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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music in category: netaudionews

At this site many net-labels posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.

The old message board (2004-2011) is still on-line for reading but deactivated for new entries. Please report problems and errors at the contact page.

Marcio McFly – Conservare le Macchine è un Dovere

[51bts042]

Marcio McFly

“Conservare le Macchine è un Dovere”

Vintage avant-garde and prestigious artistic flights, these are the bitter ingredients used by Marcio McFly in his solo project, when pausing from “Cani Giganti”. Inspirations from an analogical parallel world, which is back here again to fascinate machines-addicted by exploring a kind of evolved “futuristic techno-pop”. Artificial flowers are sent to the curious mixture of erudite listeners and new-clubbing figures. “Conservare le Macchine è un Dovere” = “TO PRESERVE THE MACHINES IS A MUST”, follows the path indicated by the previously acclaimed “Farsi le Foto”, constituting an artistic work exploding in a self-created-world where Marcio fishes from street-arts and from his most creative illness. “Conservare le Macchine è un Dovere” is an ambitious release where dancy tracks are formidably intersected with pleasant techno-pop songs. This is a though work for you, 51beaters!

[an extract from the press-review written by Nicola Tenani – www.soundsbehindthecorner.org]

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posted 25 July 2013

Various Artists – Retrovision

[MIXG032]

Various Artists

“Retrovision”

In our era of information society overwhelmed with modern content there are moments when longing for the ages gone immerges you into delightful nostalgia. Melodies and grooves from the past times help setting the right climate and artists from Mixgalaxy Records would gladly assist. On this compilation you will find retro blended with contemporary forms as well as authentic vintage sound. So uncork the champaign and hide yourself from the rush of days for a little while.
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posted 25 July 2013

Knolios – Dub Techno Mix 3

[03]

Knolios

“Dub Techno Mix 3”

01-Air Protection Office-June (Mauro Martinuz dub version)
02-Volunteer-Acute
03-Teemu T-differences
04-Dwardo-10005
05-Deni Diezer- Where We Do Not
06-Bifold Dub – OhmikRonz ReDreamer remix
07-Cliff Tower – Paradox
08-Alessandro Crimi & Patrick Zig-Out Of The Bedroom
09-Cold Fiction Music-Immersion
10-Triames-Lanthanum (Asedub High Tech Jazz Reconstruction)
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posted 23 July 2013

trans alp – Nachtschatten

[phoke92]

trans alp

” Nachtschatten”

The shadows show the way of light. The frequencies light zhe path of data to our souls. Also the darkness can provide shadows.

With this EP we document one of Trans Alps concerts of the last years, which is also a take of one of his musical processes, which can be described as developing the tracks from one concert to another.

The EP brings five tracks of a concert, taken place in the now vanished off/space »Krautwaldfabrik«. This former cultural space is documented in the CYNAL 01 magazine (in German language only).

Trans Alp mixes small acoustic sound objects with analogue synths as well as digital work during his concerts. Also you can perceive his graphical art through his music.

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posted 23 July 2013

Corkscrew № 4453556 – Dadacore

[0kbps038]

Corkscrew № 4453556

“Dadacore”

Corkscrew № 4453556

Dadacore [0kbps038]

01 – Boogers in Mourning
02 – Fried Fork
03 – Industry of psychedelic faith
04 – Mental Chthonius
05 – Inceste ou passion de famille, à coups trop tirés
06 – A Drunk Bird
07 – Brioches
08 – Yakamoz
09 – Vaporized Diarrea
10 – Cannibal Clit Cacophony
11 – Infecting Figging
12 – Sadistic Garbologist

MAV [0kbps] Records, July 2013

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posted 20 July 2013

fabiorosho – latina merda vol.1

[0kbps037]

fabiorosho

“latina merda vol.1”

fabiorosho

latina merda vol.1 [0kbps037]

no copyright 2013 – fabiorosho

“questa è il primo di una trilogia di disgustosi concept ep su quanto mi faccia cagare la vita sociale nella mia città, non ha nessuna pretesa se non quella di definire attraverso i suoni e i rumori ciò che penso, o più semplicemente le mie provocazioni”

“this one is the first part of a disgusting concept ep trilogy about how much shitty social life in my town makes me sick, it hasn’t any purpose apart than define with sounds and noises what is my tought, or better saying how i like to mock”

tracks in ordine sparso:

. alec, dal’93
. andiamo al sottofondo
. daje cazzo! sono iooo
. funny games a casa di eleonora b
. il fiorente cantautorato pontino (singolo di lancio)

per maggior info, flame, avances e quant’altro:

http://soundcloud.com/fabiorosho
http://vimeo.com/fabiorosho

MAV [0kbps] Records, July 2013

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posted 20 July 2013

Asedub/Cliff Tower – Atmosphere Delayed

[Kpl010]

Asedub/Cliff Tower

“Atmosphere Delayed”

1. Asedub – Recel

2. Cliff Tower – Lost Echoes

3. Asedub – Regel

4. Cliff Tower – Paradox

5. Asedub – Rexel

6. Cliff Tower – Slow Pathway

Our reference number 10 bring us Asedub and Cliff Tower showing 6 cuts where we have as protagonists great atmospheres and very deep environments.

music to dream and enjoy..

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posted 18 July 2013

Claudio Nuñez – End of a story

[BS081]

Claudio Nuñez

“End of a story”

“I use the same modus operandi for most of my albums (except the ones that are composed): I lay some free improvised moods (usually on rhythm instruments) that serve as the frame or background for the rest of the piece… I call this process ¨real time compositions¨ as I never have any ideas or plans before the actual recording starts… When I feel that the group or orchestral feelings reflect the mood I stop adding new layers or instruments… On my solo guitar or piano sets & albums I do the same, just once… Sometimes I decide that format for the instrument group that is going to appear on the album (a piano trio, a guitar trio= piano/guitar, bass & percussion), do so that all the pieces are going to feature those elements as in real group or just limit myself to focus on one of my main instruments… Little games that add to the music a little more mystery… or (as in this album) I use any combination randomly…” – Claudio Nuñez

Electric guitar, fretlles bass, percussion & voice by Claudio Nuñez.

Recorded in January 26 & 27 2013 in Caballito, Buenos Aires.

01 – electric dream blues
02 – eternal sorrow dance
03 – he closed his eyes…
04 – end of a story

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posted 17 July 2013

Miquel Parera – Quadraphonic Automatische Drohne

[nx012]

Miquel Parera

“Quadraphonic Automatische Drohne”

Cover: nxComposition042 (Miquel Parera)

Tech:

What you can hear are different iterations of the same function. The function selects, at random, one of the 24 sound generators classes. Finally, mix four variations on a composition.

Software Used:

SuperCollider: http://supercollider.sourceforge.net/
Audacity: http://audacity.sourceforge.net/

You can download the code on: http://archive.org/details/nxCode
You can download the samples on: http://archive.org/details/nxAudio

More releases on: http://musicnumbers.wordpress.com/nxreleases/

Trivia: The cover and title are a tribute to Schulze Irrlicht. When I was seventeen, one of those special people that come and go in your life gave me the vinyl Schulze. In turn, this year appeared the cd of La Légende d’Eer of Xenakis. Along with reading Silence, Cage, this would form in my young mind a kind of altered sense of perception of the music that survives until now.

License:

This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License.

You can listen and download other iteration in the compilation:

I Prefer the Term Artificial Person Myself.

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posted 17 July 2013

VA – Sound Interpretations — Dedication To Samuel Beckett

[HAZE225]

VA

“Sound Interpretations — Dedication To Samuel Beckett”

The long blue days, for his head, for his side, and the little paths for his feet, and all the brightness to touch and gather. Through the grass the little mosspaths, bony with old roots, and the trees sticking up, and the flowers sticking up, and the fruit hanging down, and the white exhausted butterflies, and the birds never the same darting all day long into hiding. And all the sounds, meaning nothing.
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posted 16 July 2013

Jorge Marredo – Uéyiga

[at065]

Jorge Marredo

“Uéyiga”

“Uéyiga”, in the local language of Extremadura (bast territory at the Spanish western border with Portugal) means trace, footprint or marks on the ground, left there from past activities. This is what is all about on the fourth album by Jorge Marredo – this time signing in as himself – and leaving apart the “Satisfaccion Lab” nickname, with he has been releasing for the past years.The four left traces found on this album are a rabbit hole in which Marredo enters, starting up with a clear image, a simple idea, a barely audible soundscape that early is being transformed until no recognition through signal processing with various synthesisers. By the half of the first track we are already in a multilayered scenario of analogue signals processed in various ways. So, the soundscape that started up the album as a clear statement, just fans out, and dissolves into a bast array of textures, rhythms and environments.

Traces are left of various abstract soundscapes present through the album, scenarios in which Marredo, through analogue signal processing devotes himself to the craft of synthesised sound, still even that we hear echoes of the psychodelic and kosmische music he loves to perform an explore (for instance with the duo project Marredo & Montag) this is pretty much a textural, and soundscapist-point-of-view album, even that those electric signals place us in the uncanny territory of machine sound we cannot forget about what started it all, the soundscape, or field recordings. It’s all there, as a trace, a footprint, something that doesn’t needs to be there because Marredo is very capable of listening through soundscapes and present them under his own umbrella, rearranged, transformed and created from nothing but electric signals.

Truly a pleasure to have him in our catalogue, specially when we are very focused on releasing works by our local artists, working neighbourly a few blocks away of the Audiotalaia Headquarters, just like Avelino Saavedra, Jean Montag and a few more.

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posted 16 July 2013

Tongue Bundle – Salty Language

[AT044]

Tongue Bundle

“Salty Language”

This work is a tribute to the italian mercury mine of Abbadia San Salvatore. It’s an occasion to shape – both visually and musically – this “epic” element of the collective imagery and milestone of the common history of the community.

This set of paintings seeks, therefore, to harness the aura of the surreal structures, immersed in nature and witnesses the technological past rooted in the mechanics and in the flesh of workers as well.

The music goes inside the structures of the paintings and inside the feelings of the miners, creating a synaesthetic interpretation of the two artistic languages. This soundtrack has been performed live on December 4th 2011 during the vernissage of the exhibition “Acetilene – Sounds And Visions From The Belly Of The Mountain” that took place in the Museo Minerario of Abbadia San Salvatore.

An album to watch and listen.

* Acetylene gas lamp is a simple lamp that produces and burns acetylene which is created by the reaction of calcium carbide with water. It was used by the workers in the mines during the 20th century.

Emiliano Baiocchi is a Berlin based Italian artist who has been working for the last 10 years on developing an expressive visual language mostly through painting. He has participated in numerous group and solo exhibitions in various parts of Italy, Germany, France. His works are in private collections in USA, London, Paris, Monaco, Munich, Dusseldorf, Berlin, and many Italian cities.
He uses his imagination only to design images that explore painting as a means of pure expression leading to a series of inner landscapes that showcase a singular materiality of accumulated layers of acrylic paint. In his dreamlike images, there is no pre defined intention to figurate a given narration, for he is rather interested in constructing a contrasted space where casualty and accidents are to be balanced with controlled detailed areas in order for a sense of spiritual movement to emerge. He lives and works in Berlin.

Text by Aurelie Moigno

CREDITS

Music composed by Misdea except “Digging In The Dark” and “Heavy Drops” by Misdea and Melinda Ligeti
Cover and paintings by Emiliano Baiocchi – www.emilianobaiocchi.com”

Norman Sétamùr Baiocchi: effected classical guitar
Mike Marchionni: synth, programming
Melinda Ligeti: synth, programming
Stefano Pintus: siren sample

Recorded and mixed on November 2011 at Setaroom Studio, Abbadia San Salvatore (Si), by Stefano Pintus and Carlo Fabbrini
Mastered by Stefano Pintus
Edited by Melinda Ligeti

Dedicated to all the Mount Amiata’s miners, especially to Fernando Baiocchi
Special thanks to Melinda Ligeti

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posted 15 July 2013

Buben vs.Nasta Labada – Live at Improvisation Music Festival AGA

[NN_Perform015_07_13]

Buben vs.Nasta Labada

“Live at Improvisation Music Festival AGA”

Live at Improvisation Music Festival AGA
Azgur Memorial Museum
April 27th 2013
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posted 15 July 2013

Roots Echo – Hidden Structures EP

[vkrsnl044]

Roots Echo

“Hidden Structures EP”

VKRS Radio and Netlabel are pleased to present from the Netherlands the Arist “ Roots Echo ” with his first release on the VKRS Netlabel.
Roots Echo loves to blend sounds and styles as he sees fit with influences ranging from novel sounds online to the harmony and drive of classic and contemporary modern styles. Roots Echo Hidden Structures EP release on the VKRS Netlabel is a slight slap on the wrist for the popularity od dubstep and trap indeed as Roots Echo states “ The less tasty sounds become, the more people devour it … ”
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posted 14 July 2013

ivliss – The Cure is the Springsound

[011]

ivliss

“The Cure is the Springsound”

Eleventh release of Sincro Netlabel.
ivliss’s second album released on our platform.

Doses of dub, soundscapes and distortion as structure of his work.
Asolaar’s collaboration and production on the track Borejam as well.

His current residence, and the Southern Hemisphere winter inspired
Iván Lissandrello who shows us a dark trip into dub and industrial.

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posted 09 July 2013

Nava Spatiala and Secrets Of The 45 – NSSOT45

[UPL 051]

Nava Spatiala and Secrets Of The 45

“NSSOT45”

This is a joint project by polish Secrets Of the 45 and romanian noise/ambient unit Nava Spatiala. Each project received three tracks of the other project and remixed them, using primarily only the track itself as basis for the remix. The resulting album is an exhilarating trip through glitchy landscapes, blurry drones, rumbling basslines, electronic chirps and whistles, enveloping the listener with alternating waves of noise and melodic hums, echoing in space, at the same time digital and organic.

Nava Spatiala enjoyed a lot playing around with SOT45 tracks and, at first, sampled what they liked. Then they took the parts and ran them through lots of delays, reverbs and various synthethic manipulaton techniques. Every track was performed and recorded live at the studio and compressed through some nice tubes.

Secrets of the 45 decided to take a melody-oriented approach, immersing himself in the noisy world of Nava Spatiala and then through careful filtering picking out hints of melodies, then layering them into humming and whistling soundscapes, as well as reshaping them live via granulator software.

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posted 09 July 2013

Daniel Barbiero – Allusions to Fogs & Liquids

[cs37]

Daniel Barbiero

“Allusions to Fogs & Liquids”

Live improvisations for solo double bass and for prepared double bass were recorded and then manipulated to create slowly moving sonic environments which remain fundamentally rooted in the nature of the instrument.”

Allusions to Fogs & Liquids represents a type of music concerned with sound as something in itself, a material externality. But it can’t help but carry associations. Here the listener takes over from the composer/performer.

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posted 08 July 2013