Jan Strach – Rosknrolmusis E.P.

[UPL 072]

Jan Strach

“Rosknrolmusis E.P.”

As per yearly tradition, Jan presents an ep with material that did not fit the full-length album from previous year, in this case “Jan Pierwszy Starszy”. As with every JS e.p. there are no rules and the diversity of genres is breathtaking. Here we have casio-retro-wave, guitar post rock, noisy guitars overlaying, joyful turkish zurna-pop with broken time signature and an anthem of the priviledged man with a sturdy beat. As always on Underpolen netlabel, the lo-fi and DIY atmosphere is everpresent in spirit and on surface.
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I Neurologici, Manicomio, Miz Brown, Laylah – Hezbolldub Riddim

[SDR036]

I Neurologici, Manicomio, Miz Brown, Laylah

“Hezbolldub Riddim”

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In Vitro – El Hombre Libre

[Kresilauf 165]

In Vitro

“El Hombre Libre”

01 El Hombre Libre
02 El Hombre Libre (Dub Mix)
03 Visión
04 Premonición

El Hombre Libre contains parts of the last radio transmission of President Salvador Allende 11/11/73.

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rr.gross – Days – Volume One


Luís Antero – Sound Places: Serra do Açor, Vol. 1

[PT047]

Luís Antero

“Sound Places: Serra do Açor, Vol. 1”

Este trabalho sonoro foi produzido com base em gravações sonoras de campo realizadas na Serra do Açor, nomeadamente na Mata da Margaraça – Área Protegida da Serra do Açor – e nas aldeias
de Monte Frio, Porto Silvado, Pomares e Gramaça, pertencentes aos concelhos de Arganil e Oliveira do Hospital, respectivamente.
Sound Places: Serra do Açor, Vol. 1, como o nome indica, constitui o primeiro trabalho de uma série dedicada à Serra do Açor e a algumas das suas aldeias.
As paisagens e marcos sonoros que as compõem, que delas
fazem parte e lhes conferem identidade, são a base de trabalho para esta série, no seguimento do trabalho artístico de arquivo e documentação sonora que venho desenvolvendo desde 2008, apelando igualmente à escuta criativa dos lugares que fazem parte deste território e a um conhecimento sensitivo dos mesmos.
Assim, uma vez mais, dá-se a conhecer a Beira Serra através
da arte dos sons, na sua multiplicidade e dinâmica sonora. Uma Ruralidade Sonora, que se sente.

This sound work was produced based on field recordings performed in the Serra do Açor, namely in the Mata da Margaraça – protected area of the Serra do Açor –and in the villages of Monte Frio, Porto Silvado, Pomares and Gramaça, belonging to the counties of Arganil and Oliveira do Hospital, respectively.
Sound Places: Serra do Açor, Vol. 1, as the name indicates, is the first work of a series dedicated to the Serra do Açor and some of its villages.
The landscapes and sound frames that constitute them, which are part of them and give them identity, are the groundwork for this series, following the artistic work of the archive and the sound documentation that I have been developing since 2008, also appealing to the creative listening of the places which are part of this territory and to a sensitive awareness of them.
Thus, once again, one gets to know Beira Serra through the art of sounds, in its multiplicity and sound dynamics. A Sonorous Rurality that one can feel.

‘Please, listen with headphones’

Luís Antero – field recordings, sound composition, photos and text
Locations – Mata da Margaraça, Monte Frio, Porto Silvado e Pomares (Arganil); Gramaça (Oliveira do Hospital) | Portugal
Date of recordings – october and november 2016

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E A Terra Nunca Me Pareceu Tão Distante – Medo de Morrer

E A Terra Nunca Me Pareceu Tão Distante

“Medo de Morrer”

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Jimmy Watt – Capture Emplace Recovery

[SE077]

Jimmy Watt

“Capture Emplace Recovery”

Stato Elettrico presents a brand new release by Jimmy Watt from Santiago, Chile. His work methodology focuses mainly on the capture, extraction, editing and storage of audio samples from different sources:

records on the street
dialogues extracts 
audiovisual edits and converts of radio signals
uses a shortwave radio to capture foreign broadcasts
uses EVP
911 calls 
Transforms, relentlessly, curtails, beheads and sews sound works from different backgrounds and authors, providing the glue that comes from analog-digital instruments and audio processors and resulting in a “sound narration” split into parts. 

His sound works do not drop below 20 minutes for just such narrative, where there is a development from defined introduction to epilogue. 

Detests the “digital finishing” of sound with a computer. For that reason dirty, gnawing and saturated sounds prevail (but without spoiling the record), thus achieving kind of a sound archeology. 

His creative concepts pursues mysticism, the occult, time, religions, the process that leads to contemplation, the silence, the pause, the suspension, death and upstarts. 

Abuse of rhythm and melody is a necessary evil for those who can not handle a drift.
It’s like being in a large room without light. You need to touch the walls and artifacts that fill the room to feel welcome in the position and perspective.

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Atabey – Betria

[023]

Atabey

“Betria”

ILK 023
Title Ep:Betria
Artist: Atabey
2 wave tracks Experimental/Minimal
Mastering:Dadive
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Wings of an Angel – The Outsider Mythology Of The World’s Last Honest Mystic

[Self Release ]

Wings of an Angel

“The Outsider Mythology Of The World’s Last Honest Mystic”

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SMAV – RIP EP

[EE019]

SMAV

“RIP EP”

after a 3-year hiatus, the cover version duo SMAV is back to release their 3rd and last song on their 1st and last EP. 13min of homemade music, with personal favourites and a bonus mashup. but there’s nothing to fear: Rodrigo Socialmedia and Cairo Audiovisual keep on making new music, together and individually, as Mildmilk and Cairo Braga. a toast from here to the future! RIP SMAV.
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Nick R 61 – .tochka

[FN_46]

Nick R 61

“.tochka”

Netlabel: Fusion
Style | Genre: Abstract Hip-Hop, Broken Beat, Dark, Fusion, Glitch-Hop
Duration: 00:12:33

Tracklist:
01. .boroda
02. .sinai
03. .nepal
04. .gipnoz

07.01.2017

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Wings of an Angel – Eccentric Addictions


Hypercube + Alwin Van Der Linde – Hylin

[0kbps109]

Hypercube + Alwin Van Der Linde

“Hylin”

Hypercube + Alwin Van Der Linde

Hylin [0kbps109]

A collaborative project between Hypercube and Alwin Van Der Linde exploring disorientated fields of morpho-genetic audible elevations and oneiric disrupted patterns.

This project was created processing 10 tracks in one single track.

MAV [0kbps] Records, January 2017

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V.A. – Cult Classic Records Presents

V.A.

“Cult Classic Records Presents “

Cult Classic Records Presents is a compilation of new music from some of our upcoming projects that we will be releasing across 2017.

We hope you enjoy this winter compilation and have a great 2017!

credits
released January 3, 2017

Wings of an Angel – Argument Lens Decoded

[Self Release ]

Wings of an Angel

“Argument Lens Decoded”

Nox Intempesta are Scott Lawlor & Sevenism

You can find other works by Sevenism at
sevenism.bandcamp.com
soundcloud.com/sevenism

You can hear more of Scott Lawlor’s brilliant and prolific creative output at scottlawlor.bandcamp.com

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Jimmy Watt – Silent Door To The Fall

[PZO006]

Jimmy Watt

“Silent Door To The Fall”

His work methodology focuses mainly on the capture, extraction,
editing and storage of audio samples from different sources.

Transforms, relentlessly, curtails, beheads and sews sound works
from different backgrounds and authors, providing the glue that comes from analog-digital instruments and audio processors and resulting in a “sound narration” split into parts.

His sound works do not drop below 20 minutes for just such narrative,
where there is a development from defined introduction to epilogue.

Detests the “digital finishing” of sound with a computer. For that reason dirty, gnawing and saturated sounds prevail (but without spoiling the record), thus achieving kind of a sound archeology.

His creative concepts pursues mysticism, the occult, time,
religions, the process that leads to contemplation,
the silence, the pause, the suspension, death and upstarts.

About mini-album: “Are two works from 2014 which were remixed to form a single track. In both works the main concept was the phenomenologies of the suspended, the aural and the paramelodics.” Jimmy Watt

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Со мною вот что – Подмосковные вечера /// Училище

[SCL-SNG006]

Со мною вот что

“Подмосковные вечера /// Училище”

Группа «Со мною вот что» поздравляет всех с Новым Годом и Рождеством и желает в Новом году поскорее забыть всё то, что мешало жить в прошлом.
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Martin Rach – Works For Imaginary Orchestra

Martin Rach

“Works For Imaginary Orchestra “

Re-release of my works for imaginary orchestra
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Blossom – Where Are You Hiding?

[DWK339]

Blossom

“Where Are You Hiding?”

Tracks list:

Where Are You Hiding?
In The Meantime
Step By Step
Denver (feat. Tom Chuck)
Mysterious House (feat. Tom Chuck)
Family Trip
I’m Here
Childhood
Box of Toys

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Cafeina Kid – Neko

[pn115]

Cafeina Kid

“Neko”

“The album ‘Neko‘ [pn115] from ‘Cafeina Kid‘, the psuedonym of the musician from Concepción Pablo Cornejo, consists of 12 instrumental songs spun into an assemblage that above all resumes coherence in continuity with the treatment of sound, composition, and style with which he has managed to effectively express the legacy of electronic music from the beginning of 2000 to date.

His compositions imbibe of various styles, mainly ‘Electronic Dub’ and ‘Downtempo’, with touches of ‘glitch’ that have been amalgamated with the use of the sampler, a resource with which he takes clips of audio from diverse sources, though mainly of himself. ‘Cafeina Kid‘ presents us with a record in which he looks and listens to himself, collecting sounds and stretches of previous compositions, placing them in an exercise that allows him to re-signify them. It is an exercise in memory, an act that Pablo tranfers in a fluid way and that he has realized since I’ve known him, a very long ago time when we exchanged with Mika Martini – since Ud. No! -, extensive chains of emails, reflexive writings on style, aesthetics, history and anecdotes that did nothing more than connect our work with the true sense of pondering music.

Today we hear the echo of these dialogues in a concrete result, a new album of ‘Cafeina Kid‘ that acts as a happy reminder at the same time as a focus towards what may come with his next creations. This, because ‘Neko‘ [pn115] presents itself as a solid disk with sufficient potential for expecting a possible future discography with the quality of what is left here, a disc in which he references styles that he supports with an undeniable personal imprint, through which he demonstrates timid warmth, a well-developed melodic instinct and a grand tact for presenting, every time you listen to his music, several possible and impossible worlds simultaneously.”

Claudio Pérez
(Santiago, Chile. Diciembre / December 2016)

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