baja blast – sex with m plox
[BFTG_195]
baja blast
“sex with m plox”
we shittin
posted 08 March 2023
ゲームマスター – DUNGEON CRAWLER 2000オリジナル・サウンドトラック
[BFTG_193]
ゲームマスター
“DUNGEON CRAWLER 2000オリジナル・サウンドトラック”
BFTG is back.
posted 19 February 2023
Dominik Vogel – Open Sesame!
[Wuerfel35]
Dominik Vogel
“Open Sesame!”
This EP by Dominik Vogel comes along in the usual easygoing manner, An offer to go on a journey with him in this time, when all the world seems to be obsessed with opening doors every day. Maybe with a flying carpet over the Atlantic? Or perhaps by caravan through a snow globe? Then the one door that opens only after the well-known magic formula. And behind it? The fulfillment of all wishes. Or the liberation of a soul tormented for centuries. Or both. Decide for yourself and choose wisely.
posted 27 December 2022
Unkraut – Bluete / Imago
[Wuerfel36]
Unkraut
“Bluete / Imago”
Imago (lat. ‘image’, ‘likeness’) is on the one hand a term “the last stage an insect attains during its metamorphosis” on the other hand “the unconsciously emerging first image of relationship persons, usually of father or mother” (Wikipedia). Both may apply here, because a certain programmatic aspect is definitely present in the music in connection with the speaking titles. Perhaps not necessarily planned from the beginning, as much seems to have arisen spontaneously and intuitively. But in the further course of the tracks they quite stringently follow the first inspiration and develop in itself coherently. At the end then maximum irritation, alienation, guesswork: If only you knew „was der macht in Nacht“.
posted 27 December 2022
js – synthesized studying
\js
“synthesized studying”
made with te po mod400 (among other instruments); tried to let machines sound like themselves
posted 12 December 2022
Cistem Failure – Cistem Failure
Cistem Failure
“Cistem Failure”
Content Warning for the album – in our songs we talk about sexual assault, misogyny, police abuse, animal exploitation, the prison system, and state repression as consequences of living under capitalism and patriarchy. Its important to discuss and open up space for these topics so that we can fight domination and hieriarchies, but this takes a lot of strength when we are surrounded by the reality of this brutal system and sometimes those reminders are too strong and triggering even in the things that we love. so we hope that by giving some content warnings (some songs have a bigger one than others) that everyone can make their own decisions about what to be confronted by.
After some times of playing music on the street together, and writing songs, this album and band was given life.
We feel that we life in a very absurd time, where alot of things are changing. We want to create more of a politcal presence within the punk and radical scene, and create a space for female associated people, queer and trans folk to play music, join campaigns, do direct actions and feel empowered. Patriarchy is alive and kicking, even within our radical movements and we feel that this has to be confronted.
We feel our music should be free to download for everyone, that is why our bandcamp says, name your price. But ofcourse, touring and making cds costs some money sometimes, so if you feel like supporting us in that way (if you can) then thats cool!
Released December 14, 2015
posted 21 November 2022
The Fishermen & the Priestess – Pisces
The Fishermen & the Priestess
“Pisces”
“Pisces” is a collection of some of my favorite songs from 2016, when I was just starting to produce music. There is something really magical that comes from these moments of inexperience, when you’re first learning something, and these songs are special to me because they have a raw creativity that I miss.
posted 16 November 2022
Alpha Centauri – Alpha Centauri Static Time
[PXCD 133]
Alpha Centauri
“Alpha Centauri Static Time”
Lista de temas:
1 – Serenata Opus 2
2 – Static Time
3 – Across At Open Sea
4 – Serenata Opus 3
5 – Exaltemos al Rey
6 – Una Sola Cosa
7 – Serenata Opus 4
ALPHA CENTAURI es: Cristian Leonardo Abaca: batería en temas 1, 2, 3, 5, 6 y 7.
Percusión en tema 3, voz en tema 2, 3, 5 y 6.
Programación de batería electrónica en tema 6 y teclados en tema 5.
Músicos invitados:
Martín Piccioni: bajo en tema 3
Martín Arias: guitarra y efectos de guitarras en temas 1 y 3
Diego Tarling: guitarra en tema 5
Federico Favrol: bajo en tema 2
Ernestos Romeo: Moog Modular System, Moog 960 Sequential Controllers, Moog 950 Keyboard, MiniMoog Model D, ARP2600, ARP Sequencer, Mellotron Model 400 en tema 2
Shiitake (Manuela Suarez): EMS Synthi AKS en tema 2
Martín Méndez: bajo en tema 7
Hernán Espejo: guitarras en tema 7
Manuel Schillagi: sintetizadores y efectos de guitarra en tema 4
Eduardo Vignoli: piano, bajo programado y guitarras en tema 6
Charlie Egg: bajo y sintetizadores en temas 1 y 5
Juliana Gentile: diseño gráfico de tapa y contratapa
Producido por Cristian L. Abaca
Ingeniero de grabación, mezcla y masterizado: Eduardo Vignoli
Letras compuestas por Cristian L. Abaca, excepto “Una sola cosa” con letra y música de Luis Alberto Spinetta del álbum “Prive”
Los tema musicalmente fueron compuestos por los músicos donde respectivamente se los nombra en los instrumentos que tocan
PXCD 133
Editado por Planeta X Discos
posted 03 November 2022
O.P.A.L. – Other Voices
O.P.A.L.
“Other Voices”
Six experiments in atmosphere and ambiance. Some pleasant. Others, not so much. Released October 7, 2022
Created, programmed, recorded, and produced in Los Angeles, CA by Jose E Roman Garcia in October 2022. Copyright 2022 Rojo y Negro Records. Rojo. y Negro Music (ASCAP).
posted 09 October 2022
Fabio Keiner – Spirit Lands
Fabio Keiner
“Spirit Lands”
spirit lands’ is a longform ambient noisescape journey into the otherlands of mind and soul – where the spirits could roam freely. improvised and crafted by Fabio Keiner, sound artist for more than 20 years in different genres, like ambient, improvisation or generative composition, who still travels uncharted lands of spirit and mind.
posted 13 August 2022
Fields Ohio – This is the Place I Dreamt of You Last
Fields Ohio
“This is the Place I Dreamt of You Last”
released August 11, 2022
Eddie Palmer & Christine Annarino
posted 11 August 2022
100000 – the only job i can choose is prostitution vol. I
[KK-002]
100000
“the only job i can choose is pro… vol. I”
a noisy drone for depressing … lol
posted 30 July 2022
Kamizdat – Access Frame: Colony
Kamizdat
“Access Frame: Colony”
For Netlabel Day 2022 Kamizdat is presenting a new compilation of local adventurous electronic music. This years edition features 12 exceptional female artists of various electronic and experimental genres with mostly exclusive tracks.
credits
released July 14, 2022
Credits:
Maruša Hren · printing, zinemaking
Tina Ivezić · design
Andrej Pervanje · production & promotion
Luka Prinčič · mastering, executive production
Luka T. Zagoričnik · production
Sabrina Železnik · promotion assistance
About Access Frame:
The series of compilations titled Access Frame aim to present a wide spectrum of local alternative music (with emphasis on electronic and experimental music) that has found its safe haven on the internet. The never before encountered entwinement of technology, society, making music and ownership rights has been causing a serious conflict between free culture and the outdated and exploitative concepts of copyright. Adhering to the spirit of free access, online labels are the first in the struggle for equal access and a more fair copyright (facilitated by the introduction of the Creative Commons license).
Archive at: kamizdat.si/tag/access-frame/
About Netlabel Day:
In this spirit we are supporting the annual celebration of netlabel culture every July 14th. Every year labels participate and release free music releases specifically for the event to support the initiative by M.I.S.T. Records in Chile and curated now by The Seattle Star.
More at: netlabelday.com.
produced by Emanat
released by Kamizdat
with support by City of Ljubljana and Radio Študent Ljubljana
kamizdat.si
posted 15 July 2022
For Example John – Welcome to the Johnnverse
[Wuerfel34]
For Example John
“Welcome to the Johnnverse”
Slapstick, spectacle, riot, downhill, electro-bruzze, party, always firmly on. That’s how we imagine the Johnnyverse, to which For Example John invites us here. A classic second album, more of everything we love, one step further, everything a bit bigger and wilder, the next level. That’s the way we want it. All our expectations are satisfied. Hell Yeah.
And yet, and yet, and yet…
Every now and then, lines of lyrics stick in our ears for days. “Everything that bothers us now, has to be destroyed long ago”. Our speech, already for years, funny that still nothing has changed. It’s because of “the capital”, of course. And maybe also because of the “bread and games” for which we are always too happy to drive our dreams against the wall. Anyway. “Look at my super flat screen”. None of this bothers us, because we are, after all, the “generation with the retro shoes”. And we hope that this can help us further.” It’s all not so dramatic, we know where the ball is in our court. Even if we have long since lost the laughter of our childhood. And at some point, saving the world will somehow work out. Until then: Party on, party hard.
In this sense: Welcome to the Johnnyverse.
P.S.
I love you.
P.P.S.
But sometimes you stink.
posted 14 July 2022
O.P.A.L. – Sedative EP
O.P.A.L.
“Sedative EP”
A four track EP by O.P.A.L. Further explorations on dream pop, post-rock, and shoegaze. Released June 26, 2022
For Christin.
All songs were performed, programmed, recorded, and produced by Jose E. Roman Garcia at The Perch in Los Angeles County, California between June 12th and June 25th, 2022. Copyright 2022 Rojo y Negro Records. Published by Rojo y Negro Music (ASCAP).
Artwork: “HUGE-B 500-NCBI PGT” by Elena Regina is marked with Public Domain Mark 1.0. To view the terms, visit creativecommons.org/publicdomain/mark/1.0/?ref=openverse.
posted 26 June 2022
Luka Prinčič – xenotopic networks
Luka Prinčič
“xenotopic networks”
The modern living environment is fully transmedial. The subject is bound in the functionalities and workings of a cyborg, where the question of her rights becomes especially important. However, oozing through the network of different forces is the patriarchal white hetero cis matrix and the mechanism of disciplining, shaping and cultivating. The trans.fail chapter xenotopic.network relies on the concepts of foreign (xeno), space (topic/topos) and network as the primary sources of inspiration. These concepts can be understood and read in various ways, thus presenting the grounds for a critical reading of the world as a patchwork of possibilities:
“Technology isn’t inherently progressive. Its uses are fused with culture in a positive feedback loop that makes linear sequencing, prediction, and absolute caution impossible. Technoscientific innovation must be linked to a collective theoretical and political thinking in which women, queers, and the gender non-conforming play an unparalleled role. The real emancipatory potential of technology remains unrealized. Fed by the market, its rapid growth is offset by bloat, and elegant innovation is surrendered to the buyer, whose stagnant world it decorates.” (Laboria Cuboniks)
“… what is at stake is nothing less than a global redefinition of the relationship between territory and networks. There are major geopolitical rearrangements taking place right now across the entire stack, from physical infrastructure to information, financial and monetary networks. These are attempts at determining ‘digital territories’ and grappling with how to define and assert some sort of ‘digital sovereignty’ in network space. And cryptographic techniques are at the core of such emerging arrangements.” (Jaya Klara Brekke)
posted 08 June 2022
The Feminalz – Technoburlesque: Image Snatchers 3
[KAM058]
The Feminalz
“Technoburlesque: Image Snatchers 3”
The Feminalz present the third part of the Technoburlesque: the subversive electrocabaret with elements of ex-Yugoslav pop culture and playful queer feminist humor. The door to the disco club, to the new eighties and the old noughties, to modern trap and contemporary schlagers is wide open again. The songs are based on individual acts from the performance Image Snatchers, produced by Institute Emanat, which has been running since April 2013 and has been performed over 60 times. Image Snatchers are a proof that a performative variety show that is responsive to the trends, resistant to social norms and cynical towards normality is a form of social commentary that is very much alive. And so for the third time we have decided that the show deserves a repeatable consumer product.
The adaptations, remixes and the original club music for Image Snatchers show are developed by Luka Prinčič (ex-Nova deViator, Deviant Funk …) together with new and regular members of The Image Snatchers: DeeDeeVoid, Musée-Cunt, GlitterAid and, as songwriter, Gospod Magdalenca. The reshuffled team of The Feminalz present themselves with five new tracks and deliver what they are best at, a mix of instrumental club hits and verbose, text-based songs, which function both as performance acts and as repeatable recordings. The subversive note of the album becomes obvious through a juxtaposition: the remakes of the disco hits “I’m Every Woman” by Chaka Khan and “So Many Men So Little Time” by Miquel Brown become farsical if set beside GlitterAid’s trap song “Gucci gučí” and parodical when set beside the electro theme of “Neodvisne ženske Pt.1” (Independent Women Part I). The third musical portrait of Image Snatchers is rounded off by the remake of the Yugoslav schlager song “Nogometna utakmica” (Football match) by Beti Jurković.
posted 30 May 2022
CLOUDWARMER – LoFi Beats
CLOUDWARMER
“LoFi Beats”
Collection of Lofi Beats and Hip Hop Instrumentals.
All Can Be Sampled.
credits
released May 1, 2022
posted 07 May 2022
理科 棚 – 空気 EP
[OMOIDE 244]
理科 棚
“空気 EP”
理科 棚 (@narinar28664057) / Twitter twitter.com/narinar28664057
credits
released May 6, 2022
credits
released May 6, 2022
posted 06 May 2022
Luka Prinčič – willow
Luka Prinčič
“willow”
released April 30, 2022
written and produced by Luka Prinčič
sample on track 1 from La Fille du Régiment: “Il faut partir” sung by Pretty Yende
finalized at StudioSP3
cover graphics by Pawel Czerwinski (unsplash.com/photos/x0EANu5-ymY)
thanks to Maja Delak, dancers from her choreography that nons supported, and A.P., who left us too early.
posted 01 May 2022
snarewaves – odds & ends instance2
[OMOIDE 243]
snarewaves
“odds & ends instance2”
snarewaves（@snarewaves） / Twitter twitter.com/snarewaves
Remix
hallycore（@hallycore_） / Twitter twitter.com/hallycore_
credits
released April 29, 2022
OMOIDE 243 odds & ends instance2
posted 30 April 2022
Fields Ohio – Our Paper Hearts Drift In Tunnels To Sleep In Little Boxes Under Ohia Seas (Remastered)
Fields Ohio
“Our Paper Hearts Drift In Tunnels To Sleep In Little Boxes Under Ohia Seas (Remastered)”
released April 9, 2022
posted 09 April 2022
Luka Prinčič – algoforte02
Luka Prinčič
“algoforte02”
Continuation of exploration of music for SuperCollider and piano.
credits
released February 28, 2022
written and produced by Luka Prinčič
recorded at StudioSP3
cover graphics by Pawel Czerwinski (unsplash.com/photos/BnUIZTSlWN4)
posted 01 March 2022
Various Artist – JUKEしようや ~ There will be OMOIDE everywhere in JUKE ~
[OMOIDE 241]
Various Artist
“JUKEしようや ~ There will be OMOIDE everywhere in JUKE ~”
Executive Producer
YZOX (@yzox_jpn)
twitter.com/yzox
Supervised by
HYRADIANCE a.k.a Hiroki Yamamura (@Hironeyyyyyyy)
twitter.com/hironeyyyyyyy
Artwork
松傘 (@matsukasa_)
twitter.com/matsukasa_
English title
CRZKNY (@CRZKNY_JP)
twitter.com/crzkny_jp
credits
released February 25, 2022
57 Track Album
Cover Design by 松傘
Produced by YZOX
Supervised by HYRADIANCE a.k.a Hiroki Yamamura
English title by CRZKNY
posted 25 February 2022
posted 24 February 2022
