Great selection of music that will make this time that unforgettable.
Think also, of places we have not yet seen, and those we may never reach. Imagine the pure harmony pulsating through them and embracing you softly.
California based Ambient Producer, Aurastore, guides you along a journey that will separate your body from your mind. Six gently arranged scenes of meditative drones and soft glowing lights will bring you to the worlds of Untapped Horizons.
As such, owing the great talent for both an explosive launch title and his continued moral support, it was with a great deal of bittersweet sorrow I greeted the news he’d be moving on. Following the release of ‘Yesterday’s Tomorrow’, his final collection of new material under the Starpilot moniker, I felt a tribute should be paid to his, needless to say prolific, past. A week or two later and, upon his request, we’ve curated down nearly three years, twenty releases released by multiple labels and countless compilations into a single, 17 track solidified statement and testament to the huge talent this incredible artist holds; a small example of why so many will be sad to see his absence.
Not everyone’s favourite tracks will be present, and not every release is covered, but as a manifesto of a hugely active artist this Retrospective hopefully does him proud. For the fans already; enjoy revisiting the classics along with some more hidden stuff you may not have heard before. To the first-timers; enjoy the journey in which you’re about to embark!
Tracklist:
01. Magnuatic
02. Doing Summersaults Inside My Skin
03. Gnarl
04. Stolen Halo
05. Riposte Bombardment
06. Smear Peanut Butter On The Edges
07. Living One Vibrational Energy
08. Nomad Planet
09. Cranberries Make Strange Bedfellows
10. Thou Shalt Not Let Thy Nook Forget Thy Cranny
11. As I Stumble Through Your Autoexec Batch Groove
12. Vailixi
13. The Heart Is Telepathic/In-Q-Tel Noise
14. Only Sickly On The Outside
15. Strawberry Fractal Seed
16. Adrift In Foreign Circuitry
17. The One Thing You Cannot Replace
Yet, echogarden is about much more than just the music. It’s about experiencing the adventure of linking sound, people and nature with all your senses. It’s about people coming together to discover and celebrate a new kind of happening.
Be part of it: Join echogarden and make it flourish.
24|08|2013 [2:00 p.m.] – 25|08|2013 [6:00 a.m.]
Austria | Linz | Tabakfabrik
Peter-Behrens-Platz 11, 4020 Linz
Balla Marinetti (Kraftwerkiana-1997-2013) [0kbps041]
01 – Tromba di Gomma
02 – Forza Europa
03 – The Baby Robot 3
04 – Automata Voltaire
05 – Balla Marinetti
06 – Red Donkey G.Felloni futurmix
07 – Eva Cyberpunk
08 – Moana cybersex
09 – Ninnananna di Marinetti
10 – Automation
11 – WebMind
12 – Terminator Islam (+arabian version)
13 – Music for Robots
Roberto Guerra – Giorgio Felloni 1-7, bonus 8-13 2013
MAV [0kbps] Records, August 2013
«One must command from each what each can perform, the king went on. «Authority is based first of all upon reason. If you command your subjects to jump into the ocean, there will be a revolution. I am entitled to command obedience because my orders are reasonable.»
01 Entropy
02 Scratching The Pink Turntable
03 Freakin Out
04 Honey?
05 Catalytic Oxidizer
06 Panda Bear Madness Minute
07 Astronomical Twilight
08 No Interruption
09 Night Bird Flying
10 Drippin’
11 Infiltration
ViajeraMente is the third album from the trio and the first on pan y rosas. for this album the lineup features chientaroli on piano, carlos álvarez on bass and sebastián groshaus on drums. the album contains a mix of compositions by chientaroli, group improvisations and a cover of dizzy gillespie’s be-bop.
Birds in a forest, suburbian lawnmowers, children’s voices, murky tape experiments, children’s toys, distant conversations, prepared vocals emerging and collapsing from the sticky dark, with snippets of musical instruments – tribal drumming or swirling guitars – are sampled, looped and combined to create an effect of dense, disorienting heat much like a confusing dream during a nap in tall grass in the middle of a July day.
Contacts:
https://soundcloud.com/zakalm
As with most releases here on TWG, ‘+Let’s Disinfect!+’ is a grower, and repeat listens will let those punk pop-lined hooks dig only deeper into the brain, until every single lyric is engraved into natural impulse. And if the adhesive motifs weren’t enough, the vibrancy of textures and styles coated with that trademark ‘less-is-more’ chip (in this case DS) programming and crowd-chanting shouts of frontman Sean leave this release in the stratosphere when comparing it to vocal/chip albums of the past. From the plodding determination of ‘Contact!’ to the ferocious outburst of the title track, Let’s Disinfect! continues to cement himself as an essential forward thinker within an often saturated scene, and an extremely talented one at that.
Tracklist:
01. Contact!
02. Winter
03. Melted Ice Cream
04. My Life Hurts
05. The Case of Matsuo Fujimoto
06. Bleachbrain Zombie
07. Buy My Lawnmower!
08. A Garden of Mutants
09. Let’s Disinfect!
10. The Me I Must Protect
Release: various artists – 4 years omaramusic compilation
Quality: 320 kbps mp3
Lenght: 70min35sec
License: CC-BY-NC-ND 3.0
his second album for pan y rosas, number 3, features two versions of the same piece – one for piano solo and one for violin and ensemble (featuring flutes, clarinets, bassoon, trumpet, tuba, percussion, and double basses). the sound is a rhythmic pulse with occasional voice.
“Transmition Machine” (something like “Transmission from the machine”), robotic voice has more than his previous works, he enters a plane almost “Electro” reminding the Germans Kraftwerk, – even to the current staging of Gozne – without being a blatant copy. The sound is analog and deep, varying between 100, 110, 115 and 124 BPM. Minimalist at times, experimental in others. The voices provide spoken word, no song, just phrases that say: Time Bomb, Total Devastation, Technologic Music, Planet of Confusions and more, which provide each subject not only their title, also their particular environment and development.
The audio-visual show called “Random iLive Action” is clearly present in this work since each track was recorded as if it were a show more and only the voices were incorporated later. The random concept remains “nothing goes the same twice” and for that reason, this work can be executed again live or studio but never sound the same, keep the concept of each track, but each party shall again “Randomized” giving to each performance the same character but with different.
Claudia Peredo
Combarbalá, Chile, Jul. 2013)
al tiro, their first album for pan y rosas discos, documents their first public performance. the sound is: chime snake swirl. metal scratch skree. quiet long note bends. physical percussion. staccato footstep notes. process vibrato. glass string flow. reverse polarities, cross streams. pierce pulse. low drone feedback string punch. objects falling down hills. black lodge bass descension glissando treble string ambiance.
“Reggae has always been my passion as I was brought up in Brixton and went school there so my musical influence has always been a heavy bassline on a reggae riddim. Some of my mentors are: The Scientist, King Tubby, Black Uhuru, Mad Professor, Sly & Robbie, Bob Marley, Eek a Mouse, Gregory Isaacs … and too many more Kings, not enough room here to mention! Jah Guide, Protect & Bless all.” – Med Dred
On his debut release on Dubophonic netlabel, Med Dred introduces a style that is deeply rooted in the history of reggae music. Inspired by the old dub masters and sound engineers of Jamaica, Med Dred manages to assimilate their sound and transform it into something new, either by incorporating his own custom made effects, improvising on the melodica or using his voice snippets to send out his anti-Babylon messages.
The “Dred Reggae” EP includes six tracks, dubbed and remixed by Med Dred exclusive for the Dubophonic netlabel. Heavy one drops, deep echoes and reverbs, heart pounding bass lines and conscious lyrics are the ingredients of his musical recipe. Accompanied by many guests, Med Dred creates his own personal sound, still remaining true to the original roots of reggae music.
Special participation of Ted Sirota (drums) on “Jahnoy”, Felix Dub Caravan (bass) on “Jahnoy” and “Dub-o-phonic words”, Christopher Pound and Tian (bass) on “Bal Ed Dred” and Peter Attah (vocals) on “Attah Dred”.
