https://23diskettes.bandcamp.com/track/notturno-10
The Necrophile Hummingbird netlabel presents GLAUKO PSYCHE by Multiple Personality 3
“Darkwave Psychedelic Rock for Desperate Triphop Lovers”
Don’t you see it’s not the end of your world,
but the end of the old one?
A seed has slipped into the well-oiled machine.
A seed has grown, and the gears have come undone.
A seed transforms —
its roots grow within each of us
and join beyond.
The source is love,
and our minds are trees whose branches brush one another,
whose leaves dance together
in a vast, living whole.
They play with the light,
and on our faces appear
new shapes —
unthought,
unthinkable.
Our bodies rest on the sand,
and our minds drift upon the ocean.
Don’t you see it’s no longer the shore of the old world,
but the dawn of the new one?
It took me 3 years to get the definitive lyrics. 5 years since the first track recorded. But at least it’s done.
The Xerces blue butterfly (Glaucopsyche xerces) is the first US insect species that scientists recognized went extinct because of humans.
The short version of the first track is here
https://zonefusion.bandcamp.com/track/dont-let-the-pupa-waste-her-life-part-1
Rácz Mihály (HR+, Hideg Roncs – ambient, drone revisions)
Sipos Róbert (ROBotron, NoiseSculptor – techno, noise, drone revisions)
Jäger Ádám (jagarin – artwork, vocals, samples from Search At)
„ReSearch At” is HiNoGar’s second full-length manifestation, created at 2025 spring from the first album, „Search At” tracks and a compilation track with some new sounds. The performers on the re-worked, but absolutely new album are HiNoGar members – but under other aliases.
1, 2. 1 te 2 te. 1-ti-te-ta 2-ti-te-ta. 1-ta-la-ta-li-ta 2-ta-la-ta-li-ta. Hamburger.
Featuring a Wittner wooden metronome and clarinet.
released October 12, 2025
Born from a Mahorka experiment in collaboration, “Phase Memory” is the first full-length release from Scottish producer Nonima (aka Peltiform / Mitoma) and American artist Abdicant. The two were introduced through the label’s “Making things happen” compilation of collaboration tracks, and despite only ever chatting over messenger, something decidedly clicked.
The result is a tightly woven IDM album that nods to the genre’s classic period while embracing modern production sensibilities. Nonima brings his signature glitch-sculpted tension and atmosphere, while Abdicant’s melodic frameworks give the tracks shape and momentum. It’s detailed, propulsive, cohesive, and compelling. This will not be the last you hear from this pair!
Written / Produced by Nonima (Tam Ferrans) and Abdicant (Jeremy Rice)
Mix & Mastering by Weldroid
Thanks : Tamas Zsiros, Ivo Petrov
Finally, the origin is discovered – the home planet of counterpoint, the source of fugues. It was always implausible that such balanced beauty was chained to one planet – and now we confirm that these semi-symmetric vibrations are at home throughout the universe.
Featuring Bach’s otherworldly organ prelude BWV 649, chromatically shifted and with effects.
Σφαῖρα, an EP inspired by ancient Greece, wasn’t just a geometric shape, it influenced their understanding of both the Earth and the universe.
What begins as light ambient soundscapes slowly transforms, drawing you into a world of resonant drones. It’s an exploration of sonic depth, from the subtle to the profound.
The Necrophile Hummingbird presents Dadacore Insane Explosion by reFUGeeS From Beyond
“dada music for dada lovers”
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku
Improvisation recorded the 5th August 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole
It’s real Dadacore because for each track Psyché Pelik randomly chose a word from a page of Tristan Tzara’s anthology. Also during the last song recording the mixing desk went into a gliding flight… And this will be a double explosion…
Dedicated to the freaks those are breaking any rules but under love.
Supervolcano: An Eruption of Trans-Andean Noise
This record marks an encounter as spontaneous as it is unexpected between two seasoned figures of the Chilean and Argentine sound scenes. Both Óscar Santis and Francisco Ali-Brouchoud have long contributed—almost militantly, through multiple projects—to these niche communities devoted to experimentation and noise, rooted on either side of the Andes, with Valparaíso and Buenos Aires as their epicenters.
The material on this album stands as a clear testament to this ongoing crusade for two very specific reasons: first, it represents the duo’s only performance to date; and second, it was captured live at Estudio Libres, with a small audience sharing the recording space alongside the performers.
These circumstances highlight the importance of intuition, adrenaline, chance, synergy, and deep listening as key elements shaping the outcome of such experiences. Their presence is felt in the atmosphere of introspective tension, suffocating suspense, and explosive catharsis that punctuate the various moments of this free improvisation—later segmented into a series of tracks for this release.
The album title, “Supervolcán”, as well as those of each piece, conceptually allude to the planet’s major volcanic phenomena, particularly so-called “supervolcanoes”: which possess a magma chamber a thousand times larger than that of a conventional volcano and therefore produce gigantic eruptions capable of radically altering the environment where they occur. The sessions evoke fascinating sonic images linked to these geological beasts, which lie semi-dormant along the great Pacific Ring of Fire. The timbral characteristics and frequency range incorporated thus allow them to be easily associated with imagined events such as melting tectonic plates, volcanic radiation, pressurized geysers, rivers of boiling lava, the emission of flammable gases; or even, why not, drilling with heavy machinery, open-pit mega-mining, an environmental disaster in the Andean mountain range, or a hallucination caused by lithium fever.
Miguel Masllorens.
(Buenos Aires, Argentina. October 2025)
It is yet another debut by a portuguese artist in the MiMi Records catalog.
The neck’s contortion, the hand flung into the void, the chest opening to a silence that rises from beneath the skin and folds perception inward—the introspection of not quite knowing what the body itself is feeling.
As a kind of retrospective, “ochre walls of heft” strips away the final layers of what this project has been: an exploration of abstract, unbound sonorities. Here, everything takes form and culminates in the electric and/or acoustic guitar, sent on a journey through three distinct soundscapes, equally indebted to Tangerine Dream’s expansive atmospheres and Merzbow’s abrasive intensity.
When he’s not unsettling his neighbors with new recordings, jofi is also a poet, painter, and photographer.
