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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, 28.1.2026

Hello, I have made a few changes to the site. Unfortunately, I am not quite finished yet, but it should continue without interruption. I hope you find the changes useful. Stay tuned. Konrad

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Baradit – Monophonic Song

Baradit – Monophonic Song
[pn179]

Baradit

“Monophonic Song”

“Monophonic Songs”, the new work of Baradit this time is experienced in the world of monophonic synthesis, composed mostly with a Monologue, with which he created rhythmic bases, basses and melodies. In addition, he incorporated the virtual replica of the Solina keyboard bestowed by Arturia to give deep ambiences to his songs, while also adding some sounds from the classic 606, 808 and 909 Roland drums.

It is an album created in the middle of the Pandemic, and Felipe was mainly inspired by events that occurred during this time, such as the social upheaval in Peru, the solar eclipse, the extensive use of streaming and the arrival of vaccines, in addition to the coastal environment of Concón which was a common escape from the pandemic confinement and a clear invitation to incorporate the ambient into the songs. To maintain the analog sonority of the creations, this album was mastered through the tube sound of the Korg Electribe SX.

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posted 25 January 2021

Aysen – 3 estados

Aysen – 3 estados
[pn059]

Aysen

“3 estados”

(3 estados, originally released in November 2010)

Solid, liquid, gas. Pablo Flores new step, now under the name of Aysén, forces the memory of those three components. “3 estados” is a creative model bedazzled with concrete, fugacious, unmeasurability fantasies. A system signed by these three ways, an album working in a conception of song format understood as a dislocated vehicle, creating, manipulating, capturing new frames in countless sound levels.

From the attractive pop starting in ‘Estancia revisitada’, to the unmeasured epic ‘XXX’, this firts Aysén‘s work twistes moods and poetic approaches. ‘Sandungueo’ and ‘Estremecido’ correspond to moments of melody and quietness; ‘Talento inocuo’ and ‘Cuesco’ deal with a continuous interspersing of samples and programmed rhythms. Here, sounds capturing and minimal backgrounds elaborate a lexicon allured by an electronica mask, but proposing infinite possibilities -via manipulation- of material traceable in commonplaces (voices, settings, objects, noises). ‘

“3 estados” proposes unsteadiness as a creative site: neither known path nor final picture here, the album opens itself in delta, receiving sounds moving forward, back, in zigzag, marching towards an infinite point. A twisting-line exercise, restated in labyrinth-like songs, beautifully crafted, displaying, in their hesitations, the subtle insolence of their maker.

Felipe Mardones
(Santiago, Noviembre / November 2010)

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posted 24 January 2021

A Symbiotic Experience – Gesamtkunstwerk

A Symbiotic Experience – Gesamtkunstwerk
[LCNLP118]

A Symbiotic Experience

“Gesamtkunstwerk”

The Necrophile Hummingbird netlabel and HAMFUGGI Records present Gesamtkuntswerk the fourth album of A Symbiotic Experience.

Gesamtkunswerk means “A total work of art”… Indeed our own idea of the fourth way, the synthesis of death, life and dream, using the “narration” tool to create… our lives. Welcome in this new step of the mutation process which brung next rADio eNd.

“Total Art Program for Human Processors”.

The Third Near Death Experience is here
archive.org/details/Near_Death_Experience_A_Symbiotic_Experience

The second Rebirth is here archive.org/details/Rebirth_A_Symbiotic_Experience

The first Renaskigo is here hamfuggirecords.bandcamp.com/album/renaskigo

Also there is a prequel to A Symbiotic Experience : Dawn of the Damned.

A Symbiotic Experience is a project created for HAMFUGGI Records, but we really love Non Exclusive Concept so we chose to do a double release. More informations here hamfugi.wixsite.com/hamfuggirecords/a-symbiotic-experience

It’s another perfect horsnorme music example, so it’s not relevant to link it to any musical styles.

About the influences you may find it linked to nothing else than the music of the two protagonists which is allready a lot because they are quite eclectics :
Gabriel Pereira Spurr & Yoshiwaku Mushotoku

Another thing, the visual side is an important part of this project.
So here is a Video Art Clip :
Abstract Television
https://www.youtube.com/watch?v=j3Ol6HHXi8o

Recorded between Buenos Aires (Argentina) and Foucherans (France)

Dedicated to everyone Awake : dreamers creating beyond any forms their own reality.

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posted 22 January 2021

José Gallardo A – Diario de una depresión

José Gallardo A – Diario de una depresión
[pn178]

José Gallardo A

“Diario de una depresión”

Listening to the recent work by José Gallardo is an experience that voids any interruptions and defines its own place.

Everything starts with pulses that resonate at low loudness and frequencies, which peek out from the environment. As time passes, they flatten out until they form a sound background that appears for moments like a figure broken up into accents. Slowly we enter into the trance of a phrase to mutate the idea and the state, all in a slow and fractional way. This step becomes evident when appearing in the center of a new tale.

When sound is clearer and calmerthrough inflections towards distortion, static and noise produced by saturation are integrated as rougher textures that outline part of the limits of each volume.

In “Diario de una depression” (“Diary of a depression”) the musical matter is located between the electric guitar melody and the effects mass, which runs on an independent timeline. These are the two most identifiable layers that structure the total of this work;however, its greatest virtue is not in what is perceived in an apparent way, but in the resonances with which a dialogue is established when listening to it again.

Oscar Santis
(Concón, Chile. Enero / January 2021)

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posted 18 January 2021

The Eternal Returns – Autumn Introspection

The Eternal Returns – Autumn Introspection
[zen223]

The Eternal Returns

“Autumn Introspection”

an autumnal journey to the void and back to the surface, and three lessons learned along the way

parental advisory: explicit sounds & rhythms

www.zenapolae.com/releases/zen223/zen223__The_Eternal_Returns__Autumn_Introspection__02_First_Lesson.mp3

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posted 17 January 2021

Only-1 – Corsario Subversivo

Only-1 – Corsario Subversivo
[pn177]

Only-1

“Corsario Subversivo”

Where discrete sound sequences are amalgamated, where layers of rhythms are juxtaposed, these tracks propose a sonic space of moving textures. Using samples and patterns subjected to accelerated repetitions that provide variations of great spectral richness (rhythm becomes colour), music clearly takes off from a background inhabited by the syncopations of established genres such as hip-hop or techno, to immerse itself in a world rich in structures and textures that go further, while supporting procedures in other known forms such as glitch and noise.

Pueblo Nuevo offer us this powerful opening release for this uncertain 2021, an invitation to a sound journey in times of physical seclusion.

Alejandro Albornoz
Compositor / Composer
(Valdivia, Chile. Enero / January 2021)

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posted 11 January 2021

C da 76er – The Vibes

C da 76er – The Vibes
[BSOG0100]

C da 76er

“The Vibes”

Almost two years after he dropped his debut instrumental album Out of Necessity, C da 76er (production alter-ego of CM aka Creative) is back with another slammin’ selection of instrumentals!

With “The Vibes” CM brings us a selection of 26 songs exploring a whole range of hip-hop vibes. Do yourself a favor and grab it. Dope beats to get you through that work day.

CM… thank you again, sir! This is another terrific set of instrumentals that I’m sure fans will dig.

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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posted 08 January 2021

Lieutenant Caramel VersuS PARRHESIA Sound System – RETROGRADE

Lieutenant Caramel VersuS PARRHESIA Sound System – RETROGRADE
[LCNLP121]

Lieutenant Caramel VersuS PARRHESIA Sound System

“RETROGRADE”

The necrophile hummingbird netlabel presents a dive into the memory. From the aftermaths of the past to the traumas origins.

Luigi Russolo works were an inspiration source, that’s why instead of the raw maximal Futurism, Retrograde sounds more like a kind of minimal nostalgia with a singular psychoactive research.
More about him in french
https://felipecaramelos.blogspot.com/2014/09/luigi-russolo-en-dehors-du-fascisme.html

Lieutenant Caramel told me he has travel to Syria in 1998 before the war and how what happens with the war hurt him. I told him I have travel to Jugoslavia in 1990 and that I could understand that feeling. This is the start point of this album.

Dedicated the Syrian people and all the people devastated by the ravages of war.

Retrograde is based on the sounds recorded by Lieutenant Caramel during his 1998 travel in Syria including the mesmerizing sound of the famous Norias of Hama.
https://ateliernautilus.bandcamp.com/album/le-lieutenant-caramel-voyage-en-syrie

Etat Comateux is also on the tribute to Elvifrance by Earsheltering
https://archive.org/details/earsheltering100
Eaux Troubles is also on The World is Over! A-Side
https://archive.org/details/VA_The_World_is_Over__A_side

The 7th track is a bonus track a version of Ruisselante with French Lyrics.

PARRHESIA Sound System full discography in available in free download
GryPHon
https://archive.org/details/Parrhesia_Sound_System_GryPHon
Back of the Beath Generation
https://archive.org/details/BackOfTheBeatGeneration
Colonel Gore Versus PARRHESIA Sound System
https://archive.org/details/DarkWoodOo
Night Of Pan A Side
https://archive.org/details/night_of_pan_A_side
Night Of Pan B Side
https://archive.org/details/PARRHESIA_Sound_System_NIGHT_OF_PAN_BSIDE
Recreation of Pantychrist
https://archive.org/details/earsheltering048
Pantychrist
https://archive.org/details/AMR276
The Real Feather Heal
https://archive.org/details/TheRealFeatherHeal

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posted 07 January 2021

Brainscan – Contact Mixtape

Brainscan – Contact Mixtape
[pnmxt005]

Brainscan

“Contact Mixtape”

A journey from the interior of the earth to the most remote corners of the universe, searching in this experimental and mental sound space gives us an idea of what could be out there, we explore in this musical platform and find it, some contact with these creations; how far could the imagination go? Possibilities hard to visualize but that have traces going through complex evolutions, entering unknown sonorous territories. With the strength and resistance of Pueblo Nuevo, these winds have allowed us to explore more complex musical possibilities, opening up new places. The contact and search for intelligent life in other worlds has few wings of being, but here is an air of hope with sound languages based on machines that assimilate transmissions or voids in space.

Brainscan
(Santiago, Chile. Diciembre / December 2020)

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posted 29 December 2020

Atarashii Natsukashi – Machine Funk

Atarashii Natsukashi – Machine Funk

Atarashii Natsukashi

“Machine Funk”

Atarashii Natsukashi is intended as some sort of “musical diary”. All music is inspired by daily events and also various random thoughts & memories. As a result, the musical style of Atarashii Natsukashi might change according to its sole member’s current mood and the daily events that surround him. The first A.N release, “Machine Funk EP”, is heavily influenced by 90s Acid House and Techno. “Machine Funk” is the first release from the first period of A.N. During this period, tracks were being made at an industrious pace.
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posted 29 December 2020

Malandrómeda – San Amaro

Malandrómeda – San Amaro

Malandrómeda

“San Amaro”

released December 23, 2020

Gravado e misturado por Hevi no Laboratorio Soyuz
“Nin barco nin ostias” gravada en febreiro do 2018
“Unha casa no camposanto” gravada na primavera do 2018
“Días libres” e “Quero nécoras” gravadas en decembro do 2019
Misturado na primavera do 2020.

Fili: Infinito
Malandrómeda: Rimas e ritmos
Oh! Ayatollah: Voces, guitarras e programación extra en “Unha casa no camposanto”
Roxo Xaque: Clarinete en “Nin barco nin ostias” e técnico de gravación en “Unha casa no camposanto”
Fraga: Voz Eurobeat en “Unha casa no camposanto”
Cem Oral ‘O Milloreitor’: Masterizado
O Máster do son: Microfonía e bombas de palenque
Daniel Alonso Mallén: Deseño e collages

Overview by Iron Mon

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posted 28 December 2020

The Hathaway Family Plot – The Next Room

The Hathaway Family Plot – The Next Room

The Hathaway Family Plot

“The Next Room”

In the fall of 2020 my regular gig playing piano for ballet classes was forced by COVID to go virtual. I still commuted to campus and broadcast my playing from an empty studio. The building was being renovated, so a small group of construction workers walked the student-less hallways. Between classes, I began to experiment with recording my playing from a small portable recorder placed in the hallway outside the studio–partly to capture the strange whistle that one particular corridor often produces. The result is a hiss-heavy album wherein construction workers are heard walking by, an instructor’s voice is faintly heard far away, and the piano also sounds like a distant thing.*

The resulting recordings resonated with me emotionally in a way that felt appropriate for the year. It’s been hard to see and recognize beauty. Truth is relentlessly attacked, obfuscated, and denied. It feels like we’re stuck in a room outside the room where something beautiful may be happening. We know or believe that it exists, but we can’t see it or touch it. We’re being kept out of that space.

Headphones are recommended.

*(There is also one song recorded at home from the hallway outside my office–the recorder set next to a dog who is resting in his bed, nervously smacking his lips. Is it a strange kind of ASMR? Is this whole album? It may be to me.)
credits
released December 18, 2020

All pianos, keyboards, and minimal electronics (tracks 3 and 8) by Kevin

All songs written by The Hathaway Family Plot

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posted 28 December 2020