Today we open new section called JAMS. Here We will publish audio albums of cut, selected and polished improvisation records. First release of real live experiments by 303 – trio of sound generators. The natural stream of sound vibrations taken from a meditative condition of the improvising shamans – musicians. This album flows like a river. A sound for travel on own consciousness.
“What Has Remained: The Lost Teachings Of The Antithesis”
“Если вы потерялись в этом мире, или хотите просто уйти от него, и почувствовать животный страх и непробиваемые стены ТИШИНЫ то это для вас новая работа Wings of an Angel “What Has Remained: The Lost Teachings Of The Antithesis” Никого не должна оставить равнодушным! слушайте и дабы ВЫ устрашились!!!”
Alexei Mikryukov aka King Imagine was born in 1972. His first song was sung and recorded at the age of 4. He began his career in music as a gutarist in the punk collective Zooy E Orchestar in 1989. In the same period some of the first bootleg recordings were made, all of them now lost. In the summer of 1993 he meets Eugene Alexandrov, with whom organizes The Schizotronics..and records solo. In 1996 together with the Kiev poet Danylo Kubai,he founds the noise industrial group Ilam, Inc. (or, rather a noise orchestra with 13 musicians, which gave an incredibly insane concert in the Kiev Actors House of Culture) and also the project Rooteniya Pe Since 1998 cooperates as sound engineer with the first Ukrainian reggae/dub group Rootmans Band, Karina Kuznetsova (with whom he works to this day) and the bass guitarist Kirill Machinski aka Roots Controlla, with whom he founds the digital roots dub project Dub Compressors.
In 1999 together with the composer Alexander Kohanovski aka Pankifared he starts the studio project Superapes, recording 2 albums, making experiments with electronic and ambient music, as well as composing music for escalators, elevators and corridors. Since 2004 actively cooperates with Foa Hoka as sound producer, remixer and contributor of music. Since 2005 releases his output on the d.i.y. CD-R label SKP Records (Kiev). Since 2006 actively cooperates w/International movement Ukr.tele.kom — as remixer, co-author and remastering engineer.
There’s nobody other than yourself to blame for the grave love affairs you conduct on a daily basis with the ghosts of your past…
Ghosts are your past. You are nobody without your ghosts. Forevermore haunting you. ‘Till you or the world will dissolve into infinity in a majestic double exposure moment. Just like that, you will become a transient shadow. And you will forget everything. No… Perhaps you will remember just this: Your eternal loneliness while you were alive.
TWG has always prided itself in its genre diversity. With the fourth in our line of final releases, Whitely brings us what is easily his most surprising and one of his best realised pieces yet. Indian influenced ambient music, with ethereal vocals provided by Whitely himself, thick in atmosphere, emotion and tension.
There is not much else that can be said about this release, other than it’s Whitely as you’ve never heard him before, a listening experience that is an experience as much as it is a journey, and that we’re incredibly proud to have this here on TWG. Not necessarily chiptune, but incredible all the same.
Chiptune is dead anyway, right?
Number three of the finals sees the release debut of ‘Manchester’s Top Geeza’ HODSON, of ex-Skin Walker fame, flexing his musical muscles under the weight of this titanic mixture of spoken word, dnb, glitch and trip hop.
Dispelling specific genre focus in favour of atmospheric and tonal meanderings, HODSON’s five track effort covers aeons of ground, self-regarded in genre terms by HODSON himself as one only named ‘Particular’. Using chiptune as just one of several instruments, only adding further colour to the rich patchwork of influences on show, HODSON also adds sampled vocals and his own spoken word to weigh down tracks with an emotional vibrancy not seen often within the scene. From the delicate duality of guitar tones and big beat-esque drums in ‘Pink & Blue’, to the thick, suffocated dnb in ‘Somewhere Down In The West’ or the throbbing almost acidic bass in ‘Out To Pasture’, Colours That Glow In The Dark is as surprising as it is diverse, and another welcome addition to the TWG roster that we are estatic to be bringing to you.
ARTIST: Various Artists
RELEASE TITLE: Tranzmitter Compilation (Volume 5)
CAT Nº: TRANZCD010
RELEASE DATE: August 06, 2014
FORMAT: Mp3 / Wave / FLAC / Ogg Vorbis
SUB-GENRE: Techno / Tech House / Minimal / Hard Techno / Acid
TOTAL TIME: 01:58:49
SIZE: 280 MB
01. Boogboom – Bonome (06:05)
02. Leozzone – Tilikum (08:41)
03. Trezetrintaeum – Bass Day (09:40)
04. Holocaos – That Night Under Starry Sky (07:55)
05. Felipe Sá – Zebra Tools (07:56)
06. DaDa Attack – Zoo Hypthesis (05:54)
07. Charcott – Gap (08:23)
08. 1811 – Ŝtormo (06:06)
09. DJ MauMau & Dr. J – Oxítona (07:15)
10. Caio Haar – Iron Above (05:32)
11. Haveck – Ghosts (07:08)
12. Projekt Gestalten – World Cup X Hospitals (06:21)
13. Yallah Fingah – ASE019 (04:40)
14. Caio Haar – Mogadishu 1993 (06:39)
15. Human Robot – So Far But Easy To Reach You (10:20)
16. MindReflex – It’s In The Air (05:09)
17. Vector Commander – Nexus Time (05:04)
The first in our final splurge of releases comes in the form of a label debut for LPGT Hip-Hop / R&B producer aviel brown, giving us a tight 5 track EP that seeps emotion in tomes.
From the opening, tear-inspiring tones of ‘sony’ (be careful with this song, if you’re looking at anyone whilst it plays it’s likely sony’s melody will make you fall in love with them), gorrila_tears rolls like liquid from speakers, a soppy emotional mesh of sampled voices, Holy Konni-esque tones and tears. From the jazzy groove and ballad tones of ‘sleep_well’ to the almost orchestally infulenced throes of passion seen in the title track, gorrila_tears is immensely well crafted throughout.
Mixing jazz, hip-hop and R&B in equal measures, aviel sounds both recognizable and totally unique simultaneously. Fitting into TWG’s remit of emotional esotericism, making this a release we’re incredibly excited to be setting off our countdown to closing.
lauren redhead is an internationally performed composer and a performer who specialises in experimental music as an organist and a vocalist. she is a founder member of the collective ‘automatronic’ who produce a concert series for organ and electronics in london each autumn and who commission and collaborate with composers to create new works for the combination. her compositional work increasingly focuses on graphic, conceptual, and open approaches to music and performance, and collaboration — with other composers and artists — forms an important part of this approach.
the music on entoptic landscape is “slow moving, partially entering into ‘view’ and then gone again. the attempt to focus has the effect of obscuring it. all of the performances of this music respond in some way to open notation. as such, no two performances of this music are alike, but all hold much in common. open notation has been employed not for reasons of accessibility but as a means of inviting the performers into the specific soundworld of the piece.”
Peça concebida propositadamente para radiodifusão n’O Arranca Corações.
Este trabalho pretende agarrar o ouvinte para um desafio simples que poderá realizar a partir dum qualquer ponto sonoro exposto; conseguir o auditor desenvolver uma superconsciência auditiva que o leve a emigrar para fora do tempo/espaço usando como meio para tal fim a multiplicidade das formas auditivas expressas. Quanto mais se deixar absorver por elas mais depressa apreende o fluxo e o refluxo das ondas sonoras em presença, assim como a unidade intrínseca destas no todo consciente (superconsciente), a isto chama-se Boiar. Arte nobre hoje em dia quase esquecida e pouco praticada.
This work intends to grab the listener for a simple challenge that (s)he will be able to carry out from any exposed sound point; getting the listener to develop a superconsciousness hearing (awareness) that will lead her/him to emigrate out of time/space, using as a means to this end the multiplicity of hearing expressed forms. The more we let ourselves be absorbed by them the quicker we’ll apprehend the flow and reflow of the existing sound waves, as well as their intrinsic unity in the conscious whole, this is called Boiar, (Boiar is not “to Float”; Boiar is much more than simply floating). Noble art nearly forgotten today and rarely practiced.
João Ricardo – Synthesizers, guitar, drums, laptop and fx (i.e. small toys difficult to specify);
João Santos – Acoustic bass, electric bass, traps, concertina, hornpipe, synthesised flute, laptop and fx;
José Soares – Keyboards, synthesizers, guitars, drums, cello, anything at hand, laptop and fx;
Paulo Santos – Voice, acoustic and electric guitar, keys, trumpet, percussion, laptop on/off.
TWG turns two today! And to celebrate, sleepytimejesse has offered up a highly emotional, broken ambient release teeming with atmosphere, dread and serenity.
Sounding almost like soundtrack to a giallo film crossed with a haunted tape deck, Goblin via Trent Reznor, sleepytimejesse carves out an 18 minute cascade sounding more like tonal poetry than anything else in the chiptune scene today. This release also does a good job of summarising TWG’s long-held mission statement: esoteric music full of emotion, the experimental and the affective glued together.
It’s hard to describe a piece of work that is as much felt as it is heard, so instead, celebrate our anniversary with us by turning off the lights and the music up: it’s definitely a journey worth taking.
Linear Obsessiona lis delighted to present this unique new work by thecomposer and sound artist Iris Garrelfs-
“Bedroom Symphonies Bedroom Symphonies is an album of eight compositions made from voice practice sessions during a number of tours and residencies. So, imagine me sitting on a hotel bed, or friendâs sofa, laptop on the night table with a head microphone plugged straight into it and you wonât be too far from reality.
As the practice microphone wasnât exactly the best on the market and it was also used sans sound card, there is a certain raw feel to the sound. I have also tended to whack up the effects in places by way of compensation. That said I really like the way you can hear the materiality of the situation in the recordings, the quality of the equipment, my response to it, the occasional keyboard sound that creeps into a rhythm. The result is a rather curious, private set of pieces, performances entirely without an audience. Most pieces have somewhat mad stereo images – a fragmented counterpoint – best enjoyed with headphones.
Whilst the original recordings were made between 2005 and 2008, the album itself was created in 2014 from a series of shorter segments, without, however, any additional processing bar a few intros and endings. In the making I enjoyed internal references to Tracey Eminâs My Bed (1998), the infamous bedroom producer, and a gentle questioning of conceptions of liveness.
The booklet that comes with the download contains a selection of my photographs from the trips, and Brandon LaBelle has kindly contributed a text about my work, which you can find on page 33 of the brochure”
Iris Garrelfs, London, June 2014
Consciousness creates patterns from chaos. She orders the reality to live. My algorithms extract information from the noise of the radio and transform, create patterns, melodies, colorful figures… I model these structures by altering the code (livecoding), improvising a physical journey to consciousness.
Summer now::: Moscow’s beat electronica scene is brought to you with СНЗЗ’s first instrumental debut on Phonocake. Being part of a rap crew the artists instrumental sounds full of e-motions are brought to you in full effect.
The first Dystopiaq release in over a year is Electric Type’s We All Dream- a fresh, futuristic sound coming from just outside Pittsburgh. The classic techno structures combined with abstract beats and distorted future sounds will satiate your aural palate.
Artist: Electric Type
Title: We All Dream
Genre: Downtempo, Techno, Electronic
1. Poetry of Drums
2. The Summoning
3. Spit Fish
5. Back Again
AmbiMagia is what happens when long, floating, haunting, hazy sounds mesh together into an incoherent form of sound-tapestry; transcendental yet melancholic at the same breath, the magia of these longform sounds will transform you to the faraway lands of your eerie and most repressed memories and monochromatic dream sequences.
I am disinterested in categorizations such as Ambient, Drone etc’ – what I do is simply to be referred to as AmbiMagia, the music of my private spheres that may or may not overlap with yours.
I am giving birth and will continue to release my AmbiMagias for those listeners who appreciate this distinctive kind of intimate atmospheric music with an introspective emotional core.
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