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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: ambient

Okmiracle – Layers

Okmiracle – Layers

Okmiracle

“Layers”

This album is filled with warm, imaginary soundscapes.
Evocative pieces invite the listener to escape from daily routine.
Delicate tension, electroacoustic passages, and viscous-like zephyr ambient substrates are arranged into raw, glitchy, electronics.
Music is meant to achieve transcendence, far from any conventions and statements.

archive.org FLAC free download: tinyurl.com/layersFLAC
archive.org MP3 free download: tinyurl.com/layersMP3

Button: by-nc
posted 13 February 2024

Humanfobia – Ghostly Radio Station

Humanfobia – Ghostly Radio Station

Humanfobia

“Ghostly Radio Station”

Humanfobia is a ghostly experimental, dark electronic, witch house duo from Chile. Members: Sábila Orbe (sound programming, mixer)
& Mist Spectra (lead female vocals)

This is a long dark ambient track inspired in an abandoned radio station full of ghosts.

Mixed, composed, artwork collage by Sábila Orbe
Female vocals, model in the cover: Mist Spectra
Some stems by Strelokk.

For more humanfobia music visit:
humanfobia-official.bandcamp.com/
/open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
archive.org/details/fav-mist_spectra
hearthis.at/humanfobia/

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posted 07 February 2024

Geiger von Müller – Blue Moon Frequency #3 (MK remix)

Geiger von Müller – Blue Moon Frequency #3 (MK remix)

Geiger von Müller

“Blue Moon Frequency #3 (MK remix)”

‘Melding guitar twangs of John Fahey with the synth tone of Jean Michel Jarre’ -Grateful Web

‘Stunningly beautiful video’ -Parenthetical Recluse

Official music video:

https://geigervon.bandcamp.com/track/blue-moon-frequency-3-mk-remix

all rights reserved
posted 06 February 2024

BraKhaGe – Bocetos, Diarios y Sonidos 2

BraKhaGe – Bocetos, Diarios y Sonidos 2
[pn229]

BraKhaGe

“Bocetos, Diarios y Sonidos 2”

Imaginemos un oído libre de las leyes de la perspectiva creadas por el hombre, un oído libre de prejuicios de la lógica compositiva, un oído que no responde al nombre de todo pero que debe conocer cada objeto que encuentra en la vida a través de una aventura de percepción. ¿Cuántos sonidos hay en un campo de hierba para que el bebé que gatea no se dé cuenta del sonido del “verde”? ¿Cuántos arcoíris puede crear la luz para el oído inexperto? ¿Qué tan consciente puede ser ese oído de las variaciones en las olas de calor? Imagine un mundo lleno de objetos incomprensibles y brillando con una infinita variedad de movimientos e innumerables gradaciones de color. Imaginemos un mundo antes de la palabra y el sonido, no para ser simplemente imitados, sino para combinarlos según nuestra fantasía. Nada es verdad, todo está permitido.

Imagine an ear free from the laws of perspective created by humans, an ear free from the prejudices of compositional logic, an ear that doesn’t respond to the name of everything but must know each object it encounters in life through a perception adventure. How many sounds are there in a field of grass for a crawling baby to be unaware of the sound of “green”? How many rainbows can light create for the inexperienced ear? How aware can that ear be of variations in heat waves? Imagine a world full of incomprehensible objects, shimmering with an infinite variety of movements and countless shades of color. Envision a world before words and sound, not to be merely imitated, but to be combined according to our fantasy. Nothing is true, everything is permitted.

BraKhaGe
(Santiago, Chile. Febrero / February 2024)

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posted 02 February 2024

Tom Bragl – Regainable

Tom Bragl – Regainable

Tom Bragl

“Regainable”

Tom Bragl, Kahvi legend from way back, is back with a new 13 track album called “Regainable”. A tribute to the retro-futuristic sounds of the 80s, featuring catchy melodies, pulsing rhythms, and nostalgic synths. Tom Bragl showcases his versatility and creativity as a producer, blending influences from genres such as synth-pop, new wave, electro, and disco.
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posted 30 January 2024

Alaskaapenas – Minimalism is the new maximalism

Alaskaapenas – Minimalism is the new maximalism
[mi309]

Alaskaapenas

“Minimalism is the new maximalism”

Once upon a time he was Yamashita Takuya, now he appears on MiMi Records with a new release and with a new alter-ego, Alaskaapenas.

“Minimalism is the new maximalism”, is a 20 minutes EP where the beats merge with the ambient.

From minimalist lo-fi to more relaxed chill, Alaskaapenas offers us a quick trip through four different but nostalgic destinations and for that reason it’s quite possible that we’ll press play after finishing the first ride.
A must listening!

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posted 25 January 2024

Niclas Tamas – The Music from Undiscovered Civilisations

Niclas Tamas – The Music from Undiscovered Civilisations
[zen283]

Niclas Tamas

“The Music from Undiscovered Civilisations”

dark atmospheric orchestral music with vague and mysterious undertones that touch the soul
Button: by-nc-sa
posted 20 January 2024

Sarah Peebles – In the Canopy

Sarah Peebles – In the Canopy
[PAN 110]

Sarah Peebles

“In the Canopy”

“In 2003 I was invited to Aotearoa by Matthew Leonard, the producer of the programme Revolutions Per Minute†, to create a new radio work that would draw from Aotearoa’s natural landscapes. On the North and South Islands and while in transit back to Canada through Singapore, I recorded sounds of birds, insects, amphibians and rivers. The essence of my experiences listening to the abundance of life surrounding me, often out of sight, was reflected in a phrase that came up in conversation while visiting the Kāpiti coast: that which is just beyond our perception. The essence of my spending long, focused periods of time in nature while recording and while simply being – taking time – doesn’t easily translate into words for me; it’s nonverbal. The tree canopy, the bushes, ground, air and waters held life I could often hear but couldn’t see: insect buzz and hums floating on the breeze, birds chattering in distance treetops, mysterious rummaging above my head, sudden exuberant birdsong bursting from nearby bushes. As the presence of beings shifted into my awareness, I began to ponder my initial interpretation of that phrase, wondering, exactly what was just beyond my perception? Were animals such as the kaka above (parrots, perhaps watching me) or an emerging cicada, perceivable? At what point was shifting weather beyond my ability to perceive? Or the larger view: the complexity of the biosphere with Earth’s constantly evolving micro and macro communities of living things, with their individual lives, habitats and interconnections – which aspects of this infinite feedback loop lay just beyond our perception?

While in Paraparaumu, across from Kapiti Island, Kāpiti coast resident Gary Millan shared with me some of his thoughts and knowledge about the Māori Ngā kete o te Wānanga (Baskets of Knowledge). Referring to the third basket, Te Kete Tuatea (basket of light), he’d brought up the concept of “that which is just beyond our perception.” Twenty years later, I have only now come to understand and appreciate Gary’s Māori context of the phrase. This knowledge kete, Te Kete Tuatea, “is mindful of, and pays attention to, the past, our spiritual realities, the importance of space and time, and tikanga (customs), as well as kawa (ceremonial rituals).”1 In speaking about that which is just beyond our perception, Gary was referring to ways of knowing the world around us that are inherent to Māori ancestral experience and culture (and to many Indigenous cultures): a knowledge acquired through living one’s life on the land that involves a subconscious knowledge, a sensibility, of things to come, as opposed to quantifying or analyzing our senses or experiences as we might through a science-oriented lens. This includes a dimension of the universe or cosmos beyond “the world of sense perception, the natural world around us” (yet available to seers and sages) held to be ultimate reality, Tua-Atea.2,4

I, as a guest in Aotearoa, chose to reflect on my visceral experiences and North American sensibilities in the places I recorded sound3, savouring landscapes totally unfamiliar to me whose rhythms were beyond my grasp. This soundwork reflects those sonic, psychological and embodied explorations.

The unique relationships between Aotearoa’s native plants, their historic pollinators (native birds and bees) and people can be heard in that landscape: in rich and diverse birdsong, plants rustling in breezes, subtle wing beats of digger bees hovering over sandy slopes, in the sounds of gathering and weaving of harakeke and wharariki (flax). These sounds are a fraction of the abundance and diversity of what once existed in these islands, particularly before deforestation & introduced species that occurred with European settlement – and with ongoing industrial agriculture, apiculture (with introduced bee species), industry, invasive rodents and climate change. However, these voices and the relationships they reflect, continue to thrive. They are in process. They continue to instruct, compel, inspire and inform the identity, cultures and practices of all people in Aotearoa and others (like me) who experience this incredible, dynamic place.

The forest canopy here and everywhere supports much that we cannot perceive and do not (yet) know – some of which we hear, smell, touch, see and feel; all of which is connected. The canopy itself, the life within her (including ourselves), the soil beneath her, the water she filters, the oxygen she creates, the weather she generates & moderates – all interweave to create this place, this Earth, as we know her. She is Papatuanuku, a living organism.4”
—Sarah Peebles, November 2022

all rights reserved
posted 18 January 2024

ЧЕРНИХОВ | CERNICHOV – We are all deaf

audio ЧЕРНИХОВ | CERNICHOV – We are all deaf
[mrk380]

ЧЕРНИХОВ | CERNICHOV

“We are all deaf”

“We are all deaf” is the third full length album by ЧЕРНИХОВ | CERNICHOV, a noise/ambient duo based between Brussels and Milan, of US (David Gutman) and Italian (Marco Mazzucchelli) nationality.

“The album’s concept gravitates around the deep and actual contraposition given by the human strive for exploration: on one hand there is the total deafness towards the heartbeat of planet Earth, from a vibrational perspective expressed by the Schuman frequency, a sub bass frequency that can be resumed as the intimate physical expression of how our ecosystem relates in its environment. On the other hand, the exploration’s focus is monopolised by the infinite horizon that the eyes define. The Sputnik satellite becomes the first extraterrestrial exploration means, kept in contact with signals emitted at 40Hz. On these two main frequency inputs, the first as carrier for cross-modulation treatment and the second as a BPM driver, we explored a possible scenario of sonic interactions, ending with what we see as the soundtrack of our personal existence in this 4 dimensional world.”

Released January 14, 2024 as free (cc) digital download and limited digipak CD edition.

Recorded by Marco Mazzucchelli and David Gutman

Produced and Mixed by David Gutman

Mastered by Anacleto Vitolo

Artwork by Marco Mazzucchelli

Button: by-nc
posted 15 January 2024

Trance*Industrial*Toy Orchestra – tears of a modest ox andaloup – happy new esra 2023

Trance*Industrial*Toy Orchestra – tears of a modest ox andaloup – happy new esra 2023
[ACP 1384]

Trance*Industrial*Toy Orchestra

“tears of a modest ox andaloup – happy new esra 2023”

brandstifter : casio sk-1, korg monotron, vocals, guitar, orff-trommel, toys;
jürgen fastje ‘chock’ : microkorg, guitar, banjo, ukulele, rhythm ace FR-1, stylophone S-1, stylophone beatbox, okarina, toys;
herr penschuck : korg microsampler, korg mini kaosspad, mikroplankton/nintendo DS, voice, vocals, toys;remixes by- chaotalion
– lars vogel
– heidrun schramm/nicolas wiese
– anja kreysing
– pharmakustik
– toenungsfluid
– thorsten soltau
– herrpenschuck
– meinein
– lil tindermann

Button: by
posted 15 January 2024

ANARCO – Técnicas de polarización social

ANARCO – Técnicas de polarización social

ANARCO

“Técnicas de polarización social”

Manifesto:

Social polarization, environmental destruction, state subjugation to large corporations, and the use of new technologies for people control are issues that were already addressed by George Orwell and Aldous Huxley and are very present in our society.

Anarco observes with interest how the influence of social media, large media outlets, and political and economic systems affect the behavior of the population.

Anarco supports art in any of its forms as a way of fighting against the simplicity of political discourse. As a way of fighting against the absence of reaction and response to the drift of our society.

Manifiesto:

La polarización social, la destrucción del medio ambiente, el sometimiento de los estados frente a las grandes corporaciones y el uso de las nuevas tecnologías para el control de las personas, son cuestiones que ya trataron en su día George Orwell o Aldous Huxley y que están muy presentes en nuestra sociedad.

Anarco observa con interés como la influencia de las redes sociales, los grandes medios de comunicación
y los sistemas politicos y económicos afectan el comportamiento de la población.

Anarco apoya el arte en cualquiera de sus vertientes como forma de lucha contra la simplicidad de los discursos politicos.
Como forma de lucha frente a la ausencia de reacción y respuesta a la deriva de nuestra sociedad.

Button: by-nc-sa
posted 11 January 2024

We Fall – Sine Lime Paradise

We Fall – Sine Lime Paradise
[20k378]

We Fall

“Sine Lime Paradise”

New year, new sounds! Enjoy with us this epic length ambient/soundscape/experimental release from artist We Fall. Generator bleep bubbles and hazy drones abound.
all rights reserved
posted 10 January 2024

Makunouchi Bento – The Virtual Bluescreen-Collar Choir (Live at Progress. Paradigm Shifts #5)

Makunouchi Bento – The Virtual Bluescreen-Collar Choir (Live at Progress. Paradigm Shifts #5)

Makunouchi Bento

“The Virtual Bluescreen-Collar Choir (Live at Progress. Paradigm Shifts #5)”

The recording of our live act from “Progress. Paradigm Shifts #5” (18.11.2023, Muzeul Corneliu Mikloși, Timișoara, Romania), powered by Simultan, curated by Arne Hendriks & Ștefan Tiron.

www.facebook.com/events/1139362020111750/

00:00 01 Intro
01:28 02 Blu Marin Messa
05:32 03 One Strung Counterpoint
11:55 04 Director’s Barbers Moment
15:38 05 The Pink Trombone Thief
19:58 06 Our Lady of the Soup Kitchen
26:12 07 Cantata for Cats and Spoons
31:56 08 Tatar Throataches
38:13 09 Daydream in the Factory Dispensary
43:59 10 A Serpentine Queue to Folly

-̖͑-̑̋͂–̝̤͉̘̜͚-͕̩̤͓̹̼̝ͯ̑͐̉͛̔ͭ-̲͖̗̣͙͎ͦ͑͗̉̔̒-͚͔̩͐̊ͤ̚ͅ-͖̫͔-̥͉͎͎̫̝ͮ̇̓̆̂ͧ-̱̲̙͓͊̐ͣͫ—-͚̦̤̙͎̑̀̒ͬ̋͆ͅ–̙͔̲̗̮̰ͤͤ́̅̆ͥ–͈̥̻̬̹̀̎̽̎ͨ-̬̗͍̼ͯ͛̽̒-̠̤̒ͬ–̳̫̒̒-͐-̪̹̪͆̒͂-̗̉-͈̄–͔̮̦͚̀̅̂͑ͦͮͅͅ-̥̺̫ͯ̓̚-ͣ͒͂̽̔-̺̘͙̌͒̊̾ͅ-̹͔̝̗̙̱–̳̯̻̬̦͕̯̆̐ͦͣ̌̈̊-̖͔̦͎̭̰̓̂̅͆̂̿-͇̫̏͒-̞͉̻̳̗̺-̃̏̈́́͒ͯ͋–̩̲͓̮̳͌ͬ̇ͤ̚–́-̰̱-̥̜̲̦̥̺—-̭̙͇͓ͦ͊ͤ͐ͧͅ-͍͎̙͚͖̜̺͂͛̋ͪ͋͒ͮ-̰͍̩͕̣̤̝ͧ̍̎̄̊͌̒-ͭͭ̄-̤-̈́̇̚–̭͖ͯ̓-̘̭̠͉̫-̿ͤ̽̊̂-͚̬̫͚͑͋ͩ̽-͉-̻͍͚ͅ–̠̝̞̟̾ͣ͛̚–̭̯ͮ͛-͔͌-̻-̰̏-͈̼̙̯̞̀̃̇ͥ̑-̩͎̫̖̖ͩͥ̑͑ͫ-͇̬̺͕̤͑̈́͌͋̓-̩̱̻͖͑̀̓ͭ-͖̠̠̉̃̿-͇̰̲͔̫͎ͅ-͈̼͖̳̠̼̔͛̅͛̎̂-̲͖̗̪̬̬̤ͨ̂̔̎͑ͣ̚-̄̇-̦̹͎̝̲̺͎-͋̄ͧ-͇̣̲̼̞ͯ̉̈̓ͫ-ͪ-̦̠͚̤̘̲͔ͨ̔̀ͤ͌̓̚-̱-͈̬̹̎͒̚–͕̰-͌̊̈͗ͨͭͨ-͇͖̦̈̓͆-̙̝̹̪̯͉̟̓̾͋̔̀͊̚-͓̜̓͆-͛̀ͪͨ-̹̟

Ladies and gentlemen, welcome to the sonic journey of “The Virtual Bluescreen-Collar Choir”. This experimental music project delves into the realm of the surreal, where technology meets the nostalgia of a bygone era.

Inspired by the working men’s clubs of yesteryear, where camaraderie and community were forged through song, we have created a virtual choir that pays homage to these forgotten spaces. But here’s the twist – our choir consists solely of synthesized and re-synthesized voices, blending the past with the present in a futuristic soundscape.

As French philosopher Jean Baudrillard once said, “Simulation is no longer that of a territory, a referential being, but rather that of a code, a differential equation.” In this vein, The Virtual Workmen’s Choir challenges the notion of authenticity and questions whether technology can truly replicate the human experience.

Our soundscapes transport listeners to a world where the boundaries between reality and fantasy blur. Imagine strolling through a smoky, dimly-lit room filled with the echoes of laughter and chatter, only to find yourself enveloped by a cappella harmonies that seem almost otherworldly. That’s what you’ll encounter in our virtual choir, where the synthesized voices take on a life of their own.

But there’s also a hint of melancholy woven throughout our compositions. As German philosopher Martin Heidegger mused, “The essence of technology is by no means anything technological.” In simulating the voices of a lost community, we’re reminded that progress often comes at a cost. We ponder the price of innovation and ask: What do we sacrifice when we exchange the warmth of human connection for the convenience of digital reproduction?

And yet, within this dreamlike atmosphere, we discover a strange sort of beauty. Our virtual choir becomes a metaphor for the fragmented nature of modern society, where individuals come together virtually but remain disconnected physically. It’s a reflection of our times, where social media reigns supreme and online personas supplant face-to-face interactions.

So let us embrace the surrealism of The Virtual Bluescreen-Collar Choir, allowing ourselves to be enchanted by its haunting allure. Let us ponder the philosophical underpinnings that govern our relationship with technology and confront the existential queries it raises. For in doing so, we may just uncover hidden truths about ourselves and the world we inhabit. Thank you for joining us on this thought-provoking sonic adventure.

–ͫ̔͂̐̅-̗͙̦̯̙͈̻̐ͫ͋͂͌͌̌–̻̱̦̯̈̃ͭͫ-̪ͥ-̱̗̼͔–ͫͧ̇ͨͯ-͇́-̥-̰̻̰͚̃͗͛̂̌̃ͅͅ-̞-̣͛-͓͕̦͙͒̀̓̂-̼͇ͤ́-̦̪̘̮̝͚̄͌͌̆̑ͪ-̻̟͚͎͙̈ͣ̔́̚-̆̊-͌̿ͤͤͥ̊̚-͓̮̤̥͖–̲̟͙̞͕͙-͓̤͙̫͒͑̈́ͪ-̈́̽ͮ̾̐ͦ-̗̥̼̣͖̳-ͬͨ̎̉–̪̗̙̙̜̮̓͐ͥ͒̐ͦ̋ͅ-̭̘̈́̍-̘ͦ-͑-̳̱̓̿-͚̈́̚ͅ-̤͓̯ͅ–̩͉̠̟̯̘-̟̹͓̥̠͎̘̾͑͐͛̃͐ͮ–͖̙̀͆̚ͅ-̪͕̒ͭ-ͅ—-̯͇̟̙ͯ͛̈́͆-͕͔͕̬͔̙ͅ-̥̦͉̓́̇-̾ͦ-̦̼̱̞̘̬̆̆͂ͨͦͬ-̖̻̟̯̮̫̘̎͌ͪ̆ͮ̒̊-͑ͥͭ̓ͦ-̩̯͙ͣͪ̓-͖̯̣̹-̻̠̼͕̻̬̥ͬ̈́͐ͣͬͦ̅–̦̳-̜͉͚̺͇̠̥-̥̗͈̮͚̝-̫̞-͈̭̤͓ͨ͆ͫ͒̋ͅ-͙͖͚̥̻̘̩͛͒ͮͧ͛͒̎-̪̖͕̣̻ͥ̊͊́̀—̩͍̹͌̋̈́–̈́ͨ̏ͭ̽̚̚-͇̳̜̒̔̈́-̬̰̙̠–̰̭͈͖̹͈ͩ̿̽̀͂̐-ͧ-̩͊–̱̙̹͔͑̑ͦ̋-̬̫̳-̬͌–̫̥̦̗͎̦̄͐̀̍̓̇–͖-͍̭̫͕̬̽ͬ̋̒͌-̱̠̼-͖͓̅̅-͎̜̺̊ͦ͐-͙̻͕̼̬̜ͧ͂ͧ͛̓ͤ-̻̮̅ͯ-̑ͪ͆-ͧ͋͒-

Doamnelor și domnilor, bine ați venit în călătoria sonoră a „The Virtual Bluescreen-Collar Choir”. Acest proiect muzical experimental sondează profund tărâmul suprarealismului, unde tehnologia întâlnește nostalgia unei epoci trecute.

Inspirați de cluburile de altădată ale bărbaților muncitori, unde camaraderia și comunitatea s-au făurit prin cântec, am creat un cor virtual care aduce un omagiu acestor spații uitate. Dar iată întorsătura – corul nostru este format numai din voci sintetizate și resintetizate, îmbinând trecutul cu prezentul într-un peisaj sonor futurist.

După cum spunea odată filosoful francez Jean Baudrillard, „Simularea nu mai este aceea a unui teritoriu, a unei ființe referențiale, ci mai degrabă cea a unui cod, a unei ecuații diferențiale”. În acest sens, Corul Muncitorilor Virtuali contestă noțiunea de autenticitate și chestionează dacă tehnologia poate reproduce cu adevărat experiența umană.

Peisajele noastre sonore transportă ascultătorii într-o lume în care granițele dintre realitate și fantezie se estompează. Imaginați-vă că vă plimbați printr-o cameră fumurie, slab luminată, plină de ecouri de râsete și vorbărie, doar pentru a vă regăsi învăluiți de armonii a capella care par aproape din altă lume. Asta veți întâlni în corul nostru virtual, unde vocile sintetizate capătă viață proprie.

Dar există și un indiciu de melancolie țesut în compozițiile noastre. Așa cum medita filozoful german Martin Heidegger, „Esența tehnologiei nu este în niciun caz ceva tehnologic”. În simularea vocilor unei comunități pierdute, ni se reamintește că progresul are adesea un cost. Reflectând la prețul inovației ne întrebăm: Ce sacrificăm atunci când schimbăm căldura conexiunii umane pentru comoditatea reproducerii digitale?

Și totuși, în această atmosferă de vis, descoperim un fel ciudat de frumusețe. Corul nostru virtual devine o metaforă a naturii fragmentate a societății moderne, în care indivizii se unesc virtual, dar rămân deconectați fizic. Este o reflectare a vremurilor noastre, în care rețelele sociale dețin supremația, iar personajele online înlocuiesc interacțiunile față în față.

Așa că haideți să îmbrățișăm suprarealismul Corului Virtual Bluescreen-Collar, lăsându-ne vrăjiți de farmecul său obsedant. Să reflectăm la fundamentele filozofice care guvernează relația noastră cu tehnologia și să ne confruntăm cu întrebările existențiale pe care le ridică. Căci, făcând acest lucru, este posibil să descoperim adevăruri ascunse despre noi înșine și despre lumea în care locuim.
Vă mulțumim că v-ați alăturat în această aventură sonoră care provoacă gândirea.

Button: by-nc-sa
posted 09 January 2024

Takuro Takeda – ETHEREAL

Takuro Takeda – ETHEREAL
[mi308]

Takuro Takeda

“ETHEREAL”

“Extremely light and delicate, as if not of this world” is the definition of Ethereal in the Online Cambridge dictionary.

On this record, electronics and field recordings intersect in a dialogue between the earthly and the ethereal.

There is something visceral in these sounds, in this combination of noises, organic and minimal sounds.

Halfway through the record we enter a hypnotic trance, we ascend to a place of peace and harmony and then, in go, we become irritable, disruptive and we come in direct confrontation with our brain.

Button: by-nc-nd
posted 05 January 2024