taura yorihisa – nightfall

taura yorihisa – nightfall

taura yorihisa

“nightfall “

国内外のレーベルから精力的に作品をリリースしているtaura yorihisaによるノイズ・アンビエント作品。アイザック・アシモフの短編作品に着想を得た本作は、極端にエディットされたギターに、環境音とビットクラッシュノイズが絡まり、今までの作品よりもラフでざらついた音像となっている。アンビエント、シューゲイズ、ドローン、ノイズミュージック……来るべき夜へ、ジャンルを越境していく音の旅路。

美しい日常の風景をモノクロに塗ってしまうかの様な空気の音。
今作は込み上げる内省を見ざるを得ない事を世界に写しこむ様な音で、taura氏の音楽はそういう色彩が元より強かったのだが今作はもっと抑えた嗚咽の様な形で発現してる様に感じます。
リスナー体験としては泣き腫らした後の様な穏やかさを感じられる事でしょう。
尚今作は私はイヤフォンよりもスピーカーで聴かれる事を推奨します。
takasi(gravel’s end)

硬質とも言へる音響の芸からは、星が見え始める「あの夕刻」を思ひ出させる。
空の色が滲み、主観的な時間がじつくりと進んでいくあの時空。だが、其れにも終わりは訪れるのである。また次に訪れる朝まで歩かねばならぬのだ。
さふ、夕刻への感傷だけではない。夜明けへの希望も彼の音楽は観させてくれるのである。
Tia Rungray(音楽家)

文字の通りに音の層に包まれる体験.

いかなる場面においてもyorihisa tauraの音楽は程よい緊張とリラックスを生み出してくれます.
ヘッドフォンでも,スピーカーでも.
音に意識を向けながらでも,何か作業しながらでも.

そんな期待のさらに上をゆくニューリリースです.
24歳一般理系大学院生(一浪)

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Alejandro Remeseiro Fernández – Playground

Alejandro Remeseiro Fernández – Playground

DISKREPANT – internalizing the echoes

DISKREPANT – internalizing the echoes
[ACP 1168]

DISKREPANT

“internalizing the echoes”

composed & produced by Per Åhlund at EMS Stockholm, 2016-2017
photography & design by Per Åhlund
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Music from Airports Nº1 – Mi Cosa de Resistance

Music from Airports Nº1 – Mi Cosa de Resistance
[109]

Music from Airports Nº1

“Mi Cosa de Resistance”

Music from airports, aircrafts and some other flying things, vol 2: Cardiff Airport is the second of a series of records recorded while waiting for a flight at different airports around Europe during the summer of 2018.
credits
released December 10, 2018Fernando Perales: concept, production, art cover, mix and mastering.
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Schmaidl – Focus on the visuals

Schmaidl – Focus on the visuals

Schmaidl

“Focus on the visuals “

Thanks to The Committee For Sonic Research for hosting my music and to Dental Drill for help with polishing the final version of this. Namaste to the friends who provided feedback.
credits
released December 13, 2018All compositions, mixing, mastering by Schmaidl.
Artwork by Schmaidl.
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V. A. Modismo 5 – V. A. Modismo 5

V. A. Modismo 5 – V. A. Modismo 5
[M030]

V. A.

“Modismo 5”

New perspective of things can be found by raising ourselves. From a terrace, a peak or imaginary places we seek contemplation as it is our creative nutrient. Unsettling times must be confronted on the sidewalk of music production. As citizens of the world we are being witnesses of agitation related to climate change, to a rearrangement of political forces and to socioeconomic inequity among a variety of intertwined elements that cause reflection. It is a complex scenario that leads forces of similar pulsation and that seems to motivate the efforts behind the sharp response in this fifth compilation of Modismo. This compilation joins multinational talents in a wide range of styles, and as a proof of clean intentions it releases music of such depth and quality available for free. A gesture of caring kindness unites these 21 musical statements in which humanity and the plotted electro-mutant sounds dance as a reflection of upcoming storms. The overflowed pessimism, the industrial protest, the revolutionary dance and the questiong of forms have a natural room in one of the most ambitious works created by this label. For its constant commitment with risk and quality this new compilation of Modismo can be considerated as a compulsory stop at the moment of photograph the state of arts in the contemporary electronic music.

Javier Moraga Salazar,
Chile, 2018.

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We Versus the Shark – Murmurmur

We Versus the Shark – Murmurmur
[qur017]

We Versus the Shark

“Murmurmur”

We Versus the Shark are proud to present “Murmurmur,” an ongoing collection of renditions of songs we’ve been inspired by in the past few years. Starting today, January 1st, and finishing up on December 1st 2008, each month we’ll be posting a new MP3 to Quote Unquote Records of other people’s jams. Some of the songs are by artists who have gained accolades in some circles but remain obscure in others; a few will be Athens bands we’re excited to big-up. We here at We Versus the Shark believe that “interpreting” (whatever) other artists is a good way to learn about structure, melody, and other things we’re generally confused by. Enjoy “Murmurmur.”
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Herre Jorna – Glitches​-​N​-​Clicks

Herre Jorna – Glitches​-​N​-​Clicks
[S27-055]

Herre Jorna

“Glitches​-​N​-​Clicks”

A real musical adventure of experimental electronic music.
This e.p. is full of complex clicks, rhythmic structures and seductive glitches.Written, produced and arranged by Herre Jorna
www.discogs.com/artist/1973055-Herre-Jorna

I hope this music will give your life a nice Glitch and a lovely smile on your face.

This EP is dedicated to the loves of my life:
Wendy, Laura and Patty.

Enjoy this free ride into delight!

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shogonodo – reverie

shogonodo – reverie

shogonodo

“reverie “

English Description :
Shogonodo taking us on a beautiful voyage into the reverie. His new album release ‘reverie’ is a 13 track album now available on Orikami Records ! The project features contributions from ESAE & Northern Loon.French Description :
Sans sourciller, Shogonodo continue de tracer sa route dans le haut du panier beats/lo-fi. Antoine aka Shogonodo qui fait partie des beatmakers les plus captivants de ces dernières années, offre avec son troisième et dernier album une balade poétique et romantique …

ROOM – Coconut Vodka

ROOM –  Coconut Vodka

ROOM

” Coconut Vodka”

Spontanément inspiré par une nuit bien arrosée, la vodka sur le clavier d’ordinateur|

Una Lee – From B with L

Una Lee – From B with L
[PT081]

Una Lee

“From B with L”

This is a recording of a soundwalk observed from a first person’s point of listening. As all sound recordings do, this soundwalk recording presents what the specific one person hears when she went on a particuar walk. The unusual feature of this work as a soundwalk recording is that it also provides an insight to the thoughts that occur to her while she is on the walk, rendered as a voice letter to an unidentified acquaintance. This reveals personal stories and memories related to the places she visits as part of the soundwalk.

Sound recordings, Voice, Artworks, Cover Art by Una Lee

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BELLEROPHONE – Uses of Gravity

BELLEROPHONE – Uses of Gravity
[ACP 1173]

BELLEROPHONE

“Uses of Gravity”

originally released in 2014

Recorded and mixed at bellerohome by D. Santziliotis in Athens, Greece, using: Roland Juno 6 and Roland System-100m synthesizers, Korg MS20, Roland RE-201 space echo and Uher 4000 Report Studio tape recorder
Mastered by James Plotkin
Artwork and design by Georgia Simogianni; photos by G. Simogianni.

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Mos Emvy – Mantra

Mos Emvy – Mantra
[BSMX0175]

Mos Emvy

“Mantra”

For the past couple years, Mos Emvy has breen delivering his music two tracks at a time via our fortyFive format. Today, he’s got more for you to enjoy with his debut blocSonic EP! Six tracks featuring his unique blend of electronic and trap… “Mantra” continues to expand on the sound we’ve been getting to know since 2016. Growth is good… music is good… bump these joints… enjoy.
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Onde Poussi̬re Рdel_din04

Onde Poussi̬re Рdel_din04
[Eg0_194]

Onde Poussière

“del_din04”

After a web collaboration (album Imperceptible,) Onde Poussière return to free improvisation with their 4th album del_din04, made of sessions recorded on 25th and 26th september 2018. For this occasion, they once more experimented with new set-ups, this time with a focus on lo-fi sound. Doedelzak played laptop amplified with cheap computer speakers and occasionnaly flute, while Kecap Tuyul used his z(xW+yW), a low-tech modular system based on tiny battery-powered guitar amplifiers and contact microphones. Through this new change they continue to explore sonic material and techniques that are likely to cause various accidents and usually unwanted sounds, which are an essential part of the ground on which the band build its improvised soundscapes.
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Jos̩ Gallardo A. РHumores

Jos̩ Gallardo A. РHumores
[pn137]

José Gallardo A.

“Humores”

“José Gallardo launches through Pueblo Nuevo his latest album ‘Humores‘ (pn137). Unlike his previous ‘Sinfonía para un hombre solo… en su casa‘ (pn107, 2016), which exhibits the realization of field recordings as a guiding thread, ‘Humores‘ makes reference to the moods or temperaments according to the classification of Hippocrates, considered the father of medicine. It is, thus, a kind of suite that is composed of emotional representations instead of dances.

The humoral theory, in force from Greek Antiquity until after the Renaissance, comprised four temperaments: Choleric, Phlegmatic, Melancholic and Sanguine. Each one of them was associated with an organ and with a secretion of the body (yellow bile, phlegm, black bile, and blood, respectively) and health would depend on the balance between these elements. The word ‘humor’ comes from the Latin ‘humore’ which means liquid or fluid.

As a means of opening, Gallardo adds a fifth state, that of ‘Ansiedad’ (Anxiety), where music tries to connect itself with the future from the present. This is the only track on which we hear an instrument played in a traditional way or without being deconstructed, the Saz of the Middle East, and from this material is apparently also extracted to create adjacent sounds.

Predominant in this album are rough textures, carefully agitated sounds obtained by microsampling – often treated in a granular way, and cacophonous conglomerations, almost always in counterpoint with their opposites, as in the game of resonances and punctual sounds of ‘Melancolía’ (Melancholy). The last track, ‘Sanguíneo Pasional’ (Sanguine Passional), is divided into two very clear moments, the second of them based on a calm drone that brings peace or, better, balance, to close ‘healthily’ this interesting set of music.”

Bryan Holmes
(Río de Janeiro, Brasil. Noviembre / November 2018)

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Various Artists – Polish Lutherie Guitars Compilation

Various Artists – Polish Lutherie Guitars Compilation
[BM11R18]

Various Artists

“Polish Lutherie Guitars Compilation”

27 tracks and 104 minutes of polish lutherie guitars in action! Mayones, Flame, ZAK, PAS, Mensfeld, MEG, P. Kamecki, Mensinger and many more!
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1 Refus Par Jour – Maladresse

1 Refus Par Jour – Maladresse
[LINGE086]

1 Refus Par Jour

“Maladresse”

“Après avoir été refusé par le label 1 EP par jour Records, cet EP se retrouve sur Linge, le label qui accepte toutes les merdes du monde. C’est moitié impro au synthé moitié techno bizarre. C’est sympa”
Jean-Christian Céairesse

 

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Mikado Koko – Saikaku

Mikado Koko – Saikaku
[TTR049]

Mikado Koko

“Saikaku”

Tropical Twista Records releases a new Mikado Koko´s EP, an amazing artist from Osaka, Japan.

About Saikaku:

“Saikaku” is dedicated to Japanese 17th century gender-bending novelist Ihara Saikaku (1642-1693).

“Forbidden Colors” is inspired by Mishima’s novel “Kinjiki” also known as the first Butoh piece by Tatsumi Hijikata.

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El Wud – Ianua

El Wud – Ianua

Camille – Antineutral

Camille – Antineutral
[BM10R18]

Camille

“Antineutral”

Spanish alternative rock band is coming back with very cool “Antineutral” album.

Tracks:

01. Taas
02. L.L.O.R.A.
03. Resurrezión con tu á canto
04. M.S.V.
05. Carnuzes de Bohemia
06. La piara
07. Bjorn
08. Thin bell
09. O forau
10. La réalité

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Ṩtrannye Ẏagodi – Issledovaniya

Ṩtrannye Ẏagodi – Issledovaniya
[COTA015]

Ṩtrannye Ẏagodi

“Issledovaniya”

Inspired by the atmosphere of the port located at Vasilyevsky Ostrov, the contemplations of the Neva harbor and the industrial zones of Saint-Petersburg city.
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EMERGE – betamorphoses

EMERGE – betamorphoses
[1020]

EMERGE

“betamorphoses”

attenuation effect ° 1020 ° 2018
photography & design by EMERGE
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Naoto Yamagishi – The Fishes are Wafting in The Forest

Naoto Yamagishi – The Fishes are Wafting in The Forest
[WAC25]

Naoto Yamagishi

“The Fishes are Wafting in The Forest”

The fishes who lost their homes by the big wave from the outside turned into shadow and are wafting in the forest and over the mountains. Dreaming about the day they can swim that ocean.

live recording @ Newtown Social Club, Sydney, Australia

2nd May 2016

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Blockdata – Tethered

Blockdata – Tethered
[AR_087]

Blockdata

“Tethered”

“Tethered” is Blockdata‘s first EP on Abstrakt Reflections. The EP digs into a variety of tempos and styles including lush analogue synth beds, foley recordings, haunting soundscapes, digitally sharpened rhythmics and some processed acoustic instrumentation at points.

Most of the synthetic instruments were created by Blockdata from the ground up over a number of years using Native Instruments Reaktor and the foley/acoustic instrumentation was made using a simple field recorder.

The EP includes six original Blockdata compositions and 2 excellent remixes from Ivan Shopov and Lokom.

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Noisybeat Extended – Noisybeat 10 years Vol. 1

Noisybeat Extended – Noisybeat 10 years Vol. 1

Noisybeat Extended

“Noisybeat 10 years Vol. 1”

Noisybeat 10 years vol. 1
Dedicated to 10 years of Noisybeat Netlabel.Osinski – Serendipity in Bar Mokambo
Plastic Penguin – Tomato Mutante
Dubbemo – Until my sun
RGL – My Reasons
Fingerflood – Secrets
Seiss&Delayer – Malex
Shango – Monte Secchiata
D_Smoker – The power of heaven should not be underestimated
Domino – Bring the lights down
Kappasaur – RebirthCover art: Cristina Cammarata
www.behance.net/CristinaCammarata
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