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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

Duodecima Hora Aedificare – Paragogi Apokatastasis

Duodecima Hora Aedificare – Paragogi Apokatastasis

Duodecima Hora Aedificare

“Paragogi Apokatastasis”

Induatrial ambient from Brazil

Track 01 taken from Mal d’Oreille’s “Strange Pleasures” compilation
Tracks 02 and 06 previously released as digital singles
Tracks 03, 05 and 09 taken from “Terra Cadaverica”
Track 04 taken from IFAR Musique Concrète “Anthropological Antonymism” compilation
Track 07 taken from unfinished/unreleased album “A Woman Wears the Sun”
Track 08 taken from “Weakened by Force” (split EP with Rubeola Fahrenheit)

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posted 19 May 2020

WHΛLTHISИEY RECOMPOSED – Thisorder

WHΛLTHISИEY RECOMPOSED – Thisorder

WHΛLTHISИEY RECOMPOSED

“Thisorder”

The music of Whalthisney is a solitary soundtrack to nowhere, a non-tourist map into the unknown; music and images to create new, fully immersive environments, an intriguing aural pilgrimage with no destination in time and space, nuances and labyrinths. Whalthisney selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects.
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posted 17 May 2020

Humanfobia – Letargo Sumergido

Humanfobia – Letargo Sumergido
[CIOR-H89]

Humanfobia

“Letargo Sumergido”

Humanfobia is a dark experimental music duo from Rancagua, Chile.

All tracks composed by Sábila Orbe.
vocals, lyrics, model in the cover: Mist Spectra.
vocals in track 5, secondary vocals in track 1: Sábila Orbe.
In track 6: some synthesizer samples provided by Alpha Ori.

Humanfobia websites:
https://humanfobia-official.bandcamp.com/
https://archive.org/details/fav-mist_spectra
https://hearthis.at/humanfobia/
Updates:
https://www.facebook.com/humanfobia
https://youpic.com/photographer/humanfobia/

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posted 13 May 2020

SMILTZO – A LIFELONG QUARANTINE

SMILTZO – A LIFELONG QUARANTINE
[IYE38]

SMILTZO

“A LIFELONG QUARANTINE”

A collection of electronic paintings, suffused, decisive and revealing, an opening of the veil that imprisons us. Exciting and never obvious, it ranges from the ambient to the purest electronic music, conceived by a superior musical mind. Longlife Quarantine is good beyond this period we are experiencing, and will give you lots of emotions.

The titles are in Sanskrit. the most perfect and musical language we have, and this work is connected with the whole just like the oldest language.

Smilzo (aka Francesco Monaci) was born as a guitarist, but develops around the age of 20 his passion for the enormous compositional possibilities that software and electronic music in general provide. For about twenty years he has been part of the electronic pop songwriting band Liberal Carme (initially only as a guitarist, now also a singer), which has three assets, and in which they have collaborated with exponents of Italian indie music such as Paolo Benvegnù, Alessandro Fiori (Mariposa) and Massimo Fantoni (Marco Parente, Andrea Chimenti).

Since 2000 he has collaborated on soundtracks for Lorenzo Pecchioni’s Video & Archeos project, and produces music for other exponents of the Italian underground video scene.

As an electronic music composer he does not rely on a defined genre, but ranges from suggestions ranging from Apex Twin to Andrew Lloyd Webber, going from World Music to the noise of Einsturzende Neubauten, considering electronics only the means of expression that in the new millennium he exponentially expanded the compositional possibilities once reserved for symphonic music.

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posted 11 May 2020

Pablo Gomez Bate – Conflicto Belico

Pablo Gomez Bate – Conflicto Belico
[pn154]

Pablo Gomez Bate

“Conflicto Belico”

When listening to “Conflicto Bélico” (War Conflict) we can immediately contextualize the situation
of the country in the album’s first track, a track that evolves and begins to distance itself from
external discourse, while unveiling its own story through noise, tension and depth.

Over the course of the LP, we are offered ambiences of constant sounds achieved through low
frequencies, generating a contrast with the high and rhythmic frequencies present through much of
this work. The rhythm develops in an imprecise way, with the beginning marked by the absence of
a beat, and when it appears it is not repetitive, it is only used as a gesture that disappears
among other elements. The lack of beat generates uncertainty for us as we wait for possible
cinematographic elements, suspenseful ambience and sound landscapes that produce a feeling of
hoping for something, while generating an anxious tension in the environment set forth.

As we approach the middle of the disc, the first melodic elements appear, allowing the sound
developed by Pablo Gómez Bate to approach a dreamlike state. The calm after the storm with an
ascent to the hopeful, demonstrating an excellent handling of the intensities that appear.

At the listening’s end, the same timbres and protaganistic frequencies from the first compositions
remain present, hinting that the total work can be considered as chapters telling us a complete
story that leads us either by reason or consequence to reflective and meditative states.

This creation shows an exhaustive exploration of timbres and various sound sources, including
samples, synthesizers, acoustic and organic sounds. Compositions made over low heat, allowing
the author to test and polish each track until everything was in its right place.

M4u (René Roco + Polwor)
(Santiago, Chile, mayo / May 2020)

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posted 10 May 2020

MR.SMiFF – 5SSENCE

MR.SMiFF – 5SSENCE
[mhrk242]

MR.SMiFF

“5SSENCE”

Absorbed in music for about 20 years, with many solo and collaborative releases, MR.SMiFF is continuing to experiment with various musical forms and styles. He is deeply immersed in observation of feelings, emotions, psychology and behaviors, in constant search of new means of musical expression, through old and new technologies. “5SSENCE”, his debut release on Mahorka, is inspired by the alchemy and recent personal experiences. The music has been influenced by and bears the same name as Neda Ruzheva’s audio-visual-dance performance, for which MR.SMiFF performs the music live. The five pieces follow the alchemical processes and correspond to different elements and senses. Through the use of slow and trippy ambient movements, the composer tries to freeze the time or delay moments indefinitely, with the glitchy twists and surprises interfering as result of unexpected and compressed reactions of the unpredictable interfusion of the “elements” – both in alchemical and psychological aspects.
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posted 09 May 2020

V.A. – A TRIBUTE TO EVANGELION : THE END.

V.A. – A TRIBUTE TO EVANGELION : THE END.
[ORAL003]

V.A.

“A TRIBUTE TO EVANGELION : THE END.”

TEST PLUG ADULTS presents final Evangelion tribute compilation. The tracks are impressions from all Evangelion series.

Track Listing:
01. GulloHack – Monte Dans l’Eva Shinji
02. IKARIBEATS – TAKE CARE OF YOURSELF
03. Forces – Neon Genesis
04. Dusseldorfnite – Shito Shurai (Nigecha dameka?)
05. Burrn Out Tough Boy – YOKO・く…色っぽい
06. DJ 確率変動 – CR新世紀エヴァンゲリオン ZF
07. sato❤shin – ZANKOKUGELION
08. No.305 – あんたバカァって言われたい2020
09. KKLangley – 同じ顔の違う名前 same face, different name
10. octopus inc – waking up in the morning
11. Motoki Sound System – your 13
12. 喰らうと? – EAT EAT EAT
13. TomAlienNagata – 4_10
14. IXTL – maguokuworou
15. Spine – Defenders
16. Himeko Katagiri – Neon Genesis Lolicore
17. evawave x lisnn – the end of evangelion
18. aBiSyEikAh⊆ – 今日の日はさようなら
19. proswell – when i dip
20. wUB.Man69 – Shinji See Boob And Coom
21. p.stmdrn – ineedyu
22. YVKLNXMLYVZVWV – I.M.GURRRLFRI-END
23. Aethral – Fly me to anywhere
24. CDR – Ayanami
25. MO – A-men Groove of Refrain
26. County Conservation District – Thank You Anno

Curated by Haruo Ishihara (Lost Frog Productions)
Executive assisted by Hikaru Tsunematsu (RDC Records), Kawai Kazuki (Central Scum Osaka)
Artwork by NRP
Design by Occupied Territories

We want to say thanks to the included artists and goodbye to all children!!!

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posted 06 May 2020

bristophe – music for the masses

bristophe – music for the masses
[pyr292]

bristophe

“music for the masses”

Release date: May 1, 2020.

Huddersfield: Mass for Aphrodite Nikêphoros

1 – Bristophe’s Passion (B)
2 – Κύρια ἐλέησον (B + AA)
3 – Agni Deae (B + AA + PAT)
4 – The Judgment of Paris (B + AA + PAT + DB)

B = Bristophe = Brice Catherin + Christophe Schweizer
AA = Alessia Anastassopulos
PAT = Pierre Alexandre Tremblay
DB = David Birchall

B + AA + PAT + DB played the following instruments: cello, trombone, euphonium, flugelhorn, tuba, clavichord, two harpsichords, electric guitar, violin, bass drum, timpani, electric bass, glockenspiel, xylophone, tubular bells, tam tam, celesta, three pianos, two pipe organs, bawu, recorders, bird calls, walls and radiators, etc.

They were kindly recorded by Simon Reynell in St Paul’s Hall in Huddersfield.

They were brutally mixed by Brice Catherin.

Hull: Mass for Baubo

1 – Overture: Demeter’s tears (B)
2 – Iakchos’s Passion, part 1 (B + BN)
3 – Demeter watches (B + BN + MF)
4 – Baubo’s dance, part 1 (B + BN + MF + MS)
5 – Baubo’s dance, part 2 (B + BN + MF + MS)
6 – Iakchos’s Passion, part 2 (B + MS)
7 – Demeter’s laughters (B + MF)
8 – Coda: Persephone’s Passion (B)

B = Bristophe = Brice Catherin + Christophe Schweizer
BN = Bethany Nicholson
MF = Moss Freed
MS = Mark Slater

B + BN + MF + MS played the following instruments: two cellos, two trombones, double bass, harpsichord, electric guitar, Fender Rhodes, tam tam, gong, piano, pipe organ, recorders, bird calls, mandolin, bawu, etc.

They were kindly recorded by Daniel Spooner, Leo Withers, Daniel Johns and Liam Harrison in the chapel of the University of Hull.

They were brutally mixed by Brice Catherin.

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posted 06 May 2020

Biocym – Narrow Slopes

Biocym – Narrow Slopes
[ST015]

Biocym

“Narrow Slopes”

Artists: Biocym [Andria, Italy]

Format: Digital
Release Date: May 4 2020
Cat: ST015

Biocym is an artistic project from southern Italy that seeks to awaken emotions by expressing its feelings towards reality and the use of atmospheres and scenarios reflected in its sound.
The main nucleus of his work reflects the attitude that man must embody in order to move in a dark and inscrutable reality that he must face when he inevitably explores it.

Biocym represents the way in which the artist approaches the way of awakening in himself by contemplating the infinite variety of landscapes of reality and proposes his progressive deepening.
His music is the meeting point of his two influences: natural sounds and those other sounds generated by his creativity.

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posted 05 May 2020

Antoine Trauma & Yago Franco – Mechanic Process Of Breath And Flute

Antoine Trauma & Yago Franco – Mechanic Process Of Breath And Flute
[Plataforma Recs 225]

Antoine Trauma & Yago Franco

“Mechanic Process Of Breath And Flute”

“Mechanic Process Of Breath And Flute” is a theme in four movements. Raw electronics with organic flute. A deep dive in the
synesthetic unconscious., Ride your mind, because the machine start to breath.
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posted 04 May 2020

organon contemporaneous – Wild Breath

organon contemporaneous – Wild Breath
[ACP 1255]

organon contemporaneous

“Wild Breath”

photography by Dan Penschuck (feindesign.de)
design by EMERGE

Sampling, ‘micromontage’, and subsequently identifying pitch from objects, which will then be used through virtual instruments. This is how you introduce yourself to the Wild Breath world. Being the result of the process of deconstruction of the compositional act from the visual conceptualization. Which, attempts to communicate the existing language in a solo instrument (the clarinet) designed from an improvised approach. And that explores and cultivates the relationship between the performer and the drawing. In a very particular sound conception.

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posted 04 May 2020

Brevyn – Faint Image

Brevyn – Faint Image
[VULP-0165]

Brevyn

“Faint Image”

Late-night mystery abounds in this enchanting new single from Brevyn.

Words from the artist:

My current projects are under various delays, so here’s something from my backlog (January 2018). I was inspired by the look of city windows late at night and early Mount Kimbie.

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posted 02 May 2020

entropija – genealogija A: 2017-2018

entropija – genealogija A: 2017-2018
[EEM054]

entropija

“genealogija A: 2017-2018”

The first part of a retrospective collection, documenting live concert excerpts and private experiments between October 2017 and June 2018. Dynamic, rhythmically active, contrasting motifs dominate the album, emanating shades of IDM, glich, and post-industrial music. Beats and tonalities assemble, clash together and disintegrate, giving way to the next cycle of entropic interactions. The album attempts to construct a sonic narrative from disparate recordings, recontextualizing them into a new whole, but retaining the eclectic nature of entropija‘s live performance.
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posted 23 April 2020

Kaelin Bougneit & Devon Ford – Hayagriva

Kaelin Bougneit & Devon Ford – Hayagriva

Kaelin Bougneit & Devon Ford

“Hayagriva”

Vulpiano Records is pleased to present the enchanting ‘Hayagriva’ – five psychedelic, drone-drenched landscapes that inspire the imagination and offer an escape into another world.

Cassette (Limited edition gold cassette in jewel case w/full color 2-sided J-card. Comes with a download card for the album!): kaelinbougneit.bandcamp.com/merch/kaelin-bougneit-devon-ford-hayagriva-cassette

12 x 12 Hayagriva Print & Cassette Package:
kaelinbougneit.bandcamp.com/merch/12-x-12-hayagriva-print-cassette-package

Words from Kaelin Bougneit:
Devon and I recorded this (almost) entirely improvised record in short, scattered sessions in early 2019. There was essentially no planning between us and no communication between our equipment, and I think the tenuous, spontaneous nature of that was liberating for both of us. For the first half of this album I focused mostly on guitar and granular resampling; the last half is mostly vocal improv, all within Ableton Live. Thanks for your ears.

Bandcamp: kaelinbougneit.bandcamp.com
Twitter: twitter.com/KaelinBougneit
Subviolet Records (Kaelin’s Music): subviolet.com

Words from Devon Ford:
My part of the project comes from a 9U/312HP Eurorack built around drones, granular synthesis, tape splice/samples, and heavy modulation. I knew I wanted to get into this style when I was first introduced to the sounds of Lustmord. I have always been into crazy psychedelic music as well, so the sound takes on a mix of dark ambient and psychedelia.

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posted 22 April 2020

Soul Flask – The Cassandra Complex

Soul Flask – The Cassandra Complex
[mhrk240]

Soul Flask

“The Cassandra Complex”

“Basically the project came into being from the job I do. I work in the waste/recycling industry and have done for 3 years. When I first started I was absolutely mortified at how wasteful we are in this country and likely most of the developed world. There is so much food waste (tins, dried goods that get thrown away even though they are perfectly fine). I eat what I think is OKay. Me and others also find gold, silver, rolex watches etc. I found a bottle of whiskey valued at 1400 pounds. So i was seeing all this waste and then seeing homeless people in the street asking me for money. I would buy them a sandwich and a drink. I sank into a place of strange but thoughtful depression and anxiety. Then we had this idea that you could look inside a skip and come up with a quality band name. I came up with ‘Half eaten loaf’, The rotten carpets, Then I saw a broken thermos flask with all these old photos next to it. Peoples memories… Soul Flask just popped in my head. I then set about taking inspiration for a musical project with influences taken directly from rubbish. Some musical instruments and old vhs tapes provided a catalyst of at least creating a musical message to this madness.

The flask appeared empty, but it wasn’t. It triggered a thought.. That our bodies are vessels. Our Soul can either be damaged or enlightened throughout life. We boil down our whole life’s experience, knowledge and thought, then we carry forward that knowledge and information within ourselves. Within our Flasks, keeping that liquid warm. It’s important that when the liquid overflows out of our Flask, that it does so in a positive way. A helpful and responsible way that can only promote good, so as that other peoples flasks don’t get contaminated. It’s only by following that lifestyle that we can truly transform and then together, we can all go into the future.

With a clarity of soul.

Most tracks have a direct message to them. Usually just questioning our accepted culture as normal without challenging it. But when looking at the bigger picture of which society does its very best to hide. You can’t help but wonder just how long we can sustain ourselves like this. I mean, we all need things to survive. But when these things come to their expiry. We cannot just bury them in landfill. That behaviour is the equivalent to the whole of the human race burying its head in the sand.”

released April 22, 2020

on the occasion of Earth Day

Recorded between July 2019 and March 2020

Artwork by Remona Poortman De Roos

“Much love to Jeffers, Sandie, Ivo, Pietro (IglooMag), WastedCake, Alec & Clay, Steven (LFM), All the Andyʼs, Jared (Gabbermaster 2000), Esa Juhani Ruoho and of course my family”

Special thanks to Babs Graham (for the additional artwork circa 1930)

“Civilisation is in a race between education and catastrophe.” – H.G Wells

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posted 22 April 2020

Various – manual influence negating isotropic mutable arsenic lentils

Various – manual influence negating isotropic mutable arsenic lentils
[ACPS 1039]

Various

“manual influence negating isotropic mutable arsenic lentils”

1. Linn Friberg – Aerial (excerpt) 10:00
2. CHAINBLOCKER – Jungle-216 (Original Mix) 10:49
3. The Murmurous Playground – Vorwort (EBE Plunderphonic) 05:00
4. Boban Ristevski – Inner Engineering 08:56
5. B.P. Hughes / {AN} EeL – the feeding and mating habits of mature incubus & succubus in near space 08:58

cover art by Claus Poulsen
design by EMERGE

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posted 20 April 2020

Javier Moraga – Violence is in the air

Javier Moraga – Violence is in the air
[pn152]

Javier Moraga

“Violence is in the air”

In times of social revolution against an abusive economic system, in a Valparaíso that does not yield to brutal police repression, there is also a strong cultural response to this unpopular government that does not listen to any slogan. The artistic expressions that confront this whirlwind of state violence are varied, contributing with creative beauty influenced by the social movement, and it is there where electronic music is also present.

Javier Moraga is one of the most important representatives and diffusers of this musical style in the Valparaíso region. Week after week he delights us with records on his radio program “Sala de Máquinas” (Room of Machines) on the radio Valentín Letelier, broadcasting on the modulated frequency of the “V Costa”, new albums by producers of national and international electronica. His musical knowledge is vast, he has publications in the most important Buenos Aires netlabels such as Modismo and Epasonidos. Furthermore, as a sound technician, we can affirm that his new album “Violence is in the air” leaves no doubt about his great musical experience. We will listen to nine songs that cross the sounds of ambient, glitch and experimental, with great sonic amplitude, expressive frequencies, varied and enveloping samples with a clear avant-garde tendency both musically and conceptually, understanding that, in Chile, today more than ever there exist winds of profound social change.

Felipe Baradit Stevenson
(Concón, Chile, abril / April 2020)

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posted 17 April 2020