Jack D’Amico – awaiting the great collapse

[PT033]

Jack D’Amico

“awaiting the great collapse”

Jack D’Amico_prepared and unprepared piano, inside piano, hyperpiano, objects, megaphone

totally improvised music / no overdub

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Marcel Rocha – Clouds Formations

[SCM-1604]

Marcel Rocha

“Clouds Formations”

“Clouds Formations” is a concept release coming from the brazilian brilliant musician and guitarist Marcel Rocha. The artist, with his fine guitar mastery, explores that enchanted part of the sky where clouds form, giving body to our visions and emotions. It is a rich sonic journey through the amazing world of “haze and vapours” that flows onward, everchanging like clouds drawing in the sky on and on and on… From sparse melodies to harmonic atmospheres, from spontaneous phrases to complex notes mazes, Marcel leads us by the hand into his personal multiform land.
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Daniel Barbiero & Chris Lynn – Doubting All Things Aligned

[PT032]

Daniel Barbiero & Chris Lynn

“Doubting All Things Aligned”

NEW RELEASE on PLUS TIMBRE
Daniel Barbiero & Chris Lynn | Doubting All Things Aligned
Chris Lynn: field recordings; piano; chance piano; Yamaha synthesizer (6); implicit Super 8 imagery.
Daniel Barbiero: Double bass; prepared double bass (2, 4); analogue synthesizer app (5); virtual duet (9).
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Stefano Balice – Senza titolo col troglodita

[0kbps099]

Stefano Balice

“Senza titolo col troglodita”

Stefano Balice
Senza titolo col troglodita (cinque sfoggi d’ignoranza e due musichette per spirito di contraddizione) [0kbps099]

01 – no
02 – usignoli
03 – sbruffone due volte
04 – animaletti del mare
05 – non umano
06 – malelingue
07 – carcasse

MAV [0kbps] Records, May 2016

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achnn – excerice 1 # Luz

[ACHNN010]

achnn

“excerice 1 # Luz”

improvisation home
harmonica, diy synth, zither, drum etc
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Mauro Sambo, Marco Colonna & Ivano Nardi – “​.​.​.​non così lontano dal cuore”

[PT029]

Mauro Sambo, Marco Colonna & Ivano Nardi

“”​.​.​.​non così lontano dal cuore””

Sambo, Colonna, Nardi | “…non così lontano dal cuore”
PT029(2016)
Mauro Sambo – electronics, live electronics, electric guitar, piano, double bass, shakuhachi
Marco Colonna – alto clarinet
Ivano Nardi – percussion
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Atilio Doreste – aera mare terra

[PT027]

Atilio Doreste

“aera mare terra”

OUT NOW on PLUS TIMBRE
Atilio Doreste | aera mare terra
PT027(2016)
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Manb – Dialogue Alone

[SCM-1603]

Manb

“Dialogue Alone”

“Dialogue Alone” is the second Manb offering at Sucumusic.

The so called “art-quantum” concept manifested in his previous music, here continues its course in a series of tracks where improvisation is still the major Ermanno’s approach. Textures of sounds and synths are less broken, here. The time quantum is scanned by the minimal rhythm interventions and variations. This release, like all Manb’s music, has a natural vocation to cinematic purposes. You can easily imagine still poses that slowly mutate from A to B in a non linear, imperceptible and unpredictable path. Quoting David Byrne, at the end of the journey, “you may find yourself” asking “where did I get there?”http://sucumusic.weebly.com/uploads/2/3/8/4/23844610/8963418.jpg

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Martin Rrach – Piano Attic

Martin Rrach

“Piano Attic”

These are improvised pieces using grand piano samples and playing them through some simple software programs i found on the net (www.ixi-software.net) – for the first piece it was lauki, for the second – crystals. Both of them (pieces) owing a lot to the abilities/failures – especially the second one – of my already ‘dead’ pc.
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Oscar Santis – Desde La Caja

[pn103]

Oscar Santis

“Desde La Caja”

“Óscar Santis, great artist of respect and renown, it has already been several years since I’ve known and recognized his trajectory, and it never ceases to be a true luxury and pleasure to hear his sounds. On this occasion he delivers sounds sufficiently well worked, so much so that they remind me of the late Akifumi Nakajima in the sense of achieving true soundscapes, with a density still greater than that to which one might become accustomed.

Each sound is a story and if you expand your mind, you will be able to capture to the maximum all the sounds that he manages to collect on these eight sound pieces. Glitches, sound strikes, all very well worked, note the treatment in each of the sounds, and the dedication to destroy each fragment, every millisecond, every detail delivers a different perception, its worth really disconnecting and hearing that which was dusted off from the box.”

“Óscar Santis, gran artista de respeto y renombre, hace varios años ya que conozco y reconozco su trayectoria, y no deja de ser un verdadero lujo y placer escuchar sus sonoridades. En esta ocasión entrega unos sonidos bastante bien trabajados, tanto así que me recuerdan al difunto Akifumi Nakajima en el sentido de lograr verdaderos paisajes sonoros, con una densidad aún mayor a la cual se pudiese estar acostumbrado.

Cada sonido es una historia y si expandes tu mente, lograrás captar al máximo todos los sonidos que logra recoger en estas ocho piezas sonoras. Glitches, golpes sonoros, todos muy bien trabajados, se nota el tratamiento en cada uno de los sonidos, y la dedicación a destrozar cada fragmento, cada mili-segundo, cada detalle entrega una percepción distinta, vale la pena realmente desconectarse y escuchar lo que desde la caja fue desempolvado.”

Sebastián Ortiz
Amigos de la Contaminación Sonora
(Rancagua, Chile, Febrero / February 2016)

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Achnn – Fiare vechi

[ACHNN009]

Achnn

“Fiare vechi”

All tracks 2016 except le last one 2009

José Guillén – Conversaciones con el demiurgo

[PT025]

José Guillén

“Conversaciones con el demiurgo”

It is with great pleasure that we are able to present for the second time José Guillén as a guest in our experimental home and we would like to thank him for giving us this opportunity.
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Martin Rach – Fall Quartets

Martin Rach

“Fall Quartets”

fall quartet 1 – two zithers, kalimba, metalophone (modulation of a single string tension through the piece,”til it breaks)

fall quartet 2 – chord zither, kalimba, metalophone, korg volca bass (quasi scale falling somewhere in the middle and the end)

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Purple Mountain Peal – The Day That Forgot To Break

[SCM-1602]

Purple Mountain Peal

“The Day That Forgot To Break”

“The day that forgot to break” is the third album by Purple Mountain Peal.

This release marks a more piano driven declination of what the duo has to offer in terms of improvisation, creativity and madness. To sum up, what you are about to witness is less chaos and more melody. Take it with a grain of salt by the way, it’s Purple Mountain Peal after all…

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Vittorino Curci – BREATHING STRATEGIES

[PT023]

Vittorino Curci

“BREATHING STRATEGIES”

New release on Plus Timbre
BREATHING STRATEGIES
by Vittorino Curci
We recommend you explore it and breathe free from here
http://www.plustimbre.com/index.php/releases/97-0232016
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Jim And The Galaxy – Cosmic Conspiracies

[Edp076]

Jim And The Galaxy

“Cosmic Conspiracies”

João and João have been playing together since the early nineties. First in a death metal band, then in a covers band, now in a quartet, always taking it as heavily or lightly as possible.
Jim And The Galaxy was their first incursion as a duo – then electric bass, double bass, fx and magnetic tape – when a collective of friends commissioned a piece for a special evening.
Now, probably 20 years after, the first recording of a “live at home” session (no overdubs!) is released as the corollary of the many musical experiences they’ve had throughout the years.
Plain and simple, straight to the point and laid-back.

João Santos: electric bass, fx;
João Ricardo: electric guitar, fx.

Graphic design by Shutupandance!

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Martin Rach – Late Autumn Quartets

Martin Rach

“Late Autumn Quartets”

here’s another set – late autumn quartets

with a doubling on picking up sound (more earphone recording heads for strings of zithers)

and:
double swing – both ziters, metalophone and recorder placed under metal bowl, zooming in and out

squared circles – both zithers, kalimba, bongo drum

raving threads – both zithers, kalimba, korg volca bass, bongo drum

root architecture – both zithers, bongo drum and mixer routed onto itself

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Various Artists – The Feel of DEFIL

[BM15R15]

Various Artists

“The Feel of DEFIL”

Polish DEFIL vintage guitars in action! 22 tracks, almost 70 minutes of guitar-music. Every artist or band use some model/models of DEFIL instrument (the oldest one: 1962’Mandolin… up to 1991’Aster Lux).

Visit project www site to get more details:
http://defil.fryvolic.pl

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Splicey and Tracky – Horses, Horses … Horses!

[4295]

Splicey and Tracky

“Horses, Horses … Horses!”

Horses, Horses … Horses! is the late October 2015 debut release from the collaboration, Splicey and Tracky (Dave Keifer & Jess Lemont). In this case, the tracks featured are from Keifer’s end of the ongoing project.
Recently, Vuzhh Music Blog (C. Reider) produced its annual list of Notable Netlabel Releases, which includes the debut. Reider’s description: “Skittering and simultaneously loping, riffing and simultaneously free-jazzing group work featuring the brilliant Jess Lemont. This coheres really well, and is very groovy, even when they’re at their most free-improv-y.”

And, they’re just getting started. Be sure to stay on the lookout for more Splicey and Tracky releases, and, if possible, listen with your eyes closed!

Credits:
Dave Keifer (Cagey House): virtual instruments, software, etc. Shifty editing, occasional brief embellishments.
Jess Lemont (Be a Waterwolf): all real instruments including drums, voice, guitar, bass, mallet percussion, keyboards, xaphoon, etc. Large-scale intricate lace improvisations.

(Tracks created jointly between April and August of 2015)

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Guy-Frank Pellerin, Matthias Boss and Marcello Magliocchi – THE SOUNDING DOOR

[PT021]

Guy-Frank Pellerin, Matthias Boss and Marcello Magliocchi

“THE SOUNDING DOOR”

New release on Plus Timbre and our last one for this year. We present Marcello Magliocchi once more as a guest in our home and we feel very happy to have him accompanied by two outstanding musicians: Matthias Boss and Guy-Frank Pellerin.
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Nada – Mirror Image

[LOR 074]

Nada

“Mirror Image”

Linear Obsessional is delighted to present this beautifully recorded collection of free improvisations by Nada. Nada is the duo of Roger Mills – Trumpet and Hervé Perez – alto sax. The improvisations that make up “Mirror Image” are revelatory, as both musicians explore a huge range of sonic textures through extended technique, and make for a fascinating and engrossing listen as they search out their common ground. Interestingly although both musicians had played together via internet collaborations “Mirror Image” is the result of their first meetings in person. The sound of two musicians communicating so naturally, but also with great control and subtlety, makes this an enormously rewarding album.
credits
released December 14, 2015

Mirror Image is the debut album of the duo Nada,
featuring UK based saxophonist Hervé Perez and
Australian trumpeter Roger Mills.
While Perez and Mills live on opposite sides of
the world, they met through their mutual work
with the telematic improvisatory music ensemble
Ethernet Orchestra.
The pair quickly realised a shared aesthetic and
continued developing their sound online.

Hervé and Roger would like to thank Elke Utermöhlen
and Martin Slawig (blackhole-factory) for bringing us
together, Richard Sanderson for releasing the album,
and Arman S. Haghi for the original artwork.

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Mike Adcock – Accord

[LOR 071]

Mike Adcock

“Accord”

Here at Linear Obsessional you may have noted we have a fondness for squeezeboxes and free improvisation, which is why we jumped at the chance to release an album by the amazing British accordionist Mike Adcock (once of Accordions Go Crazy amongst others). “Accord” is a collection of improvised duets with a series British improvising musicians – and is a wonderful showcase for Mike’s sensitivity as an improviser and his wonderful musicality as a accordionist.
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CEDE – Na sHpilkah

[231]

CEDE

“Na sHpilkah”

1.11MINUTE 11:27
2.ABVGDEEZ 02:45
3.ANTYBIRD 03:26
4.AZTOY100 01:02
5.BEZDOROG 01:06
6.BOMZHUEM 01:20
7.DAVIDBLY 13:30
8.DELAPL0H 01:32
9.DOMDOMDO 02:20
10.II849001 00:40
11.JEFFTV01 09:13
12.KISSALMO 01:04
13.KOSSABIL 01:46
14.MUSISICK 01:27
15.NOMER003 17:16
16.NOMERDVA 27:05
17.NOMRODIN 26:02
18.NQMER3-2 17:16
19.NUIDERMO 01:25
20.NUYPOHUI 01:48
21.ODINODIN 01:16
22.PINKOD29 02:07
23.PODWIZHN 11:14
24.POVERHU1 01:03
25.PYNOMENT 06:27
26.RASSTVOR 02:02
27.TEX000_3 05:23
28.TEX001_3 07:21
29.TEX002_5 06:42
30.TEX003_7 10:48
31.TEX004_1 13:30
32.ZADNECA1 01:48
33.ZELENAYA 04:31
34.ZLOY7900 03:26
35.ZVUKOSEN 02:50
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Samurau – Things left unsaid

[LBN032]

Samurau

“Things left unsaid”

“Things Left Unsaid” is not only the testimony of a precise moment, but rather the result of a long research, composition and improvisation done by the band: there’s a common area where musical elements from diametrically opposed musical worlds such as jazz and contemporary music, rock and blues coexist without forgetting the melodic vocation in each composition.
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Pedro Chambel – July, twenty nine – one

[PT020]

Pedro Chambel

“July, twenty nine – one”

NEW RELEASE on Plus Timbre
July, twenty nine – one
by Pedro Chambel
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Martin Rach – Early Autumn Quartets

Martin Rach

“Early Autumn Quartets”

Instruments:
September Quartet 1 – chord zither, kalimba, metalophone and bongo drum
September Quartet 2 – chord zither, kalimba, bongo drum and water hose with sax mouthpiece
October Quartet 1 – chord zither, kalimba, bongo drum and korg volca bass
October Quartet2 – chord zither, zither harp, kalimba and bongo drum

Mike Cooper – Forbidden Delta Planet Blues

[LOR 066]

Mike Cooper

“Forbidden Delta Planet Blues”

Linear Obsessional is delighted to present this album of two recent pieces by the legendary British folk/blues/world/avant garde guitarist Mike Cooper.
“Forbidden Delta Planet Blues” is a long form work built from over lapping loops and featuring some beautiful Hawaiian style slide guitar.
“The Pain Was Bad, But The Tuna Good” is a spellbinding live solo performance recorded at London’s 100 Years Gallery. A solo for a steel resonator guitar (and some voice) which explores all the nuances of the instrument’s considerable cultural baggage, with breathtaking extended technique (bowing, electric fan) and a fascinating stream of invention- it lives up to Cooper’s science fiction/trad interface admirably.
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