Este compilado es una colaboración transversal entre artistas de música experimental, en sentido amplio, sin restringirse a un género ni a una escena específica.
Es una señal de solidaridad y estado de alerta ante una avanzada de la crueldad, la violencia y el autoritarismo. Hoy este rumbo peligroso se manifiesta en un gobierno negacionista.
Son 30mil.
Sin memoria, verdad y justicia no hay Nunca Más.
Arte: El Murki
credits
released March 24, 2024
Aylu, Florconvenas, El Murki, Humanoid Poliform, Intersección, Lux2000, Manu Jaikin, Pablo Reche, Rapo, Sofia Zeta, SUB, Symi, Yoto
elAstrum’s delicate melodies evoke a longing for a time when innocence reigned and the world seemed gentler.
Each track is a wistful echo, inviting listeners to revisit the past through a shimmering sonic lens.
released April 20, 2024
Rebecca Smit – no-input mixing board, radio
Eli Wallis – trombone (1,3), bassoon (2,4)
1 recorded 17/4/PN79
2-4 recorded 18/4/PN79
UC_231
“The tune itself is of the shorter breed, featuring alternating thumb picking finger-style slide guitar. This good old stylistic tradition is embedded in a futuristic environment, while the mix parades all the Western-ghost reverb that the cosmos would have if it was possible for sound to travel in vacuum. All in all, the effect is cinematic. The single is released as A and B sides, with the extended video version and album version, respectively.” [Sound Cafe Magazine]
music video:
Mixed and mastered by ABOOMBONG in the basement at Pen & Mallet Studios.
Creado en momentos de ocio a contratiempo de los trabajos de investigación científica sobre clonación molecular humana en Berlín, Alison Gunterglass produce abstracciones sonoras en base a observaciones de la cotidianeidad; plazas; objetos inertes; libros descatalogados; el movimiento físico de la naturaleza entre otros. XPRMNT fue creado en una computadora laptop en un departamento en un crudo invierno- Quizás sea una sinestesia de aquello que solo Alison escucha en su microscopio.
Alison Gunterglass: manipulación de muestras, generación de sonidos sintéticos y composición secuencial sobre línea de tiempo.
Roberto Massoni: análisis y modificación de audio previo a exportación final.
He is another artist making his debut on MiMi Records. From the city of Barcelos comes Vitor Oliveira with “桃” – Momo, a seven-track album of mesmerizing electronic music, drones and enigmatic soundscapes.
“桃” – Momo dives deep into experimental electronic music, offering listeners an auditory experience. An album with a crescendo from track to track and perhaps that’s why the names of the songs are just numbers and ordered in ascending order.
With each track, Vitor Oliveira invites the listener to a sonic journey full of intricate layers, haunting melodies and evocative rhythms, where influences from artists such as ben frost or oneothrix point never can be noted.
An album to discover and remember pink is the new black!!
Released April 11, 2024
Waldgrenze (meaning “border of the forest”) is the project of Theo Kovalev (Wave Resistance), focused on ambient and experimental electronic music, as well as acoustic sound production experiments and field recordings, inspired by the ecological idea of friendly coexistence of two opposing sides – nature and technology. Born in joint improvisational jam sessions with other artists, the project eventually transformed and acquired its own sound character, retaining the original idea of the changes made to live recordings to preserve the feeling of “here and now”, where in each composition you can hear the unique state of different places.
In some cases, during jam sessions, it is possible to reach a certain interesting state, during which intriguing compositions are born, which often do not require further post-processing. Such a unique creative phenomenon of musician collaboration resembles the pairing of electrons into Cooper pairs in a superconductor. The classical theory of superconductivity states that, below a specific critical temperature, electrons in a metal pair up to create bosons called Cooper pairs. These bosons form a phase-coherent condensate that can flow through a material without scattering – the result being superconductivity.
The three sessions comprising “Cooper Pairs vol.2” were captured during collaborative jam sessions in the project’s homeland over several years prior to relocating to Australia. The first piece stands as a classic example of Theo Kovalev’s drone ambient collages, enriched by the interplay between Ilya Suzdaltsev’s acoustic improvisations and Nikita Vasilyenko’s experimental electronic elements. The second composition merges rhythmic passages with ethereal ambient textures, crafted in collaboration with Vadim Rumyantsev (Room V), originally christened as Cooper Pairs, thus inspiring the title for Theo Kovalev’s series of joint recordings with various artists. Bringing the album to a close is a track blending trip-hop elements with guitar ambient, recorded during a unique jam session with Oleg Zherdev, a multi-instrumentalist also known for his work with The Awakening Stones Garden (ASG) project.
Cooper Pairs vol.1 (under the Wave Resistance alias of Theo Kovalev):
mahorka.bandcamp.com/album/cooper-pairs-vol-1
Acerca de Atún de Prusia
“- Este nuevo trabajo de Bruto nos da la oportunidad de repetir la experiencia. Se presiona play sólo por la curiosidad a la que nos somete nuestro lado más oscuro. De otra forma no se explica. Nos encontramos esta vez con las promesas de una “sustraxion” surrealista, mezcladas de manera poco sensata con el sindicalismo peronista de la primera hora. A modo de dato de color observo que me fue preciso un lavado de manos recurrente, durante el poco más de un cuarto de hora que dura el disco.”
Ferdinand Kusch (entre Santiago y La Banda – Febrero 2024)
Particules is a collaborative music project between Victor Prodanov (xDEx) and Tsvetan Momchilov (Chillov).
Occasionally rhythmic and highly processed, yet remaining evolving, immersive, and meditative to some, the Particules project started as non-formal jam sessions and later evolved into a full-scale live performance act.
The most challenging task during the recording of their debut album “Escape Path” was to capture the unique and spontaneous live act synergy in the studio. All tracks are recorded live, with no editing and minimal mixing in Varna’s hot and foggy January 2024.
Victor Prodanov – Machines and programing
Tsvetan Momchilov – French horn, vocals, synthesizers and percussions
Mastering by Martin Dimchev (Green Peas)
