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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: noise

Lärmschutz – The Vampire Chronicles

Lärmschutz – The Vampire Chronicles
[PT119]

Lärmschutz

“The Vampire Chronicles”

Stef Brans: guitar
Niels Achtereekte: bass guitar, keys
Rutger van Driel: trombone, noise

”A singer can shatter glass with the proper high note,” he said, “but the simplest way to break glass is simply to drop it on the floor.” – from the vampire chronicles #2, by Anne Rice

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posted 05 June 2021

tourmaline hum – Invasive Species

tourmaline hum – Invasive Species

tourmaline hum

“Invasive Species”

The 100th release on TCFSR Bandcamp is the 28th release by tourmaline hum, although it is five years since their last album ‘system Imperfect’ tcfsr.bandcamp.com/album/system-imperfect
During this time the duo of Lone Cosmonaut and Dental Drill have each created a number of solo releases and contributed to a variety of other projects (and Dental Drill has taken on the day to day running of the TCFSR label) so the tracks for ‘Invasive Species’ were created intermittently between 2017 and 2021. Nonetheless the album demonstrates a thematic consistency. The album has a darker edge than most of tourmaline hum’s previous work.
credits
released June 1, 2021

Everything that you can hear: tourmaline hum
Design: DRILLArt
Photos: Kate Tree, Trixie Delight
Anything else: The Committee For Sonic Research

www.tcfsr.net

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posted 03 June 2021

V.A. – re​:​flexions / sound​-​art festival 03 07 21

V.A. – re​:​flexions / sound​-​art festival 03 07 21
[ACPS 1043]

V.A.

“re​:​flexions / sound​-​art festival 03 07 21”

01. Doc Wör Mirran – I Got The Pfizer In Me 07:14
02. Stefan Schmidt – Basalt 08:02
03. Sprengmeister – 1 new mix 04:52
04. The Oval Language – room 1 04:49
05. Carsten Vollmer – Sticky Jazz Muzak (Suck RMX) 01:38
06. EMERGE – minuscule 4 06:29

photo by Dan Penschuck (feindesign.de)
design by EMERGE
re:flexions logo by Heinz Stempfle

ALL TRACKS EXCLUSIVE FOR THIS COMPILATION

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posted 25 May 2021

amashit / ぷにぷに / ゴミ太郎 / off酒 / 陰茎の傷から細菌が入り込む / 一流講師陣によるハイレベルな学習サポートで頑張るアナタを応援します – CORE

amashit / ぷにぷに / ゴミ太郎 / off酒 / 陰茎の傷から細菌が入り込む / 一流講師陣によるハイレベルな学習サポートで頑張るアナタを応援します – CORE
[LF145MP3]

amashit / ぷにぷに / ゴミ太郎 / off酒 / 陰茎の傷から細菌が入り込む / 一流講師陣によるハイレベルな学習サポートで頑張るアナタを応援します

“CORE”

Freakout music by 6 worst artists!
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posted 08 May 2021

Filmy Ghost – ░g░i░v░e░m░e░m░y░d░o░s░i░s░

Filmy Ghost – ░g░i░v░e░m░e░m░y░d░o░s░i░s░

Filmy Ghost

“░g░i░v░e░m░e░m░y░d░o░s░i░s░”

Filmy Ghost is a dark experimental, horror noise project from Rancagua, Chile. websites:
humanfobia.jimdo.com/filmy-ghost/
hearthis.at/filmy-ghost/
archive.org/details/fav-sabila_orbe02
freemusicarchive.org/music/Filmy_Ghost

Mixed, cover design: Filmy Ghost [Sábila Orbe]

stems provided by Otepsia via less than one projects.
– Otepsia website: otepsia.bandcamp.com/
– Less than 1 projects: lessthanone.bandcamp.com/

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posted 04 May 2021

Petit Bourdon X PYR X Willy Marleen – K7 Split Petit Bourdon X PYR X Willy Marleen

Petit Bourdon X PYR X Willy Marleen – K7 Split Petit Bourdon X PYR X Willy Marleen
[LCNLP122]

Petit Bourdon X PYR X Willy Marleen

“K7 Split Petit Bourdon X PYR X Willy Marleen”

(Version française en bas)
The netlabel the necrophile hummingbird presents a Split between Petit Bourdon X PYR X Willy Marleen.
“Wild music for non-domesticated animals”.
Outside the ordinary circuits, hand to hand, underground music cassettes
are exchanged, and testifies to the resilience of Do-It-Yourself in the digital age.
“Nothing should be sacred, no one should be scared” is as much the anthem of plunderphonic music than of punk, when it waltzes the crowns of queens and kings of this world, in what brings them closest to a certain idea of ​​the anarchy. Even nature laughs softly at the posture of some of its worshipers, who without knowing it would like to perpetuate what assassinates it. Because nature is overflowing, subversion and wild joy, uncontrollable, the balance is unstable, always upset by extreme experiences, accidents. It is an invitation to release the mad torrent because without it there is no clear source, just an arid desert as far as the eye can see.
At a time when robots are traveling on Mars, it is a great joy to find the intact energy that animated this netlabel at its origin, to be able to offer one more testimony to the existence of horsnorme (non-standard) currents.

Find back Willy Marleen in virtual and on cassettes in his duo Zinzinuler
zinzinuler.bandcamp.com/

May the celebration of the Commune not be a sad tribute, but an endless celebration in the present, that of the ongoing humanity liberation.

(English Translation at the top)

Le netlabel le Colibri Nécrophile présente un Split entre Petit Bourdon X PYR X Willy Marleen.
De la “musique sauvage pour animaux non domestiqués”.
En dehors des circuits ordinaires, de la main à la main, des cassettes de musique souterraine
s’échangent, et témoigne de la résilience du Do-It-Yourself à l’ère numérique.
“Rien ne devrait être sacré, personne ne devrait flipper” est autant l’hymne de la musique plunderphonic que du punk, quand il fait valser les couronnes des reines comme des rois de ce monde, dans ce qui les rapprochent le plus d’une certaine idée de l’anarchie. Même la nature rie doucement de la posture de certains de ses adorateurs qui sans le savoir voudraient perpétuer ce qui l’assassine. Car la nature est débordement, subversion et joie sauvage, incontrôlable, l’équilibre est instable, toujours bouleversé par des expériences extrêmes, des accidents. Elle est une invitation à libérer le torrent fou car sans lui, il n’y a pas de source claire, juste un désert aride à perte de vue.
A l’heure où des robots voyagent sur Mars c’est une grande joie de retrouver l’énergie intacte qui anima ce netlabel à son origine, de pouvoir offrir un autre témoignage de l’existence des courants hors-normes.

Retrouve Willy Marleen en virtuel et en cassettes dans son duo Zinzinuler
zinzinuler.bandcamp.com/

Puisse la célébration de la commune ne pas être un triste hommage, mais une fête sans fin dans le présent, celle de la libération prochaine du peuple.

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posted 18 March 2021

Theo Nugraha Feat. LNDG – Live Badminton Beat Club Vol.6

Theo Nugraha Feat. LNDG – Live Badminton Beat Club Vol.6

Theo Nugraha Feat. LNDG

“Live Badminton Beat Club Vol.6”

Theo Nugraha is a sound activist from Borneo. His works has been presented in many exhibition and festivals both local and international.

LNDG also known as Nissal or Lindung, well known in graffiti scene since actively organized many events, exhibition and festival with his colleagues in Gardu House. In the past few years Lindung made some photography works about young people in urban society.

Teks
Klub Karya bulu tangkis

Video

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posted 20 February 2021

osorganistasdamorte&dofuturo – de·sí·di·a

osorganistasdamorte&dofuturo – de·sí·di·a
[mi282]

osorganistasdamorte&dofuturo

“de·sí·di·a”

The evermoving premise of osorganistasdamorte&dofuturo puts the obvious frailties of the human psyche bare. In one of his most iconic dialogues, Rustin Cohle shoots: “I think human consciousness is a tragic misstep in human evolution”.

This is the strongest thesis of dialogue, but it is not the only one. The second affirms the unfortunate result of this same consciousness: the notion of an “I”. Finally, the solution: the denial of programming towards extinction. It is within this notion of “nightmare of consciousness” the three tracks of de·sí·di·a live in.

However, the solution pointed out rather goes through a state of emotional anesthesia, that is, to be located over or on the margins of the process which transforms sensation in emotion. The continuous drone contributes to the effect as does the ongoing confusion of delays, obscured voices and various environmental electronics notes. Rhythmic elements are identifiable but are always subdued to a wall of sound reminiscent of the best noise “tradition”.

This constant imbalance between an oppressive background and fleeting emersions of rhythm or melody are dialogues somewhere between death and future, breaking the barriers that define one or the other. It is in the domain of the strange and the shapeless that de·sí·di·a is installed as the last stronghold in the face of the inadequacy of consciousness to which Cohle alludes: sufficiently developed to install a reasonable certainty of doubt, but forcefully and permanently insufficient.
Filipe Adão

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posted 06 February 2021

BRAME – Basses Terres

BRAME – Basses Terres

BRAME

“Basses Terres”

released November 5, 2015

+ JOSé : Gretsch baryton, granulateurs, cailloux piétinés, cajon basse…
+ SERGE : voix, harmonica, tamis, cymbale, tôles…

& Christophe: guitare sur ‘étrangé’

+ Enregistré fin décembre 2014 par Christophe Calastreng
+ Mixé par C. Calastreng & Brame
+ Masterisé par C. Calastreng

+ Empreintes,peinture & photo : Serge (vilgato.blogspot.com)
+ Sérigraphie : Mathieu Desjardins
+ Packaging : Kamarade, Grenoble

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posted 22 December 2020

Studio 112 – Regarde… comme ils tombent

Studio 112 – Regarde… comme ils tombent
[LCNLP119]

Studio 112

“Regarde… comme ils tombent”

The necrophile hummingbird presents the third issue of Studio112 staggering “Radioactive Trilogy”.
Welcome to the depths of sound science experiments. Sometimes we would like to be able to glide into a parallel universe, music could be this place, to escape this universe where all the living are stabbed to death by industries, all victims of the capitalism’s insanity. And especially the humans killed by industrial junk food, air pollution, the consequences of the climate crisis and others horror. It is the slow genocide of our loves, of our friends, of our children. Will we let this system destroy life on earth any longer? Adjust sunglasses and cry, or struggle to end this race for false promises, there is no happiness in consumerism!

Studio112 is the main project of Alain Grille also electric guitarist and musicmaker in rADio eNd / Multiple Personality 3 / PIRATE Tapes / EVA Vertigo / TKno BeurK / MK-Ultra

The two previous issues Radioactive Woman and Radio Play will be publish next on the netlabel… time is a reverted process.

The previous “Alien Trilogy” is still here
https://archive.org/details/studio_112_Adorateurs_Du_Culte_Extraterrestre
https://archive.org/details/Music_for_Alien_Parties_Studio112
https://archive.org/details/A_Piece_Of_Sunlight_And_Other_Stories_Studio112

Illustration by Alain Grille

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posted 11 December 2020