Magliocchi / Northover / Thompson / Okamoto – Music from dreaming skaters

[PT065]

Magliocchi / Northover / Thompson / Okamoto

“Music from dreaming skaters”

Trio 1
Marcello Magliocchi/Adrian Northover/Daniel Thompson

Marcello Magliocchi / drums, percussion
Adrian Northover / soprano & alto sax
Daniel Thompson / acoustic guitar

Recorded at Iklectik – London on April 19th 2016
Recorded by St Austral Sound

Trio 2
Marcello Magliocchi/Adrian Northover/Maresuke Okamoto

Marcello Magliocchi / drums, percussion
Adrian Northover / soprano & alto sax
Maresuke Okamoto / cello

Recorded at Iklectik – London on March 3th 2017
Recorded by St Austral Sound

Cover Photo by Lidia Stranges

Button: by-nc-nd

Onde Poussi̬re РVague Seconde

[Eg0_169]

Onde Poussière

“Vague Seconde”

Vague Seconde, the second album of Onde Poussière, documents the group’s evolution since their beginnings and their first album Silent Rain. Doedelzak now plays interconnected analog synthesiszers, and Kecap Tuyul has dropped the guitar and uses a “no-input mixer” with effects. Their improvisations are based on the creation of unstable situations in which some accidental sounds might happen at any time…
Button: by-nc-sa

fezayafirar – nfo

[ACP 1120]

fezayafirar

“nfo”

Button: by

Gusev/Hoogeboom/Mimlitsch – Trapped!

[TLM010]

Gusev/Hoogeboom/Mimlitsch

“Trapped!”

“Here we are, trapped in the amber of the moment.
There is no why.” Free improvisation soundscapes from Gusev K.P.: electronics/treatments/mixing
Martin Hoogeboom: objects/guitar
Paul Mimlitsch: bassclarinet

dadala – Blues For Richard

[PT064]

dadala

“Blues For Richard”

All tracks edited, arranged / mixed / remixed and produced by Richard Dunlap 2016-2017 from recordings by:
Chris R. Gibson (aka Loopy C)
Roger Sundström (aka Erocnet)
Paul Mimlitsch (aka r369improv)
and André Darius (electric upright bass on trks 3, 7 and 9)
Button: by-nc-nd

Keller/Stadlmeier – transient behavior

[1012]

Keller/Stadlmeier

“transient behavior”

attenuation effect ° 1012 ° 2017
live @ re:flexions – silent series, Ganze Bäckerei, Augsburg, 02.09.17
recording, mastering, photography and design by EMERGE

BEAT KELLER:
Guitarist, multi-instrumentalist, composer and bandleader based in Winterthur, Switzerland.
After graduating as a jazz guitarist from the Zurich School of Music and Drama (Hochschule für Musik und Theater Zürich), Beat Keller obtained a Master of Arts in composition from the Lucerne School of Music (Musikhochschule Luzern).
Among his current projects are Keller’s 10, Gunfire Orchestra (CH/NO/SA), Bowee.Keller (CH), Peckinpah Trio (CH/USA), Beat Keller, Darius Ciuata (CH/LIT) and Tilo Weber’s Animate Repose (DE).

His compositions have been played and recorded by NDR Bigband, Lucerne Jazz Orchestra, Ballbreaker Ensemble, Composer’s Group Ensemble, Keller’s 10 and the Haiku String Trio.
Beat Keller has played concerts at renowned festivals in Switzerland, in neighbouring Europe, the United States and on the African continent.
Record releases on: Unit Records, Alpinechic (both CH), Edition Wandelweiser Records, Attenuation Circuit, Shoebill Records (all DE), Silken Tofu (BE), Plus Timbre (GR) and others.


10Konekt Vs MIXoLive – 10KoLive 3

10Konekt Vs MIXoLive

“10KoLive 3”

10KoLIVe 3
by 10Konekt Vs MiXoLIVe

Digital Album

1.#B2B2B1 16:30
2.#7A6958 04:54
3.#F39200 04:54
4.#ADA81E 04:48
5.#D60A51 07:59
6.#2C2E83 04:32

Button: by-nc-nd

Marrach / Bad Poet / Chtin Mara – Rain Out That Pours


Wings of an Angel – Soliciting Imposter Artists

[Self Release ]

Wings of an Angel

“Soliciting Imposter Artists”

Button: by-nc-nd

Alejandro Albornoz & Mika Martini – Two Chilean Blokes in the Soundhouse

[pn124]

Alejandro Albornoz & Mika Martini

“Two Chilean Blokes in the Soundhouse”

‘Two Chilean Blokes in the Soundhouse’ is Alejandro Albornoz and Mika Martini getting dark and dirty with sound in Studio 2, University of Sheffield Sound StudiosMay 2016, Sheffield, UK. With analogue synthesizers, contact microphones and digital processes rendered live, rough sound objects are hewn from all manner of sources leading to short tracks that challenge and delight at the same time.

Alejandro and Mika go way back so their improvisations are extremely respectful. Track durations vary according to materials and techniques used. Sometimes the analogue electronics are dominant; sometimes recordings of live instruments such as pianos play a major role with electronic sounds clothing the real in soft noise and bristling modulations. There’s a real sense of ‘performance’ which is sometimes hard to hear in improvised electronic music. This sensibility jostles nicely with the ‘hands on’ approach to their kit and sounds, and makes me return to various tracks for ‘another listen’.

Concluding the improvised music are two ‘reconstructions’ – an out of real-time re-consideration of their recorded improvisations. Immediately one hears an alternate approach to time. Real Time is no longer important; the ‘moment’ doesn’t matter; sounds are ordered, re-ordered, edited, and ordered again. The final two tracks are like paintings: sounds once free to roam are rounded up, fed, watered, (caged maybe) but framed to form a journey that neatly concludes an exciting collaboration and an excellent disc.

Adrian Moore
Director University of Sheffield Sound Studios.
(Sheffield, UK. Septiembre 2017 / September, 2017)

Button: by-nc-sa

Martin Rach – nursing room sessions

Martin Rach

“nursing room sessions”

cover photo by lynn wails
Button: by-nc-sa

Wings of an Angel – Playing Standards Very Differently (Original Avant​-​Garde Solo Piano Improvisations)

[Self Release]

Wings of an Angel

“Playing Standards Very Differently (Original Avant​-​Garde Solo Piano Improvisations)”

“Wings of an Angel continues to boldly explore new sonic territory and with this latest release, he does that with one instrument, the piano. He has taken some of the world’s most famous classical pieces, turned them inside out, added his own signature improvisatory style and created breath-taking works of spiraling psychedelia/Avant-Garde complexity which will lead you into dreams and visions you never thought possible.
His playing is expressive, emotive and yet he brings the classics into a new dimensional space with precision all the while, creating a playful atmosphere on an album you don’t want to miss.”
Button: by-nc-nd

Mr. & Oso – Se dice Misterioso [pn123]

[pn123]

Mr. & Oso

“Se dice Misterioso [pn123]”

“As every Tuesday night falls in the city of Viña del Mar; Moraga, Arellano and Castro meet to play and record what happens. Based on a spirit of camaraderie, they turn on their synthesizers, drum machines, effects and computers and once again begin their exercises in creating amusing and amiable improvisations. From these extensive sessions, recorded according to the dogma of the trio -directly to a stereo track-, they extract the passages that constitute each one of the six tracks that compose ‘Se dice Misterioso‘ (Its called mysterious).

Published by the indispensable Pueblo Nuevo, this is the third work of Mr. & Oso, an ensemble in electronic format that with its creative exercises transports us to the most inspiring grounds of Intelligent techno and the Ambient of the 90s, where electronica was – and here still is – a space of personal discovery, and at the same time a point of spiritual communion.

Either accompanying the beginning or end of the day; as much in solitude as among friends; wandering along the coast or without getting up from our chair, Se dice misterioso may be enjoyed equally, becoming an excellent soundtrack for a journey in which physical displacement is not necessary, since it is concentrated enough on the present to take us as far as we please.

With smiles of complicity and satisfaction, Mr. & Osos end the session tonight. It will not be until next week when they meet again and return to their instruments to exchange musings in a musical key.”

Juan Cristobal Saavedra
(Barcelona, España / Spain. Agosto / August, 2017)

Button: by-nc-sa

GRENADE SURROUND Experience – Свободнее Птиц

[Picpack249]

GRENADE SURROUND Experience

“Свободнее Птиц”

01.Вступление
02.Тема 1
03.Тема 2
04.Свободнее Птиц
05.Тема 3
06.Тема 4
07.Тема 5
Button: by-nc-nd

Giacomo Salis/Paolo Sanna Percussion duo – Live at Cavallerizza Irreale

[PT060]

Giacomo Salis/Paolo Sanna Percussion duo

“Live at Cavallerizza Irreale”

Giacomo Salis / Paolo Sanna Percussion Duo.

Live at Cavallerizza Irreale.
10th Nov. 2016 – Turin (Italy)

Recorded by Tom Riethauser.

Giacomo Salis: Bass Drum, Percussion, Objects.
Paolo Sanna: Snare Drum, Percussion, Objects.

Special thanks to Giuseppe Sanna, Maurizio Murgia, Mixtura Orchestra and Cavallerizza Irreale’s crew.

Button: by-nc-nd

Martin Rach – washing room sessions

Martin Rach

“washing room sessions”

sopsax, tensax, hose1, hose2, lung, lip1, lip2, tongueteeth, washing machine, boiler and else as required in washing rooms
Button: by-nc-sa

Wings of an Angel – Backdoor Poison Gives Licentious Convincers An Access To Risky Salvation Invocations

[Self Release ]

Wings of an Angel

“Backdoor Poison Gives Licentious Convincers An Access To Risky Salvation Invocations”

Button: by-nc-nd

Alen Grassi Рdhekap̬nte

[PT057]

Alen Grassi

“dhekapènte”

Alen Grassi: guitar
Button: by-nc-nd

Luis Marte / Poltamento – MOVIL/INMOVIL

[pn121]

Luis Marte / Poltamento

“MOVIL/INMOVIL”

“MOVIL/INMOVIL (Mobile/Immobile) is a sonic exploration of two worlds as seemingly distinct as are mobile musical applications and a Steinway grand piano.

This work of Luis Marte and Roger Delahaye aka Poltamento concentrates on a single musical space-time and, in the form of a single perspective, two dimensions that are both physical and categorical, the mobility and portability of electronic and granular software on one side, and the immobility of the great acoustic giant on the other. Categories of space and size, which are also of texture and dissimilar sonic thickness, nevertheless fused and assumed as part of a whole by ambient moments that are also impressionistic …

These fragments, wherein the warmth of the wood and the glitch’s abstraction solidify into a single entity, show us that the possible “N” worlds can converge in a singular sound synthesis, where the extremes touch and coexist, where, as Einstein said a century ago, motion or status depends on the viewer’s point of view, in this case the listener.”

Roger Delahaye
(Buenos Aires, Argentina. Junio / June, 2017)

Button: by-nc-sa

Alejandro Rojas-Marcos, David Area & Tomás Gris – Trails

[PT056]

Alejandro Rojas-Marcos, David Area & Tomás Gris

“Trails”

Alejandro Rojas-Marcos: clavichord
David Area: electronics
Tomás Gris: soprano sax, viola, cello & objects

All tracks recorded live in Detruita Sonon, Madrid, between 2015 and 2016

Cover art: Mario Sarramián

Button: by-nc-nd

La Bella Violencia & Mika Martini. – La Mirada del Sonido

[pn120]

La Bella Violencia & Mika Martini.

“La Mirada del Sonido”

From the Great Beyond. Brief summary from the exploration log of “La Mirada del Sonido” (The view of sound).

“We might expect that in the convergence of the works of Mika Martini and Iñaki Muñoz, one would encounter realizations that contain the most essential of the experimental music and visuality from this territory. From the auditory, Martini integrates sound clusters inspired by the electroacoustic ancestors of this generation, and from the visual, the glazes in motion of La Bella Violencia evoke the chromatic layers of Roberto Matta, adding without doubt, the chaotic force of chance and error.

Martini and Muñoz have experimented with the transit between materializations analogous and numerical, tangible and intangible. The work is configured as a portal. In ‘La Mirada del Sonido’ images and sounds are integrated, relieving a friendly narrative tension, it could be the soundtrack of an initiatory trip towards the center of our brain, where the neuronal transmissions seem to be granted an aesthetic through this work, chemically activating the DMT that exists in our systems.

These materializations, which function as neuronal chemical releasers, deliver a sensorial experience that determines a respectful concentration, where music and images are integrated into an organic volume that is perhaps unrepeatable, inconsistent, based on the unique experience of turning seeing and hearing into a total virtuality.”

Enrique Rivera
Researcher, Curator y Audiovisual Artist
(Santiago, Chile. May, 2017)

Button: by-nc-sa

WENIG DUO – Studies on event​-​density

[PT055]

WENIG DUO

“Studies on event​-​density”

WENIG DUO | Studies on event-density
LIVE AT PENINHA

“Wenig Duo focuses on the activity of silence where the space works as an amplifier and assumes an important role in the performance.
With a crystallized language, the music of the duo is attentive to detail, it’s written and invites the listener for a greater awareness of the sound where this duo, formed by the musicians Guilherme Rodrigues and André Hencleeday operate.
The instrumentation is variable.”

“O duo WENIG foca-se na actividade do silêncio numa performance e no resultado deste enquanto amplificador do espaço.
A música do duo, já com uma linguagem cristalizada, é uma música atenta ao detalhe, de suporte escrito e que convida o ouvinte para um retiro de maior consciencialização do som do espaço, da música e dos seus envolventes.
É formado pelos músicos Guilherme Rodrigues e André Hencleeday e é de instrumentação variável.”

Guilherme Rodrigues – Cello and Objects
André Hencleeday – Electronics

Recorded by Carlos Santos

Button: by-nc-nd

Gusev K.P. – Pap’s O

[0kbps113]

Gusev K.P.

“Pap’s O”

Gusev K.P.
Pap’s O [0kbps113]

0116
0215
0216
0415
0515
song 11
song 31
song 71

Music by Gusev K.P.
Gusev I.K. voice
Martin Hoogeboom prepared guitar
Mix & mastering by Theo Calis

MAV [0kbps] Records, April 2017

Button: by-nc-sa

Sadhana – Sadhana

[PT054]

Sadhana

“Sadhana”

Massimo Imperatore – guitar, fx
Umberto Lepore – double bass, objects, bells
Marco Castaldo – drums, objects

recorded at E.A.R. Studios by Dario Della Monica (live in a room, no editing, no overdubbing) mixed and mastered by Fabrizio Piccolo (Trail Music Lab).

This album is inspired by and dedicated to Paul Motian, his music, his spirit and his poetics of the not-said in a metaphysics of absence.

Button: by-nc-nd

Нervé Perez – She Flows Like Water

[Picpack248]

Нervé Perez

“She Flows Like Water”

01.Нervé Perez – Children of the Old Mill
02.Нervé Perez – Street Call
03.Нervé Perez – Lunar Jump
04.Нervé Perez – Uncut Clicks
05.Нervé Perez – Empty Piano
06.Нervé Perez – Beneath the Fields of Hop
07.Нervé Perez – Night Shift
Button: by-nc-nd

Eddie 135 & The Shitblaster – The Dragon’s Teeth

[D!HR-33]

Eddie 135 & The Shitblaster

“The Dragon’s Teeth”

For its 33rd release, Da ! Heard It Records dives into the origins of Creation.

Recorded in five days in London, at James Ogilvie’s studio in 2010, Dragon’s Teeth is the confrontation of eddie 135’s experimental tweaks and Shitblaster’s science of mix. Saturated like the oil from the fish and chips that three musicians greedily gulp up between two work sessions, the series of improvisations produced by Adrien, Matthieu, and James one evening, serves as the sizzling play-do used to conceive this future disc. From this initial magma that blends rhythm boxes, Juno synthesizer, and a deluge of pyrotechnical effects, accidental beaches form and reveal little by little large blankets that wrap the listener into an actual flow of lava. Petrified, the listener thus takes all the time needed to let oneself become invaded by the ensemble’s numerous textures…

Taking everything with them on their way, the four gobbling geezers deployed here evolve in jolts to bring back from the depths this mysterious dragon’s tooth. Instinctive, brutal, yet mastered, this album’s boiling energy proves once more that the first idea is often the right one.
Dragon’s Teeth, the 33rd release of Da! Heard It Records, is distributed under a Creative Commons License BY-NC-ND. The album is available for free listening and downloading at the following link:
http://www.daheardit-records.net/en/discography/dhr-33

Button: by-nc-nd

Coombes / Hoogeboom / Mi̱ana РFuerte

[ET110]

Coombes / Hoogeboom / Miñana

“Fuerte “

An Etched Traumas release ET110 April 2017
credits
released April 11, 2017

Steve Coombes: saxophone
Martin Hoogeboom: noise/guitar
Juan Miñana: electronics

Theo Calis: sound-design, mastering

Button: by-nc-nd

follow if you can!

Archives

Datenschutz & Cookies:

Diese Website verwendet Cookies. Wenn du die Website weiterhin nutzt, stimmst du der Verwendung von Cookies zu.
Weitere Informationen, beispielsweise zur Kontrolle von Cookies, findest du hier: Cookie-Richtlinie