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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

Louis Lingg and The Bombs – Nowhereland

Louis Lingg and The Bombs – Nowhereland
[BSMX0206]

Louis Lingg and The Bombs

“Nowhereland”

Three weeks ago, fans got to hear “Freaky Deaky” the first of six incredible singles from Louis Lingg and the Bombs’ new album “>_…checking system…disruption detected…”, their first for blocSonic! Well, today they lob another fantastic musical bomb to fans with the new maxi-single “Nowhereland”. Along with the title cut, fans can also hear another gem from the album, the single’s “B-Side”… “The Dispossessed”. Finallly… as if that wasn’t all enough, we’ve also packed FIVE remixes by Spiedkiks, OWTRIPLEBANG, Die Leere im Kern deiner Hoffnung, Ruder Gonzo & mGee!

So go ahead and download this while it’s hot and enjoy!

LLATB & remixers… YO… these joints are ALL straight fire! Thank you all so much. No… I’m not thanking myself for mine… well… maybe a little… ha ha.

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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posted 07 September 2021

Luke Lund – Vaporous Passage

Luke Lund – Vaporous Passage
[TERR115]

Luke Lund

“Vaporous Passage”

TERR115: “Vaporous Passage” is a ruminative distillation of Luke Lund’s hypnagogic drone guitar and obsession with fx, dedicated to exploring textural properties and limitations of the EBow.

Inspired by revisiting recordings from 2011, this hourlong improvised guitar journey harkens back to his EBow worshipping “Infinite Sustain” albums from former ambient project Light Overhead, but importantly bears no efforts to purely retrace those recordings a decade later.

Split into two contrary forces, the album opens with bittersweet, swirling vignettes saturated with ferric fuzz — the dreamlike, chiming breeze of “Deliverance From Doubt” arcs to elegant organ-like tones before dissipating away into the glistening, soporific kaleidoscope of “Far Peripheral” — A reprise bridges the warm soundscapes into a despaired flipside of unholy drone — The depleted discord of “First Encounter” paints a monochrome, void-staring picture — The churning phantom rhythm of quasi-industrial “The Ache Beneath” crushes across spiraling walls of doom — The searching album finale floods over with a heart-stricken motif as a closing gesture…

“Vaporous Passage” is a vehement step forwards, revitalising his relationship with weightless guitar by a more mature approach.
credits
released September 3, 2021

— EBow, 7-string electric guitar, effects by Luke Lund
— Echo flavor for track 5 from Seeli Kuuppo
— Recorded at Solace on September 2nd 2021

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posted 06 September 2021

Rooms Without Doors – I shouldn’t be watching this

Rooms Without Doors – I shouldn't be watching this
[JSTD-021]

Rooms Without Doors

“I shouldn’t be watching this”

G BXJ’O YUSNNT FJXM PXM NXJL G’AU QUUJ PUYU, XY GD G’I YUSNNT PUYU SO SNN. G RSJ’O YUIUIQUY SJTOPGJL VSEO OPU NSEO PSND PXHY XY EX (OGIU GE VYUOOT RXJDHEGJL PUYU), TUO GO DUUNE NGFU G’AU SNMSTE QUUJ PUYU. SNN G PSAU GE IT YUIXOU, IT QUB, SJB IXEO GIVXYOSJONT, IT OA. OPUYU’E JX BXXYE, JX MGJBXME, WHEO VNSGJ MPGOU MSNNE. G BXJ’O FJXM MPSO G’I MSORPGJL. OX QU PXJUEO, G BXJ’O UAUJ FJXM GD OPU OA GE XJ, BUEVGOU QUGJL IT XJNT NGLPO EXHYRU. QHO G DGJB RXIDXYO GJ GO. G DGJB RXIDXYO GJ OPGE EISNN YXXI. GJ OPU EPUUOE SJB GJ OPU YUIXOU. G BXJ’O OPGJF G’NN QU RPSJLGJL OPU RPSJJUN SJTOGIU EXXJ.
:)

I’m excited to announce the first partner release with Rooms Without Doors & Jested Inc! RWD (aka HTCAT) is one of the coolest visual and sonic artists I know, and I’m proud to be releasing his vaporwave album, “I shouldn’t be watching this”. Check it ouuuuuuuuuut!
credits
released September 4, 2021

Originally published here: htcat.bandcamp.com/album/i-shouldnt-be-watching-this

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posted 06 September 2021

Various Artist – We’ve been quiet, but we are still here

Various Artist – We've been quiet, but we are still here
[NV023]

Various Artist

“We’ve been quiet, but we are still here”

It has been a long time since we released any music out as a label. We’ve been quite (and we still sort of are). This whole new worldwide situation got us thinking in what direction should we go next…and if we should at all. We still haven’t really figured that out, but since we had our 12th anniversary this summer, we’ve decided to gather few tracks from our friends (who you may already know from their past appearances on the label) and offer them as a reminder that we are still here.

Enjoy and do not forget to share & support if you are really feeling it!

released September 3, 2021

Mastered by ANS / Krmelec Studios.
Cover design by Displaay / Martin Vácha.

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posted 06 September 2021

rADio eNd – Salvator Salvandus

rADio eNd – Salvator Salvandus

rADio eNd

“Salvator Salvandus”

Ed End:
Album concept, song titles, and original source music.

Charles Rice Goff III:
Additional sounds, mixes, final edits, and cover art.

Technology:

Ed End:

Novation Bass Station analog synthesizer in rack with Yamaha DX21 keyboard.
Rhythms generated by a Digitech Trio Pedal in various FX circuits, coupled with a pink Mini Kaossilator Korg, an electric frequencies generator, and various FX pedals.
Samples are done with an old turntable with an elastic band and some other stuff under the records to make irregular playing surfaces.
Etheric Body incorporates a computer overlayer mix.

C. Goff III:

Voice, Korg R3 Vocoder/Synthesizer, Korg Z1 Synthesizer, Micro Moog Analog Synthesizer, Hello Kitty Stratocaster Electronic Guitar, Aklot Electro-Acoustic Soprano Ukulele, Various Plectra, Boss RC 20X Loop Station Loop Duplicator, Ibanez DM 1000 Digital Delay, Yamaha FX 500 Effects Unit, Various Analog Foot Pedal Sound Effects, Tascam 424MKIII 4-Track Cassette Recorder, K-Mart Portable Phonograph, Modified Vinyl and Flexidisk Records, Cool Edit Pro II, Audacity, Midisoft MIDI Scorewriter, Windows Media Player, Roxio 2011 Sound Recorder, Several Plug-In Audio Sound Effects, Amazing MIDI Wave-To-MIDI, Polysoft MIDI to Mp3 Converter, Natural Reader Voice Emulator

Editing Process:

To produce this collection, Goff blended many of his own original recordings with Ed’s source materials. Goff also modified Ed’s source materials in many ways. Simple digital effects altered source track sounds and/or speeds. Some source tracks were played on a keyboard directly through the inputs of a Korg Vocoder. On one piece, a single rhythmic source phrase was modified in a number of ways, then the various modified phrases were linked together into a chain. Some source tracks were converted to MIDI files, then the resulting tracks were altered to showcase a variety of MIDI sounds. Some edits were recorded onto a 4 track cassette tape and remixed manually into digital files.

Below the surface :
We talked a lot about the symbolic elements before Goff upgrade it.
About Salvador Salvandus concept you will discover yourself an answer if you translate the fifth track title.
It seems one big problem in this world is about on one side the self proclamated saviors, kind of people often thinking that there is only one solution : their solution… and on the other side the savior worshipers, kind of people often thinking it’s more safe to be save by someone else than to do it themselves…
For me both are wrong. Of course, people with a little psychological skills know that the “hand seeking help”, is more trying to drag down someone else to feel less low. Sameway that the “helping hand” is more trying to steal the benefit of the salvation. Obviously the savior can’t save and the savior seeker can’t be save.
Both being blinded because too much self centered. In this problem there is not only two subjects but three and this third one is the world itself, and the world, this wide network of living beings brings a real solution if you are able to listen it. You get the process and knows how to act toward to solve it till you are able to feel these connections and understand how to set your mind.
Hard to explain fully in few words roughly translate that’s why I prefer let the music talk.

Above the surface :
It took me several listening before to get it, Salvador Salvandus is the kind of album you can often go back to and slowly become a familliar presence as well as that shadow behind you can be. For me it’s an important step in rADio eNd study of how a kind of soul can be reveal thru the transformation of the sound material. That’s why I’m so happy Goff share his editing process. And I hope you will be as joyfull than me that he brings this music to life.

This album is also available here:
archive.org/details/rADio_eNd_Salvator_Salvandus

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posted 03 September 2021

DJ Mashiro (2) – 二重写し

DJ Mashiro (2) – 二重写し
[OMOIDE 233]

DJ Mashiro (2)

“二重写し”

DJ Mashiro (2) (@Dazzletek_) / Twitter twitter.com/Dazzletek_

SoundCloud soundcloud.com/massh1ro
Artwork

Ameno (@Abeno_ch) / Twitter twitter.com/Abeno_ch
‟二重写し‟とは、このEPすべての曲が二次創作ということです。
credits
released August 27, 2021

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posted 03 September 2021

CHAFOUIN – Toufoulcan

CHAFOUIN – Toufoulcan

CHAFOUIN

“Toufoulcan”

CHAFOUIN is a french band from Brest, Brittany.

Enregistré mixé et masterisé par L’ostral au Paladium à la ferme de Malhaussette en Janvier 2021.
Musique par Lolot, Zézé, Marius et L’ostral.
credits
releases September 15, 2021

Co – Produced by Les Labels:
Cooloax / Epicericords / Jarane / L’étourneur / Araki
GED / Hidden Bay / Super Apes / Burning Sound /
Les Clampins d’abord and Do It Youssef !

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posted 01 September 2021

R_Garcia – Na​/​Na

R_Garcia – Na​/​Na

R_Garcia

“Na​/​Na”

Na/Na is the final contribution in a thematic series of 2021 Ep and Single releases by R_Garcia. Borrowing from “all over the place”, the tracks in this series (which also includes previous releases Ojo, Solum & Yoru) represent a meeting point of past and present, of home and away, and of familiar and foreign — all for the sake of a funky beat.
credits
released August 31, 2021

Written, Performed and Recorded by Randy Garcia at The Hidden Fortress in Atlanta, GA

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posted 01 September 2021

Cloud Chemist – Crystal Heart

Cloud Chemist – Crystal Heart
[MN²082]

Cloud Chemist

“Crystal Heart”

music merch community

Crystal Heart [MN²082]
by Cloud Chemist

Wishlist

Swamp 01:03 / 02:51

Streaming + Download
Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.
name your price

1.

Nothing 03:33

2.

Swamp 02:51

buy track

3.

Humanity 05:12

4.

Paranoid 03:24

5.

Quarantine 02:43

6.

Deep inside in your mind 02:04

7.

Between two words 02:43

8.

Crystal Heart 04:13

9.

Dimensions 03:30

10.

Internal enemy 02:24

11.

Path of the samurai 02:15

12.

Speak with silence 05:36

13.

Requiem 02:03

about
пусть невидимое Солнце озаряет путь, а творения живут вечно.
_____

10 июня 2021 года остановилось сердце нашего общего друга и талантливого музыканта Cloud Chemist, ему было 28 лет.

это его последний альбом, который он, к сожалению, не успел выпустить при жизни.

любим и помним всегда!
credits
released September 1, 2021

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posted 01 September 2021

Cirqular – Trajectories EP

Cirqular – Trajectories EP
[ST070]

Cirqular

“Trajectories EP”

From Mexico Cirqular presents a new stack of audio candy carefully design with he´s bass signature
Out on Californian label Shadowtrix Music
#halftime #bassmusic #breaks

DL wav:
drive.google.com/drive/folders/1U1FoVrK8YSEQPchW5inTGkpLd5TaCuTd?usp=sharing

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posted 31 August 2021

MITOMA – Fragments

MITOMA – Fragments
[S27-183]

MITOMA

“Fragments”

Mitoma presents this new release “FRAGMENTS”, compiling some obscure tracks and remixes for friends written between 2011-2020 and featured on various label V.A compilations over the years.

This release also features a remix which (until now) had been previously unavailable.

All tracks by Mitoma, except 3, 6, 9, 10 additional production by the respective artists.
Cover image visual by Stormfield.

mitoma.bandcamp.com

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posted 31 August 2021

Musica Casual – Hegemonias

Musica Casual – Hegemonias
[pn194]

Musica Casual

“Hegemonias”

“Hegemonías”, the most recent album by Santiago’s Rodrigo Mardones aka “Música Casual”, is an ode to abstraction revealed through 4 small suites that will feed the most unsatisfied needs of contemporary music lovers.

Starting from tools that are not necessarily the latest trend in fashion, Mardones manages to construct a meta-music that is desired by both collectors and addicts to the accumulation of gadgets with little or no talent for the inventiveness that we happily encounter here. The notion of less is more finds its newest exponent in “Música Casual”. It follows in a legacy of stars that have made of electronic music paradises of plenitude. You name them.

A poisonous industrial environment is what the ex-manager of the group “Sintra” delivers in “Hegemonías”, a record that affirms him as a reference point when talking about post-Chilean psychedelia.

Wilder Gonzales Agreda
(Lima, Perú. Agosto / August 2021)

“Hegemonías” (“Hegemony”) is a concept borrowed from the thinking of the Italian philosopher Antonio Gramshi/ we live in full pandemic hegemony/ the question was how do I continue to cross through it/ making music/ yes, with what I had at hand/ obsolete technologies/ a way of being in the world/ at the beginning was all noise/ step by step/ less is more/ while the more restrictions the more music is made.

Rodrigo Mardones
(Santiago, Chile. Agosto / August 2021)

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posted 30 August 2021

LES – Anisotropic Collapse

LES – Anisotropic Collapse
[mhrk283]

LES

“Anisotropic Collapse”

LES (LunarEscapeSystem) is an Israeli electronic music duo based in Tel Aviv, formed by Elena P. and Genrietta P., an ambient/soundscape/techno project that began collaborating six years ago and ever since has had numerous live A/V performances.

The duo say they get their inspiration from the avant-garde electronic scene of western europe in the beginning of the 90s, the early electronics movement from the 60s, BBC radiophonic workshop recordings, Sci-Fi movies soundtracks. They have developed their own sonic language, inspired by the natural sound of the elements, modern urban chaos, space phenomena, and silence. Through the years, the duo grew as electronic music producers and sought to venture into new territories by collaborating with different artists, creating multidisciplinary co-operations that intend to combine art mediums. These co-operations push and expand the boundaries of the artists themselves, their listeners, and spectators. Working outside of accepted artistic paradigms, LES believes in the art’s potential as a hybrid set of actions. Both Genrietta and Elena’s core activities were initially set in the visual arts, and the sound experiences created by the project are intertwined with the visual. LES strives to suggest new potentials that are multi-sensual via the universal language of sound.

The Mahorka debut of LES, their album “Anisotropic Collapse” is an exploration of glitchy ambient techno soundscapes inspired by Stephen Hawking’s book “A Brief History of Time” and space phenomena, released as free (cc) digital download and amazingly beautiful limited digipak CD. “Anisotropic Collapse” was recorded using analogue and modular synths and an “anti-radio” instrument that captures electromagnetic fields. Enjoy the voyage!

Music and artwork by LES. Mixed by Assaf Tager, and mastered in Artefacts Studio, Berlin.

released August 26, 2021

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posted 27 August 2021

Vixenvy – The ORIGINATION

Vixenvy – The ORIGINATION
[LF157MP3]

Vixenvy

“The ORIGINATION”

Track Listing:
01. I’m sorry we really suck.
02. Okaeri
03. Nichiyo
04. Azubump
05. SOY&SUGAR
06. Vixenvy × Riajuu – Time Travel
07. Teru Teru Bozu
08. Super Catch Beam
09. Wanwan Korokoro
10. p.stmdrn – drly[re]l.vd (vixenvremix)
11. Tea Time
12. Bearly Deloved

Music by Vixenvy
Track 06 by Vixenvy and Riajuu
Track 10 by p.stmdrn
Artwork by Occupied Territories and Riajuu

Vixenvy:
https://soundcloud.com/vixenvy
vixenvy.bandcamp.com

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posted 27 August 2021

TN and _DS – Triangulation

TN and _DS – Triangulation
[ET132]

TN and _DS

“Triangulation”

4 tracks that started life as two tracks shared between two artists DS and TN as an Exquisite corpse experiment. Completed during the 2nd & 3rd UK lockdown.

Exquisite corpse, also known as exquisite cadaver, is a method by which a collection of words or images is collectively assembled. Each collaborator adds to a composition in sequence, either by following a rule or by being allowed to see only the end of what the previous person contributed.

Part 1 – joint track composition

Preliminary guidelines were established between the two artists via messenger conversation

One project file for each of the two tracks
Person who has worked on it last uploads new version & deletes old version
Add one minute & only alter ½ of previous minute (can break rules to allow reverb and delay tails to last longer than the minute)
Must over lap with last last piece (this rule can be broken if it benefits the composition)
Can copy and paste at will from any previous piece (eg if you feel an aspect of the previous minute needs to last longer, or it benefits the composition to revisit an earlier moment)
Other recorded material permissible.
Artists to continue exchanging 3x until length of track is around 6 mins

Part 2 – independent mixing of tracks.

Two track compositions to be taken by each artist. Both artists to develop their own mixes with permission to add elements, modify/repeat elements as they wish.
No other rules.
Final length of mixed tracks to be between 3.5 mins and approx 7 mins.
4 final tracks as a result.

TN – Taylor Nuttall

Taylor Nuttall trained as a visual artist and has an early exhibition career with artworks featuring painting, print, sculpture, photography and installation. In the late 80’s and early 90’s he began to explore the potential of creativity using computer technologies. As well as exhibiting these works in traditional gallery spaces this led to a number of pieces being designed to be experienced online as virtual artworks. These virtual artworks also began to explore the use of sound. After completing a residency and commission for the arts organisation Folly in Lancaster as part of the Digital Arts Festival in 2000, Taylor became Artistic Director and CEO for Folly, and a founding director of AND Festival, putting his own creative activity on hold until more recently. Taylor is now working with sound, drawing upon composition and musical skills he learned from playing piano and classical guitar as well as re-learning more robustly about sound design, composition and music theory.

‘Is this just One Day?’ released September 2020, a new commision for Aerial Festival. aerialfestival.com/

Tracks played on:

BBC Radio Introducing – BBC Radio Cumbria

Breakfast Show on BBC Radio Cumbria

www.bbc.co.uk/sounds/play/live:bbc_radio_cumbria

Space is the Place Radio Show – Cando FM – @SpaceisthePlac9

The Magic Window – MadWaspRadio – madwaspradio.com/

Hello Goodbye Radio Show – Resonance FM – hellogoodbyeshow.com/

Star & Shadow Radio – https://soundcloud.com/tynesidesounds

Eagle Nest Radio – @eaglesmusicnest

@digitaylor

_DS – Dominic Smith

Dominic Smith is an artist with a wide practice that includes new media and sonic experimentation. He has exhibited and performed internationally since the early 2000’s. He is also one half of the musical project ‘The Fishery Commission’ who began life around 2005ish as an experimental act that involved recycled 8bit games systems and in recent years has become something resembling real music, having performed at festivals, released albums and had international radio coverage. Under his _DS title he produces synthesised soundscapes that occupy a space between Eno’s discreet music and Lucier’s Hartford Memory Space compositional strategies.

Find previous releases here: d–s.bandcamp.com/

And his audio sketchbook here: https://soundcloud.com/d-s_s-d

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posted 27 August 2021

George Cartwright – Right, Plus, Oh The My Batey Oh

George Cartwright – Right, Plus, Oh The My Batey Oh
[PT122]

George Cartwright

“Right, Plus, Oh The My Batey Oh”

Jupiter Juniper Berry
(tracks #1-3)
Bruce Golden – knee electronics, percussion, voice and Juniper Slippers
etg (evan gallagher) – much keyboards, percussion, cornet and Jupiter Slippers
George Cartwright – alto saxophone and guitar and Juniper Slippers
Anne Elias – art and Jupiter Slippers
Risa Inoue – conviviality and Juniper Slippers

Starch
(tracks #4-10)
Bruce Golden – percussion, ringing items
etg (evan gallagher) – Casio keyboards
Brian King – vibes
Jeb Stuart – contrabass
George Cartwright – sax, voice, editing, effects, mastering, production

The Puppet
Anne Elias – voice
George Cartwright – production, acoustic guitar, processing,
editing and art

The Sledge Hammer and The Feather.
Davey Williams- text and spoken word
George Cartwright sounds and editing

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posted 27 August 2021

Jack_Plug – Encapsulado

Jack_Plug – Encapsulado
[M044]

Jack_Plug

“Encapsulado”

Tracklist:

1. Tonalidades
2. Mayo
3. 1000
4. Otoño Deja Vu

Reseña:

Jack_Plug – Encapsulado

Los viajes sonoros que construye Jack Plug no dejan de sorprender. Envueltos en una atmósfera rítmica que nunca pierde su continuidad y con una sonoridad que es deudora de los pequeños sonidos -el ritmo de oleaje que otorgan los sintetizadores y un beat que aparece en los momentos justos-, el EP se construye sobre los cimientos de la electrónica que inspiran al músico nacido en Viña del Mar. Cada tema es una pequeña historia, distinta en sus detalles, pero unificada al concepto global del EP, algo que adquiere particular sentido con Otoño Deja Vu, el track que cierra Jack Encapsulado como pieza final y elocuente de un sonido que parece evocar distintas épocas.

Carlos Valencia, periodista.

Review:

Jack_Plug – Encapsulado

The resounding trips that are built by Jack Plug do not cease to amaze. Surrounding by a rhythmic atmosphere that never loses continuity and with a certain kind of tone that owns tiny sounds -the rhythm of the waves that are provided by synths and a beat that appears just at the right time- This EP is built over foundations of the electronic that inspires this musician born in Viña del Mar. Each track is a small story, different from one another in their details, but very attached to the global concept of the EP; something that acquires a unique meaning in Otoño Deja Vu, the track that closes up Jack Encapsulado as a final and articulate piece of a sound that seems to evoke a different era.

Carlos Valencia, journalist.

Todos los temas compuestos por André Baradit
Masterización por Miguel Jáuregui
Arte por André Baradit
Reseña por Carlos Valencia
Traducción al Inglés por Allyson Penelas

Esta obra está bajo una licencia CC By-NC-SA 4.0 Internacional

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posted 24 August 2021

Coagulant – Selenological Guise

Coagulant – Selenological Guise
[ACP 1324]

Coagulant

“Selenological Guise”

Recorded, developed and performed by Coagulant
at PSSR std, north London between July and December 2020

Visual concept, artwork & design by Allen K. Trimble at Spectral/23
All sounds sourced from microphones, sonic soundscapes, cut-up and
feedback.

Coagulant is a conceptual sound art project devised by Fkdrone in 1998, and led by Fabio A. Kubic, It is connected in many areas related to sound experimentation. Its process in the development of electronic manipulation, through microphones, cut-up, environmental soundscape, audio-feedback editing, musique concrète and the structuring of oblique frequencies, rests on hypnotic drones.

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posted 23 August 2021

Alex Franklin – The Venture

Alex Franklin – The Venture
[BS450067]

Alex Franklin

“The Venture”

Hey music lovers… today we’ve got “The Venture”, the fantastic new single from Alex Franklin’s debut album “FROST”. In addition to the album cut, the B-Side is the exclusive non-album track “C Sharp”. So go ahead, download your free copy of this great music!

Alex, thanks again for allowing blocSonic to help get your music out to ears. Can’t wait to to hear where you go from here!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

s3.wasabisys.com/blocsonic/releases/fortyfives/bs450067/01-TheVenture_192kb.mp3

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posted 22 August 2021