, 3818919/w, comes up trumps with some beautiful tracks influenced by everything from Bola through Bochum Welt to Plone.
The lead track, “Nachos Supreme”, is full of wonderfully twisty riffs and nimble drums, and “Ages” and “Cheshire” float into melodic ambience of the slightly surreal, fevered kind, whilst the final tune, “Shift-Break”, uses clunks and robot voices to bring the noise, 1982-style. Good show, old chap.
3818919/w also did the cover for this mp3 to reflect some of his favourite nights down the pub with a plan, a beer, and a plate of tortilla+tomato. Mm, cheesy.
Release Date: 1999/08/15
Anyhow, the tune’s got style, the tune’s got grace, Rita.. oops, I almost started vogueing there. Twilight isn’t peeking, apparently. Oh, and you may well spot a little reference to Hades in the tune. Phew, it’s hot down there. And hot up here too, or would be if ‘they’ cared. Long live the Underworld, err, underground.
Release Date: 1996/08/11
Previous iterations:
FF0000
touched.bandcamp.com/album/ff0000
I/0 DISC
kaer-uiks.bandcamp.com/album/i-0-disc
credits
released July 14, 2022
‘e|m’ font design by Daniel Glaser
danielglaser.de
Audio by exm & Mitoma
Mastered by exm
exmat.bandcamp.com
mitoma.bandcamp.com
Released by S27
Cat No. [S27-191]
