01-Fucking Lunch In Fucking Tube(2:10)
02-Hate Is A Verb(1:48)
03-Per Aspera Ad Astra(3:18)
05-Душа И Кипарисы(2:04)
07-Куда Мы Спрячем Твое Тело(2:56)
08-На Обломках Холодных Ног(3:42)
10-Сплин И Идеал(4:28)
Cixxx J & Dj Bist ci presentano il loro progetto BAKRA,
che serve a loro per travestirsi da supereroi anni ’90
scendere in pista con vinili e vecchi mixer per far girare Mr Jack nei i loro party “House”
Ad accompagnarli nelle piste di Boloklyn
ci sono i compagni di viaggio
Mr SHANGO e Mr CMKD
che remixano il pezzo Olives & Capres nel loro stile fidgettone e rotatorio!!!!
В поисках новых форм, группа открывает следующую главу в сотрудничестве с электронными проектами: на “Cold Wave” представлены совместные работы и ремиксы с участием Haunt и Gnothi Seauton. В течении шести месяцев восемь песен и ремиксов превратились в единое целое, что и стало альбомом “Cold Wave”: скитания по холодным пустошам в попытках заново найти себя.
It’s been a while since our next artist graced the Kahvi shores – but after a gap of some three years Sebastien Marchal (aka. Workbench) is back with a fantastic ten track album!
Similar to his previous release ‘Synesthesia’, Goldfish is a work of electronic and ambient fiction, describing dreams in all the colours of a rainbow. As Colours was purely based on colours themselves, Goldfish paints a vivid picture just from the name of the track, followed by Marchals amazing audiio descriptions. Purely designed and constructed to paint a picture of sound, the tracks allow you to drift from reality to a much more pleasant place for a while.
Enjoy the first release of 2015 from Sebastien Marchal and see you next time for more fantastic audio works!
geneva’s floating mind is a highly notable electronic music producer, and he releases only free music — sidestepping the profiteering music business outlets. so that said, unfoundsound is honored to offer you this free 8-track album from floating mind — entitled deepness and symmetry. here you get a mind-blurring array of deep, abstract minimal techno and leftfield ambient. call it avant-garde. call it experimental. call it whatever you want. in the end, it’s solidarity. it’s deepness and symmetry.
We wanted to share with you our latest release by Greek Producer Moderator, the release features Witness, Jeanette Robertson and Nieve. It’s a mix between Instrumental Hip Hop, Trip Hop, Jazz and Rap. Free Download too.
The Convergence of Parallel Lines, the second collaborative release from Jimmy Ghaphery and Daniel Barbiero, contains three improvisations and one composition for winds and double bass, and one live improvisation for winds, double bass, percussion and three dancers.
The graphical score for Exchanges II for alto saxophone & double bass by Daniel Barbiero is included as a supplemental file as part of this release.
1. The Convergence of Parallel Lines (1)
2. Silver under Grey on Black
3. The Convergence of Parallel Lines (2)
4. Exchanges II for alto saxophone & double bass
5. Approaching/Contact (for Jose) for three instrumentalists and three dancers
Jimmy Ghaphery: alto saxophone, clarinet, flutes.
Daniel Barbiero: double bass & prepared double bass.
On Approaching/Contact: Jimmy Ghaphery, winds; Daniel Barbiero, double bass; Sam Byrd, percussion and objects; Page Ghaphery, Ken Manheimer and Jose Dominguez, dancers.
Tracks 1-4 recorded January 2013 at Last Resort Studio in Silver Spring Maryland USA.
Track 5 recorded live 5 July 2014 at Pyramid Atlantic Art Center in Silver Spring Maryland USA.
All tracks mastered by Mark Beazley.
Cover Photography by Billy Fox.
Emphase is an acid techno track in its purest form: an acidline which wobbles and cuts through the bass while at the same time chilling as it drives you on.
Mseq’s remix of Emphase is the perfect oldskool detroitesque counterpart of the original. It is also built on the acidline but has its own character. The way the harmonies are being played emphasizes his great style.
Burn it down is a raw house track with vocal shreds animating you to burn down things. We encourage you to dance to the groove of this chicago-style tune instead.
Wave reaches sensory input. Stimulus transforms to current. Signal travels through neuron network. Electric burst creates perception. Pattern recognition generates psychosomatic response. Gland emits substance. Thought pattern decoheres. Subject enters meditative state. Social-situational information lost. Emotional response bound to auditory system. Effects persist for duration of trial. Memory area reformatted. Experience subsequently perceived as real.
“With Lluvia Ácida, we have been making music together for 20 years, always from the Chilean Patagonia. In the beginning, in a context absolutely dominated by Rock and folklore, we made music inspired by the bands that we liked, all European and born of urban and industrial environments. Over time we understood that we had our own environment to inspire us, one in which technology is implemented in wild and lonely places, creating a contrast that is increasingly scarce in our country and the world.
We consider ourselves Explorers, because many of our works exhibited the results of an adventure or an investigation. So it was with albums like, “Tierra de Espectros” (2002), “Antartikos” (2005), “La Idea – Canto a la Federación Obrera de Magallanes” (2007), “Kuluana” (2009) and “Insula in albis” (2013).
“Zonas de Silencio” (Zones of Silence)” is the result of one of these adventures. This consisted of moving the act of Composing and Recording an album and a film outside the comfort of the studio, carrying portable technology to remote locations and abandoned premises of our environment, specifically in the communes of Punta Arenas and San Gregorio. In successive outings between the months of January and May 2014, we managed to record improvisations in places as dissimilar and evocative as a volcanic crater, a steamer rusting on the banks of the Strait, an abandoned lighthouse, a small and little known ranch, the structure of an old fridge, a coal mine, a beautiful cinema closed for more than a decade and a closed hospital. It was our way of merging ourselves with the landscapes that we love, in the shadow of the remains that were left at the edge of the Road of the Magellanes Story.
With “Zonas de Silencio”, we feel that we have contributed another vision of our Frontier Society, one which doesn’t glorify anyone in particular. We are only Ourselves and our Machines, forming a closed circuit but sensitive to the vibrations emitted by the solitary places.”
(Punta Arenas, Magallanes, Chile, January 2015)
“In Every Passing Day…” is the third EP of Bleak Fiction. Following a similar direction of “Prolonged Memory”, this release contains four drone ambient songs, with themes about dreams, memories and wishes. A desired place to live and a desired person to share moments.
She would love to work with music, but before, she uses to take a camera, brushes and plastic materials.
She works on art: knowledge, find meanings, researching, expression and listen through it.
Also, she experiments with possibilities and plays with perspectives,
to make prominent different shapes. In short, show a new version.
caroline park is a composer, musician, and artist working within the minimum in experimental electronic music. she creates custom software in max/msp, integrating chance and silence in unique, minimal systems. she collaborates frequently with asha tamirisa in duo situations and also performs as 1/4 of the electro-improv quartet BUMPR (peter bussigel, stephan moore, tim rovinelli). additionally caroline is a founding member of OPENSIGNAL, a providence-based artist collective focusing on the representation of gender and race within experimental electronic music.
her first album for pan y rosas is a brief album of drones that caroline composed and mixed in los angeles, london and providence. she suggests –
play at full volume,
with good speakers
in a nice room.