Wings of an Angel – I No Longer Love Blue Skies

[Self Release ]

Wings of an Angel

“I No Longer Love Blue Skies”

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Wings of an Angel – Indiligent Timeframes Of Yesterday

[Self Release ]

Wings of an Angel

“Indiligent Timeframes Of Yesterday”

“Like a flight over our marvelous world”
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Wings of an Angel – Philistine Troubadour Forgot To Discover The World

[Self Release ]

Wings of an Angel

“Philistine Troubadour Forgot To Discover The World”

Musing over the threshold of time,
I was an endless azure horizon
Crying out in ecstasy on the wretched earth;
Endless inspiration had forsaken our thorns

Desolate mountains with a philistine angel on top
The heavens’ pale lights terminally wielding;
White scapular with odorous jasmine wings,
Must undress of
Lush glimmering fire.

Innumerable blazing hallucinations;
The grey earth with its fathomless midnights
Forsaken and drunken of the blues
With a white philistine angel expiring above lesser fields – – –

Reality is the biggest enemy we’ve ever had.

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Wings of an Angel – Princess Of The Nile Returning From Manhunt In Honor Of Her Particular Religion Of Peace

[Self-Release]

Wings of an Angel

“Princess Of The Nile Returning From Manhunt In Honor Of Her Particular Religion Of Peace”

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Wings of an Angel – If You Really Want To Know Somebody, Become That Somebody

[Self-Release]

Wings of an Angel

“If You Really Want To Know Somebody, Become That Somebody”

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Wings of an Angel – Pause Play (Memoirs Of Russian Spiritual Landscapes, Aug 2016)

[Self-Release]

Wings of an Angel

“Pause Play (Memoirs Of Russian Spiritual Landscapes, Aug 2016)”

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John Novak – Laments of a Chess Automaton

[373]

John Novak

“Laments of a Chess Automaton”

Laments of a Chess Automaton is the newest work of John Novak, whose turned into a Kahvi regular it seems.

A ten track album with a large array of different styles, deep basses and airy beats in Brightly lit shores to the muted and subtle Sixty Dragons. Listening carefully you could understand a few influences such as Tangerine Dream and Air but also some of the classic electronic work from the 90s.

Heck, there may even be a touch of some older Chemical Brothers in here somewhere, so listen for some pretty serious beats and tight basslines!

Tracks of choice for me are: Brightly Lit Shores, Sixty Dragons and Ganymedean Factory Visit with its cool lounge feel. #

Cover artwork by India-Lee
Mastering by Mnemonic

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Gärtner – snk

[MNE007]

Gärtner

“snk”

Monofonicos regresa con su linea de experimentación musical, con la participacion del talento local Gartner con un album increíble llamado SNK donde la musica alcanza la atmosfera de nuestro interior.

Un album genialmente experimental que suena a ciencia ficcion, creadas a partir de instrumentos analogos, grabaciones de campo en diferentes lugares de la ciudad, sintetizadores que proyectan sonidos de lo mas escalofriante, mil millones de capas sonoras que se van interconectando entre todo ese universo del sonido de Gartner.

Producido por Juan Esteban Ceballos Gartner
Colaboraciones de:
snk.1 con Juan C. Gutiérrez y el Metro de Medellín
snk.2 con Juan Sebastián Gartner en el bajo eléctrico
snk.11 con Lucero Pineda en el moog y teclados
Masterizado por PHEEK – https://audioservices.studio

Producido para Monofónicos Netlabel 2016
Este material está bajo licencia de Creative Commons 2.5
Medellín, Colombia – 2016

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http://monofonicos.net

il Russo – il Russo

[0kbps101]

il Russo

“il Russo”

il Russo

il Russo [0kbps101]

0
1
2
3 (with TastoEsc)

MAV [0kbps] Records, August 2016

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Knolios – Mystic Snail

[picpack242]

Knolios

“Mystic Snail”

01.Knolios – Soft
02.Knolios – Ian Curtis
03.Knolios – Oval
04.Knolios – Mystic Snail
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Richard Sanderson – A Thousand Concreted Perils

[LOR081]

Richard Sanderson

“A Thousand Concreted Perils”

New album of experimental improvisations for melodeon (diatonic button accordion) from London based squeezebox player, morris dancer and head of Linear Obsessional Recordings. “A Thousand Concreted Pearls” goes even further than previous albums, the melodeon is amplified and put through effects pedals and mixed with feedback, or put through a modular synth. This resolutely melodic instrument, and workhorse of English folk is here thrust into an entirely new world.
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Dirch Blewn – Capacity and Resistance

[LOR082D]

Dirch Blewn

“Capacity and Resistance”

Dirch Blewn is the project of musician David Bloor. He records and performs the instruments of Peter Blasser. Recorded live with a few overdubs this music is the sound of capacitors charging and dissipating, of gesture with no finesse, of fish guts and physical connection with wires. Flexing wood and the smell of tung oil. It’s about the drum of Tommy Lee added to some drama from Pamela, the heady mix of surfboards and silicon. The remnants of squeezing jelly ass signal into 8 bits and ultrasound. The sound of woodpile, chaos theory, kiri with a cardboard box, industrial components and paradox.

Linear Obsessional is delighted to release this mesmeric work as a free download as a precursor to an album of shorter works to be released later in the year…
credits
released July 17, 2016

Capacity & Resistance was recorded on two plumbutters, cocoquantus, sidrax and tetrax.

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dustmotes – Plainsongs

[DWK334]

dustmotes

“Plainsongs”

Tracks list:

01_Musicbox
02_The_Cave
03_Soulbox
04_Plainsong
05_Realpolitik
06_Immaterial
07_Noise_Machine
08_Flow
09_Mediums
10_Ether

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Corn Cake – Game Over

[wg38]

Corn Cake

“Game Over”

The project “Corn Cake” was created to record an one album consisting of tracks created at different times.
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Luis Marte – Routier

[pn109]

Luis Marte

“Routier”

“When the diverse tendencies of electronic sound are combined, they create style. The form in which the style is crafted provides variety to the listener. As such, it is natural for the inspired musician to suddenly perceive the different forms of noise and interpret it in relation to a work. Luis Marte establishes the union of rhythm and sonic experimentation in a persistent manner, wide and fleeting, with passages (and/or landscapes) “from other worlds” injected from minimal percussion, clear and at the same time deep beats, synthesizers strange for the neophyte and beloved for the initiated.

I have no doubt that Routier (pn109) was composed for the most part with hardware; its sound betrays it. Each beat has its own personality, every glitch, strike, synthesizer and noise in general is carefully aleatoric (Is it possible for the casual to be meticulously cultivated also?) and fits perfectly.

The experience of the autor is also important when it comes time to produce. The broad musical baggage of Luis Marte, the production of numerous festivals, collaborations, and his constant research with new media allows him to interpret through his own prism tendencies that are raw, that do not tend to sail together in the ocean of electronic sound.

What do we have then?

Seven sessions riddled with singular concepts , rhythmic and minimalist, analog and digital, interlaced into a whole and conforming parity, exquisite and of good taste when it comes to relating each noise, beat, glitch, synthesizer, machine, module and who knows what other gadget worthy of praise between the jumble of cables and connections in the studio of Luis Marte.”

Eduardo Yáñez (aka Gozne)
(Quilpué, Chile. Agosto / August 2016)

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chloe orin – 調律と調和

[EPV_190]

chloe orin

“調律と調和”


all songs & cover photo by chloe orin
design by ono

■ artist info
http://epv-artists.tumblr.com/post/82995212601/chloe-orin
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ono – forSM

[EPV_189]

ono

” forSM”

re:interpretation & remix of “SHOMOMOSE”

[ Special Thanks ]
SHOMOMOSE
http://epv-artists.tumblr.com/post/59674033351/shomomose
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See Pereria – Bodies

[SE073]

See Pereria

“Bodies”

Stato Elettrico presents Bodies by See Pereria from Sheffield, UK.

“An electronic blend of sounds, with bubbled up basslines, funky acid looniness and a sensual voice that sings as if she is one human synthesizer”. (‘Yeah I Know it Sucks’, Oct 2015)

See Pereria has a process led approach to making experimental electronica. Preset loops are used as set parameters with the addition of vocals as a further instrument. These limits and boundaries allow for See Pereria to really experiment with the software to create new sounds. Each track in the song is manipulated and sculpted by being layered, cut up and/or looped. Songs are made with heavy emphasis on synths, beats, harmonies and repetition.

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Gumbel – Bubblegum for the Brain

[AFA-SM010]

Gumbel

“Bubblegum for the Brain”

Dedicated to the United States of America.
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The Cream Canteens – Moderate Peril

[djummi.005]

The Cream Canteens

“Moderate Peril”

The Cream Canteens bring you ‘Moderate Peril’

Feast your ears! This eagerly-awaited EP is a musical summit in all respects: a meeting of minds returned from remote audio peaks with a knapsack of treasure.

The Canteens fuse their digital experiments with the wiles of ancient folklore, creating a palette that is all their own. Each track is a bittersweet quest, moving from melodic flute ditties to sonic fuzz barrage, from lo-fi tinkering to laser-synth pyrotechnics. These warm-hearted tunes are guided by a firm hand on the tiller, with a daydream nod to the darker shores…

So, lay back and relax on this trans-Europa express and immerse your lobes in a mildly-threatening aural treat!

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about netaudionews:

English:

At this site many netlabels are posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.

The old message board: 2004-2011.

Deutsch:

Auf dieser Seite weisen verschiedene Netzlabels auf ihre neuen freien Veröffentlichungen hin. Bei Interesse kannst du dir die Musik auf den Seiten des jeweiligen Labels herunterladen. Die meisten Labels veröffentlichen ihre Musik unter einer creative commons Lizens.

Das alte Messageboard: 2004-2011


Dear netlabel owners! Please submit new free releases here:


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