Bu.d.d.A. are:
Sascha Stadlmeier – violin, effects
Chris Sigdell – editing, mix
guests:
Peter Kastner – voice, accordion, noises
Dieter Mauson – electronics
recorded for Radio Gagarin
thanks to Thomas Beck !
photos & design by EMERGE
A-Discharge:
Field recordings, sound-editing and compositions
Prinzip Nemesis:
Sounds, lyrics and voice
brezenstudio.com:
mastering, cover
The Doll spent a year exploring the inner noiselife of the hand dryers and air blades that dwell in castles, cathedrals, pubs, venues, museums etc. This album is made from a selection of live recordings performed in public bathrooms for unsuspecting members of the No Audience Overground.
Recorded on a phone in the toilets of Wales and England, with a splash of Spain, Portugal & Romania for good measure.
Born in 2011, JOAN’S DIARY made their debut with the ep HYSTERIA for Toten Schwan Records, followed by the album AND OR NOT (Toten Schwan / ® esisto) and HELLO, BLOODY SISTER also on Toten Schwan (which will make use of graphic works by the master Sergio Padovani) and in 2015 TSUCHIGUMO (latest release for Toten Schwan Records).
They partecipate in several compilations and a 4 way split with Luciferi, OV Temple and Inghippo. The latest album was called SINDROME VAUCANSON and was released on Tu-Fa Records in Palermo. The group is made up of Davide Rossi, Luca Rossi and Eleonora Frascatore.
This is a tribute to the memory of DAVIDE ROSSI who in September of the year 2019 had decided to end his existence by giving us an appointment somewhere else.
The tracks that make up this album are drafts of what could have been something new for JOAN’S DIARY and which I found in a forgotten folder on my computer.
I completed them myself, trying to keep faith with Davide’s approach, as far as I could. They represent one of the many ways that I put in place not to forget him and to alleviate the pain still alive for his silent escape.
If he had had them in his hands they would certainly have been different, probably better, but I am not and will never be like him, so take them like this, as they came out.
It is an album that does not seek glory or complacency, but which only aims to keep his memory alive.
Many Thanks to Marco Valente of Toten Schwain Records, and Anime Nere.
In a noisy and chaotic world, many of us are looking for calmness or emptiness. And when we finally find some pieces of silence, we understand that they are not empty at all.
Nicolas Lafay aka Noise Ladder presents “Noise is color in silence”. Behind this name, there is a series of releases, each of them consists of a cassette tape with original artwork and a digital version. For every new release, a new artist is invited to propose a visual universe for the music of Noise Ladder.
Jeanne Van Monckhoven, a French artist from Bordeaux, has drawn 4 gorgeous cassette covers for the first issue, so 4 copies of the tape are available.
The music is downloadable for free.
TAR101
@jiggaggij
The fragile earth resonates beneath the rusted rattling engine of fate. The genesis of a new generation baptized in calamity. Roaring back the battle cries of survival, this new sound for our new bearing. A new future, together.
attenuation effect ° 1025 ° 2020
live @ villa, Augsburg, 23.04.18
photography by Felix Montfort
recording, mastering and design by EMERGE
Harald Lillmeyer: electronics
Sascha Stadlmeier: guitars, bass, effects
this release collects edited and remixed versions of the tracks originally included in the trilogy “forgotten songs from a decadent era, part 1/2/3”
recorded in oslo between august 2017 and november 2018
remixed and remastered in march 2020
written, recorded and produced by the dissonant
Track Listing:
01. I
02. II
03. III
04. IV
05. V
06. VI
07. VII
08. VIII
09. Untitled 1
10. Untitled 2
11. Untitled 3
All tracks taken from EP II except for 9-11, which are from EP I and unfinished EP III.
Originally released around March-April 2019.
Track #10 added 2/25/2020.
natură moartă
EMERGE – vocals, effects
KAZEHITO SEKI – vocals, amplification
live @ Ganze Bäckerei, Augsburg, 29.09.18
recording, mastering, photography & design by EMERGE
All music by Maurizio Landini & Ryota Horii
Mastered by Ryota Horii
Onasander is Maurizio Landini and nobody else.
The Queen’s Chamber – cover artwork
Photo by Annalisa Piccolo
Design by Maurizio Landini
Sascha Stadlmeier: guitar, bass, effects
Nan Guazi: vocals
Guigui: guitar
Gerald Fiebig: electronics
attenuation effect / Daftpop Sounds
1024 / DPS07 ° 2019
live @ villa, Augsburg, 24.08.18
recording, mastering, photography and design by EMERGE
OVERVIEW:
The album “Tercer Vértice” (Third Vertex) is the closing of a trilogy started with “Desde la Caja” (From the Box)
which was released by Pueblo Nuevo in 2016. The second part “Tides of Continental Plate” was published in 2017 by the Canadian label Oral records under the management of Eric Mattson.
These three works are a gradual evolution from the preferential use of digital tools and the computer to a generation of sound dominated by analog elements, even though both of these worlds remain present. They were recorded in a relatively consecutive period of time, although during a period of change in sonic conception. They are three ways of looking at the same place with varying the point of views.
Óscar Santis
(Valparaíso, noviembre / November 2019)
