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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, 28.1.2026

Hello, I have made a few changes to the site. Unfortunately, I am not quite finished yet, but it should continue without interruption. I hope you find the changes useful. Stay tuned. Konrad

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Steven Leak, LR Friberg, Marco Lucchi – Storlien – Åre – Järpen

Steven Leak, LR Friberg, Marco Lucchi – Storlien – Åre – Järpen

Steven Leak, LR Friberg, Marco Lucchi

“Storlien – Åre – Järpen”

The train moved like breath held just below the surface. Its low hum vibrated through the bones of the carriage, steady and almost imperceptible. More rhythm than sound, more presence than noise. Outside, the world passed in dissolving layers.

Norway, then Sweden. But no hard border. Just a slow merging of landscape, a quiet shift in the light.

Forests, thick with pine rose like sleeping giants, then opened without warning into lakes, still, black, mirror-like. They caught the last threads of evening like secrets too soft to speak aloud. In the water, the sky folded back into itself, perfect and inverted. Hills floated upside-down. Trees had double roots. It was hard to tell what was reflection and what was real.
Now and then, a village blurred past. Red-painted houses. Green, damp gardens. Fences wrapped in ivy. Curtains drawn halfway closed, as if the dusk were something to be filtered rather than embraced. Smoke curled faintly from chimneys that looked too delicate for fire.

Golden light moved across the train windows. Not from inside, not from any lamp, but from the outside world gilding the glass. It cast halos where there should be none. The air inside the carriage thickened.

And then…

Chris blinked. A flash of confusion passed over his face like a short-circuited dream. His accent, all Texan resonance tempered by too many books and long thinking hours, rose into the stillness.

“Okay… how the hell did I end up here?”

His voice cut the silence but didn’t break it.

Fabian turned in his seat, slow, like someone coming up from underwater.

“I thought this was a dream,” he said quietly, mostly to himself. He rubbed his palms together absently. As if trying to verify the texture of the moment.

Across the aisle, Elin and Linn met eyes. It wasn’t recognition, it was confirmation. Something in them both said: “this again.”

Elin shrugged first. Small, almost imperceptible. Shoulders barely moved. Linn mirrored it, but hers was more calculated. A shrug that meant “I have no idea but I’ve already started parsing it.”

Chris let out a single half-laugh. Not humor. Friction.

“Well,” he said, glancing out the window, “I always wanted to see the fjords.”

Elin didn’t smile. She was still watching the landscape slide by.

“There are no fjords in Sweden,” she said dryly.

Linn turned to her. “What about Gullmarn?”

Elin frowned slightly. “Where even is that?”

“Bohuslän,” Linn said, the word folding easily into the quiet. “Never been there. But I know.”

Chris exhaled slowly and leaned forward, elbows on his knees.

“Okay, enough. There should be a baseline to this. A rule. A reason. Something to pin it to. Why did it happen again?”

Elin looked around the carriage. Her gaze landed on the folded seats, the patterned upholstery, the soft overhead lighting that didn’t flicker. The soft sway of the train as it curved slightly left, following the contours of a lake she didn’t recognize.

“I’m home right now,” she said, carefully. “Or, obviously…” she paused, took in the unfamiliar timbre of the train “…not.”

Fabian leaned his head back, closed his eyes for a second, then opened them again.

“Maybe,” he said, slowly, “we’re being pulled together. By something.”

The sentence hung there. Unfinished, but trembling with implication.

All four of them fell quiet. Not a stunned silence. A listening one.

The train rolled on. Outside, the light kept folding over itself, oranges into purples, sky into lake into sky again. Inside, four people sat in the pulse of something too big to name. Each of them thinking the same thought, the same question, in slightly different words.

And somewhere deep in the hum of the rails, it almost felt like the question had already been asked.

Not to them.

But through them.

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posted 22 November 2025

rADio eNd – Mantra Wave

rADio eNd – Mantra Wave
[LCNLP229]

rADio eNd

“Mantra Wave”

The Necrophile Hummingbird netlabel presents Mantra Wave by rADio eNd

“Trance music for tribal music lovers.”

This album is just a solo improvisation recorded at the Cave Haven (Foucherans) in 2022.
I would have enjoyed that someone upgraded or transformed it, but maybe it wasn’t necessary.
Sometimes the raw thread is the real fabric.

I coined the term “Mantra Wave” with this album but already in previous albums I was using it when talking about to keep the whole improvisation instead to reduce it to the essential.
I won’t define it here — you can sense it yourself.
Since my first steps with CorteX, I’ve been trying to create psycho-active music more inspiring than the usual standards.
Since the Yoshiwaku shamanoise tracks, I’ve focused on the power of repetition to carry the listener into trance.
Since Multiple Personality 3, with its overlong ritual tracks, we left behind the notion of “standard tracks” to explore durations usually found only in instrumental minimalism, serial music, or certain techno constellations.

Was rADio eNd simply listening to the Earth, amplifying her voice?

Turn off your brain.
Let the wave wake your soul.

I made the artwork without AI, but disliked it because it looked too much like something made by an AI.
So I asked an AI to update it as if it had been made by a human… Well… Then I only kept the statue to edit my artwork.
The circle closes.

Special thanks to the creator of the Longo dance for the Mbouiiiii!!!!! concept — a joyful reminder that one can free body and mind through vibration, breath, and surprise.

About healers, guides, and those who teach freedom

In France, more than ever, many people claim to heal everything with countless techniques, generally for money.
Some may offer better listening than doctors trapped in the machinery of big pharma — doctors who, despite their knowledge, can truly resolve only part of the world’s illnesses.

But many “healers” are only selling illusions, playing with people’s hopes, offering dependence instead of autonomy.

Fortunately, some too much rare ones genuinely take care.
They show not how to rely on them, but how to stand on one’s own feet.
They guide the person back to their own inner tools — until the guide is no longer needed.

This album is dedicated to those who do not heal minds and bodies, nor fix energies,
but who teach each person how to do it themselves…
and to all those who learn alone, quietly, without any master.

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posted 20 November 2025

Neosintetico – La voz de la energía

Neosintetico – La voz de la energía
[pn247]

Neosintetico

“La voz de la energía”

Electronic reggae with vocals, tambourines, and guitars sets the tone for “La voz de la energía”, an album that fits seamlessly into the Pueblo Nuevo catalog thanks to its exploratory drive and sharp aesthetic vision. Here, glitch emerges as a kind of Jamaican spiritual force — deep rhythms and dense atmospheres converge with analog basslines that roar like rocket launches, a playful nod to Kraftwerk, bursts of jazz trumpet, modulated frequencies, and reversed beats.

Each track unfolds as an immersive experience where styles blur and intertwine — dub, breakbeat, glitch, among others — enriched by a vivid tapestry of samples that expand the listening field. The result is a diverse, restless, and consistently surprising sonic journey that keeps the listener attuned to the vibrant creative energy of Neosintetico.

Review by Felipe Baradit (@felipebaradit)
(Concón, Chile. November 2025)

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posted 14 November 2025

Invisible Illusion – Altered Signal

Invisible Illusion – Altered Signal
[LCNLP228]

Invisible Illusion

“Altered Signal”

The Necrophile Hummingbird netlabel presents Altered Signal by Invisible Illusion.

“Mystical Post-Industrial Music for Experimental Music Lovers”

Sometime you need to go back to something more rough more free more spontaneous. This album was unplanned it just birth from one session using a lot my electric frequencies generator mix later with several field recordings. I chose to deal with my very outsider music voice on several tracks. And added a few of related single experiment to achieve them.

For the artwork I used a head paint by my great-grandfather and next I changed it for a portrait made in wax by him too, because in this album I dig the origin of my life and its singularity to understand why the lines between my monikers are tangling so much these days. I mean CorteX and Yoshiwaku as well as Invisible Illusion have no more any real difference… Perhaps it’s related to the longtime stuck with rADio eNd which was an attempt to eradicate all them.

My great-grandfather was an orthodox believer, he made a lot of icons is whole life during, but he was also studying hypnosis and magnetism already in the 1920s years, so I hope he understood before is death in 1978 that all churches are against spirituality. Religion is a plague, especially in Europe where so many people have been massacred during several centuries, just because of being different, or more human than these god’s bureaucrats, do I say, these mobsters addicted to power. My great-grandmother was organizing spiritism meetings at home. I’ve always seen them together till her death in 1981. My first years I thought he was very impressive despite being quite silent, like only watching the people and indeed later I learnt he was already dead before my birth. Now I’m running a museum with the handcraft and paints they did as well as my art. Because I enjoy self sabotage I wrote the handcraft room is still not open, but in reality it’s already set, so if you travel by france, feel very free to visit the place https://soloist.ai/atelierkol/musee-hors-norme

A shorter version of Makeshift Bandage is available on this album https://archive.org/details/Jeff_Sampson_Ed_End_Tian_Keng

Dedicated to those mediums who turn the signals they receive into music.

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posted 09 November 2025

Me In The Bath – November

Me In The Bath – November

Me In The Bath

“November”

Prerecorded to be aired for the virtual, online music fest entitled No Faf Noisevember 2025 which held on Nov 8th of this year, this Me In The Bath album shows the band in an acoustic trio configuration, playing alternative / noisepop / rock tunes.
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posted 09 November 2025

WivWav – Elektronische Meuk Vol. 1

WivWav – Elektronische Meuk Vol. 1

WivWav

“Elektronische Meuk Vol. 1”

Elektronische Meuk Vol. 1 is a collection of tracks, of music that I like to make. While at first these tracks don’t seem to have a red line connecting them, by being made by the same artist they inherently share the same sonic palate and feelings that I, the artist, put into them.

This album features electronic music with a focus on texture. Containing feelings ranging from confusion, melancholy, monachopsis, lagging behind everyone else, to restlessness, sudden boosts in energy that you don’t know what to do with and many more.

This album exists because I want to release things, for the sake of creation. To make music, be able to share it with people and thereby share a little piece of me.

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posted 29 October 2025

reFUGeeS From Beyond – A Doll Lost In A Ghost World

reFUGeeS From Beyond – A Doll Lost In A Ghost World
[LCNLP227]

reFUGeeS From Beyond

“A Doll Lost In A Ghost World”

The Necrophile Hummingbird presents A Doll Lost In A Ghost World by reFUGeeS From Beyond

“Deathwave for Apocalypse Listeners”

Improvisation recorded the 9th September 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole https://www.soloist.ai/atelierkol. Like Art of Sabotage this is a double album under the same title. I mean, different tracks for two albums with the same title. This one is the second part of the session.

Members https://unclassable.tumblr.com/ :
Master of Ceremony : Psyché Pelik
Disc Jockey (indeed only electronic devices) : Yoshiwaku Mushotoku

Artwork by Seebille.

Thanks to her because we did this session for her.

So this is dedicated to everyone who refuses to believe in the idea of “artists.”
I mean — every being can create outside the spectacle society, and nothing else matters.
Technical skill, artistic “levels” — they’re just academic propaganda or capitalist competition cult.
Anyone who calls themselves an artist steals the creative power that belongs to everyone.
Art business sucks.
Cabarets are the real temples of creation, where we can really learn it — everyone takes a turn, on stage or in the audience.
Make noise or make music — but don’t let the artistic undergods rule the world.

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posted 28 October 2025

Jus Recondo – 22825

Jus Recondo – 22825

Jus Recondo

“22825”

22825 constituye el cuarto material solista publicado por Jus Recondo, y el segundo a través del sello Fuego Amigo Discos.

Se trata de una improvisación grabada en una sola toma, sin edición, que se desarrolla con un clima denso y por momentos agobiante. Los bucles y samples están presentes como en trabajos anteriores pero en este caso se suman elementos melódicos que contribuyen a la espesura del ambiente creado.

El arte de tapa forma parte de una serie de imágenes creadas con inteligencia artificial, continuando lo propuesto en la portada de 19225, anterior lanzamiento por Fuego Amigo Discos.

——
22825 is the fourth solo release by Jus Recondo, and the second through the label Fuego Amigo Discos.
It is an improvisation recorded in a single take, without editing, that unfolds in a dense and at times overwhelming atmosphere. Loops and samples are present, as in previous works, but this time melodic elements are added, contributing to the thickness of the created environment.
The cover art is part of a series of images created with artificial intelligence, continuing the concept introduced on the cover of 19225, Recondo’s previous release with Fuego Amigo Discos.

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posted 22 October 2025

AxWax vs Socool – CLONK!

AxWax vs Socool – CLONK!

AxWax vs Socool

“CLONK!”

CLONK! started off as a collaboration between myself and Socool, attempting to capture the sound of the golden era of Drum & Bass. It then suddenly grew into a full EP when I created a dubby half-speed version with scratching courtesy of DJ Soo and managed to rope in some of my favourite producers from the Fediverse to do remixes.
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posted 17 October 2025

Multiple Personality 3 – GLAUKO PSYCHE

Multiple Personality 3 – GLAUKO PSYCHE
[LCNLP226]

Multiple Personality 3

“GLAUKO PSYCHE”

The Necrophile Hummingbird netlabel presents GLAUKO PSYCHE by Multiple Personality 3
“Darkwave Psychedelic Rock for Desperate Triphop Lovers”

Don’t you see it’s not the end of your world,
but the end of the old one?
A seed has slipped into the well-oiled machine.
A seed has grown, and the gears have come undone.
A seed transforms —
its roots grow within each of us
and join beyond.
The source is love,
and our minds are trees whose branches brush one another,
whose leaves dance together
in a vast, living whole.

They play with the light,
and on our faces appear
new shapes —
unthought,
unthinkable.

Our bodies rest on the sand,
and our minds drift upon the ocean.

Don’t you see it’s no longer the shore of the old world,
but the dawn of the new one?

It took me 3 years to get the definitive lyrics. 5 years since the first track recorded. But at least it’s done.

The Xerces blue butterfly (Glaucopsyche xerces) is the first US insect species that scientists recognized went extinct because of humans.

The short version of the first track is here
https://zonefusion.bandcamp.com/track/dont-let-the-pupa-waste-her-life-part-1

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posted 17 October 2025

Lost In Transmission – Source Reactor Bootleg

Lost In Transmission – Source Reactor Bootleg
[enrmp553]

Lost In Transmission

“Source Reactor Bootleg”

Post-industrial electronic ambient project Lost In Transmission is the latest collaboration project between artist Astrid Bellefroid (the source for cover-art photography, field-recording, guitar, ukulele, percussion and vocal-Fx sounds) and Doc.AtmosfearCrush (the reactor of sounddesign and beats). The music is an experience in heavy use of modern possibilities in manipulating natural sounds, re-synthesized, sliced and rearranged, to create an organic, quite danceable sonic cinema for the mind. By listening to the “source reactor bootleg e.p.” you will enter a world of sound made of stoner-electro, trip hop, groovy melodies from the synthwave worlds while some acid got poured all over it.
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posted 15 October 2025

Substak – Σφαῖρα

Substak – Σφαῖρα

Substak

“Σφαῖρα”

Σφαῖρα, an EP inspired by ancient Greece, wasn’t just a geometric shape, it influenced their understanding of both the Earth and the universe.

What begins as light ambient soundscapes slowly transforms, drawing you into a world of resonant drones. It’s an exploration of sonic depth, from the subtle to the profound.

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posted 09 October 2025

REfugEEs From Beyond – Dadacore Insane Explosion

REfugEEs From Beyond – Dadacore Insane Explosion
[LCNLP225]

REfugEEs From Beyond

“Dadacore Insane Explosion”

The Necrophile Hummingbird presents Dadacore Insane Explosion by reFUGeeS From Beyond

“dada music for dada lovers”

Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku

Improvisation recorded the 5th August 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole
It’s real Dadacore because for each track Psyché Pelik randomly chose a word from a page of Tristan Tzara’s anthology. Also during the last song recording the mixing desk went into a gliding flight… And this will be a double explosion…

Dedicated to the freaks those are breaking any rules but under love.

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posted 06 October 2025

Francisco Ali-Brouchoud + Óscar Santis – Supervolcán

Francisco Ali-Brouchoud + Óscar Santis – Supervolcán
[pn246]

Francisco Ali-Brouchoud + Óscar Santis

“Supervolcán”

Supervolcano: An Eruption of Trans-Andean Noise

This record marks an encounter as spontaneous as it is unexpected between two seasoned figures of the Chilean and Argentine sound scenes. Both Óscar Santis and Francisco Ali-Brouchoud have long contributed—almost militantly, through multiple projects—to these niche communities devoted to experimentation and noise, rooted on either side of the Andes, with Valparaíso and Buenos Aires as their epicenters.

The material on this album stands as a clear testament to this ongoing crusade for two very specific reasons: first, it represents the duo’s only performance to date; and second, it was captured live at Estudio Libres, with a small audience sharing the recording space alongside the performers.

These circumstances highlight the importance of intuition, adrenaline, chance, synergy, and deep listening as key elements shaping the outcome of such experiences. Their presence is felt in the atmosphere of introspective tension, suffocating suspense, and explosive catharsis that punctuate the various moments of this free improvisation—later segmented into a series of tracks for this release.

The album title, “Supervolcán”, as well as those of each piece, conceptually allude to the planet’s major volcanic phenomena, particularly so-called “supervolcanoes”: which possess a magma chamber a thousand times larger than that of a conventional volcano and therefore produce gigantic eruptions capable of radically altering the environment where they occur. The sessions evoke fascinating sonic images linked to these geological beasts, which lie semi-dormant along the great Pacific Ring of Fire. The timbral characteristics and frequency range incorporated thus allow them to be easily associated with imagined events such as melting tectonic plates, volcanic radiation, pressurized geysers, rivers of boiling lava, the emission of flammable gases; or even, why not, drilling with heavy machinery, open-pit mega-mining, an environmental disaster in the Andean mountain range, or a hallucination caused by lithium fever.

Miguel Masllorens.
(Buenos Aires, Argentina. October 2025)

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posted 05 October 2025

Friberg, Fialkiewicz, Strasser – Field Repairs

Friberg, Fialkiewicz, Strasser – Field Repairs

Friberg, Fialkiewicz, Strasser

“Field Repairs”

Elin shifted again. Not quite moving, more like settling further into her own skin. “For me… I think home isn’t a destination. It’s not about finally arriving somewhere perfect. It’s…” She paused, eyes softening, searching the air for language that wouldn’t betray the feeling. “It’s what happens in the space between arrivals. The in-betweens. The moments no one curates. Where you’re not being watched. Where nothing is being proven. Just… the next step, taken without performance.”
Her breath caught, barely audible, then continued.
“It’s the field repairs,” she said. “It’s the coffee. It’s the pulse of continuity. Presence, not spectacle. Not grand gestures. Just… rhythm. The kind you don’t notice until it’s missing.”
Linn felt something loosen in her chest. Not release, just recognition. The words didn’t land on her. They moved through her. As if they’d already been there, just waiting to be named.
Then, quieter, Elin added, “And maybe… I ran out of places to escape to. I don’t want to be in motion anymore.”
She opened her eyes and met Linn’s. Unshielded. Steady.
“Being here with you, it feels like that. Like maybe home isn’t a structure, or a city, or an address.”
She exhaled, slow. “It’s you. It’s this. A moment I don’t have to edit, or narrate, or earn.”
Linn swallowed, something heavy and luminous catching in her throat.
“I think I’ve been searching for that longer than I want to admit,” she said. “The kind of presence that doesn’t ask for performance. Just… stays.”
Elin smiled then. Soft, warm, unrushed. A kind of answer that didn’t need to be spoken.
“Then maybe,” she said, “we’re already there.”
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posted 27 September 2025

Grupo Perdido – Las Ruinas Nuevas 0ST

Grupo Perdido – Las Ruinas Nuevas 0ST

Grupo Perdido

“Las Ruinas Nuevas 0ST”

GRUPO PERDIDO – LAS RUINAS NUEVAS OST
(Manuel Embalse, Gustavo Obligado, Franco Calluso,
Alan Serué, Pablo Reche y Julián Galay)

Mezclado por Diego Martínez (A.S.A) en Estudios Ñandú en julio y agosto de 2023.

Distribuido por Antes Muerto Cine y Fuego Amigo Discos

ᓚ₍ ^. .^₎

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posted 26 September 2025