“Tethered” is Blockdata‘s first EP on Abstrakt Reflections. The EP digs into a variety of tempos and styles including lush analogue synth beds, foley recordings, haunting soundscapes, digitally sharpened rhythmics and some processed acoustic instrumentation at points.
Most of the synthetic instruments were created by Blockdata from the ground up over a number of years using Native Instruments Reaktor and the foley/acoustic instrumentation was made using a simple field recorder.
The EP includes six original Blockdata compositions and 2 excellent remixes from Ivan Shopov and Lokom.
Noisybeat 10 years vol. 1
Dedicated to 10 years of Noisybeat Netlabel.Osinski – Serendipity in Bar Mokambo
Plastic Penguin – Tomato Mutante
Dubbemo – Until my sun
RGL – My Reasons
Fingerflood – Secrets
Seiss&Delayer – Malex
Shango – Monte Secchiata
D_Smoker – The power of heaven should not be underestimated
Domino – Bring the lights down
Kappasaur – RebirthCover art: Cristina Cammarata www.behance.net/CristinaCammarata
Frozen Clinamen is serie of works by Failure Circle (a solo project of Kecap Tuyul) started on autumn 2017. It follows a simple method inspired by the the possibilities of his no-input mixer set-up and the will to use a limited sound material in a posteriori compositions : all the sounds included in these works are recordings of moments that feature no human intervention. Frozen Clinamen #2 was recorded and mixed between april and august 2018.
step (1) Tweaking the set-up until it produces some seemingly autonomously self-sustained sound sequences.
step (2) Stopping tweaking and recording for at least 20 minutes without any intervention on the set-up.
step (3) Repeating steps (1) & (2) several times.
step (4) Using the generated sounds as only source in a posteriori compositions. The only variations used while mixing are equalization, panoramics and volume levels.
step (5) play it at low/high volume with open/closed window while complety asleep / fully conscious.
Debut release on Digital Diamonds by F.I.E.L.D.Y from Bahnwärter Thiel/, Wannda, Munich. And it’s a very special one, a homage to three different installations and art cars at Afrikaburn 2017. All track titles pay tribute to the camps and crews, where F.I.E.L.D.Y had the pleasure to play: slow and deep driving minimal techno at the Tree Of Life, immersive tribalistic atmospheres at The Dragon, a hypnotic and trippy interpretation of the Play at The Haupbahnhof by Wanderzrikus feat. vocals by Mo Libretto. Last but not least the title track get’s pimped up by a melodic remix by 959er. Desert tech at it’s best!
a slow burning collage of dreams
a broad stream of consciousness
a barefoot walk through the treetops
a feedback loop from trains that never came
a broken tape recording of boreal lights
a heartache that never seems to go out
Split vinyl album between long time Enough Records collaborators dSCi and the duo Parpar, two Portuguese projects sharing tours and a sensibility for the punk-rock free jazz type of sounds. This album was recorded, mixed and mastered by Milo Gomberoff at Hukot studio in Barcelona. Cover artwork by Katafu. A co-release effort by ATR, A Besta, Lepers, Epicericords, Et Mon Cul C’est Du Tofu?, Experimentáculo Records, Gaffer Records, Panda Records and Enough Records.
A warm welcome back to Jim Black, who seems to appear with a large selection of tracks a couple of times a year.
If you’re not familiar with Jim, he manages to create the vibe of the classic early 90s techno/IDM roots perfectly, bringing back feelings of nostalgia to those who listened to Kiss FM (London) and DJs like Colin Favor.
This time around we have a seven track ep to ease you towards the party season, block driving beats, four to the floor, but with a 21st century edge.
Cover artwork by our graphics master, Precocious Mouse
Back in 2012, Tha Silent Partner took our fortyFive format and shattered its then inherent limitations by single-handedly inventing a sub-format called SIX ONNA 7 that, instead of the normal two 3 minutes tracks, contained six tracks with a running time of around 6 minutes. Thanks to TSP blessing it, since then, other artists have rolled with format and found it a unique way to share music with fans.
Today we’re happy to present to you the continuation of the SIX ONNA 7 legacy with the first installment by Pot-C! As with each artist who has explored the unique format, he has given it his own unique spin. Up until now, all SO7s have contained instrumentals. Pot-C decided to do something quite interesting with the format limitations… revisit past lyrics with new beats. An inventive take on such an already inventive format! Enjoy.
Thanks to Pot-C for taking the SO7 format to lyrical territory! Dope. Great way to revisit past lyrics with dope new beats! Of course, thanks to Tha Silent Partner for inventing the format!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
Vocal experimentation made on April 14th 2018 with family friends and my parents in the next room.
I make lots of music because living in the Borders is really Boring; creativity is essential for staying awake around here. I’ve been obsessively listening to my music until I don’t like it anymore for roughly 7 years. I’m not sure what I want to do with my life but I do plan on making music for the rest of my days.
Fergus McQueenie (aka Eggshell Goblin).Track 1 is all 3 tracks made available as one file.
Natalia Panzer lives in Sunset Park, Brooklyn. She helps run Lynn, Looking at your mint, and Refresh Gallery. “Subway Street and Other Public Music Vol. 3” is the third installment of a series of the series “Street, Subway, and Other Public Music”, where she record street musicians and other public music and sound around New York City. This is the first time she is performing as a “street musician”. Her performance was held at a park by my house called Bush Terminal Park. The last recording of the flute player she made in Chinatown in Manhattan.
Anastatsia Vronski is a versatile experimental musician from Perm, Russia. Since years she has been creating an impressive and quite diverse body of work. Many of her tracks can be classified as “drone “or “noise”, but they always have a specific, often intriguing qualities. Above all, she’s not an artist who will do the same twice, and maybe that’s why some of her pieces are sometimes self-published isolately. Since we thought many of them deserved more exposure, we decided to make a selection of such works in a compilation album : Estrangements, that will be published in two volumes. The first volume gathers tracks composed in 2013 & 2014 (selected with the artist’s approval) that seem to share some kind of minimalist mood, although they are very diverse. For each of them, Vronski has written a few words about the specific methodologies and ideas (see below) involved in the composition. But this doesn’t make her music less mysterious. Each track seems inhabited by a mysterious and poetic spirit whose intrinsic qualities will appear to attentive listeners even without reading anything. The 2nd volume will be published in 2019
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