With the first bars the journey begins and the discreet sound approaches the razor’s edge. The cut is surgical and manages to draw a clean line in the epidermis. From there the strikes go bouncing from one hemisphere to another.
Adduce are not two disassociated brains, but four functioning as a trio. The equilateral triangle between three hard drives with faces, eyes and beards. I have seen them live several times and always consider the difficulty of achieving this level of performance, so absorbed, not by the act of entering the required tempo or playing a certain note, but rather by the unfolding developments that create this conversation that you don’t ever want to end, and which in reality doesn’t ever end, because this inconclusive construction always remains ringing in eternal evolution.
Here is the path that gives meaning to the journey, not the destination, which in the case of Adduce may be many.
The form opens itself and shows us the tracks of a geometric and organic puzzle, sometimes disturbing and other times suggestive, but always an invitation to stroll along the ledge of the highest tower, from where only silhouettes distinguish themselves on the horizon, but which allows the widest panoramas.
ADD+ has no era nor time nor place: it floats in the weightless space of two brains, which I insist seem like four!
ADD+ is a gem that can help us to daydream or to imagine a new kind of retrofuturistic science fiction. The imagination of power!
“Wind Of Change” is the 4th release from the Russian beatmaker/producer Bruks with Dusted Wax Kingdom. Dreamy hip-hop instrumentals, cooked with dusty jazzy samples, deep atmospheric synths and lush drum breaks.
“Dawn breaks up behind the eyes, where sun doesn’t shine”. We Are Forever goes out to all those emotive experiences that let us dream, that went deep into ourselves and that we’ll never forget. Things that we want to keep close or need to get rid of in order to escape from ourselves. A caress. A consciusness. A drop of eternity lost beneath our souls. Sebastian Love’s 4th ep.
After a previous compilation (Dub Tentacles Vol.4) quite dubstep , back to the roots with this fifth component. Big bass, skanks, kicks, melodica and horns are on the menu. Roots Dub with Norths American Dub Grammer and Burnett Town Sound, steppa with Du3normal, Unidub Estacion, Serious Dub, Dub Sounder or Radadub. Also Frensh Dub with deep and underwater bass of Submarine FM and dub kitchen, perfectly mixed with MatDTSound alongside Woody Vibes and Sista Aude for vocals. Also Beautiful voice on the new track by Fresh Poulp Souk System (the Fresh Poulp label crew) with the Romanian singer and producer Awen. Also we are proud to announce the first Awen’ep will be released soon on Fresh Poulp Records! Christmas is coming soon, eat and fill up on!
The first compilation of dub-o-phonic is a musical journey to some unknown areas of dub music. Compiled by Dub Thomas, “Explorations in Dub” tries to find the hidden elements of dub music in musical genres, where under normal circumstances no dub is existent. This release might not comply with the “conventional” dub reggae as we know it. Being the tenth release of the label, Dub Thomas selects tracks with a strong experimental musical vibe, staying truthful to the future sound of the label.
The compilation includes seventeen tracks from artists scattered in the various corners of the globe, from Cyprus to the French West Indies: Daidalos One (CY), SXtheMadArtist (CY), Ras Robin Dennis (CY), Dub-I (RUS), Dub Riots (GR), Green Glow (MEX), Hernibernie (BEL), Knoto (JP), Mr Mefistou (PR), Negro Pirana (MEX), Rakoon (FR), Red Barrio (ES), Roots Dubbing Project (BRA), The Dubbstyle (ARG), Twixymillia (FWI) and Dub Across Borders (DEN).
Included in this compilation is Dub-I’s “Rididub Master” in a new extended version, serving not only as a musical flashback to our first release, but also as a starting point for the dubs to follow, while the jazz/ambient tracks of Hernibernie and SXtheMadArtist (the cover art designer of the release) are perhaps at the highest innovation point. Knoto manages to strip a famous reggae song down to its basic beat elements keeping the melody as a sweet buzz in your head. Daidalos One offers an atmospheric intermission, Ras Robbin Denis fuses an ethnic/ambient feel, Dub Across Borders blips and clicks, Negro Pirana dubs the blues, Mr Mefistou builds up slowly a dubbed step, Green Glow steps it up, Twixymillia rewinds it, while Dub Riots, Roots Dubbing Project, The Dubbstyle, Rakoon and Red Barrio transform irie melodies into experimental dubscapes.
“Dub means experimentation with sound. From the first innovations of King Tubby to the unorthodox techniques of Lee “scratch” Perry, dub has always been evolving, influencing many of the musical genres of our century, whether these are called Hip-Hop, Electronica, Fusion or even World/Ethnic music. This is a journey into the world of dub!” – Dub Thomas
Trance-inducing and as thick as sludge, Vegas Diamond’s sophomore is a concise record of his great talent. These four tracks meld together aggressive groove with hypnotic melodies, tessellating around a defiant rhythm and pulsating with confident and a unique voice. From the emotive opener ‘Ion’, to the off-kilter and crunchy churn of ‘Visor’, to the vicious beats of ‘Real’ and the final, melancholic laments of ‘Cube’, every inch of ‘Hyper’ feels, simultaneously, eclectically self-contained and continuously conceptual; a constantly evolving stream of ideas.
Stylistically, ‘Hyper’ sees Vegas Diamond traversing the musical ideas of Monodeer and Nullsleep, and setting up shop somewhere in the middle. The melodies are genuinely otherworldly; atmospheric and seeping emotion, cascading over the dense textures that make the release sound so huge, and the beats hit like sledgehammers on concrete, loose but still incredibly strong.
“The City Without Sun” is a concept album of instrumental electronic music. An ideal soundtrack for the kid’s novel by Michel Grimaud ‘La ville sans soleil’. A French novel of the 70s, which in the post ’68 era, tell us about of a group of teenager activists against the pollution of their ‘city without sun’ by an unscrupulous local squire.A book that still has not lost his, though simplistic, message of rebellion and hope. A book to be known, to be implemented, to not forget.
Artist name: eM
Release name: Live Act
Release date: 25 Mar 2013
Format: mp3/320 kbps
Style: Tech House, Minimal
Credits: Mixed By, Producer, Written-By – eM
Notes: Total duration: 29:25 min.
01. eM – Untitled
02. eM – Midnight Freekparad
03. eM – Boxer
04. eM – Untitled
05. eM – Untitled
06. eM – aMorf
Die Musikpiraten haben heute ihren CC-Adventskalender gestartet. Jeden Tag kann man einen weiteren Song runterladen. Den Anfang macht “Can’t Afford Another Christmas (ft. Copperhead, Robert Siekawitch)” von Steven M Bryant.
[teilweiser crosspost von iRights.info] Es hat länger gedauert als gedacht, ziemlich genau doppelt so lang, aber am heutigen 25. November 2013 wird sie endlich vorgestellt: Die Version 4.0 der Creative-Commons-Lizenzen, kurz CCPL4. Dies soll so etwas wie “die endgültige Version” sein und wenn die Abstände zwischen den Versionen weiter so zunehmen, wäre mit e […]
Bei Creative Commons gehen die praktischen Vorbereitungen für die anstehende Lizenzenversion 4.0 gerade in die heiße Phase. Ein wichtiger Teil der Vorbereitung ist die Übersetzung der Textbausteine, aus denen die “Commons Deed” (die vereinfachte Darstellung der jeweiligen CC-Lizenz) auf dem Server von CC zusammengebaut wird. Es sollen so viele Sprachen wie m […]